The remarkable story of how plastic became such a major player in the worlds of industry, medicine and design (among many others) before becoming persona-non-grata thanks to its intimate involvement in our current ecological plight is Shakespearean in its scale and one of the great tales of the last century. Laura Barton sets out to create a biography of this most multi-faceted and fluid titan of the manufacturing world, using the fabulously rich archive from TV, radio, advertising and film - as well as fresh interviews with contemporary experts including Rebecca Altman, Jeff Miekle, Charlotte Hale and Lauren Bassam. Plastic’s story is one of of incredible power, hubris and more recently disparagement, but it is also endlessly complex and morally ambiguous; while plastic’s negative impact on our environment is inescapable, as Laura will set out to describe it has also revolutionised the way we live our lives in any number of invaluable ways.Produced by Geoff BirdThe exhibition 'Plastic: Remaking Our World' will be co-produced in 2022 by V&A Dundee, the Vitra Design Museum and MAAT.

It's 75 years since the judgement at the International Military Tribunal in Nuremberg. Nineteen high ranking Nazis were found guilty of war crimes, crimes against peace, crimes against humanity and conspiracy to commit those crimes. Twelve of them were condemned to death. The trial, which lasted almost a year, made history and the principles of international criminal law first established there are still fundamental to international justice today. The writer and lawyer, Philippe Sands examines the legacy of Nuremberg in subsequent war crimes trials and the founding of the International Criminal Court in the Hague 50 years later. He speaks to people who were there in Courtroom 600 in Nuremberg, as well as leading judges and lawyers in today's international justice system.Producer Caroline Bayley Editor Jasper CorbettImage: View of the judges bench in Nuremberg International Military Tribunal (IMT) court in September 1946. Credit AFP via Getty Images

In the small hours of the night, we are up in our thousands watching a wheel spin on our phones - a roulette wheel. It may be virtual, yet for many of us it has a power beyond the real. Gambling has been spun inside down and inside out by the internet age, never more so than under lockdown. With the Gambling Act currently under review, Amy Acre brings the experience of betting alive through poetry, music and oral histories, tracing the social history of gambling over three generations.Image of Amy Acre by Jamie Cameron Sound design and original music by Jon Nicholls Vocals by Steph MacGaraidh Producer Monica Whitlock Production Coordinator Janet Staples Editor Hugh Levinson

In July this year South Africa’s former President, Jacob Zuma, was jailed for contempt of court. The 79-year-old is now facing trial for corruption. But Zuma insists he is a victim of a vast, international conspiracy to poison him and silence him. And when his arrest triggers an orchestrated campaign of violence, fears grow that Zuma’s conspiracy theories and populist rhetoric could threaten the democracy he once fought to build.'Poison' is the story of one man's toxic obsession and the battle for South Africa's future.Presenter: Andrew Harding Producer: Vauldi Carelse Sound mix: James Beard Series editor: Bridget Harney

When South Africa’s President, Jacob Zuma, falls ill from what he suspects to be poison, he flies to Moscow for treatment. But why the need to go abroad? The implication is that Zuma believes Western spy agencies are trying to kill him. But is he now using the Russians, or are they using him for their own strategic purposes?'Poison' is the story of one man's toxic obsession and the battle for South Africa's future.Presenter: Andrew Harding Producer: Vauldi Carelse Sound mix: James Beard Series editor: Bridget Harney

Home after years in exile during the liberation struggle, South Africa’s future President Jacob Zuma is quickly engulfed in corruption scandals. But when one of his wives is accused of trying to poison his tea, Zuma suspects that a foreign government may be plotting to kill him.'Poison' is the story of one man's toxic obsession and the battle for South Africa's future.Presenter: Andrew Harding Producer: Vauldi Carelse Sound mix: James Beard Series editor: Bridget Harney

South Africa’s former president Jacob Zuma is convinced he’s been the target of repeated poisoning attempts. But why? In this episode we dive into the murkiest corners of the long struggle against racial apartheid to uncover Cold War paranoia, toxic underpants, and the origins of Zuma’s fixation with poison.'Poison' is the story of one man's toxic obsession and the battle for South Africa's future.Presenter: Andrew Harding Producer: Vauldi Carelse Sound mix: James Beard Series editor: Bridget Harney

South Africa’s President Jacob Zuma believes he has been poisoned, repeatedly. He claims to be the victim of a long, sophisticated, and unfinished plot to assassinate him. But who would want to kill a man still celebrated for his role as a fighter in the struggle against apartheid? Could it be linked to the allegations of massive corruption against him? Or is there a broader conspiracy at work – an international plot to silence a man who claims to be speaking up for South Africa’s neglected poor? In this five-part series the BBC’s Africa correspondent, Andrew Harding, digs into a mystery that links a case of poisoned underpants, to a plot to kill Nelson Mandela, to this year’s riots that left 300 South Africans dead. In this episode, Zuma's early years.'Poison' is the story of one man's toxic obsession and the battle for South Africa's future.Presenter: Andrew Harding Producer: Vauldi Carelse Sound mix: James Beard Series editor: Bridget Harney

Ten years ago, in 2011, David Aaronovitch felt like he was losing his grip on reality. He'd been placed in a coma, after a surgery gone wrong. Now he was awake and in Intensive Care.Every time he closed his eyes the inside of his eyelids would display a kaleidoscope of red, black and yellow violent cartoon images. Faces appeared before him like odd animation of computer game avatars. That was just the beginning. For the next four days and night David experienced what he describes as a "waking nightmare".These types of hallucinations are called delirium and are a very common side effect of being placed in an induced coma.Now the number of people experiencing delirium is on the rise. That's because those who are critically ill with Covid often have to be ventilated. While it helps their bodies fight the virus, and will often save their lives, the mental toll can be as serious as the physical one. Increasingly, patients are leaving hospital physically healed but mentally scarred.In this powerful and immersive documentary David Aaronovitch hears from three people who have struggled with delirium, and shares his own experience.Producer: Caitlin Smith Executive Producer: Peter McManus Researcher: Anna Miles Sound Design: Eloise WhitmoreWith thanks to Paul Henderson, Zara Slattery, Robin Hanbury-Tenison, ICU nurse Crystal Wilson and Dr Dorothy Wade of Barking Havering and Redbridge Universities Hospital Trust and North EAst London Foundation Trust.Image courtesy of Zara Slattery.

How do we send a warning a hundred millennia into the future?Poet Paul Farley considers how we might warn people three thousand generations from now about the radioactive waste we’ve left in geological disposal facilities deep underground. As he does so he explores the essence of communication and storytelling and the elements of our language, art and culture which are truly universal.In countries across the world, including the UK, USA, France and Finland, the hunt is on for underground sites which will survive shifting tectonic plates or passing ice ages and remain secure for tens of millennia - maybe a hundred thousand years - until the radioactive waste they contain is no longer a danger. And once it’s buried, how do we leave a clear, unambiguous warning message - that this site is dangerous and should not be disturbed - for a society which may be utterly different from our own?Can we still use written language? Would pictures and symbols be more easily understood? Or could we construct a landscape of vast monuments to instil fear in anybody who saw them. Paul talks to writer Helen Gordon about her experience of visiting the Onkalo nuclear repository in Finland and the challenges of warning the future about what it contains.He hears from Jean-Noël Dumont, Manager of the Memory for Future Generations programme for the French nuclear agency Andra. For several years Andra has asked artists to devise a warning of the existence of a nuclear repository. Stéfane Perraud and Aram Kebabdjian responded with the idea of a Zone Bleue – a forest of genetically-modified blue trees which act as a memorial rather than a warning.In 1981 linguist Thomas Sebeok proposed the idea of a ‘nuclear priesthood’. The idea takes its inspiration from world faiths which have passed on their message for thousands of years. At an ancient Christian site in the shadow of Heysham nuclear power station Paul meets Robert Williams, Professor of Fine Art at the University of Cumbria who, with American artist Bryan McGovern Wilson, has brought to life the idea of a Nuclear Priest, imagining their vestments, their rituals and role.There’s compelling evidence that oral traditions can carry memories of events not just for centuries but for thousands of years. Professor Patrick Nunn has been researching Indigenous Australian stories which appear to carry the folk memory of a time after the last ice age when sea levels were much lower – around ten thousand years.So could a story, a poem or a song be the answer? As the programme unfolds, Paul devises a poem to carry a warning to distant generations.Producer: Jeremy GrangeProgramme image courtesy of Robert Williams and Bryan McGovern Wilson with Michael Coombs. It was taken during the Alchemical Tour of Archaeological Sites in Cumbria and North Lancashire, as part of the Cumbrian Alchemy Project.