New Books in African American Studies

Some books are new, others are newly relevant – and so worth looking at from a new, contemporary perspective. Such is the case with Susan Reverby’s book Examining Tuskegee: The Infamous Syphilis Study and its Legacy (UNC Press, 2013). When the book was published in 2009, our world was reeling from a global financial crisis that exposed how subprime mortgages disproportionately affected Black homeowners; today we reel from a global pandemic that has starkly exposed how Black Americans and other people of color are disproportionately affected by the virus SARS-CoV-2 and its effects. Another inequity connected to the pandemic relates to vaccine distribution and uptake: they are much lower among Black (and Latinx) than white Americans.Examining Tuskegee is a deeply researched work that ranges from the trial’s origins within a public health partnership between the Tuskegee Institute and the Public Health Service, to portraits of its protagonists – the researchers, the men who were its subjects, the complex Nurse Rivers, and the persistent Peter Buxton, whose efforts eventually exposed the full truth of the study after it ran for 40 years – to the ways it was portrayed in popular culture and the media, to matters of bioethics and presidential apologies. In our conversation, Susan Reverby explains what actually happened in the study – no, the men were not injected by the researchers with syphilis – what it meant 50 years ago, and how it pertains, or not, to issues such as vaccine hesitancy among African Americans today.Rachel Pagones is chair of the doctoral program in acupuncture and Chinese medicine at Pacific College of Health and Science in San Diego and a licensed acupuncturist. Her third book, an examination of the history of acupuncture as a means of social and political revolution, is under contract with the University of Michigan Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Maureen Mahon’s book, Black Diamond Queens: African American Women and Rock and Roll (Duke University Press, 2020), focuses on the contributions to rock and roll by African American women from Big Mama Thornton to Tina Turner, and the erasure and marginalization of most of these women in other histories of popular music. Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll and puts them back into a narrative that generally emphasizes the role of white male guitar players in the development of the genre. She considers how the racialized vocal timbre of African American women’s voices has shaped rock from the girl groups of the early 1960s to the background singers who created the sound of some of the most iconic tracks recorded by the bands of the British invasion. Running throughout the book is a deep analysis of how the stereotypes about Black women crashed into the lived experiences of her subjects, affecting their careers, their relationships, and their music. By uncovering this hidden history, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

From ships and novels to Mardi Gras, water, and television, how does the legacy of the Middle Passage, the leg of the Atlantic through which African people were trafficked as slaves, reverberate through the creations of writers and authors of the African diaspora? In this episode of New Books Network, Dr. Lee M. Pierce interviews Dr. Tara G. Green about her latest book on the Middle Passage, rebirth, trauma, water, social death, and resistance.In Reimagining the Middle Passage: Black Resistance in Literature, Television, and Song (Ohio State UP, 2018), Tara T. Green turns to twentieth- and recent twenty-first-century representations of the Middle Passage created by African-descended artists and writers. Examining how these writers and performers revised and reimagined the Middle Passage in their work, Green argues that they recognized it as a historical and geographical site of trauma as well as a symbol for a place of understanding and change. Their work represents the legacy African captives left for resisting “social death” (the idea that Black life does not matter), but it also highlights strong resistance to that social death (the idea that it does matter).Dr. Tara T. Green is Professor of African American and African Diaspora Studies at UNC Greensboro where she is also the Linda Arnold Carlisle Excellence Professor of Women’s and Gender Studies.Dr. Lee M. Pierce is Assistant Professor of Rhetoric at SUNY Geneseo and host of the RhetoricLee Speaking podcast. Connect on Gmail and social media @rhetoriclee. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

On the evening of May 31, 1921, thousands of white Oklahomans assaulted the Greenwood District of the city of Tulsa. In what would come to be known as the Tulsa Race Massacre, dozens of Black residents were killed and thousands more displaced as armed whites looted their homes and businesses before burning them to the ground.Karlos K. Hill’s The 1921 Tulsa Race Massacre: A Photographic History (University of Oklahoma Press, 2021) provides a visual record of the attack upon the community and the destruction it wrought upon the neighborhood, along with pictures of the aftermath and the testimony of the survivors. As Hill’s images reveal, Greenwood had established itself as the most prosperous Black community in the United States prior to the massacre. This prosperity was a source of resentment for many whites, and fueled much of the anger reflected in the massacre. Yet Hill’s photos also reveal the resilience of a community, as in the aftermath of the devastation the residents of Greenwood rallied to rebuild much of what had been destroyed, serving as a foundation for further prosperity in the decades that followed. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

E. Patrick Johnson's Sweet Tea: Black Gay Men of the South (University of North Carolina Press, 2011) has been a monograph, a documentary film, a stage play, and now a published script from Northwestern University Press. This play weaves together interviews Johnson conducted with gay Black men from the South with Johnson's own recollections of growing up young, gifted, gay, and Black in Hickory, North Carolina. These stories are funny, heart-breaking, and inspiring, and reveal a collective portrait of gay Black Southern life that is much more complex than the simple narrative of repression and escape so often associated with this community. In this interview we discuss what keeps Johnson returning to these stories, his relationship to Black spirituality, and the techniques he used to embody these men when he performed Sweet Tea as a one man show.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Nikki Lane's The Black Queer Work of Ratchet: Race, Gender, Sexuality, and the (Anti)Politics of Respectability (Palgrave MacMillan, 2019) enters as a corrective to the tendency to trivialize and (mis)appropriate African American language practices. The word ratchet has entered into a wider (whiter) American discourse the same way that many words in African American English have--through hip-hop and social media. Generally, ratchet refers to behaviors and cultural expressions of Black people that sit outside of normative, middle-class respectable codes of conduct. Ratchet can function both as a tool for critiquing bad Black behavior, and as a tool for resisting the notion that there are such things as "good" and "bad" behavior in the first place. This book takes seriously the way ratchet operates in the everyday lives of middle-class and upwardly mobile Black Queer women in Washington, DC who, because of their sexuality, are situated outside of the norms of (Black) respectability. The book introduces the concept of "ratchet/boojie cultural politics" which draws from a rich body of Black intellectual traditions which interrogate the debates concerning what is and is not "acceptable" Black (middle-class) behavior. Placing issues of non-normative sexuality at the center of the conversation about notions of propriety within normative modes of Black middle-class behavior, this book discusses what it means for Black Queer women's bodies to be present within ratchet/boojie cultural projects, asking what Black Queer women's increasing visibility does for the everyday experiences of Black queer people more broadly.This work makes reference to a few songs that really give a depth of understanding the concept of boujee and ratchet. I suggest listeners who are not familiar go and check out Migos and Kanye West - I Don't Like ft.  Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The ratification of the Nineteenth Amendment to the Constitution of the United States, which granted women the right to vote nationwide, was the culmination of a long and oftentimes contentious campaign that had its origins in the beginnings of the nation itself. In American Women’s Suffrage: Voices from the Long Struggle for the Vote, 1776-1965 (Library of America, 2020) Susan Ware provides readers with a sampling of the letters, articles, speeches, and other contemporary documents that reflect both the ideas of the movement and the arguments deployed against it. Her selections demonstrate how the battle of women’s suffrage was itself a part of a broader campaign for women’s rights in the early 19th century. Though it was galvanized by the activism of women from the abolitionist movement, the solidarity born of common oppression was shattered after the Civil War, when many suffragists expressed frustration with their exclusion from the voting rights being granted to Blacks. While a corps of dedicated activists continued their campaign into the 20th century, it was only in the 1910s that momentum shifted decisively in their direction. As Ware demonstrates, their success in gaining ratification in 1920 was less the conclusion of women’s efforts for political quality than it was the end of one stage and the beginning of a new effort to turn the newly-won franchise into political power – an effort that continues down to the present day. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

One of nineteen children in a blended family, Hari Ziyad was raised by a Hindu Hare Kṛṣṇa mother and a Muslim father. Through reframing their own coming-of-age story, Ziyad takes readers on a powerful journey of growing up queer and Black in Cleveland, Ohio, and of navigating the equally complex path toward finding their true self in New York City. In Black Boy Out of Time: A Memoir (Little a, 2021), Ziyad investigates what it means to live beyond the limited narratives Black children are given and challenges the irreconcilable binaries that restrict them.Heartwarming and heart-wrenching, radical and reflective, Hari Ziyad's vital memoir is for the outcast, the unheard, the unborn, and the dead. It offers us a new way to think about survival and the necessary disruption of social norms. It looks back in tenderness as well as justified rage, forces us to address where we are now, and, born out of hope, illuminates the possibilities for the future. Dr. Christina Gessler is a historian of women, gender, and sexuality. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

How do race and sexuality intersect in the American sitcom? In The Generic Closet: Black Gayness and the Black-Cast Sitcom (Indiana University Press, 2021),  Alfred L Martin, an assistant professor of communication studies at The University of Iowa, explores the production and reception of Black-cast sitcoms, along with a detailed analysis of the representations of gay men within this genre. At the centre of the book is a theorisation of the generic closet, both as a way to explain the absence of nuanced and complex representations of Black gay men on screen, and to account for the limited, decentred, and peripheral place offered to Black gay men in the Black-cast sitcom. Offering detailed engagement with the history and political economy of television, along with insights into writers’ rooms, production decisions, and audience responses, the book is essential reading across humanities and social sciences, as well as for anyone interested in understanding contemporary culture.Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Welcome to New Books in African American Studies, a channel on the New Books Network. I am your host, Adam McNeil. On today’s podcast, I am interviewing Dr. Jarvis R. Givens, Assistant Professor at the Harvard Graduate School of Education and the Suzanne Young Murray Assistant Professor at the Radcliffe Institute for Advanced Study at Harvard University. Dr. Givens joins us to discuss Fugitive Pedagogy: Carter G. Woodson and the Art of Black Teaching, published by our friends at Harvard University Press in 2021. In our discussion we chopped it up about Carter G. Woodson, Black educational history, the origin story behind "fugitive pedagogy" as a term, his journey from grad school at Berkeley, to his post at Harvard, and much much more. Enjoy the conversation family!Adam McNeil is a third year Ph.D. in History student at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies