New Books in African American Studies

Over the last year, this podcast has featured several authors who’ve examined the presidency of Barack Obama. John Sides, Daniel Kriess, and Enid Logan each wrote about the election campaign of the President. Michael P. Jeffries steps back and places the President into a larger theoretical conversation about race and language. Jeffries is an Assistant Professor of American Studies at Welleseley College and also writes for The Atlantic magazine and The Guardian newspaper. He is the author of Paint the White House Black: Barack Obama and the Meaning of Race in America (Stanford University Press, 2013) and published his first book, Thug Life: Race, Gender, and the Meaning of Hip-Hop in 2011. Jeffries peels back the debate over exactly “post-racial” life in America really is in 2013. Using the presidency of Barack Obama as a focal point, he draws from sociology, feminist theory, and political science to situate the president in long-standing debates about the state of race in America. The book is provocative, timely, and an enjoyable read Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Andra Gillespie is the author of The New Black Politician: Cory Booker, Newark, and Post-Racial America (NYU Press, 2012). She is an Associate Professor of Political Science at Emory University and earned her Ph.D. from Yale University. Her new book focuses on the rise of one of the most well-known mayors in the country, Cory Booker. Gillespie tracks Booker’s rise through the complex politics of the city of Newark, NJ. As one of the few US cities with a history of African American mayors, Booker’s story is unique, but also illustrative. By challenging long-time Mayor Sharpe James, Booker — a newcomer to the city — confronted a deep and protective political establishment. The strategies Booker used, some effective, others less so, help Gillespie explain a larger phenomenon of the “post-racial America”. The book’s clear and personal writing make this an engaging read for political scientists and those interested in urban politics. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Historian Stephen Hall passionately engages in the history of nineteenth-century African American intellectual life in his first monograph, A Faithful Account of the Race: African American Historical Writing in Nineteenth-Century America (University of North Carolina Press, 2009). This work traces the long nineteenth-century and how black historical writers evoked various themes at different moments, including ancient African history, biblical history, the paradox of American slavery, and challenges to black citizenship during the Reconstruction era. He unearths of a plethora of black historical sources in the nineteenth century in various forms, including speeches, sermons, newspapers, and literary texts, which each serve as precursors to the black historical writing of the twentieth century. His work reveals the complexities of African American intellectual history, and would be a great inclusion for undergraduate or graduate course, or for a general audience of readers who would be interested in learning more about the important history he illuminates. Listen in. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The Will of a People: A Critical Anthology of Great African American Speeches (Southern Illinois University Press, 2012) is a compendium of 22 orations delivered by African Americans over a span of over 265 years. Co-edited by frequent collaborators Richard Leeman and Bernard Duffy, both professors of communication studies, both interested in the American tradition of public address, have spotlighted the African American oral tradition in public testimonies, speeches, declarations, and jeremiads, among other possible categories of purpose in black oratory. Limited by such constraints as space and copy right law, the speeches included are those considered great, either because the speech itself is considered “famous,” like Sojourner Truth’s “A’n’t I a Woman?,” or because it is considered “the finest speech delivered by a an influential orator,” like Henry Turner’s “I Claim the Rights as a Man.” Whatever the reason for their inclusion, it’s no doubt the speeches collected are inspirational, informative, and worth studying as part of American cultural history, an oratorical history that continues to this very moment. In fact, capturing the contemporary milieu, the book also contains the first inaugural address by Barack Obama, the first U.S. president of color. Thus covering an impressive range, The Will of a People, will give readers much to think about, debate, and contemplate. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Stephen Caliendo and Charlton McIlwain are the authors of Race Appeal: How Candidates Invoke Race in US Political Campaigns (Temple University Press 2011). Caliendo is Professor of Political Science at North Central College and McIlwain is Associate Professor of Media, Culture and Communications at New York University. The two present a complicated portrait of the way race has played a part in recent elections. They utilize a multi-method approach combining content analysis and experiments to analyze how race is presented in campaign advertisements and comment on the verbal and visual dimensions of race in advertising. The book can help make sense of past elections and also the way race may play a part in campaigns in the future. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Digging up our roots seems to be the thing these days.  There are a host of genealogy resources available for anyone who cares to (re)discover their familial past.  Still, in the Americas people of African descent who want to take part in this digging encounter barriers; often there are gaps in the family histories of those whose members were bought and sold on a whim.   As she takes readers on a remarkable historical journey, Carla Peterson, author of Black Gotham:  A Family History of African Americans in Nineteenth-Century New York City (Yale University Press, 2011), illuminates the challenges of (re)discovering family histories and along the way, readers glean much about US national history. Armed with determination, patience beyond measure, and with several doses of serendipity, Peterson, Professor of English at the University of Maryland, College Park, takes her desire to return and find elements of her past to the archives of the Schomburg Center for Research in Black Culture.  Her persistence reveals to readers a new view of nineteenth century Gotham, as Washington Irving called the city of New York.  For example, Black Gothamprovides support for social historians who would argue that the New Negro movement–often solely associated with the Harlem Renaissance–began in the ante-bellum era.  And, those interested in the education of free African Americans pre-1865 may find it fascinating that many of the 19th century’s black elite were a part of New York’s African Free School system–the Mulberry Street School, in particular.  Celebrated alumni include James McCune Smith, Alexander Crummell, Henry Highland Garnet, George Downing, the Reason brothers–Charles and Patrick–as well as Peterson’s great-great grandfather, Peter Guignon, and her great-grandfather, Philip White.  As Peterson rediscovers her paternal family’s New York history, she at times laments the obscurity to which the women in her family were relegated; she does her best to remedy this, however, as she uses facts and imagination to piece together their lives. While the book divulges new perspectives on freedom–or the lack thereof–for black New Yorkers in the nineteenth century, it also is instructive with regards to methods of research for those who seek to dress up the scraps of memory mothers, fathers, grand-aunts or grand-uncles choose to share. Needless to say, the acts of both forgetting and remembering are found not only in personal narratives of history; the journey upon which Peterson embarks also forces readers to consider how and whom institutions choose to forget and/or remember–indeed, how the nation selectively forgets and remembers. Sankofa is an Adinkra symbol of West Africa’s Akan people that means “to go back and take it.”  It describes one impetus for Dr. Carla Peterson’s journey for she indeed goes back to see; Black Gotham:  A Family History of African Americans in Nineteenth-Century New York City attests to the fact that her insistence pays off significantly–both for her personally, and for lovers of history alike.  Read alongside a virtual archive http://archive.blackgothamarchive.org/ wherein one can find documents and images of New York’s black elite of the nineteenth century, the narrative moves one steadily along, inspiring new critical questions and intrigue. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Where does rock ‘n’ roll begin? In The Chitlin’ Circuit and the Road to Rock ‘n’ Roll (W. W. Norton, 2011), Preston Lauterbach makes a strong case for its beginnings in the backwoods and small-town juke joints, fed by big-city racketeering, of the black American South. It begins, possibly, on Indianapolis’s Indiana Avenue where Denver Fergusun ran numbers, paid-off cops, and operated the Sunset Terrace. It begins, maybe, in Houston where Don Robey was the proprietor of the Bronze Peacock, oversaw a network of bars and taverns throughout Texas, Oklahoma, and Louisiana, and was a founder of the seminal Peacock Records. Maybe it began in Memphis, home of W.C. Handy, Beale Street, and the Mitchell Hotel. Or maybe it was the multitude of juke joints that littered the American South from Texas to Florida, Georgia to Chicago, in the 1930s and 40s that afforded artists such as Walter Barnes, Louis Jordan, Little Richard, and Roy Brown a series of non-stop one-nighters to ply their raunchy jumped-up versions of swing and the blues to an insatiable audience of primarily African American men and women looking for good times. In the book Lauterbach details the Chitlin’ Circuit as it was, a network of promoters, clubs, radio stations, con-men, highways and, most importantly, musicians that supported an underground artistic economy and lifestyle just beneath the surface of the mainstream music industry; a network that gave birth to rock ‘n’ roll. The Chitlin’ Circuit is Preston’s first book. He is currently working on his second, a hustler’s history of Beale Street. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Performance queen RuPaul once famously quipped that “we’re born naked; the rest is drag”–meaning everyone dons identity, performs one’s concept of self within our social networks, e.g., family, community, work. Marcia Alesan Dawkins takes RuPaul’s theory further in her new book, Clearly Invisible: Racial Passing and the Color of Cultural Identity (Baylor University Press, 2012). In it, she discusses (racial) passing as a performance that everyone, even social institutions, at one time or another, enact. In fact, she contends that we understand passing because we all might be required to do it, but also because we participate in rhetoric, ways of communicating and comprehending identity. Dawkins defines passing as “the phenomenon in which a person gains acceptance as a member of social groups other than his or her own, usually in terms of race, ethnicity, class, gender, sexuality, religion, citizenship, or disability status” (xii). She connects this to communication by discussing “passing as a series of rhetorical intersections where tropes and identifications meet texts, personalities, social situations, categories, and hierarchies” (xi). In the course of her theorizing, she distills intellectual concepts into accessible prose that every educated reader can enjoy. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

What does it mean for a contemporary scholar to be trusted with the unfinished autobiography of a dance legend? How does one ensure that the integrity of their research matches the depth of life experience embodied in their subject’s narrative? Who is best served by the sharing of the untold stories of those whose narratives have been historically marginalized? And what does it mean for today’s dancers to learn about those who have paved the way for them under harsh and unjust circumstances? These were the questions I had in mind when I was lucky enough to interview historian and dancer Yael Tamar Lewin, author of Night’s Dancer, The Life of Janet Collins (Wesleyan University Press, 2011), a soaring work that includes Ms. Collin’s unfinished autobiography. Born in 1917, Janet Collins was raised in Los Angeles and has the historic distinction of being the first African – American prima ballerina at the Metropolitan Opera. A dancer with demonstrable skill in both ballet and modern dance vocabularies, Janet’s career included performances on television, in film and on Broadway. Despite her triumphs as an artist, Ms. Collins faced intense racial bias throughout her career as a dancer, choreographer and teacher. An accomplished painter and deeply spiritual person, Janet’s story is tenderly and meticulously recounted in both her own words and through Ms. Lewin’s wonderful research. The book stands as a testament to any dancer today wishing to fulfill their artistic potential in a world that can be unwelcoming and cold. Notably, Yael’s research on Collins began during her own undergraduate studies and took shape over several years during which a trusting relationship budded between subject and author. This model of scholarship and the resulting work shares lessons on how to handle the narrative of a beloved artist with care. Yael Tamar Lewin is a writer, editor, choreographer, and alternative medicine practitioner. She holds undergraduate and graduate degrees from Barnard College and Columbia University, and has performed with several dance companies, including her own. She lives in New York. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In December 1958, US Senator Hubert H. Humphery recalled that at some point during an eight hour meeting with Nikita Khrushchev, the Soviet Premier “tore off on a whole long lecture” that the Senator wished he could remember because it was “the best speech I could ever make in my life on antiracialism. Boy, he really gave me a talking to.” Thus beings Meredith Roman‘s fascinating book Opposing Jim Crow: African Americans and the Soviet Indictment of US Racism, 1928-1937 (Nebraska UP, 2012). At first read, the image of animated Khrushchev haranguing a US Senator with “the best speech” the latter ever heard on the topic of race seems out of place, odd, and to some extent even comical. After all, what could Khrushchev really have known about race in America to impress an American? Khrushchev’s fluency in “speaking antiracism” was no mere preformative dig at the United States. In fact, many African American travelers and expatriates to the Soviet Union in the 1930s were astonished how much its citizens knew and were concerned about American race relations. In Opposing Jim Crow, Roman shows that antiracism was a genuine vernacular constructed through show trials, antiracist campaigns, media, and representations of racial oppression in the United States. It was through American racism that the USSR was crafted into a morally superior, raceless society. Nothing reinforced this idea more than the adoption of Soviet antiracist discourse by American Americans visitors, expatriates, and sympathizers themselves. But more importantly, it was via these multiple intersections that speaking antiracism became an important, and until now ignored, component in the effort to create new Soviet people in the 1930s. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies