New Books in African American Studies

In Steamboat School (Jump at the Sun, 2016), an historical picture book based on true events, author Deborah Hopkinson recounts the story of Reverend John Berry Meachum’s brave act to defy an 1847 Missouri law designed to prohibit African American children from attending school. This fictional account is told from the point of view of a young boy who is at first a student at Meachum’s secret school, which held in a church basement. But when the Missouri law is passed and it is no longer safe to continue teaching the students there, Meachum enlists his students and decides to build a steamboat to house a new, legal, school set afloat on the Mississippi River and thus on federal property. The book concludes with a nonfiction afterword about Reverend Meachum’s life and the research behind the book. Deborah Hopkinson is the author of more than 40 books for young readers including picture books, middle grade fiction, and nonfiction. In her presentations at schools and conferences, she helps bring history and research alive. Her work is especially well suited for STEM and CCSS connections. Her nonfiction includes Courage & Defiance, Stories of Spies, Saboteurs and Survivors in WWII Denmark, Titanic: Voices from the Disaster, a Robert F. Sibert Award honor book and YALSA Excellence in Nonfiction honor book, and Shutting out the Sky, Life in the Tenements of New York 1880-1924, an NCTE Orbis Pictus award honor book and Jane Addams Award honor book. Deborah’s award-winning picture books include Sky Boys, How They Built the Empire State Building, an ALA Notable and Boston Globe-Horn Book Honor book and Apples to Oregon won the Golden Kite Award and Spur Storytelling Award. Susan Raab is president of Raab Associates, an internationally recognized agency that specializes in marketing literature, products and initiatives that help improve the lives of young people. Clients have included National Geographic, Scholastic, the International Board on Books for Young People, and bestselling authors and illustrators. Susan is marketing advisor for the Society of Children’s Book Writers and Illustrators (SCBWI). She’s also a journalist reporting on publishing, education and human rights. Her work as a broadcast correspondent has been hosted by the University of Connecticut, and by the University of Florida’s Recess Radio, a program syndicated to 500 public radio stations. Her many interviews, including with Art Spiegelman, Jon Scieszka, Norton Juster, Laurie Halse Anderson and many others talking about art and literature can be heard here. Follow Susan at: https://twitter.com/sraab18 Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

This week on the podcast, I speak with Carol Hardy-Fanta and Dianne Pinderhughes, the co-authors (along with Pei-te Lien and Christine Marie Sierra) of Contested Transformation: Race, Gender, and Political Leadership in 21st Century America (Cambridge University Press, 2017). Hardy-Fanta is Senior Fellow at the John W. McCormack Graduate School of Policy and Global Studies at the University of Massachusetts, Boston; Pinderhughes is University of Notre Dame Presidential Faculty Fellow as well as Professor in the Departments of Political Science and Africana Studies, and chair of the department of Africana Studies. Based on comprehensive data from the Gender and Multicultural Leadership (GMCL) National Database and Survey, Contested Transformations provides a baseline portrait of Black, Latino, Asian American, and American Indian elected officials at national, state, and local levels of government. The book presents a complex picture of office holders across race and gender groups and the various backgrounds, paths to public office, leadership roles, and policy positions. The authors argue that the advances in political leadership by people of color are transforming American politics, but these gains have been hard fought and struggles for equality continue. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

“There were black Germans?” My students are always surprised to learn that there were and are a community of African immigrants and Afro-Germans that dates back to the nineteenth century (and sometimes earlier), and that this community has at times had an influence on German culture, society, and racial thinking that belied its small size. Germany’s role in colonizing Africa has received increased attention lately, with an exhibit on German colonialism appearing at the Deutsches Historisches Museum in October and recent headway on a deal for Germany to pay reparations to the descendants of Herero and Nama genocide victims in Namibia. In Black Germany: The Making and Unmaking of a Disapora Community, 1884-1960 (Cambridge University Press, 2015), Eve Rosenhaft and Robbie Aitken supply a part of the colonial story that gets even less attention than that of Germans in Africa: what about Africans in Germany? Focusing primarily on a community of West-African-born black Germans and their families, Rosenhaft and Aitken trace the groups evolution in the nineteenth century through its persecutions by the Nazi state and postwar existence. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

As the first substantive account of the birthplace of the Black Panther Party (BPP), Robyn C. Spencer’s The Revolution Has Come: Black Power, Gender and the Black Panther Party in Oakland (Duke University Press, 2016) rewrites elitist accounts that narrowly defined the party by its male leaders and masculine militarism. With a panoramic and critical lens on the role that gender politics played in effecting and affecting the Revolution – an internal and external activist project of overcoming oppression – Spencer’s organisational history weaves the urban parameters of Oakland, California, into a national and international narrative of racial consciousness. A book that Robin D. G. Kelley, author of Freedom Dreams, has said “tears down myths and distortions,” The Revolution Has Come traverses the BPP’s uncritical embrace of heteropatriachy in self-defense tactics, the dialectic relationship of state oppression and Black Women’s leadership of the party, the role of community programs in reshaping notions of masculinity and the personal toll of sexual double-standards in unspoken dating rules. Using archival and interview research that includes artwork, wiretap transcripts, poems, trial documents and the BPP’s newsletter, Spencer provides an example of historical scholarship that forefronts the voices and mouthpieces of the BPP to creates a unique intimacy with the “coming of age” of the men and women who set the groundwork for current iterations of Black resistance. In the words of Spencer herself, “this book is right on time,” and is necessary reading for activists and scholars alike who are attempting to define the gendered assumptions and history of strength, self-care and endurance. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Have you ever wondered about your family history, and how family traditions or secrets through the years may affect you, your behavior, and major aspects of your life? Velvet (AuthorHouse, 2013) begins with Ludie, a young, unwed mother escaping reality down a dusty Southern road. Author Holly Charles also found a way to escape reality; or, rather, found a means to cope with reality years ago when she first began to write about her complicated relationship with her mother. It was through her own extensive research and many meaningful conversations with her grandmother that she identified several common themes in mother/daughter relationships particularly in (but not exclusive to) the African American community. All mothers, regardless of race and culture, seek to protect their children from the demons and disappointments they themselves have been hindered by. Trying to spare their own daughters the pangs of womanhood and colorist ideals causes African American mothers to reproduce their own personal feelings of inferiority, fear and lack of esteem. Velvet is series of vignettes that chronicles poignant conversations and pivotal moments in the lives of four generations of women, all connected by blood, circumstance and the common tug-of-war that exists between mother and daughter. Holly Charles was raised just north of Chicago and attended Purdue University for her undergraduate studies. She later earned a graduate degree in English from Prairie View A&M University. Writing has been a therapeutic outlet for her since childhood, whether through music, poetry or prose. Her personal journey to find herself as a woman and as a writer became her graduate thesis: Velvet: the Burden of Melanin and Motherhood, which has now been transformed into her first book, Velvet. In addition to her work as a writer, Charles teaches English to high school students through a Houston-area community college. She will debut her first stage play, In All Thy Getting, this spring at Houston’s Ensemble Theater. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

There has been much discussion recently in the United States about the contentious recent presidential election. Along with the election results, there has also been an increased interest in the so-called “fake news” stories spread on social media as well as on the emergence of the “Alt Right” movement in the past few years. Many scholars and historians have begun to look to the past for comparisons and parallels to the current state of affairs. The Ku Klux Klan was reestablished in Atlanta in 1915, barely a week before the Atlanta premiere of The Birth of a Nation, D. W. Griffith’s paean to the original Klan. While this link between Griffith’s film and the Klan has been widely acknowledged, White Robes, Silver Screens: Movies and the Making of the Klux Klan (Indiana University Press, 2016) explores the little-known relationship between the Klan’s success and its use of film and media in the interwar years when the image, function, and moral rectitude of the Klan was contested on the national stage. By examining rich archival materials including a series of films produced by the Klan and a wealth of documents, newspaper clippings, and manuals, the author uncovers the fraught history of the Klan as a local force that manipulated the American film industry to extend its reach across the country. White Robes, Silver Screens: Movies and the Making of the Klux Klan highlights the ways in which the Klan used, produced, and protested against film in order to recruit members, generate publicity, and define its role within American society. Tom Rice is a senior lecturer in Film Studies at University of St Andrews in the United Kingdom. Dr. Rice focuses on film history, specifically examining the relationship between political and cultural movements and cinema. In addition to his work on the Ku Klux Klan, Dr. Rice has also worked extensively on British colonial, world and transnational cinemas and written extensive historical essays on more than 200 films and production companies. Dr. Rice is currently developing another book length project on the Colonial Film Units of the British Empire during the years 1939-1960. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Zombifying a Nation: Race, Gender and the Haitian Loas on Screen (McFarland, 2016) dwells on the intersections of memory, history, and cultural production in both Africa and the African diaspora. The figure of the zombie that entered the popular imagination with the publication of William Seabrook’s book The Magic Island (1929) during the American occupation of Haiti still holds cultural currency around the world. Zombifying a Nation: Race, Gender and the Haitian Loas on Screen calls for a rethinking of zombies in a sociopolitical context through the examination of several films, including White Zombie (1932), The Love Wanga (1935), I Walked with a Zombie (1943) and The Serpent and the Rainbow (1988). A 21st-century film from Haiti, Zombi candidat la presidence … ou les amours dun zombi, is also examined. A reading of Heading South (2005), a film about the female tourist industry in the Caribbean, explores zombification as a consumptive process driven by capitalism. Author Toni Pressley-Sanon holds a Ph.D. in African Languages and Literatures with a minor in Latin American, Caribbean, and Iberian Studies from the University of Wisconsin-Madison. She also holds an M.A. in Liberal Studies and Anthropology from the New School for Social Research and a B.A. in Comparative Literature with a minor in African-American Studies from Hamilton College. She is an assistant professor at Eastern Michigan University in Ypsilanti, Michigan. In addition to Zombifying a Nation: Race, Gender and the Haitian Loas on Screen, Pressley-Sanon has a forthcoming book titled Istwa across the Water: Haitian History, Memory, and the Cultural Imagination. The work reads the historical and contemporary relationship between Dahomey/Benin Republic, Kongo and Saint Domingue/Haiti dialectically; that is, as a “long conversation” that is facilitated by the ebb and flow of the ocean’s waves. She argues that this relationship is anchored in memory and manifest through material culture on both sides of the Atlantic divide. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Forsyth County, Georgia, at the turn of the twentieth century was home to a large African American community that included ministers and teachers, farmers and field hands, tradesmen, servants, and children. In 1912, three young black laborers were accused of raping and murdering a white girl. One man was dragged from a jail cell and lynched on the town square, two teenagers were hung after a one-day trial, and soon bands of white “night riders” launched a coordinated campaign of arson and terror, driving all 1,098 black citizens out of the county. In the wake of the expulsions, whites harvested the crops and took over the livestock of their former neighbors, and quietly laid claim to abandoned land. The charred ruins of homes and churches disappeared into the weeds, until the people and places of black Forsyth were forgotten. Blood at the Root: A Racial Cleansing (W.W. Norton and Company, 2016)in America is a sweeping American tale that spans the Cherokee removals of the 1830s, the hope and promise of Reconstruction, and the crushing injustice of Forsyth’s racial cleansing. With bold storytelling and lyrical prose, the author breaks a century-long silence and uncovers a history of racial terrorism that continues to shape America in the twenty-first century. Dr. Patrick Phillips tells Forsyth’s tragic story in vivid detail and traces its long history of racial violence all the way back to antebellum Georgia. Recalling his own childhood in the 1970s and 80s, Phillips sheds light on the communal crimes of his hometown and the violent means by which locals kept Forsyth all white well into the 1990s. Blood at the Root: A Racial Cleansing in America is Patrick Phillip’s first book of nonfiction. He is currently the director of the Writing Minor at Drew University, and teaches creative writing, literature, and literary translation. Phillips is also noted poet in addition to being a well-respected scholar. His Elegy for a Broken Machine appeared in the Knopf Poets series in 2015, and Phillips was named a finalist for the National Book Award in Poetry, was a past fellow of both the National Endowment for the Arts and the Guggennheim Foundation. He is also the author of two earlier poetry collections, Boy, and Chattahoochee, and the translator of When We Leave Each Other: Selected Poems by the Danish writer Henrik Nordbrandt. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The real story behind the origin of gangsta rap is difficult to discern. Between the bombastic rhetoric and imagery, the larger-than-life characters, and the subsequent success of many of the individuals, it is hard to know exactly what to believe. Ben Westhoff’s new book, Original Gangstas: The Untold Story of Dr. Dre, Eazy-E, Ice Cube, Tupac Shakur and the Birth of West Coast Rap (Hachette Books, 2016), sets the record straight with a clear account of the rise and dissolution of N.W.A., the founding of Death Row Records, and the events that led up to the deadly beef between Tupac Shakur and Notorious B.I.G. Based on scores of interviews with the principals, Westhoff provides a definitive account of 1990s gangsta rap’s birth and growth. It offers clarity on the confusing turn of events and explores in rich detail the murders of Tupac and Biggie. Westhoff’s book also provides a great opportunity to reflect on the legacy of gangsta rap, especially after the film Straight Outta Compton and the transformed images of Ice Cube, Snoop Dogg, and Dr. Dre. Ben Westhoff is an award-winning journalist whose work has appeared in The Guardian, Rolling Stone, Vice, Pitchfork, and The Wall Street Journal. He spent three years as the music editor at LA Weekly and is the author Dirty South: OutKast, Lil Wayne, and Soulja Boy, and the Southern Rappers Who Reinvented Hip-Hop. His website can be found at http://benwesthoff.com. Richard Schur is the host of this podcast and is Professor of English at Drury University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Manisha Sinha is the Draper Chair in American History at the University of Connecticut. She was born in India and received her Ph.D from Columbia University where her dissertation was nominated for the Bancroft prize. Her book The Slave’s Cause: A History of Abolition (Yale University Press, 2016) centers the role of African Americans in ending slavery in the US by detailing the actions they took, the ideas they generated, and the ways they influenced white abolitionists. Acts of Black rebellion including the Haitian Revolution, escapes from bondage and slave revolts shaped the analysis and trajectory of the movement. Drawing on extensive archival research that spans centuries and nations, Sinha paints a complex picture of the transnational and radical movement to end slavery in the US from the 1500s to the Civil War. Previous historical scholarship on abolitionism focused on white participants in the “second wave” of abolitionism, depicting them as paternalistic middle-class reformers who believed in capitalism and imperialism. In contrast, Sinha treats the black and white streams of the abolition movement together, details the “first wave” of organized abolitionist activity as well as the second, and outlines the radical visions of democracy held by many abolitionists. These advocates linked their opposition to slavery to support of the labor movement, utopian socialism and women’s rights and questioned imperialism and market society. The robust movement to end slavery involved men and women, black and white, free, enslaved and formerly enslaved. Despite sometimes bitter disagreements over goals, strategy and tactics, abolitionists found ways to work together. The Slave’s Cause has been reviewed in the New York Times, The Atlantic, and numerous scholarly journals. It was also named to the National Book Awards Longlist for 2016, and as one of Stephen L. Carter’s’ top three “Great History Books of 2016.” Isabell Moore is a PhD Student in the History Department at the University of North Carolina at Chapel Hill. Her research focuses on social movements in the 20th century and she is involved in activism for racial, gender, economic and queer justice. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies