New Books in African American Studies

Five charismatic women navigate uneven terrain of racial gender and class stereotypes: Dorothy Dandridge, Pam Grier, Whoopi Goldberg, Oprah Winfrey and Halle Berry. The quintet charisma, as explored by Dr. Mia Mask in Divas on The Screen: Black Women in American Film (University of Illinois Press, 2009), range from erotic and a phallic idol of perversity and sexuality to comedic, cathartic and capitalistic to beauty in the multicultural age. Dr. Mask, associate professor of film at Vassar College, says they are the building blocks of our black women stars today. And the building blocks focus on what can we learn from the complex and contradictory careers of successful black women? Where do we find African-Americans in the performative, other-directed, narcissistic culture? What does African-American stardom as a social phenomenon reveal about the aspirations of black folks in the 21st Century? How have African-Americans-in their struggle for inclusion in commercial entertainment-complied with dominant culture? (Introduction 4). Divas on Screen considers Dandridge’s status as a sexual commodity in films revealing the contradictory discourses regarding race and sexuality in segregation-era American culture. Grier’s feminist-camp performances in sexploitation pictures and her subsequent blaxploitation vehicles Coffy and Foxy Brown highlight a similar tension between representing African American women as both objectified stereotypes and powerful, self-defining icons. Mask reads Goldberg’s transforming habits in Sister Act and The Associate as representative of her unruly comedic routines, while Winfrey’s daily television performance as self-made, self-help guru echoes Horatio Alger’s narratives of success. Finally, Mask analyzes Berry’s meteoric success by acknowledging the ways in which Dandridge’s career made Berry’s possible. Dr. Mask teaches African American cinema, documentary film history, seminars on special topics such as the horror film, and auteurs like Spike Lee. She also teaches feminist film theory, African national cinemas, and various genre courses. Dr. Mask also curated and edited the anthology Contemporary Black American Cinema: Race, Gender, Sexuality at the Movies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Who’s the black private dick That’s a sex machine to all the chicks? (Shaft) Ya damn right Who is the man that would risk his neck For his brother man? (Shaft) Can you dig it? Who’s the cat that won’t cop out When there’s danger all about? (Shaft) Right on They say this cat Shaft is a bad mother – (Shut your mouth) But I’m talkin’ ’bout Shaft – (Then we can dig it) He’s a complicated man But no one understands him but his woman (John Shaft) –Theme from Shaft by Isaac Hayes Mention Shaft and most people think of Gordon Park’s seminal 1971 film starring Richard Roundtree in a leather coat, walking the streets of Manhattan to Isaac Hayes’ iconic theme music. But the black private dick that inspired the black action cinema/blaxploitation film genre actually made his debut on the printed page as the creation of white novelist Ernest Tidyman, who was a seasoned journalist down on his luck when he decided to try his hand at fiction. Shaft was the result, giving Tidyman the break he was looking for. The World of Shaft: A Complete Guide to the Novels, Comic Strip, Films and Television Series (McFarland, 2015) is based on the extensive research of Ernest Tidyman’s personal papers, and tells the story of John Shaft from the perspective of his creator the original source. The book also provides new insight and analyses of the writing of the Shaft novels, the films, and the television series. The World of Shaft also features first-ever coverage of the forgotten Shaft newspaper comic strip, and includes previously unseen artwork. Also included are Shaft’s recent 21st century reappearances on the printed page, in both comic book and prose form. Steve Aldous is a British banker by day and an enthusiastic writer, film fanatic and avid reader of crime fiction by night. In addition to The World of Shaft, he has written a number of well-received short stories in a wide range of styles and genres, and has been short-listed in the Writers Forum magazine short story competition. His as yet unpublished novel, a crime thriller entitled Poisoned Veins, features a modern-day black Manchester-based private investigator Joe Gibbs, and is inspired in part by Ernest Tidyman’s Shaft. Aldous resides Bury, Lancashire, UK and is a proud father of three and a loving grandfather. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Business. Community. Politics. That’s the making of a barbershop. In Cutting Along the Color Lines: Black Barbers and Barber Shops in America (University of Pennsylvania Press, 2013), Dr. Quincy Mills chronicles the history of black barber shops as businesses and civic institutions, demonstrating their central role in Civil Rights struggle throughout the nineteenth and twentieth centuries. Dr. Mills says what’s most intriguing to him about barbershops is people forget the barbershop is a business first before community and politics. He states, “Barbershops, beauty salons and churches are the remaining institutions rooted in black culture production.” When Mills is not engaged in teaching, reading, writing or teaching he’s running; a space that provides him solitary time to think and work out his ideas. Dr. Mills is an associate professor at Vassar College. He teaches courses on African American history, specifically, Dr. Martin Luther King, race and segregation, black power movement, and consumer culture. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In his acclaimed biography Eye on the Struggle: Ethel Payne, the First Lady of the Black Press (Amistad, Reprint Edition, 2017), James McGrath Morris explores the fascinating life of pioneering black female journalist Ethel Payne. Backed by exhaustive archival research, Morris traces Payne’s role in documenting the civil rights struggle during the decades following World War II, before her later impact as the first female African American radio and television commentator on a national network. The New York Times has described Eyes on the Struggle as an “an important and often absorbing new book,” while the Chicago Tribune has contended that Morris’ beautifully written and carefully researched new book “gives Payne’s ground-breaking work the attention it deserves.” Morris’ other books include Pulitzer: A Life in Politics, Print, and Power, which Booklist placed on its 2010 list of the ten best biographies, and The Rose Man of Sing Sing: A True Tale of Life, Murder, and Redemption in the Age of Yellow Journalism, which the Washington Post named as one of its Best Books of the Year. His most recent work is The Ambulance Drivers: Hemingway, Dos Passos, and a Friendship Made and Lost in War which will be published in April 2017 by Da Capo Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

This episode of New Books in African American Studies covers Patrick Phillips’ powerful new book Blood at the Root: A Racial Cleansing in America (W.W. Norton and Company, 2016) At the turn of the twentieth century, Forsyth County in Georgia, was home to an diverse African American community that included ministers and teachers, farmers and field hands, tradesmen, servants, and children. However, following the rape and murder of a white girl in 1912, and accusations levied against three black laborers, bands of white “night riders” launched a devastating campaign of arson and terror against Forsyth’s black community. Expanding backwards and forwards from this flashpoint, Blood at the Root is a sweeping tale that spans the Cherokee removals of the 1830s, the hope and promise of Reconstruction, and the crushing injustice of Forsyth’s racial cleansing. With bold storytelling and lyrical prose, it breaks the century-long silence of Patrick’s hometown, and uncovers a history of racial terrorism that continues to shape America in the twenty-first century. Patrick is a past fellow of the National Endowment for the Arts and the Guggenheim Foundation, and has also received honors such as the Kate Tufts Discovery Award, a Pushcart Prize, and the Lyric Poetry Award from the Poetry Society of America. His work has appeared in outlets such as the New York Times, the Wall Street Journal, Poetry, Ploughshares, and The Nation. He currently lives in Brooklyn, New York, and teaches at Drew University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

What do you know about Houston, Texas? That Houston is the fourth largest city in the United States? That Houston was the home of the 2016 NCAA Final Four in basketball and the home of the NFL’s Super Bowl LI in 2017? That Houston is the home of the world’s largest medical center and is also the hub of the American energy industry? All of the above are true, and even more Houston is noted for its rich diversity of people and blending of cultures. Beginning after World War I, Houston was transformed from a black-and-white frontier town into one of the most ethnically and racially diverse urban areas in the United States. Houston Bound: Culture and Color in a Jim Crow City (University of California Press, 2015) draws on social and cultural history to show how, despite Anglo attempts to fix racial categories through Jim Crow laws, converging migrations particularly those of Mexicans from across the border and Creoles from Louisiana complicated ideas of blackness and whiteness and introduced different understandings about race. This migration history also uses music and sound to examine these racial complexities, tracing the emergence of Houston’s blues and jazz scenes in the 1920s as well as the hybrid forms of these genres that arose when migrants forged shared social space and carved out new communities and politics. Houston Bound is both an innovative historiography about migration and immigration in the twentieth century as well as a critical examination of a city located in the former Confederacy. Author Tyina L. Steptoe is Assistant Professor of History at the University of Arizona. Her work focuses on the cultural and social history of the United States especially race, ethnicity, and gender. After Houston Bound, her current research concerns how rhythm and blues performers Willie Mae “Big Mama” Thornton and Little Richard subverted and challenged gender norms in the 1950s. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories? In Speculative Blackness: The Future of Race in Science Fiction (University of Minnesota Press, 2016) the author analyzes the highly racialized genre of speculative fiction including science fiction, fantasy, and utopian works, along with their fan culture to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Speculative Blackness: The Future of Race in Science reveals new understandings of the significance of blackness in twentieth-century American literature and culture and interrogates the meanings of race and genre through studies of science fiction, fanzines, comics, film and television, and other speculative fiction texts. Author and professor Andre Carrington earned his bachelors degree in African American Studies from Macalester College and a Ph.D. in American Studies from New York University. He is now an assistant professor of English at Drexel University, where he teaches courses on African American Literature, Comics & Graphic Novels, LGBT Literature and Culture, Global Black Literature and Literary Theory. His research focuses on the cultural politics of race, gender, and genre in 20th century Black and American literature and the arts. Carrington has devoted particular attention to considerations of cultural production and identity, especially those articulated in feminist criticism, critical race theory, performance studies and Marxism. In addition to his book Speculative Blackness: The Future of Race in Science Fiction, Dr. Carringtons writings have appeared in the journals Present Tense, Sounding Out!, Callaloo, and African & Black Diaspora. In 2015, he organized the first international Queers & Comics conference through CLAGS: The Center for LGBTQ Studies in New York. His current research project, “Audiofuturism,” explores literary adaptation and sound studies through the analysis of science fiction radio plays based on the work of black authors. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The Pinkster King and the King of Kongo: The Forgotten History of America’s Dutch-Owned Slaves (University Press of Mississippi, 2016) presents the history of the nation’s forgotten Dutch slave community and free Dutch-speaking African Americans from seventeenth-century New Amsterdam to nineteenth-century New York and New Jersey and also develops a provocative new interpretation of one of America’s most intriguing black folkloric traditions, Pinkster. The author rejects the usual interpretation of this celebration of a “slave king” as a form of carnival. Instead, he shows that it is a ritual rooted in mutual-aid and slave brotherhood traditions. By placing these traditions in an Atlantic context, he identifies striking parallels to royal election rituals in slave communities elsewhere in the Americas, and traces these rituals to the ancient Kingdom of Kongo and the impact of Portuguese culture in West-Central Africa. The Pinkster King and the King of Kongo: The Forgotten History of America’s Dutch-Owned Slaves also suggests the necessity for an increased focus on the substantial contact that many Africans had with European primarily Portuguese cultures before they were shipped as slaves to the Americas. The book has already garnered honors as the winner of the Richard O. Collins Award in African Studies, the New Netherland Institute Hendricks Award, and the Clague and Carol Van Slyke Prize. Jeroen Dewulf is associate professor of Dutch studies at the University of California at Berkeley, and director of the school’s Institute of European Studies. In addition to The Pinkster King and the King of Kongo: The Forgotten History of America’s Dutch-Owned Slaves, he is also the author of Spirit of Resistance: Dutch Clandestine Literature during the Nazi Occupation and co-editor of Shifting the Compass: Pluricontinental Connections in Dutch Colonial and Postcolonial Literature. His current research focuses on the connections between African-American culture in New Orleans and West African traditions, and will also soon be published in book form. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

There has been much talk in the news recently about funding for public education, the emergence of charter schools, and the potential of school vouchers. How much does competition for financing in urban public schools depend on marketing and perpetuating poverty in order to thrive? Are the actors in this drama deliberately playing up stereotypes of race and class? A Good Investment? Philanthropy and the Marketing of Race in an Urban Public School (University of Minnesota Press, 2015) offers a firsthand look behind the scenes of the philanthropic approach to funding public education a process in which social change in education policy and practice is aligned with social entrepreneurship. The appearance of success, equity, or justice in education, the author argues, might actually serve to maintain stark inequalities and inhibit democracy. A Good Investment? Philanthropy and the Marketing of Race in an Urban Public School shows that models of corporate or philanthropic charity in education may in fact reinforce the race and class hierarchies that they purport to alleviate. As their voices reveal, the teachers and students on the receiving end of such a system can be critically conscious and ambivalent participants in a school’s racialized marketing and image management. Timely and provocative, this nuanced work exposes the unintended consequences of an education marketplace where charity masquerades as justice. Amy Brown is an educational anthropologist and a faculty member in the Critical Writing Program at the University of Pennsylvania. In her research she often explores how the increasing privatization of public education affects teaching and learning practices. Another area of focus for Brown is how “philanthrocapitalism” and reliance on private sector funding influence constructions of gender, class and race as well as distribution of power and resources. A Good Investment? Philanthropy and the Marketing of Race in an Urban Public School is her first book. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

When you think of black power, do you think about churches and religious institutions, or do you relate them more to the civil rights movement of the 1950s and 1960s? How do the social justice struggles of the past relate to those of today? In this vital reassessment of the impact of religion on the black power movement, Faith in Black Power: Religion, Race, and Resistance in Cairo, Illinois (University Press of Kentucky, 2016) presents a nuanced discussion of the ways in which black churches supported and shaped the United Front black power organization in Cairo, Illinois during the 1970s. The book deftly challenges conventional narratives of the de-Christianization of the movement, revealing that Cairoites embraced both old-time religion and revolutionary thought. Not only did the faithful fund the mass direct-action strategies of the United Front, but activists also engaged the literature on black theology, invited theologians to speak at their rallies, and sent potential leaders to train at seminaries. In Faith in Black Power: Religion, Race, and Resistance in Cairo, Illinois the author also investigates the impact of female leaders on the organization and their influence on young activists, offering new perspectives on the hypermasculine image of black power. Based on extensive primary research, Faith in Black Power: Religion, Race, and Resistance in Cairo, Illinois contributes to and complicates the history of the black freedom struggle in America. It not only adds a new element to the study of African American religion but also illuminates the relationship between black churches and black politics during this tumultuous era. Kerry Pimblott is a Lecturer in American History at the University of Manchester. She earned a B.A. with First Class Honours in American Studies from King’s College London and a Ph.D. in History from the University of Illinois at Urbana-Champaign. Her research interests include African American history, Black social movements, urban history, working class history, and religious cultures and institutions. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies