New Books in African American Studies

The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhood (Temple University Press, 2017) is a book-length justification for the burgeoning field of Black Male Studies. The author posits that we should conceptualize the black male as a victim, oppressed by his sex. The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhood, therefore, is a corrective of sorts, offering a concept of Black males that could challenge the existing accounts of black men and boys desiring the power of white men who oppress them that has been proliferated throughout academic research across disciplines. The Man-Not argues that black men struggle with death and suicide, as well as abuse and rape, and their genred existence deserves study and theorization. This book offers intellectual, historical, sociological, and psychological evidence that the analysis of patriarchy offered by mainstream feminism (including black feminism) does not yet fully understand the role that homoeroticism, sexual violence, and vulnerability play in the deaths and lives of black males. Author Tommy J. Curry‘s work spans across the various fields of philosophy, jurisprudence, Africana Studies, and Gender Studies. He received his BA from Southern Illinois University in Carbondale, his masters from DePaul, and he returned to SIUC to earn his Ph.D. Though trained in American and Continental philosophical traditions, Curry’s primary research interests are in Critical Race Theory and Africana Philosophy. In addition to his work as Professor of Philosophy and Africana Studies at Texas A&M University, Dr. Curry is also the executive director of Philosophy Born of Struggle, a multimedia project billed as a community a conference, and a textbook. His next major research project will be a book-length follow up to The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhood, tentatively titled The Mismeasurement of Man: Phallicism and the Paradox of the Racially Subjugated Male.   James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In his 1903 hit “Congo Love Song,” James Weldon Johnson recounts a sweet if seemingly generic romance between two young Africans. While the song’s title may appear consistent with that narrative, it also invokes the site of King Leopold II of Belgium’s brutal colonial regime at a time when African Americans were playing a central role in a growing Congo reform movement. In an era when popular vaudeville music frequently trafficked in racist language and imagery, “Congo Love Song” emerges as one example of the many ways that African American activists, intellectuals, and artists called attention to colonialism in Africa. Congo Love Song: African American Culture and the Crisis of the Colonial State (University of North Carolina Press, 2017) examines black Americans’ long cultural and political engagement with the Congo and its people. Through studies of George Washington Williams, Booker T. Washington, Pauline Hopkins, Langston Hughes, Malcolm X, and other figures, the author brings to light a long-standing relationship that challenges familiar presumptions about African American commitments to Africa. Congo Love Song: African American Culture and the Crisis of the Colonial State offers compelling new ways to understand how African American involvement in the Congo has helped shape anticolonialism, black aesthetics, and modern black nationalism. Author Ira Dworkin is an assistant professor of English at Texas A&M University who specializes in African American and African Diaspora literature, American literature and culture, race and ethnicity studies, and transnational literatures. After Congo Love Song: African American Culture and the Crisis of the Colonial State, Dworkin’s current book project is focused on two autobiographies published by African Muslim and American Civil War soldier Nicholas Said in 1867 and 1873, tentatively titled Imperfectly Known: Nicholas Said and the Routes of African American Narrative. The work will consider the place of Africa, including Islamic religious traditions, in early African American narrative by examining oral accounts within African American communities, northern literary venues like the Atlantic Monthly, and publishing in the Reconstruction-era South. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Jackson Poetry Prize Winner Speaks Patricia Spears Jones has been writing poetry since she was twenty and then she was “good.” Today, the prolific poet is the winner of one of the most prestigious poetry prizes–the Jackson Poetry Prize. She has numerous published collections, and A Lucent Fire, New & Collected Poems (White Pines Press, 2015), is a report on the current state of everything. “Poetry is hard work,” Jones says. Yet the job of the poet is to say something that will matter, that can improve the daily and momentary experience of living and speak back to American capitalist business when it comes to gentrification, stolen history, and racist hatred. Rachel Levistsky of Bomb Magazine writes “Jones’s poems insist on making vibrantly possible American, black, female, queer, poor, jazz, assimilated, heroic, unemployed, crazy, displaced lives that, considering the constant assault on them, can appear merely endangered and precarious.” Additionally, A Lucent Fire croons with blues and gospel, on Cuban and opera. “Her poems are full of harmony, counterpoint, rhythm, songs, and a meticulous aesthetic,” says Linda Rodriguez of La Bloga. When asked “what is Poetry?” Spear Jones suggest checking out George Quasha’s wonderful video. Spears Jones is the author of Painkiller (Tia Chucha Press, 2010), Femme du Monde (Tia Chucha Press, 2006), and The Weather That Kills (Coffee House Press, 1995). She has been the recipient of numerous awards, fellowships and grants from the National Endowment for the Arts, the New York Foundation for the Arts, the Foundation for Contemporary Arts, the Goethe Institute, and the Bread Loaf Writers Conference. A resident of New York City since the 1970s, Spears Jones currently serves as a fellow of the Black Earth Institute and has long been involved with the Poetry Project at St. Mark’s Church. She has taught at Cave Canem, Parsons School of Design, The New School, Sarah Lawrence College, and Naropa University, and she currently teaches at CUNY. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Leigh Fought is an assistant professor of history at Le Moyne College. Her book Women in the World of Frederick Douglass (Oxford University Press, 2017) offers a detailed and rich portrait of Frederick Douglass’ private and public life and his many relationships with women. From his enslaved mother Harriet, Sophia Auld the slave mistress that sparked his interest in reading, to his wife of forty-four years Anna Murray, daughter Rosetta and his white second wife Helen Pitts; these were the women who populated his private world. From each he learned lessons about the workings of race, gender and class in America and prepared him to collaborate with many antislavery women including Julia Griffiths, Maria Weston Chapman and Amy Post. He saw his fight for abolition as part of “woman’s cause” bringing him into contact with Elizabeth Cady Stanton and Susan B. Anthony. Seeing himself as “woman’s rights man,” who had attended the Seneca Falls Woman’s Rights Convention in 1848, he was perplexed by the betrayal of many woman’s rights advocates. Fought fills in much of what is lacking in the female “empty space” in the study of Douglass allowing a fuller understanding of his life and ideas. This is an invaluable contribution to Douglass studies. Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is tentatively entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation is forthcoming from Oxford University Press in 2018. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Blue Texas: The Making of a Multiracial Democratic Coalition in the Civil Rights Era (University of North Carolina Press, 2016) is about the “other” Texas, not the state known for its cowboy conservatism, but a mid-twentieth-century hotbed of community organizing, liberal politics, and civil rights activism. Beginning in the 1930s, the author tells the story of the decades-long struggle for democracy in Texas, when African American, Mexican American, and white labor and community activists gradually came together to empower the states marginalized minorities. At the ballot box and in the streets, these diverse activists demanded not only integration but economic justice, labor rights, and real political power for all. Their efforts gave rise to the Democratic Coalition of the 1960s, a militant, multiracial alliance that would take on and eventually overthrow both Jim Crow and Juan Crow. Using rare archival sources and original oral history interviews, historian Max Krochmal reveals the often-overlooked democratic foundations and liberal tradition of one of our nation’s most conservative states. Blue Texas recalls the many forgotten activists who, by crossing racial lines and building coalitions, democratized their cities and state to a degree that would have been unimaginable just a decade earlier and shows why their story still matters today. Max Krochmal is an associate professor of history and founding director of Comparative Race and Ethnic Studies at Texas Christian University. Krochmal is also the founder and director of the Civil Rights in Black and Brown Oral History Project, a statewide collaborative research initiative and digital humanities website that received a collaborative research grant from the National Endowment for the Humanities. His research and teaching center on African American and Chicano/a-Latino/a civil rights and labor histories and their present-day ramifications. Krochmal is a native of Reno, Nevada, and attended undergraduate at the University of California at Santa Cruz before earning his M.A. and Ph.D. from Duke University. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

It’s A Love Story. Set in the 1800s, Ruth’s Redemption (Lift Every Voice, 2012), is an unusual depiction of the lives of slaves and free blacks in pre-Civil War America. Although a slave, Bo is educated. When he gets his freedom, he becomes a property owner of a farm. He purchases slaves only to grant them their freedom. As a man of God and widower, his life changes when the proud and hard-hearted slave girl, Ruth, appears. Ruth has never known a man like Bo. She wants freedom from slavery, from men and from her past. She is drawn to Bo but not to his Godly devotion. Bo is unwillingly attracted to Ruth. Can their relationship and love push through the personal and cultural hardships? Does love really heal all wounds? A gripping novel, Ruth’s Redemption is a story of love, forgiveness, and redemption. Surrounding the events of the Nat Turner Rebellion the light of God’s unconditional love shines into the darkness of a woman’s heart, a mans violent mission and a cultures cruel and socially accepted inhumanity. Banks creates a love story between, woman and self, woman and God as well as man and woman. Marlene considers herself a Kingdom Writer/Word Warrior with a style of storytelling that does not box comfortably in the usual categories. She blends engaging plots, stand out characters with memorable historical events through a Christian lens. Although known for her historical storytelling with a romantic edge, she writes multiple genres including contemporary, mystery, and nonfiction. Storytelling is a gift from God, a passion she uses for His glory and Kingdom purposes. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Dr. Brittney C. Cooper, who is an assistant professor of women’s and gender studies at Rutgers University, explores the intellectual genealogy and geography of the work of African-American women over the course of more than a century in her book, Beyond Respectability: The Intellectual Thought of Race Women (University of Illinois Press, 2017). While knitting together an understanding of the intellectual achievements and contributions of many African-American women, Cooper pays particular attention to Anna Julia Cooper, Fannie Barrier Williams, Mary Church Terrell, Pauli Murray, Toni Cade Bambara and the engagement that these women had with ideas, highlighting the contributions they made to racial knowledge, questions of gender, and civic engagement within the United States, from the period after Reconstruction through the 1970s. Cooper than provides a contemporary epilogue, integrating into her research the conversation around the beginnings of the #blacklivesmatter movement and the women who started it, Patrisse Khan-Cullors, Alicia Garza, and Opal Tometi, and how they, like the race women who preceded them, have been compelled to attest to their primacy in thinking about and then coming together to form this more recent social movement. Cooper traces the spaces where Black female intellectual engagement took place, in places like the National Association for Colored Women, the club movement, and the pages of the political magazine, Voice of the Negro, as well as how some of this movement migrated into college and university classrooms and programs. Cooper’s book engages with the actual ideas and concepts that many of these women voiced or wrote, as well as analyzing the intellectual conversations these women had with each other on occasion, but more particularly with their contemporaries. Beyond Respectability is both accessible and sophisticated in the discussion of American intellectual history, race, gender, sexual orientation, black feminism, citizenship, and social engagement. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

When the Sun comes back And the first quail calls Follow the Drinkin’ Gourd. For the old man is a-waiting for to carry you to freedom If you follow the Drinkin’ Gourd. -“Follow the Drinkin’ Gourd” author unknown (possibly Peg Leg Joe) They left in the middle of the night, often carrying little more than the knowledge to follow the North Star. Between 1830 and the end of the Civil War in 1865, an estimated one hundred thousand slaves became passengers on the Underground Railroad, a journey of untold hardship, in search of freedom. Through Darkness to Light: Photographs Along the Underground Railroad (Princeton Architectural Press, 2017) presents a remarkable series of images following a route from the cotton plantations of central Louisiana, through the cypress swamps of Mississippi and the plains of Indiana, north to the Canadian border a path of nearly fourteen hundred miles. The culmination of a ten-year research quest, Through Darkness to Light imagines a journey along the Underground Railroad as it might have appeared to any freedom seeker. A person who explores her photography in this work may get the feeling they were actually there during this tumultuous time in American history. Framing the powerful visual narrative is an introduction by the author; a foreword by noted politician, pastor, and civil rights activist Andrew J. Young; and essays by noted historian Fergus M. Bordewich, journalism professor Robert F. Darden, and black studies scholar Eric R. Jackson. Author Jeanine Michna-Bales is a Dallas-based photographer. Her work explores the relationships between what has occurred, or is occurring, in a society and how people react to those events. She meticulously researches each topic considering different viewpoints, causes, and effects and political climates and often incorporates found or archival text and audio into her projects. Images from her Underground Railroad series have been exhibited throughout the United States and have appeared in numerous online and print publications. Her next book-length work will focus on the images and architecture of Cold War era nuclear fallout shelters in the United States. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Afro-Atlantic Flight: Speculative Returns and the Black Fantastic (Duke University Press, 2017), Michelle D. Commander examines the (im)possibility of literal and figurative returns to Africa of African-descended peoples throughout the diaspora. Using analysis inspired by “the ways in which the enslaved and their descendants took and have continued to take back control over their bodies”, and focusing on cultural production, Commander traces the points of intersection and divergence between the two modes of return, rather than dealing with them as mutually exclusive. Mireille Djenno is the African Studies Librarian at Indiana University. She can be reached at mdjenno@indiana.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Josie Flint, known as Jaybird, narrates her story of life in Atlanta during the turbulent South as Jim Crow laws come to an end. Her school desegregates. The country meanders through new ideas brought about by the Civil Rights movement. And the perfect childhood Jaybird treasured is shattered. The narrative alternates between Josie’s childhood and thirty-five years later when her grandmother, Annie Jo, dies. A family secret brings a new heartache for Josie as she struggles to rise against tragedy with grace while maintaining family loyalty. Not only does Jaybird’s Song (Kathy Wilson Florence, 2017) have strong female characters, but also the turbulent 1960s South is its own character. Additionally, for the modern woman, Jaybird’s Song grapples with sexuality and aggression from the opposite sex in a time before trigger warnings and rape culture awareness. Florence notes she too dealt with an embarrassing sexual incident as a child which she has not told her parents, even as an adult. “Why do girls feel guilt and not tell?” Florence’s novel tackles the perplexity of coming to age and the obstacles in the maternal matrix of mothers and daughters. Kathy Wilson Florence lives in Dunwoody, Georgia with her husband and two daughters. She is a full-time Realtor with her husband. Durning her off hours, Florence runs her own graphic design, copywriting and marketing business, Right Brain Communications, and writes novels. She was a weekly columnist for the Dunwoody Crier newspaper for 16 years where she penned Over the Picket Fence. A collection of favorite columns can be found in her first book, You’ve Got a Wedgie Cha Cha Cha. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies