New Books in African American Studies

Analyzing land policy, labor, and legal history, Masterless Men: Poor Whites in the Antebellum South (Cambridge University Press, 2017) reveals what happens to excess workers when a capitalist system is predicated on slave labor. With the rising global demand for cotton – and thus, slaves – in the 1840s and 1850s, the need for white laborers in the American South was drastically reduced, creating a large underclass who were unemployed or underemployed. These poor whites could not compete – for jobs or living wages – with profitable slave labor. Though impoverished whites were never subjected to the daily violence and degrading humiliations of racial slavery, they did suffer tangible socio-economic consequences as a result of living in a slave society. The author examines how these ‘masterless’ men and women threatened the existing Southern hierarchy and ultimately helped push Southern slaveholders toward secession and civil war. Keri Leigh Merritt is an independent scholar from Atlanta, Georgia. She received her B.A. in History and Political Science from Emory University, and her M.A. and Ph.D. in History from the University of Georgia. Her research generally focuses on race and class in American history. Merritt’s work on poverty and inequality has garnered multiple awards, and she also writes historical pieces for the public, with letters and essays appearing in Aeon, on BillMoyers.com, and in The New York Times. In addition to Masterless Men, Merritt has a forthcoming co-edited book on southern labor history with University of West Georgia historian Matthew Hild tentatively titled Reviving Southern Labor History: Race, Class, and Power. She is also currently conducting research for two additional book-length projects; the first is on black resistance in the vastly understudied Reconstruction era, and the second project examines the changing role of law enforcement in the mid-nineteenth century south. Masterless Men: Poor Whites in the Antebellum South is her first book. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The Blessings Series continue with a heartwarming novel, Chasing Down a Dream (William Morrow Paperbacks, 2017), about what makes a family when trials test relationships. And in Henry Adams, Kansas, there’s never a dull day. After a horrendous storm, Gemma finds a young boy and his little sister walking on the side of the road. She takes them in and quickly falls in love with the orphaned siblings. But when Gemma contacts Social Services to try to become their foster mother, she’s told a white woman cannot foster African-American children. Tamar July has never had a great relationship with certain members of her family. In fact, she’d characterize it as a “hate/hate relationship.” But when her cousin calls her with the news that she’s dying and wants Tamar to plan the funeral, she’s shocked but is willing to drop everything for her. In the midst of these trials, Jack and Rocky are trying to plan their wedding. The entire town comes together to lend a helping hand. Although the residents of Henry Adams face seemingly insurmountable obstacles, each of them discovers family comes in many forms, especially during the most trying of times. Beverly Jenkins is the recipient of the 2017 Romance Writers of America Nora Roberts Lifetime Achievement Award, as well as the 2016 Romantic Times Reviewers’ Choice Award for historical romance. She has been nominated for the NAACP Image Award in Literature, was featured both in the documentary Love Between the Covers and on CBS Sunday Morning. Since the publication of Night Song in 1994, she has been leading the charge for multicultural romance, and has been a constant darling of reviewers, fans, and her peers alike, garnering accolades for her work from the likes of The Wall Street Journal, People Magazine, and NPR. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

By drawing on a vast, never-utilized trove of archival materials along with oral histories, choreographic analysis, and embodied research, Katherine Dunham: Dance and the African Diaspora (Oxford University Press, 2017) offers new insight about how this remarkable woman built political solidarity through the arts. One of the most important dance artists of the twentieth century, dancer and choreographer Katherine Dunham (1909-2006) created works that thrilled audiences the world over. As an African American woman, she broke barriers of race and gender, most notably as the founder of an important dance company that toured the United States, Latin America, Europe, Asia, and Australia for several decades. The author makes the argument that Dunham was more than a dancer she was an intellectual and activist committed to using dance to fight for racial justice. Dunham saw dance as a tool of liberation, as a way for people of African descent to reclaim their history and forge a new future. She put her theories into motion not only through performance, but also through education, scholarship, travel, and choices about her own life. The book examines how Dunham struggled to balance artistic dreams, personal desires, economic needs, and political commitments in the face of racism and sexism. Katherine Dunham: Dance and the African Diaspora analyzes Dunham’s multiple spheres of engagement, assessing her dance performances as a form of black feminist protest while also presenting new material about her schools in New York and East St. Louis, her work in Haiti, and also traces Dunham’s influence over the course of several decades from the New Negro Movement of the 1920s to the Black Power Movement of the late 1960s and beyond. Dance historian Joanna Dee Das is a dancer, a scholar, and an Assistant Professor of Dance at Washington University in St. Louis. She is passionate about teaching dance history from a global perspective and linking theory and practice in the classroom. Her research interests include dance in the African Diaspora, musical theater dance, the politics of performance in the twentieth century, and urban cultural policy. She received her Ph.D. in History from Columbia University, her M.A. in American Studies, from New York University, and her undergraduate degree in Dance and History, also from Columbia University. Her writing has appeared in Dance Research Journal, Journal of American History, Journal of African American History, Journal of Urban History, and Studies in Musical Theatre. This is her first book. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

What is the labor for Black soldiers of the regiment? That is the question Johari Jabir asks in his book Conjuring Freedom: Music and Masculinity in the Civil War’s “Gospel Army” (Ohio State University Press, 2017). Conjuring Freedom analyzes the songs of the 1st South Carolina Volunteers, a regiment of Black soldiers who met nightly in the performance of the ring shout the counterclockwise song, dance, drum, and story in African American history and culture. Conjuring Freedom reflects the ring shout structure. Jabir illustrates three new concepts to cultural studies to describe the practices, techniques, and implications of the troop’s performance. First, Black Communal Conservatories, borrowing from Robert Farris Thompson’s “invisible academies” to describe the structural but spontaneous quality of black music-making. Then Listening Hermeneutics that accounts for the generative and material effects of sound on meaning-making. And finally Sonic Politics, which points to the political implications of music’s use in contemporary representations of race and history. The book discusses the meaning of conjure as a political and epistemological practice. Jabir demonstrates how the musical performance allowed troop members to embody new identities about national citizenship, militarism, and masculinity in more inclusive ways. Jabir also establishes how these musical practices of the regiment persisted long after the Civil War in Black culture, resisting, for instance, the paternalism and co-operative state anti-racism of the film Glory, and the assumption that Blacks need to be deracinated to be full citizens. JOHARI JABIR, a practicing musical artist since age eight, serves as Associate Professor of African American Studies for the Department of African American Studies College of Liberal Arts and Sciences at The University of Illinois at Chicago. He frames his courses, African American introductory course, religious traditions, history, and music, using music as an epistemological frame. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In 1845 two thinkers from the American hemisphere – the Argentinean statesman Domingo Faustino Sarmiento, and the fugitive ex-slave, abolitionist leader, and orator from the United States, Frederick Douglass – both published their first works. Each would become the most famous and enduring texts in what were both prolific careers, and they ensured Sarmiento and Douglass’ position as leading figures in the canon of Latin American and U.S. African-American political thought, respectively. But despite the fact that both deal directly with key political and philosophical questions in the Americas, Douglass and Sarmiento, like African-American and Latin American thought more generally, are never read alongside each other. Still, as Theorizing Race in the Americas: Douglass, Sarmiento, Du Bois, and Vasconcelos (Oxford University Press, 2017) contends, looking at the two together allows one to chart a hemispheric intellectual geography of race that challenges political theory’s preoccupation with and assumptions about East / West comparisons, and questions the use of comparison as a tool in the production of theory and philosophy. By juxtaposing four prominent nineteenth and twentieth-century thinkers – Frederick Douglass, Domingo F. Sarmiento, W. E. B. Du Bois, and Jose Vasconcelos – Theorizing Race in the Americas will be the first to bring African-American and Latin American political thought into conversation. The book stresses that Latin American and U.S. ideas about race were not developed in isolation, but grew out of transnational intellectual exchanges across the Americas. In so doing, she shows that nineteenth and twentieth-century U.S. and Latin American thinkers each looked to political models in the ‘other’ America to advance racial projects in their own countries. Reading these four intellectuals as hemispheric thinkers, the author foregrounds elements of their work that have been dismissed by dominant readings, and provides a crucial platform to bridge the canons of Latin American and African-American political thought. Juliet Hooker is a Professor of Political Science at Brown University. She earned her undergraduate degree from Williams College, and her M.A. and Ph.D. from Cornell University. In addition to Theorizing Race in the Americas: Douglass, Sarmiento, Du Bois, and Vasconcelos she is also the author of Race and the Politics of Solidarity. Hooker’s research interests have focused on theories of multiculturalism, Latin American political thought, and Afro-descendant and indigenous politics in Latin America. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

When Dorothy Sterling wrote her book about nineteenth-century black women in America, she stated in the introduction that the book was not a definitive history of black women but a sourcebook to lead others to “compile a complete history.” And while a complete history of black women has not yet been written, T. Denean Sharpley-Whiting has added to the history of black women in Bricktop’s Paris: African American Women in Paris Between the Two World Wars and The Autobiography of Ada Bricktop Smith, or Miss Baker Regrets (SUNY Press, 2015). Sharpley-Whiting does two things with this book; she appeals to the scholar and the mystery reader. The first part of the book captures the multi-life history of twenty-five African American women who lived in Paris as artists, singers, club owners, poets, and writers. Sharpley-Whiting’s stories illustrate how travel and place were transformative for black women despite the length of their stay in Paris. She says, “the book is a moment in time.” In this book, we get to go into that world, a world where they were honored and treated not by the color of their skin, but by their talents. We get to meet many different women along the way. Some stayed for a long time, while others could only stay several months before returning back to the United States. By the end of the 1930s, their time was over. The second part of Bricktop’s Paris is a noir mystery, titled The Autobiography of Ada Bricktop Smith, or Miss Baker Regrets. Sharpley-Whiting illuminates the lines of fact and fiction in the autobiography of Ada Bricktop Smith. The novel explores the black and feminine perspective of image, self-possession, and self-exhibition. The novel takes us to Paris with black American women in salons and saloons crossing boundaries with purpose, and discovering they are the wealth of the nation. Josie Baker and Bricktop what are they up to? And who did it? Bricktop’s Paris was an American Library in Paris Book Award Long List selection and a Choice 2015 Outstanding Academic Title. Sharpley-Whiting is the Gertrude Conaway Vanderbilt Distinguished Professor of African American and Diaspora Studies and French at Vanderbilt University where she also chairs African American and Diaspora Studies and directs the Callie House Center for the Study of Global Black Cultures and Politics. She publishes an academic murder mystery series under the nom de plume Tracy Whiting. She also teaches a course on Detective Fiction at Vanderbilt. The first novel, an academic cozy-thriller set in the South of France with Professor Havilah Gaie, is titled The 13thFellow: A Mystery in Provence (BooksbNimble Press, May 2015). She has completed the second mystery in this series, Paris A-Go-Go (Books nimble Press, forthcoming 2016), and is currently at-work on a scholarly volume, A Quartet in Four French Movements: A Voodoo Queen, A French Romantic, a Poet, and an African Ethnologist, as well as a family history. She is on the Executive Council of the Modern Language Association (2014-2018). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

First Martyr of Liberty: Crispus Attucks in American Memory (Oxford University Press, 2017) explores how Crispus Attucks’ death in the 1770 Boston Massacre led to his achieving mythic significance in African Americans’ struggle to incorporate their experiences and heroes into the mainstream of the American historical narrative. While the other victims of the Boston Massacre have been largely ignored, Attucks is widely celebrated as the first to die in the cause of freedom during the era of the American Revolution. He became a symbolic embodiment of black patriotism and citizenship. First Martyr of Liberty traces Attucks’ career through both history and myth to understand how his public memory has been constructed through commemorations and monuments; institutions and organizations bearing his name; juvenile biographies; works of poetry, drama, and visual arts; popular and academic histories; and school textbooks. There will likely never be a definitive biography of Crispus Attucks since so little evidence exists about the man’s actual life. While what can and cannot be known about Attucks is addressed here, the focus is on how he has been remembered variously–as either a hero or a villain–and why at times he has been forgotten by different groups and individuals from the eighteenth century to the present day. Mitch Kachun is Professor of History at Western Michigan University. He studied anthropology at Penn State University and studied history at Illinois State University before earning his M.A. and Ph.D. in history from Cornell. Kachun’s research focuses on how African Americans during the 19th and 20th centuries used historical writing and public commemorations to work for equal rights, construct a sense of collective identity, and claim control over their status and destiny in American society. His first book was Festivals of Freedom: Memory and Meaning in African American Emancipation Celebrations, 1808-1915, and he was the co-editor of The Curse of Caste; or the Slave Bride: A Rediscovered African American Novel by Julia C. Collins. After First Martyr of Liberty Mitch Kachun’s next book-length project will be a biographical accounting of the early 20th Century African-American journalist Charles Stewart, tentatively titled The Life and Times of Colonel J. O. Midnight. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Addie Wyatt stands at the intersection of unionism, feminism, and civil rights activism in post-World War II America. In Reverend Addie Wyatt: Faith and the Fight for Labor, Gender, and Racial Equality (University of Illinois Press, 2016), Marcia Walker-McWilliams recounts her life within the context of a nation she helped to change. Born in Mississippi, Addie Cameron grew up in Chicago, where despite her skills as a typist she could only find employment on the floor of a meatpacking plant. As a member of the interracial United Packinghouse Workers of America, she soon moved full time into union work, organizing workers and fighting for their rights. In her capacity as a union official she began a lifelong participation in the civil rights movement by raising funds on behalf of Montgomery Improvement Association during the 1955 bus boycott campaign, and in the 1970s formed coalitions designed to promote African American and female participation in the labor movement. As Walker-McWilliams demonstrates, throughout the many struggles she undertook Addie Wyatt’s faith was an important constant, providing her with a set of values and a source of emotional strength that helped her to persevere against the difficulties she faced. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Tanya Ann Kennedy‘s book, Historicizing Post-Discourses: Postfeminism and Postracialism in United States Culture (SUNY Press, 2017), is a complex and important exploration of our collective understanding of questions of racial and gender equality, or lack thereof. The text specifically interrogates the theoretical concepts of postracialism and postfeminism and the discourse surrounding these terms and their meaning. Kennedy examines these ideas, where they were initially linked together, and how they have been pursued separately, often without attention paid to the intersectional nature of how race and gender actually interact within American culture and society. Historicizing Post-Discourses examines these concepts within a variety of cultural venues, including television series like Mad Men, The Wire, and Gray’s Anatomy; within films like The Help, Perfect Stranger, The Blind Side, and Monsters Ball; within popular non-fiction like Lean-In and The End of Men; and in political speeches and rhetoric that have been integrated into our culture, often without historically clear contexts. Postracialism and postfeminism have become frameworks that often reify cultural and political tropes within American society, and Kennedy’s book explores how these frameworks and narratives reaffirm heroic notions of individualism and triumphalism, especially in our popular culture consumption. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Rosalind Rosenberg‘s book Jane Crow: The Life of Pauli Murray (Oxford University Press, 2017) is a multi-layered and rich biography of Pauli Murray, an activist, lawyer and Episcopal priest whose life intersected with the most significant civil and human rights issues of the twentieth century. As a mixed raced woman who felt that her identity was at odds with her body before transsexual had become part of the popular consciousness, Murray’s life provides insight into a lived intersectionality of race, class, gender, and sexuality. Beginning with her southern upbringing, we follow Murray through multiple educational, vocational and identity challenges she suffered. In a journey through a dislocated life, she contributed to multiple movements and institutions working with many key social leaders such as Thurgood Marshall, Eleanor Roosevelt and Betty Friedan. Appearing as a one-person social movement with a deep religious faith she pursued justice not only for herself but also for others. Rosenberg has provided sympathetic insight into the personal cost that Murray incurred on the road to a more equitable society. Rosalind Rosenberg is Professor of History Emerita at Barnard College. Lilian Calles Barger is a cultural, intellectual and gender historian. Her current book project is tentatively entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation is forthcoming from Oxford University Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies