New Books in African American Studies

Claudia Leal’s Landscapes of Freedom: Building a Postemancipation Society in the Rainforests of Western Colombia (University of Arizona Press, 2018), narrates the unknown history of the transition from slavery to freedom in the Pacific lowlands of Colombia. Not only does Leal centers a region long neglected in histories of Colombia—and more generally in histories of slavery and manumission in Latin America—but she also asks us to use this case to understand the centrality of the environment in any historical account. According to Leal, the particularities of the environment of the Pacific lowlands in Colombia explains the formation of a black peasantry that was able to attain high levels of freedom and autonomy. Here we hear about the importance of rainforests, of minerals, of vegetable ivory, and we learn that through extractive practices black Colombians were able to carve and maintain degrees of freedom perhaps only comparable to the maroons of Surinam.This history, however, does not start in 1851 with the total abolition of slavery in Colombia, for Leal goes back to the colonial period in order to explain why a political economy of extraction was established in the first place. In fact, Leal tracks how blacks appropriated an environment that originally didn’t belong to them, how they negotiated with whites their access to resources and power, and how even in moments in which mining companies challenged their autonomy, they nonetheless found ways to maintain their hard-won freedom. Paradoxically, even if blacks of the Pacific lowlands fulfilled one of the main values of the republican order of the Colombian national state (freedom!), they were not recognized as contributors to the national project. Quite to the contrary, white elites equated them to an environment deemed unhealthy, and allegedly suitable only for savages. The pacific lowlands, and its recently created cities of Tumaco and Quibdó, were thus built as racialized landscapes; geographies plagued by ideologies of racism and biological determinism. Whites’ project to control and “civilize” the territory was ultimately a failed one, for black culture crept into cities and forests. Eventually, with the advent of the 1991 Colombian constitution, black ethnicity became a part and asset of the nation as Colombia entered the era of multiculturalism.Lisette Varon-Carvajal is a graduate student in history at Rutger’s University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the summer of 1928, William Alexander Scott began a small four-page weekly with the help of his brother Cornelius. By 1932 the Atlanta World had become a daily paper and the basis of Scott's vision for a massive Southern newspaper chain - the Southern Newspaper Syndicate, later renamed as the Scott Newspaper Syndicate. At its peak, more than 240 papers were associated with the Syndicate, making it one of the largest black press institutions in the country. However, the extent of the Syndicate's reach and its centrality to Black southern life has remained largely overlooked.In The Grapevine of the Black South: The Scott Newspaper Syndicate in the Generation before the Civil Rights Movement (University of Georgia Press, 2018), Thomas Aiello offers the first critical history of this influential newspaper syndicate, tracing its roots in the early 1930s through to its eventual dissolution in the 1950s. During this critically important period preceding the the "civil rights era" ushered in by the 1954 Supreme Court ruling on school segregation, the Syndicate helped to shape the collective identity and community networks of the Black South. While providing local editors with a large degree of control and the flexibility to emphasize regional concerns and interests, the Syndicate gave its readers a similar set of tools from which to craft their understanding of Black life and culture, a means to document racial injustice and oppression, and an unparalleled grapevine of information and news coverage. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Scott Heerman is the author of The Alchemy of Slavery: Human Bondage and Emancipation in the Illinois Country, published by the University of Pennsylvania Press in 2018. The Alchemy of Slavery examines how slavery and emancipation developed in the Illinois Country from the 18th Century through the 19th Century. Drawing on the regions mixed legacies of Native American, French, Spain, English, and eventually American rule, Heerman shows how the deep history of Illinois Country influenced slavery, and set it apart from slavery on the eastern seaboard of North America.Scott Heerman is an Assistant Professor of History at the University of Miami. He studies 18th and 19th century U.S. history, particularly slavery and emancipation.Derek Litvak is a Ph.D. student in the department of history at the University of Maryland. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In this this interview, Dr. Carrie Tippen talks with Jennifer Jensen Wallach about the her book Getting What We Need Ourselves: How Food has Shaped African American Life (Rowman & Littlefield, 2019). The book covers a wide chronology and geography from the continent of Africa pre-Transatlantic slave trade to lunch counter sit-ins of the Civil Rights Era to haute cuisine of Harlem in the present. Wallach’s wide-ranging history demonstrates that there is not one story of African American foodways. Instead, as Wallach writes, “The history of black food traditions can be most accurately conceptualized as a web of ongoing conversations, debates, and reinventions rather than as a single, uninterrupted line leading directly back to the African continent.” In each chapter, Wallach contextualizes and complicates key moments of the story of African American foodways to emphasize the multiplicity of meanings that food may have and the “cultural compromises” that people of color have had to make throughout American history. Wallach calls for historians and students of food culture to accept a difficult lesson: “there are often multiple plausible theories for how certain recipes and techniques were created,” and so we must be content to leave these multiple origin stories to stand side by side, resisting the temptation to simplify.Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature.  Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Mahalia Jackson, the great mid-twentieth century gospel singer, thought of herself as an embodiment of the history of African Americans in the United States. She understood that her family’s background, as they moved from enslavement in Louisiana to farming in the same rural area to New Orleans at the beginning of the twentieth century and then her own move to Chicago with the Great Migration was emblematic of the experiences of generations of black people. In Mahalia Jackson & the Black Gospel Field (Oxford University Press, 2018), Mark Burford describes Jackson as both an exemplary figure and an exceptional figure. Ending the book in 1955 just as Jackson reached the height of her career after she released her first recording with a major label and was hosting her own television show, Burford uses the first part of Jackson’s career to tell the story of the development of gospel music set against her experiences, the networks within which she moved, and the overlapping contexts of black culture and American political history. Adapting Pierre Bordieu’s ideas, he argues that to study gospel music we must understand the cultural field created by all the players in the industry—the performers, composers, business owners, churches, audiences, and media company executives that shaped gospel music. For a time, Mahalia Jackson was in the center of this network, and Burford uses her connections to explore this field. She grew up with the industry and eventually became one of the best-known gospel singers in the United States by navigating the gospel music industry with her potent combination of a great voice, charisma, and business acumen. Besides telling the compelling story of gospel music and Mahalia Jackson, Burford analyzes Jackson’s voice and her early Apollo recordings using innovative techniques grounded in the listener’s experience. Much more than a biography of Mahalia Jackson, this book is a reimagining of the study of gospel music.Mark Burford is Associate Professor of Music at Reed College in Portland, Oregon, where he is also chair of the American Studies program. His research and teaching focuses on twentieth-century popular music in the United States, with particular focus on African American music, and late eighteenth- and nineteenth-century Austro-German concert music. His scholarship has appeared in numerous journals and edited collections. His article “Sam Cooke as Pop Album Artist—A Reinvention in Three Songs” received the Society for American Music’s 2012 Irving Lowens Award for the outstanding article on American music.  He is the author of Mahalia Jackson and the Black Gospel Field, released last fall by Oxford University Press, and editor of the forthcoming Mahalia Jackson Reader, an anthology of writings on Jackson that he is editing for Oxford’s Readers on American Musicians series.Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In an incisive analysis of over two dozen clauses as well as several 'unwritten' rules and practices, The Constitutional Origins of the American Civil War (Cambridge University Press, 2019) shows how the Constitution aggravated the sectional conflict over slavery to the point of civil war. Going beyond the fugitive slave clause, the three-fifths clause, and the international slave trade clause, Michael F. Conlin, Professor of History at Eastern Washington University, demonstrates that many more constitutional provisions and practices played a crucial role in the bloody conflict that claimed the lives of over 750,000 Americans. He also reveals that ordinary Americans in the mid-nineteenth century had a surprisingly sophisticated knowledge of the provisions and the methods of interpretation of the Constitution. Lastly, Conlin reminds us that many of the debates that divide Americans today were present in the 1850s: minority rights vs. majority rule, original intent vs. a living Constitution, state's rights vs. federal supremacy, judicial activism vs. legislative prerogative, secession vs. union, and counter-majoritarianism vs. democracy.Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Today, I’m talking with Chelene Knight. She’s written a new memoir called Dear Current Occupant (Book*hug, 2018). And as her title suggests, it’s a letter of sorts, one written to those people who might now be occupying one of many places she and her family lived back when she was growing up in downtown Vancouver’s eastside, and in this sense, her memoir is a map of the city, allowing us to see into lives and loves and struggles we might otherwise never see. But Dear Current Occupant is also a letter to Knight’s younger selves, to the girl and eventually young woman who lived in these places and who struggled to discover who she was and who she could be. The result of this correspondence is a rich and multifaceted account of what it means to become a strong writer and, in Knight’s words, “a strong black woman.” Knight’s book combines poetry, prose, maps, photographs, and other media to tell a singular story that could be told in no other way, to make visible what she calls “the cracks in the narrative,” which, in the end, hold the truth of her story and perhaps her very self.Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

If you really want to understand Jim Crow—what it was and how African Americans rose up to defeat it—you should start by visiting Mobile Street in Hattiesburg, Mississippi, the heart of the historic black downtown. There you can see remnants of the shops and churches where, amid the violence and humiliation of segregation, men and women gathered to build a remarkable community. William Sturkey introduces us to both old-timers and newcomers who arrived in search of economic opportunities promised by the railroads, sawmills, and factories of the New South. He also takes us across town and inside the homes of white Hattiesburgers to show how their lives were shaped by the changing fortunes of the Jim Crow South.In Hattiesburg: An American City in Black and White (Harvard University Press, 2019), Sturkey reveals the stories behind those who struggled to uphold their southern “way of life” and those who fought to tear it down—from William Faulkner’s great-grandfather, a Confederate veteran who was the inspiration for the enigmatic character John Sartoris, to black leader Vernon Dahmer, whose killers were the first white men ever convicted of murdering a civil rights activist in Mississippi. Through it all, Hattiesburg traces the story of the Smith family across multiple generations, from Turner and Mamie Smith, who fled a life of sharecropping to find opportunity in town, to Hammond and Charles Smith, in whose family pharmacy Medgar Evers and his colleagues planned their strategy to give blacks the vote. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Environmental racism is visible not only as cancer clusters or the location of grocery stores. It is responsible for the reported gap in IQ scores between white Americans and Black, Latinx, and Native Americans. So argues science writer Harriet Washington in A Terrible to Waste: Environmental Racism and Its Assault on the American Mind (Little, Brown Spark 2019). While acknowledging IQ is a biased and flawed metric, she contends it is useful for tracking cognitive damage. Using copious data and synthesizing a generation of studies, Washington calculates the staggering, population-scale neurological effects of marginalized communities having been forced to live and work in landscapes of waste, pollution, and insufficient sanitation services. She investigates heavy metals, neurotoxins, asthma, deficient prenatal care, bad nutrition, and even pathogens as drags on cognitive development to explain why communities of color are disproportionately affected—and what can be done to remedy this devastating problem.Harriet A. Washington has been the Shearing Fellow at the University of Nevada's Black Mountain Institute, a Research Fellow in Medical Ethics at Harvard Medical School, a senior research scholar at the National Center for Bioethics at Tuskegee University, and a visiting scholar at DePaul University College of Law. She is the author of Deadly Monopolies, Infectious Madness, and Medical Apartheid, which won a National Book Critics Circle Award, the PEN/Oakland Award, and the American Library Association Black Caucus Nonfiction Award.Brian Hamilton is a Ph.D. candidate at the University of Wisconsin–Madison where he is researching African American environmental history in the nineteenth-century Cotton South. He lives in Western Massachusetts and teaches at Deerfield Academy. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In this episode of the American Society for Legal History’s podcast Talking Legal History Siobhan talks with Hendrik Hartog about his book The Trouble with Minna: A Case of Slavery and Emancipation in the Antebellum North (UNC Press, 2018). The Trouble with Minna is also used as a vessel to explore some of the topics discussed in Law and Social Inquiry's May 2019 “Review Symposium: Retrospective on the Work of Hendrik Hartog.” Hartog is the Class of 1921 Bicentennial Professor in the History of American Law and Liberty, Emeritus at Princeton University. This episode is the first in a series featuring legal history works from UNC Press. Support for the production of this series was provided by the Versatile Humanists at Duke program.In this intriguing book, Hendrik Hartog uses a forgotten 1840 case to explore the regime of gradual emancipation that took place in New Jersey over the first half of the nineteenth century. In Minna’s case, white people fought over who would pay for the costs of caring for a dependent, apparently enslaved, woman. Hartog marks how the peculiar language mobilized by the debate—about care as a “mere voluntary courtesy”—became routine in a wide range of subsequent cases about “good Samaritans.” Using Minna’s case as a springboard, Hartog explores the statutes, situations, and conflicts that helped produce a regime where slavery was usually but not always legal and where a supposedly enslaved person may or may not have been legally free.In exploring this liminal and unsettled legal space, Hartog sheds light on the relationships between moral and legal reasoning and a legal landscape that challenges simplistic notions of what it meant to live in freedom. What emerges is a provocative portrait of a distant legal order that, in its contradictions and moral dilemmas, bears an ironic resemblance to our own legal world.Siobhan M. M. Barco, J.D. explores U.S. legal history at Duke University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies