New Books in African American Studies

In 1933, the Chicago Symphony performed the Symphony in E Minor by Florence B. Price. It was the first time a major American orchestra played a composition by an African American woman. Despite her success, Price sank into obscurity after her death in 1953. Dr. Rae Linda Brown spent much of her career researching and writing about Price’s life and music, as well as advocating for African American representation in academia and in the concert hall. Three years after her death, University of Illinois Press published the manuscript she left largely complete at her passing: Heart of a Woman: The Life and Music of Florence B. Price (University of Illinois Press, 2020). Two guests join this podcast to talk about the biography—Dr. Carlene Brown, Rae Linda’s sister, and Dr. Guthrie Ramsey, who edited the book and prepared it for publication. Heart of a Woman places Price’s life and music within the context of genteel middle-class African American culture and the active black classical music scene in Chicago in the 1930s and 40s. Brown also analyzes Price’s major pieces, teasing out the ways the composer embedded influences from black musical traditions into her concert music. Today Florence Price’s music is experiencing a resurgence in popularity, due in no small part to the work of Dr. Rae Linda Brown. G. Schirmer Inc. has acquired the rights to Price’s catalog and has been publishing her music (some pieces for the first time). In the 2019–2020 season alone, the Baltimore, Chicago, Cincinnati, Cleveland, Seattle Symphonies, among others, performed her work.Rae Linda Brown was the Provost and Senior Vice President for Academic Affairs at Pacific Lutheran University at her death in 2017. Her research and publications focused on African American concert music and Florence B. Price.Carlene J. Brown is Professor of Music and Director of the Music Therapy Program at Seattle Pacific University. Her research and clinical work centers on the use of music for pain management.Guthrie Ramsey is the Edmund J. and Louise W. Kahn Term Professor of Music at the University Pennsylvania. A musicologist, pianist, and composer, Ramsey has published extensively on African American music including two books. He has also released three recordings with his band Dr. Guy’s MusiQology and directed the documentary Amazing: The Tests and Triumph of Bud Powell (2015) among other projects.Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

What explains voting behavior in local elections? More specifically, what explains how ethnic and racial blocs vote in local elections, especially when the candidate may be of a different race or ethnicity? These are the main question animating the research in Racial Coalition Building in Local Elections: Elite Cues and Cross-Ethnic Voting (Cambridge University Press, 2017). Political Scientist Andrea Benjamin examines the coalitions that form in local elections and the roles that they play in those elections. Racial Coalition Building in Local Elections outlines not only the most successful form of coalitions between different groups of people, but also tries to get at what might prompt the elite members of those groups to advocate to voters to cast their ballots for a candidate, especially a candidate from a different ethnic or racial group.Using a variety of complex data sets, including experimental surveys to try to tease out distinctions within racial and ethnic groups in terms of mayoral candidate selections, Benjamin’s research focuses on how Black and Latinx voting coalitions in major cities are open to shifting their support for mayoral candidates. Benjamin was most interested in examining the impact of cross-ethnic voting cues and how elite endorsements within the Black and Latinx communities might move voters to vote across racial and ethnic lines. Often coalitions are formed when candidates need to reach across interest areas in order to build a large enough bloc to elect a candidate. As Benjamin points out in the book, mayoral elections often cut across expected partisan lines, which is why these coalitions are fascinating to explore. Racial Coalition Building in Local Elections examines the reasons why groups of people shift or support one candidate more than others. The data includes 20 years of mayoral races in the largest cities in the United States and traces out voting shifts in mayoral elections in Los Angeles, New York, Chicago, and Houston. This is supplemented by experimental surveys that mirrored voter data from these races while building on some of the conclusions about endorsements, candidate preferences, and racial coalitions.Andrea Benjamin also discusses how co-ethnic cues provide the theoretical framework for her analysis. The co-ethnic cue theory notes that “[w]hen partisan cues are absent and race/ethnicity is salient in an election, co-ethnic endorsements should prompt minority group members to vote for that candidate, even if that candidate is from another ethnic group.” (Benjamin, 8). Benjamin explains that if there is a race between a black candidate and a Latino candidate, the expectation is that each ethnic group will support the candidate with whom they share ethnicity; but, for example, if there is a race between a white candidate and a Latinx candidate, Black voters will likely support the candidate supported by most Black leaders in that community. Racial Coalition Building in Local Elections explains why this is the coalition dynamic, then unpacks what coalitions may be most effective and why, contextualized within the political dynamics in the cities themselves.Eli Levitas-Goren assisted with this podcast. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Record Cultures: The Transformation of the U.S. Recording Industry (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz.Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry’s challenges in the wake of the Great Depression.Kyle Barnett is Associate Professor of Media Studies in the Department of Communication at Bellarmine University.Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “Johnny Rotten, My Mom, and Me.” Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In 1918 Lucile Berkeley Buchanan Jones received her bachelor’s degree from the University of Colorado, becoming its first female African American graduate (though she was not allowed to "walk" at graduation, nor is she pictured in the 1918 CU yearbook).In Remembering Lucile: A Virginia Family's Rise from Slavery and a Legacy Forged a Mile High (University Press of Colorado), author Polly McLean depicts the rise of the African American middle class through the historical journey of Lucile and her family from slavery in northern Virginia to life in the American West, using their personal story as a lens through which to examine the greater experience of middle-class Blacks in the early twentieth century.The first-born daughter of emancipated slaves, Lucile refused to be defined by the racist and sexist climate of her times, settling on a career path in teaching that required great courage in the face of pernicious Jim Crow laws. Embracing her sister’s dream for higher education and W. E. B. Du Bois’s ideology, she placed education and intelligence at the forefront of her life, teaching in places where she could most benefit African American students.Over her 105 years she was an eyewitness to spectacular, inspiring, and tragic moments in American history, including horrific lynchings and systemic racism in housing and business opportunities, as well as the success of women's suffrage and Black-owned businesses and educational institutions.Remembering Lucile employs a unique blend of Black feminist historiography and wider discussions of race, gender, class, religion, politics, and education to illuminate major events in African American history and culture, as well as the history of the University of Colorado and its relationship to Black students and alumni, as it has evolved from institutional racism to welcoming acceptance.This extensive biography paints a vivid picture of a strong, extraordinary Black woman who witnessed an extraordinary time in America and rectifies her omission from CU’s institutional history. The book fills an important gap in the literature of the history of Blacks in the Rocky Mountain region and will be of significance to anyone interested in American history.Polly E. Bugros McLean is associate professor of media studies at the University of Colorado, Boulder, where she has served as director of Women and Gender Studies and as the faculty associate to the Chancellor.Dr. Christina Gessler’s background is in anthropology, women’s history, and literature. She works as a historian, poet, and photographer. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, poems about small relatable moments, and takes many, many photos in nature. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Finna: Poems (One World), his new collection of poetry, Nate Marshall examines the way that pop culture influences Black vernacular, the role of storytelling, family, and place.Marshall defines finna as: fin·na /ˈfinə/ contraction: (1) going to; intending to [rooted in African American Vernacular English] (2) eye dialect spelling of “fixing to” (3) Black possibility; Black futurity; Blackness as tomorrow.His poems focus on the language of hope when Black lives and Black bodies are confronted with white supremacy, racism, and violence in our present culture.Finna uses Black vernacular to explore the erasure of peoples in the American narrative, ask how gendered language can provoke violence; and how it expands notions of possibility and hope. Timely and lyrical, Marshall’s work is what is needed in language during this time in our history.Sharp, lyrical poems celebrating the Black vernacular—its influence on pop culture, its necessity for familial survival, its rite in storytelling and in creating the safety found only within its intimacyThese poems consider the brevity and disposability of Black lives and other oppressed people in our current era of emboldened white supremacy, and the use of the Black vernacular in America’s vast reserve of racial and gendered epithets. Finna explores the erasure of peoples in the American narrative; asks how gendered language can provoke violence; and finally, how the Black vernacular, expands our notions of possibility, giving us a new language of hope:nothing about our people is romantic& it shouldn’t be. our people deservepoetry without meter. we deserve ourown jagged rhythm & our own unevenwalk towards sun. you make happening happen.we happen to love. this is our greatestaction.Nate Marshall is an award-winning writer, rapper, educator, and editor.Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Monica A. Coleman's great-grandfather asked his two young sons to lift him up and pull out the chair when he hanged himself, and that noose stayed in the family shed for years. The rope was the violent instrument, but it was mental anguish that killed him. Now, in gripping fashion, Coleman examines the ways that the legacies of slavery, war, sharecropping, poverty, and alcoholism mask a family history of mental illness. Those same forces accompanied her into the black religious traditions and Christian ministry. All the while, she wrestled with her own bipolar disorder.Bipolar Faith: A Black Woman’s Journey with Depression and Faith (Fortress Press, 2016) is both a spiritual autobiography and a memoir of mental illness. In this powerful book, Monica Coleman shares her life-long dance with trauma, depression, and the threat of death. Citing serendipitous encounters with black intellectuals like Henry Louis Gates, Jr., Angela Davis, and Renita Weems, Coleman offers a rare account of how the modulated highs of bipolar II can lead to professional success, while hiding a depression that even her doctors rarely believed. Only as she was able to face her illness was she able to live faithfully with bipolar.Monica A. Coleman teaches theology and African American religions at Claremont School of Theology, where she also codirects the Center for Process Studies. Her writings cover womanist theology, sexual abuse, and the African American experience. She is an ordained elder in the African Methodist Episcopal Church a sought-after speaker and preacher.Elizabeth Cronin, Psy.D., is a licensed clinical psychologist and mindfulness meditation teacher with offices in Brookline and Norwood, MA. You can follow her on Instagram or visit her website at https://drelizabethcronin.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Popular culture helps shape how audiences imagine Biblical personalities in our contemporary moment. For many, Warner Sallman’s portrait of Jesus fixes him as white, others envision Moses as Charlton Heston because of Cecil B. DeMille’s film, The Ten Commandments, and the Jezebel stereotype is more well known than the Biblical figure. This merging of cultural productions and scripture clearly intersect in the modern understanding of Hagar as a Black woman.In Reimagining Hagar: Blackness and Bible (Oxford University Press, 2019), Nyasha Junior, Associate Professor in Temple University’s Department of Religion, sought to understand how Hagar become Black and what purposes that served. Junior lays out the primary sources and the divergent interpretive terrain where this identity makes sense to its readers. In our conversation we discuss Hagar in the Hebrew Bible, New Testament, and Muslim sources, categories of color, ethnicity, and race in ancient contexts, Biblical interpretation in nineteenth-century US debates about enslavement, Hagar in the visual arts, music, and literature, womanist theology, and being a Black scholar in the academy.Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Although it has largely been erased from the collective memory of American Christianity, the debate over eugenics was a major factor in the history of 20th-century religious movements, with many churches actively supporting the pseudoscience as a component of the Social Gospel.In Birth Control Battles: How Race and Class Divided American Religion (University of California Press, 2020), Dr. Melissa J. Wilde, Professor of Sociology at the University of Pennsylvania, demonstrates that support for contraception among some of America’s most prominent religious groups was tied to white supremacist views of race, immigration, and manifest destiny. We discuss how birth control use and promotion was conceived as a religious duty, how Biblical exegesis was used in support of eugenics, how the fear of “race suicide” motivated predominantly White denominations to limit reproduction among marginalized people, how groups like the Catholics and the Orthodox Jews pushed back against the pro-eugenics tide, the hidden racist legacy of contemporary progressive churches, and the silence that continues to exist around the issue today.Diana Dukhanova received her PhD from Brown University, where she is currently Visiting Assistant Professor of Slavic Studies, in 2018. Her work focuses on gender, religion, and sexuality in Russian religious culture. She is currently at work on her first monograph, Jesus of Bethlehem: Vasily V. Rozanov’s Russian Family Values. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Black Software: The Internet and Racial Justice, from AfroNet to Black Lives Matter (Oxford Univeristy Press), Charlton McIlwain, Vice Provost for Faculty Engagement and Development and professor of media, culture, and communication at NYU’s Steinhardt School of Culture, Education, and Human Development, examines the intersection of racial justice movements, technology, and culture.McIlwain names the often ignored or neglected African American pioneers of computer and Internet technology. At the same time, he explores how technological innovations are deployed on Black and other marginalized communities. In connecting these threads, McIlwain demonstrates the centrality of African Americans to both the history and future of the Internet. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

How do we move police forces from a warrior culture to connecting better with communities they serve?Today I talked to David A. Harris about his new book A City Divided: Race, Fear and the Law in Police Confrontations (Anthem Press, 2020).Harris is a professor at the University of Pittsburgh’s law school and is the leading U.S. authority on racial profiling. Also the author of Profiles in Injustice (2002). he hosts the podcast Criminal Injustice. Topics covered in this episode include: Harris’s vantage point on what the Minnesota legislature got right and only half-right in recently approving a police accountability measure in the wake of the George Floyd killing. Why navigating fear and anger is so hard for both black suspects and the police alike. What role a lack of familiarity – and trust – plays for officers and suspects in trying to avoid escalating their encounters. Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. To check out his “Faces of the Week” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies