New Books in African American Studies

In his new book Ten Days in Harlem: Fidel Castro and the Making of the 1960s (Faber, 2020), Simon Hall, a Professor of Modern History at the University of Leeds, colorfully details an extraordinary visit by Fidel Castro to New York in the Autumn of 1960 for the opening of the UN General Assembly.Holding court from the iconic Hotel Theresa in Harlem, Castro's riotous stay in New York saw him connect with leaders from within the local African American community, as well as political and cultural luminaries such as Gamal Abdel Nasser, Nikita Khrushchev, Kwame Nkrumah and Allen Ginsberg. Through exploring the local and global impact of these ten days, Hall recovers Castro's visit as a critical turning point in the trajectory of the Cold War and the development of the 'The Sixties.'E. James West is a Leverhulme Early Career Fellow in American History at Northumbria University. He is the author of Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America (Illinois, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Why is the scholarship and advocacy work of W.E.B. Du Bois so relevant for 21st century politics? Does his unique combination of both serve as a possible template for today’s freedom movements?Dr. Charisse Burden-Stelly (assistant professor of Africana Studies and Political Science at Carleton College and 2020-2021 Visiting Scholar with the Race and Capitalism Project at the University of Chicago) new book in called W.E.B. Du Bois: A Life in American History (ABC-CLIO, 2019). In it, she argues that the application of Du Bois’s ideology, epistemology, and theory to practical action elucidates a road map for struggle against myriad forms of exploitation – and enduring features of his praxis provide lessons for our contemporary understanding and our ability to potential challenging of imperialism and racism.Dr. Burden-Stelly works at the intersection of Critical Theory, Africana Studies, political theory, and political economy – and her analysis of Du Bois’s political and methodological contributions reflect these deep and broad scholarly traditions. She has revised Dr. Gerald Horne’s 2009 book substantively by refocusing on how Du Bois is part of and helps frame black radical history. He should be understood as a “veritable entrepôt of African-American, Pan-African, and radical Black History.” In order to create a book more accessible to those who do not specialize in Du Bois, political thought, or black history, Dr. Burden-Stelly has crafted helpful side-bars that help contextualize Du Bois’s political legacy, included and edited superb excerpts, and created a comprehensive chronology.The most remarkable chapter of the book is “Why W.E.B. Du Bois Matters” in which she presents Du Bois as one of the “greatest activist-scholars in modern history” who took advantage of the best political-intellectual tools of his times – in a life that spanned almost 100 years and included 8 decades of political engagement. Du Bois’s “persistent engagement with the most pressing issues during his lifetime offers a template for scholar-activism that is still instructive today; his combination of ideological acumen and liberatory striving remains relevant to contemporary freedom movements.”The podcast begins with some highlights of the intellectual biography including Dr. Burden-Stelly’s framing of Du Bois as a militant liberal and a militant anti-sexist (personally and professionally) who was able to simultaneously interrogate race, gender, and class. Engaging Du Bois’s work on Reconstruction allows Dr. Burden-Stelly to reveal the extent to which Du Bois should be understood as part of the Black Marxist tradition given that he analyzed the Civil War and beyond as “phases of capitalist exploitation, U.S. imperialism, global white supremacy, and Black labor insurgency.” Likewise, Du Bois shaped modern Pan Africanism such that Burden-Stelly considers him a father of modern Pan Africanism. Throughout all his scholar-activism, Du Bois nurtured deep and nuanced relationship that allowed him to both forge personal bonds and create institutions of enduring importance.The podcast concludes with Dr. Burden-Stelly connecting Du Bois to the contemporary Black Lives Matter movement focusing on political mobilization as a tool of liberation and analyzing the code that is being used to delegitimatize new liberatory projects.Dr. Burden-Stelly is a veteran of the New Books Network and you can hear her earlier interview with me and her co-authors as we discussed Black Political Thought: From David Walker to the Present in June 2020.Susan Liebell is associate professor of political science at Saint Joseph’s University in Philadelphia. She is the author of Democracy, Intelligent Design, and Evolution: Science for Citizenship (Routledge, 2013) and, most recently, “Retreat from the Rule of Law: Locke and the Perils of Stand Your Ground” in the Journal of Politics (July 2020). Email her comments at sliebell@sju.edu or tweet to @SusanLiebell. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

By the end of the eighteenth century, politicians in America and France were invoking the natural rights of man to wrest sovereignty away from kings and lay down universal basic entitlements. Exactly how and when did “rights” come to justify such measures?In On the Spirit of Rights (University of Chicago Press, 2018), Dan Edelstein answers this question by examining the complex genealogy of the rights regimes enshrined in the American and French Revolutions. With a lively attention to detail, he surveys a sprawling series of debates among rulers, jurists, philosophers, political reformers, writers, and others, who were all engaged in laying the groundwork for our contemporary systems of constitutional governance. Every seemingly new claim about rights turns out to be a variation on a theme, as late medieval notions were subtly repeated and refined to yield the talk of “rights” we recognize today. From the Wars of Religion to the French Declaration of the Rights of Man and of the Citizen to the 1948 Universal Declaration of Human Rights, On the Spirit of Rights is a sweeping tour through centuries of European intellectual history and an essential guide to our ways of thinking about human rights today.Dan Edelstein is the William H. Bonsall Professor of French and (by courtesy) professor of history at Stanford University. He is the author of The Terror of Natural Right, The Enlightenment, and On the Spirit of Rights, all published by the University of Chicago Press.Dr Alexandra Ortolja-Baird is a visiting researcher at the British Museum and teaches Digital Humanities at University College London. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The story of freedom and all of its ambiguities begins with intimate acts steeped in power. It is shaped by the peculiar oppressions faced by African women and women of African descent. And it pivots on the self-conscious choices black women made to retain control over their bodies and selves, their loved ones, and their futures. Slavery's rise in the Americas was institutional, carnal, and reproductive. The intimacy of bondage whet the appetites of slaveowners, traders, and colonial officials with fantasies of domination that trickled into every social relationship—husband and wife, sovereign and subject, master and laborer. Intimacy—corporeal, carnal, quotidian—tied slaves to slaveowners, women of African descent and their children to European and African men. In Wicked Flesh: Black Women, Intimacy, and Freedom in the Atlantic World (University of Pennsylvania Press, 2020), Jessica Marie Johnson explores the nature of these complicated intimate and kinship ties and how they were used by black women to construct freedom in the Atlantic world.Johnson draws on archival documents scattered in institutions across three continents, written in multiple languages and largely from the perspective of colonial officials and slave-owning men, to recreate black women's experiences from coastal Senegal to French Saint-Domingue to Spanish Cuba to the swampy outposts of the Gulf Coast. Centering New Orleans as the quintessential site for investigating black women's practices of freedom in the Atlantic world, Wicked Flesh argues that African women and women of African descent endowed free status with meaning through active, aggressive, and sometimes unsuccessful intimate and kinship practices. Their stories, in both their successes and their failures, outline a practice of freedom that laid the groundwork for the emancipation struggles of the nineteenth century and reshaped the New World.Adam McNeil is a third year Ph.D. in History student at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Welcome to New Books in African American Studies, a channel on the New Books Network. I am your host, Adam McNeil. Today on the podcast I have the honor of chatting with a good friend, Dr. J. T. Roane, assistant professor of African and African American Studies in the School of Social Transformation at Arizona State University. Dr. Roane is on New Books in African American Studies to discuss a range of topics from his upbringing in Tappahannock, Virginia, to his days in undergrad and grad school at the University of Virginia and Columbia University, discussions about his writing process, and the importance of Black rural Southern life, to name a few. I hope and pray y’all enjoy the discussion!J.T. Roane is assistant professor of African and African American Studies in the School of Social Transformation at Arizona State University. He received his PhD in history from Columbia University and he is a 2008 graduate of the Carter G. Woodson Institute at the University of Virginia. He is an out-going co-senior editor of Black Perspectives, the digital platform of the African American Intellectual History Society (AAIHS). Roane's scholarly essays have appeared in Souls Journal, The Review of Black Political Economy, and Current Research in Digital History. His work has also appeared venues such as The Brooklyn Rail, Pacific Standard, The Immanent Frame, and Martyr's Shuffle, Roane is a 2020-2021 National Endowment for the Humanities/Mellon Foundation Research Fellow at the Schomburg Center for Research in Black Culture, New York Public Library. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Khary Oronde Polk is the author of Contagions of Empire: Scientific Racism, Sexuality, and Black Military Workers Abroad, 1898-1948, published by the University of North Carolina Press in 2020. Contagions of Empire examines how the shifting views of Black military through the first half of the 20th century, as the U.S. increased its global empire and warfare. At once viewed as both contagious and immune, Black workers attempted to navigate the complex pathways that were left open in the military, even as they were seen as simultaneously integral and threatening to both the U.S. military and nation state. Polk’s work shows not just how scientific racism developed during this period and how U.S. militarism expanded, but how the Black community responded at each step.Khary Oronde Polk is an Associate Professor of Black Studies and Sexuality, Women’s and Gender Studies at Amherst College.Derek Litvak is a Ph.D. student in the department of history at the University of Maryland. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In This Land of Plenty: Mickey Leland and Africa in American Politics (University of Pennsylvania Press) by Benjamin Talton is a transnational history that explores the influence of African American leaders on US foreign policy towards Africa in the 1980s.By examining the life and labors of the political activist turned Texas congressman, Mickey Leland, Talton traces the afterlives of 1960s-era Black radicalism in the Congressional Black Caucus (CBC) after Leland’s election in 1978. Leland shaped the CBC’s outlook on famine in Ethiopia and established the Committee on Hunger where he developed a broad transformative vision for ending world hunger.Talton analyzes Leland’s career alongside contemporaneous political developments in Ethiopia and apartheid South Africa, an issue which ultimately became the focal point of CBC endeavors. Talton investigates the ways that anti-apartheid limited Black Congressional action on other African-related foreign policy issues throughout the decade. Talton paints a portrait of Leland as an activist, statesman, and visionary who lived out his politics of humanitarian solidarity from Houston to Addis Ababa.Benjamin Talton is Professor of History at Temple University.Amanda Joyce Hall is a Ph.D. Candidate in History and African American Studies at Yale University. She is writing an international history on the grassroots movement against South African apartheid during the 1970s and 1980s. She tweets from @amandajoycehall Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In White Negroes: When Cornrows Were in Vogue ... and Other Thoughts on Cultural Appropriation (Beacon, 2019), Lauren Michele Jackson analyzes Christina Aguilera, high fashion, the conceptual poetry of Kenneth Goldsmith, digital blackface, and the dearly departed video platform Vine. She demonstrates that cultural appropriation (especially of Black culture by white artists) is prevalent and deeply rooted in America’s history of inequality. Beyond that, though, she explores why white artists feel drawn to appropriate Blackness: what does appropriated Blackness give to white artists? Status? Sex appeal? Avant-garde credibility? Funding? And why doesn’t it give those same things to Black artists? White Negroes is a timely and engrossing (and funny) work of cultural criticism from a major new critical voice.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

On the eve of the Civil War, the estimated value of the U.S. enslaved population exceeded $3 billion--triple that of investments nationwide in factories, railroads, and banks combined, and worth more even than the South's lucrative farmland. Not only an object to be traded and used, the slave was also a kind of currency, a form of value that anchored the market itself. And this value was not destroyed in the war. Slavery still structured social relations and cultural production in the United States more than a century after it was formally abolished.As Aaron Carico reveals in Black Market: The Slave's Value in National Culture after 1865 (UNC Press, 2020), slavery's engine of capital accumulation was preserved and transformed, and the slave commodity survived emancipation. Through both archival research and lucid readings of literature, art, and law, from the plight of the Fourteenth Amendment to the myth of the cowboy, Carico breaks open the icons of liberalism to expose the shaping influence of slavery's political economy in America after 1865. Ultimately, Black Market shows how a radically incomplete and fundamentally failed abolition enabled the emergence of a modern nation-state, in which slavery still determined--and now goes on to determine--economic, political, and cultural life.Aaron Carico received his PhD in American Studies from Yale University.Derek Litvak is a Ph.D. student in the department of history at the University of Maryland. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Florida A&M University professor and former Miss FAMU Kimberly Brown Pellum, Ph.D., recently released her book, Black Beauties: African American Pageant Queens in the Segregated South (History Press, 2020). The book explores the glamorous history of African American beauty queens by using the stories of former contestants to address colorism and racism still prevalent in the industry. “My mother and grandmother took me to parades to see Miss Alabama State and Miss Tuskegee University…I loved the glamour,” Pellum said. “I wrote the book to capture that experience and address the politics of beauty within our own culture.” Kimberly Brown Pellum served as the model for the new Rosa Parks monument in Montgomery, Alabama.The allure of pageants, Pellum said, often masked the social and political challenges experienced by contestants. She said their personal stories not only illustrated their unique definitions of beauty, but also served to explain the political identities contestants created for themselves in the quests for their crowns. “So often, public discourse about black beauty is narrated by persons without an intimacy or expertise in the culture. Black beauty is a topic often exploited. This book lifts and centers the voices of black women,” she said.Pellum specializes in the history of women’s images and southern culture. Her contributions include work at the Smithsonian Institution’s National Museum of American History, the Rosa Parks Museum and Google’s Arts & Culture series. Pellum, Miss FAMU 2005, was used as the model for the Rosa Parks statue erected in Montgomery, Ala., in fall 2019. Pellum is also the director of the digital archives project, The Museum of Black Beauty.Latif Tarik is Assistant Professor of History at Elizabeth City State University located in Elizabeth City, NC. He is the history program coordinator, editorial board member for the digital journal Evoke: A Historical, Theoretical, and Cultural Analysis of Africana Dance and Theatre, and serves as book review editor for the Southern Conference of African American Studies. Latif is a contributor to Race and Ethnicity In America From Pre-Contact the Present, Islam and the Black Experience African American History  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies