New Books in African American Studies

Lisa B. Thompson is equally renowned as a scholar of African and African-American studies and as a playwright. Her latest book Underground, Monroe, and the Mamalogues: Three Plays (Northwestern University Press 2020) collects plays from throughout her two decades as a playwright. "Underground" is a tense two-hander exploring themes of race, class, and masculinity through the story of two friends with very different ideas about how to change the world. Monroe draws on Thompson’s family’s history as part of the Great Migration of Blacks from the South to the urban north and west. "The Mamalogues" is the funniest and most personal play in this collection: it is a love letter to unpartnered Black mothers and a spiritual sequel to Thompson’s earlier play "Single Black Female."Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Simone C. Drake and Dwan K. Henderson's Are You Entertained?: Black Popular Culture in the Twenty-First Century (Duke UP, 2020) is an engaging and interdisciplinary exploration of contemporary black popular culture and how to think about this broad and diverse landscape, especially in relation to power, capitalism, gender identity, and presidential politics. Simone C. Drake and Dwan K. Henderson have pulled together a fascinating array of scholars of popular culture, cultural critics, as well as those who have produced popular artifacts. A number of the cultural voices in Are You Entertained? are presented in interviews at the end of each section of the book, with artists thinking through questions about black popular culture from an expansive perspective as a maker of art and as someone who creates within the context of politics, economics, and culture. Are You Entertained? is a dynamic, interdisciplinary and transdisciplinary analysis of contemporary shifts, trends, and debates within the context of seeing and understanding black popular culture.The book is divided into four thematic sections that pull together chapters that speak across academic disciplines and cultural artifacts to focus on the topics of “Performing Blackness,” “Politicizing Blackness,” “Owning Blackness,” and “Loving Blackness.” This approach weaves together the conversations in each chapter in an organic fashion, pulling together conceptual ideas as well as providing the reader with deep dives into films, music, television, visual art, theater, advertising, fashion, web series, and more. Embedded within the book are not only scholarly analyses of different kinds and sites of popular culture, but also images of fine art that are critiqued in context and extend the discussion of what the “pop” in popular culture means when discussing different forms of art and culture. Drake and Henderson have assembled authors and analysis that take the reader on an enlightening journey not only through popular culture artifacts, but also complex conversations about commodification, capitalism, and consumerism, and the tension between art and profit. The idea for this edited volume was to trace how and where black culture (high, low, popular) has moved from the margins to the mainstream, and what this means in terms of artistic ownership. Within this stream of analysis, there is the enduring dynamic that often surrounds black art and production, which centers around the unequal treatment and consumption, in all dimensions, of black art. This book not only takes up the question of black popular culture in the 21st century, but also provides the reader with actual engagement with art and critique, an experiential and academic undertaking for both the reader and the authors/editors.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the decades since it was identified in 1981, HIV/AIDS has devastated African American communities. Members of those communities mobilized to fight the epidemic and its consequences from the beginning of the AIDS activist movement. They struggled not only to overcome the stigma and denial surrounding a "white gay disease" in Black America, but also to bring resources to struggling communities that were often dismissed as too "hard to reach." To Make the Wounded Whole: The African American Struggle Against HIV/AIDS (UNC Press, 2020) offers the first history of African American AIDS activism in all of its depth and breadth. Dan Royles introduces a diverse constellation of activists, including medical professionals, Black gay intellectuals, church pastors, Nation of Islam leaders, recovering drug users, and Black feminists who pursued a wide array of grassroots approaches to slow the epidemic's spread and address its impacts. Through interlinked stories from Philadelphia and Atlanta to South Africa and back again, Royles documents the diverse, creative, and global work of African American activists in the decades-long battle against HIV/AIDS.Dan Royles is an assistant professor of history at Florida International University.Claire Clark is a medical educator, historian of medicine, and associate professor at the University of Kentucky College of Medicine. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Black Land: Imperial Ethiopianism and African America (Princeton University Press, 2019), Nadia Nurhussein explores late nineteenth and twentieth century African American cultural engagement with and literary depictions of imperial Ethiopia. Widely celebrated as one of two African nations to resist European colonization in the age of modern imperialism, Ethiopia captured the attention of a host of African American journalists, artists, writers, adventurers, and even financiers. Drawing on an array of images, plays, and texts from well-known figures such as Paul Laurence Dunbar, Langston Hughes, Claude McKay, and George Schuler to lesser known figures such as Harry Foster Dean and William Henry Ellis, Nurhussein shows how some African Americans came to embrace and others later critiqued an imperial Ethiopia.This work provides an innovative approach to the study of Ethiopianism as more than a concept but a concrete place.Sharika Crawford is an associate professor of history at the United States Naval Academy.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Exporting Jim Crow: Blackface Minstrelsy in South Africa and Beyond (U Massachusetts Press, 2020) by Dr. Chinua Thelwell is a rich, well-researched, and sobering investigation of blackface minstrelsy as the “visual bedrock of a transcolonial cultural imaginary.” In tracing minstrel globalization across the Anglo-colonial and British imperial worlds beginning in the 1800s, Thelwell explores the ways that blackface minstrelsy helped to construct and maintain notions of exclusionary citizenship in racial states throughout the Atlantic, Indian, Pacific Ocean worlds.Thelwell shows that the South African Cape Colony became the minstrel nexus of these globalizing performance circuits. Putting this history in conversation with ongoing white settler colonialism and attendant plunder, annexation, and resource extraction, Thelwell argues that minstrel performances discursively strengthened the economic, social, and political cornerstones of the South African racial state, a state that ultimately developed into an apartheid state in the twentieth century. Through archival research and close readings of cultural artifacts, Thelwell shows that minstrel performances reflected gendered and racialized white fantasies of idealized Black laborers in events that normalized practices of racially exclusionary citizenship and reinforced labor exploitation. Exporting Jim Crow also significantly investigates subversive forms of Black resistance to these anti-black racial projects. For example, Thelwell interrogates how African American minstrels and Cape Coloureds attempted to change the terms of minstrel performance by creating shows that celebrated their own cultures and broadcasted images of equal citizenship. An important and critical study, Exporting Jim Crow enriches scholarship on blackface minstrelsy, South Africa, empire and colonialism, racial capitalism, and performance studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

One of the central threads in the public discourse on Black womanhood is the idea of the “Jezebel.” This trope deems Black women and girls as dishonorable and sexually deviant and the stereotype is circulated from the big screen to the pulpit. Tamura Lomax, Associate Professor at Michigan State University, outlines a historical genealogy of the discursive “Jezebel” and reveals its contemporary legacy in Jezebel Unhinged: Loosing the Black Female Body in Religion and Culture (Duke University Press, 2018). Lomax brings together theoretical strands from medieval thinkers, Biblical narratives, Enlightenment theories of race, and American cultural productions to demonstrate how gender hierarchy and patriarchy have been constructed in Black communities. These systems can be reinforced through the relationship between Hip Hop culture and the Black church or be challenged by Womanist interpreters. In our conversation we discuss girlhood in the the Black Church, racial theories, the Biblical Jezebel, Womanist criticism, formations of respectability, female sexuality and femininity, Bishop T. D. Jakes, and the work of Tyler Perry.Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Alexandra J. Finley is the author of An Intimate Economy: Enslaved Women, Work, and America’s Domestic Slave Trade, published by the University of North Carolina Press in 2020. An Intimate Economy examines the history of American slavery and capitalism by foregrounding women’s labor in the Antebellum slave trade. Finley explores a variety of topics included, domestic, reproductive, and sexual labor enslaved and free Black women performed at various points in the slave trade. This work adds to our knowledge on how central women were to the extension and growth of the domestic slave trade throughout the Antebellum period.Alexandra J. Finley is an Assistant Professor of History at the University of Pittsburg.Derek Litvak is a Ph.D. student in the department of history at the University of Maryland. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Black Americans are by far the most unified racial group in American electoral politics, with 80 to 90 percent identifying as Democrats—a surprising figure given that nearly a third now also identify as ideologically conservative, up from less than 10 percent in the 1970s. Why has ideological change failed to push more black Americans into the Republican Party? Steadfast Democrats: How Social Forces Shape Black Political Behavior (Princeton University Press, 2020) answers this question with a pathbreaking new theory that foregrounds the specificity of the black American experience and illuminates social pressure as the key element of black Americans’ unwavering support for the Democratic Party.Ismail K. White and Chryl N. Laird argue that the roots of black political unity were established through the adversities of slavery and segregation, when black Americans forged uniquely strong social bonds for survival and resistance. White and Laird explain how these tight communities have continued to produce and enforce political norms—including Democratic Party identification in the post–Civil Rights era. The social experience of race for black Americans is thus fundamental to their political choices. Black voters are uniquely influenced by the social expectations of other black Americans to prioritize the group’s ongoing struggle for freedom and equality. When navigating the choice of supporting a political party, this social expectation translates into affiliation with the Democratic Party. Through fresh analysis of survey data and original experiments, White and Laird explore where and how black political norms are enforced, what this means for the future of black politics, and how this framework can be used to understand the electoral behavior of other communities.An innovative explanation for why black Americans continue in political lockstep, Steadfast Democrats sheds light on the motivations consolidating an influential portion of the American electoral population.Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Hannah Walker’s new book, Mobilized by Injustice: Criminal Justice Contact, Political Participation, and Race (Oxford UP, 2020), brings together the political science and criminal justice disciplines in exploring how individuals are mobilized to engage in political participation by their connection to the criminal justice system in the United States. The fusion between these two academic disciplines, and the focus of their respective studies in this area, answers some questions that are often omitted or passed over by the individual disciplines given the kinds of questions posed by each discipline. Thus, the topics and issues explored in Mobilized by Injustice focuses on political mobilization, advocacy, and activism, often beyond the issue of voting, to tease out how individuals who have been incarcerated or their friends and relatives are involved in the political system. The American criminal justice system is often seen as imposing the “prison beyond the prison” in how formerly incarcerated individuals are constrained and limited in their lives after they leave prison, including limits on voting rights in many states, limits on access to federal policies, and the myriad other ways in which these citizens are essentially marginalized with our society. Walker’s research digs into these constraints and also the stigmatization that individuals experience because of incarceration. At the same time that she is trying to discern how these individuals respond within the political system itself, Walker is also trying to get at how communities are impacted by the criminal justice system, exploring the ways in which this system can be particularly corrosive in certain communities.The research explores political participation by a number of different and often intersecting groups, specifically the individuals who have been incarcerated or directly experienced the criminal justice system, and those who have proximate contact with that system, through their family member’s direct experience. Within these two umbrella groups, Walker also digs into distinctions across racial groups (white, black, Latinx) and across socio-economic categories (examining class distinctions in this context). Mobilized by Injustice finds interesting results in the multi-method research approach, discerning different kinds of political involvement that is not captured by questions about whether an individual does vote or can vote. Rather, the research highlights that those with proximal contact with the criminal justice system have lower barriers to political engagement, which may lead them more naturally into politics because these individuals find themselves working as advocates for their family member who is incarcerated. Those who have been incarcerated face a variety of higher barriers, both structural and psychological, and they often need more support to engage in politics, because of the “dignity deficit” they may suffer because of societal stigmatization.Mobilized by Injustice: Criminal Justice Contact, Political Participation, and Race will likely be of interest to those who study political science, criminal justice, sociology, public policy, social science methodology, and race and class.Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Louis Austin and the Carolina Times: A Life in the Long Black Freedom Struggle (University of North Carolina Press, 2018) by Jerry Gershenhorn is a history of the struggle for Black equality in North Carolina from 1927 to 1971 as told through the life and activism of Black newspaperman Louis Austin. Austin, as editor of the Carolina Times, was involved in nearly every facet of the long Black freedom struggle in North Carolina. He was an outspoken editor and a staunch social justice advocate who championed Black voter’s rights, school desegregation, and economic equality for nearly fifty years. Gershenhorn utilizes the phrase “long black freedom struggle” instead of the customary “long civil rights movement” in his narrative noting that in the 1930s and 1940s many of the customary characteristics of the Civil Rights Movement had not matured at this time in North Carolina and that during this time “mass direct action was the exception not the norm” (3).This text contains an “Introduction” section, seven concise chapters, and an “Epilogue.” In his “Introduction,” Gershenhorn makes the case that Austin supported and engaged in the type of activism that ultimately came to define the Civil Rights Era, including embracing the sit-ins and school desegregation, unlike several other Black newspapermen in the South who were more accommodationist in their approaches. The first few Chapters trace Austin’s formative years as “the grandson of slaves” who grew up in a home that emphasized Black respectability and dignity. These Chapters also highlight the emergence of Austin as an “advocacy journalist” in North Carolina. Louis Austin and the Carolina Times is a critical text in helping us to understand the history of the Black freedom struggle in the South, Black journalism, and the integral role of the Black press in advancing racial equality for African Americans.Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. She has published book chapters, essays, and edited/authored five books. Her latest publications include Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger, 2017) and, with Dr. G. Reginald Daniel, professor of historical sociology at the University of California, Santa Barbara, Race and the Obama Phenomenon: The Vision of a More Perfect Multiracial Union (University Press of Mississippi 2014). Follow me on twitter: @DrHettie2017 Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies