New Books in African American Studies

While Washington, D.C., is still often referred to as “Chocolate City,” it has undergone significant demographic, political, and economic change in the last decade. In D.C., no place represents this shift better than the H Street corridor. In Black in Place: The Spatial Aesthetics of Race in a Post-Chocolate City (UNC Press, 2019), Brandi Thompson Summers documents D.C.’s shift to a “post-chocolate” cosmopolitan metropolis by charting H Street’s economic and racial developments. In doing so, she offers a theoretical framework for understanding how blackness is aestheticized and deployed to organize landscapes and raise capital. Summers focuses on the continuing significance of blackness in a place like the nation’s capital, how blackness contributes to our understanding of contemporary urbanization, and how it laid an important foundation for how Black people have been thought to exist in cities. Summers also analyzes how blackness—as a representation of diversity—is marketed to sell a progressive, “cool,” and authentic experience of being in and moving through an urban center.Using a mix of participant observation, visual and media analysis, interviews, and archival research, Summers shows how blackness has become a prized and lucrative aesthetic that often excludes D.C.’s Black residents.This conversation covers gentrification, aesthetics of Blackness, containment, and mobility across urban space. Dr. Summers’ New York Times op-ed on mobility, race, and the COVID-19 pandemic mentioned in the episode, can be accessed here.This interview is part of an NBN special series on “Mobilities and Methods.”Brandi Thompson Summers is Assistant Professor of Geography at the University of California, Berkeley. Her work focuses on race, urban cultural landscapes, and aesthetics.Alize Arıcan is a PhD candidate in the department of Anthropology at the University of Illinois at Chicago. Her research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured on City & Society, entanglements: experiments in multimodal ethnography, and Anthropology News. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Down Along with That Devil’s Bones: A Reckoning with Monuments, Memory, and the Legacy of White Supremacy (Algonquin Books, 2020), journalist Connor Towne O’Neill takes a deep dive into American history, exposing the still-raging battles over monuments dedicated to one of the most notorious Confederate generals, Nathan Bedford Forrest. Through the lens of these conflicts, O’Neill examines the legacy of white supremacy in America, in a sobering and fascinating work sure to resonate with readers of Tony Horwitz, Timothy B. Tyson, and Robin DiAngelo.When O’Neill first moved to Alabama, as a white Northerner, he felt somewhat removed from the racism Confederate monuments represented. Then one day in Selma, he stumbled across a group of citizens protecting a monument to Forrest, the officer who became the first Grand Wizard of the Ku Klux Klan and whom William Tecumseh Sherman referred to as “that devil.” O’Neill sets off to visit other disputed memorials to Forrest across the South, talking with men and women who believe they are protecting their heritage, and those who have a different view of the man’s poisonous history.O’Neill’s reporting and thoughtful, deeply personal analysis make it clear that white supremacy is not a regional affliction but is in fact coded into the DNA of the entire country. Down Along with That Devil’s Bones presents an important and eye-opening account of how we got from Appomattox to Charlottesville, and where, if we can truly understand and transcend our past, we could be headed next.Connor Towne O’Neill’s writing has appeared in New York magazine, Vulture, Slate, RBMA, and the Village Voice, and he works as a producer on the NPR podcast White Lies, which was a finalist for the 2020 Pulitzer Prize in Audio Reporting. Originally from Lancaster, Pennsylvania, he lives in Tuscaloosa, Alabama, and teaches at Auburn University and with the Alabama Prison Arts + Education Project. This is his first book.Dr. Christina Gessler’s background is in American women’s history, and literature. She specializes in the diaries written by rural women in the 19th century. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, poems about small relatable moments, and takes many, many photos in nature. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Contingent Kinship: The Flows and Futures of Adoption in the United States (University of California Press, 2019) offers an ethnography of adoption processes in the United States through the inner workings of a private adoption agency in Chicago, IL. Through participant observation with social workers and at other sites, Dr. Kathryn A. Mariner emphasizes adoption and its processes of family formation as uncertain or subject to possible failures along the way. Mariner focuses particularly on transracial adoption, here constituted as the adoption of Black babies by White couples. Often seen as a means of providing these children with a better life and transcending racial boundaries, Mariner shows that conditions of racial inequality and the devaluation of Black families make these kinds of adoptions possible. The process of adoption can fail to deliver a baby to an eager adoptive family through various uncertainties that can involve the expectant mother and father or the suitability of the adoptive couple for receiving a child. Social workers must manage these contingencies through various means of communication, interaction, and speculation about expectant mothers and couples seeking adoption. Mariner theorizes this process through the idea of intimate speculation, “a set of practices mobilized by adoption professionals (social workers, clinicians, educators, attorneys), prospective adoptive parents, and expectant mothers that involve differential investment in an imagined future child” (7). Orienting our gaze away from the adoptive family as the logical outcome of adoption, the book argues for understanding adoption as a future oriented process with various possible outcomes.Kathryn A. Mariner is the Wilmot Assistant Professor of Anthropology and Visual and Cultural Studies at the University of Rochester.Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In a world where black(ened) flesh, particularly feminine flesh, is considered the ontological zero of humanness, what interventions and complications are available from art and speculative fiction of the African diaspora? On this episode of the New Books Network, Dr. Lee Pierce (s/t) interviews Dr. Zakkiyah Iman Jackson about the imaginative interventions of African cultural production into the racial logics of the so-called “Enlightenment,” past and present.Rewriting the pernicious, enduring relationship between blackness and animality in the history of Western science and philosophy, Becoming Human: Matter and Meaning in an Antiblack World (NYU Press, 2020) breaks open the rancorous debate between black critical theory and posthumanism. Through the cultural terrain of literature by Toni Morrison, Nalo (NOW-LO) Hopkinson, Audre Lorde, and Octavia Butler, the art of Wangechi Mutu and Ezrom Legae (La-Hi), and the oratory of Frederick Douglass, Dr. Jackson both critiques and displaces the racial logic that has dominated scientific thought since the Enlightenment. Becoming Human demonstrates that the history of racialized gender and maternity, specifically antiblackness, is indispensable to future thought on matter, materiality, animality, and posthumanism.Jackson argues that African diasporic cultural production alters the meaning of being human and engages in imaginative practices of world-building against a history of the bestialization and thingification of blackness—the process of imagining the black person as an empty vessel, a non-being, an ontological zero—and the violent imposition of colonial myths of racial hierarchy. She creatively responds to the animalization of blackness by generating alternative frameworks of thought and relationality that not only disrupt the racialization of the human/animal distinction found in Western science and philosophy but also challenge the epistemic and material terms under which the specter of animal life acquires its authority. What emerges is a radically unruly sense of a being, knowing, feeling existence: one that necessarily ruptures the foundations of "the human."Becoming Human is forthcoming as an audio book version in early January 2021. Keep an eye out if you prefer to listen to your new books!We hope you enjoyed listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, on Twitter, Instagram, and Facebook for interview previews, the best book selfies, and new episode alerts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Some of America’s most pressing civil rights issues—desegregation, equal educational and employment opportunities, housing discrimination, and free speech—have been closely intertwined with higher education institutions. Although it is commonly known that college students and other activists, as well as politicians, actively participated in the fight for and against civil rights in the middle decades of the twentieth century, historical accounts have not adequately focused on the roles that the nation’s college presidents played in the debates concerning racism. Based on archival research conducted at a range of colleges and universities across the United States, The Campus Color Line: College Presidents and the Struggle for Black Freedom (Princeton UP, 2020) sheds light on the important place of college presidents in the struggle for racial parity.Focusing on the period between 1948 and 1968, Eddie Cole shows how college presidents, during a time of violence and unrest, strategically, yet often silently, initiated and shaped racial policies and practices inside and outside of the educational sphere. With courage and hope, as well as malice and cruelty, college presidents positioned themselves—sometimes precariously—amid conflicting interests and demands. Black college presidents challenged racist policies as their students demonstrated in the streets against segregation, while presidents of major universities lobbied for urban renewal programs that displaced Black communities near campus. Some presidents amended campus speech practices to accommodate white supremacist speakers, even as other academic leaders developed the nation’s first affirmative action programs in higher education.The Campus Color Line examines how the legacy of academic leaders’ actions continues to influence the unfinished struggle for Black freedom and racial equity in education and beyond.Eddie Cole is Associate Professor of Higher Education and Organizational Change at UCLA.Matthew Johnson is Associate Professor of History at Texas Tech University and author of Undermining Racial Justice: How One University Embraced Inclusion and Inequality. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Soul is one of those concepts that is often evoked, but rarely satisfactorily defined. In The Meaning of Soul: Black Music and Resilience Since the 1960s (Duke University Press 2020), Emily J. Lordi takes on the challenge of explaining “soul,” through a book that zooms in and out between sweeping ideas about suffering and resilience in Black culture and fine-grained, close readings of individual performances by soul musicians. Rather than centering big musical gestures and major popular hits, Lordi pays close attention to musical practices like falsetto, ad-libs, and false endings to ground her analysis. She focuses on artists that are some of the most recognizable Black singers in the United States such as Aretha Franklin, Nina Simone, and James Brown, but she also spends a lot of time with more obscure figures including Donny Hathaway and Minnie Riperton. She ends the book with a powerful contemplation of how the logic of soul, born in the political and social tumult of the late 1960s, still resonates with some of today’s most popular women singers.Emily J. Lordi is an Associate Professor of English at Vanderbilt University. The Meaning of Soul is her third book. In addition to her scholarly work, she is an active cultural critic and music journalist published in venues such as Billboard, The Atlantic, and NPR.Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Warren Hoffman’s The Great White Way: Race and the Broadway Musical, 2nd edition (Rutgers UP, 2020) explores the ways that race and racism have shaped the American musical from Show Boat to Hamilton. Perhaps surprisingly, Hoffman’s analysis isn’t limited to shows with characters of color like West Side Story; he writes about how the assumption of whiteness shapes apparently race-free musicals like The Music Man and Oklahoma! His book also includes a fascinating discussion of how diverse casting has created both opportunity and controversy, from an all-black Hello, Dolly! to Book of Mormon. This is a book equally valuable to theatre scholars and to fans of the Broadway musical who want to engage more critically with this rich and multi-faceted art form.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The image of Emmett Till’s open coffin, revealing the 14-year old’s horrifically disfigured face, is one of the most heart-wrenching images of the Civil Rights Era. The Chicago teenager was murdered while visiting relatives in the Mississippi Delta in the summer of 1955. Enraged white men kidnapped, tortured, and killed him for having dared to have whistled at a white woman. In an equally horrific miscarriage of justice, only two men stood trial and the all-white jury quickly found them not guilty. The photograph of Emmett Till served to mobilize a campaign against the violence of the late Jim Crow South. Professor Karlos K. Hill’s The Murder of Emmett Till: A Graphic History (Oxford UP, 2020) tells the story of this crime, placing it in the context of both the African American experience and the practice of white supremacy. As part of Oxford University Press’ acclaimed Graphic History Series, Hill’s book is a comic rendering of Emmett Till’s death and the frustrating struggle for justice. The book captures Emmett Till’s humanity in the face of inhumane evil.Dr. Karlos K. Hill is an Associate Professor and Department Chair of African and African-American Studies at the University of Oklahoma. He earned his Ph.D. at the University of Illinois at Urbana-Champaign in 2009 and has taught at St. Olaf College, Luther College, and Texas A&M. Professor Hill specializes in the history of anti-Black violence and its legacies. In addition to scores of articles, he is the author of Beyond the Rope: The Impact of Lynching on Black Culture and Memory, out in 2016 with Cambridge University Press. He is also the author of a forthcoming book The 1921 Tulsa Race Massacre: A Photographic History, out next year with the University of Oklahoma Press.Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In 1985, Greg Mack, a DJ working for Los Angeles radio station KDAY, played a song that sounded like nothing else on West Coast airwaves: Toddy Tee’s “The Batteram,” a hip hop track that reflected the experiences of a young man growing up in 1980s Compton. The song tells about the Los Angeles Police Department’s battering ram truck, an emblem of the city under Police Chief Daryl Gates, and which terrorized largely African American neighborhoods across Los Angeles under his watch. In To Live and Defy in LA: How Gangsta Rap Changed America (Harvard UP, 2020), historian at San Francisco State University Felicia Angeja Viator describes how rap leapt across the continent from its New York roots in the mid-1980s and took hold in Los Angeles. Often gaining popularity by word of mouth and mobile DJ parties, local groups like NWA pioneered a new, harder-edged, style of hip hop music that reflected their experiences as youth growing up in Gates era LA. Viator explains how the rapid rise of West Coast rap became engulfed in the culture wars of the late 1980s and 1990s and shaped perceptions of the 1992 LA uprising. When gangsta rap hit the American mainstream in the early 90s, the artform changed the face of popular music and American culture forever.For a playlist of songs featured in To Live and Defy in LA, see the following link.Stephen Hausmann is an Assistant Professor of US History at the University of St. Thomas in Minnesota. He teaches courses on modern US history, environmental history, and Indigenous history and is currently working on his book manuscript, an environmental history of the Black Hills of South Dakota and Wyoming. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Lisa B. Thompson is equally renowned as a scholar of African and African-American studies and as a playwright. Her latest book Underground, Monroe, and the Mamalogues: Three Plays (Northwestern University Press 2020) collects plays from throughout her two decades as a playwright. "Underground" is a tense two-hander exploring themes of race, class, and masculinity through the story of two friends with very different ideas about how to change the world. Monroe draws on Thompson’s family’s history as part of the Great Migration of Blacks from the South to the urban north and west. "The Mamalogues" is the funniest and most personal play in this collection: it is a love letter to unpartnered Black mothers and a spiritual sequel to Thompson’s earlier play "Single Black Female."Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies