Songwriters on Process

John McCauley and Ian O’Neil of Deer Tick stop by talk about what makes for an effective songwriting process. In no particular order: laundry rooms, a kitchen, a nice rug, running shoes, recumbent bikes, Raymond Carver, and turn signals. Deer Tick’s latest album is Emotional Contracts, out now on ATO Records.

Academy Award nominee Emile Mosseri stops by the podcast to talk about the challenges that come with writing a solo album when all you’ve known is collaboration (his time in The Dig) and film & television composing (like his film score for Minari , for which he received a 2021 Academy Award nomination for Best Original Score). We talk about why he likes to write when he’s not supposed to be writing, why having a child is often good for his process, and why social media is never good  for it. Mosseri’s debut solo album Heaven Hunters is out now on Greedy Heart Records.

Josh Ritter stops by Songwriters on Process to declare that while we like to think he writes with a quill pen, he actually writes almost all of his lyrics on his phone. That's a first: many songwriters tell me they write on a computer, but Ritter eschews even that because he prefers the spontaneity that his phone provides.Ritter's latest album is Spectral Lines, out now. 

"I'm pretty much always thinking about lyrics every day of my life." That quote represents the energy that Jess Williamson brings to this episode of the podcast. Her level of introspection and enthusiasm made this conversation so much fun.But what happens when you're always thinking about songwriting and you can't write a song? Williamson discusses the anxiety she felt during a year-long songwriting draught that lasted for all of 2022 and even into 2023. It eventually broke one day when she "threw the capo on the sixth fret, started playing some chords, and that was it."Williamson's new album is called Time Ain't Accidental, out June 9 on Mexican Summer Records. In 2022, Williamson and Katie Crutchfield of Waxahatchee  formed Plains and put out their debut album I Walked With You a Ways.  

"We don't write on lined paper. That's a big no-no." This episode with Etta Friedman and Allegra Weingarten of Momma goes deep. We dig into the whys of the writing process, not just the hows.  We also discuss, for example, why mundane activities are never good for their creative process--a pretty unique answer among the songwriters I've interviewed. Most tell me that walking stimulates the writing process, but not these two: they use mundane activities like walking as a means to escape, not to create. I LOVE this band. Love them. Their 2022 album Household Name was one of my favorites of 2022 and heck even 2023. I am a huge fan, so this conversation was a blast. 

"A washing machine with a clumpy pair of shoes can be a beautiful thing."Legendary drummer Dave Lombardo, a founding member of Slayer, finds beauty in the mundane. And also in the annoying: "Even the rhythm of a jackhammer and the bumps in a road can be inspiring," he says in the latest Songwriters on Process podcast. Lombardo's debut solo album Rites of Percussion (Ipecac Recordings) is an instrumental effort consisting entirely of percussive instruments. What kind? Here's the list: two drum sets (single and double bass kits), a large concert bass drum, a timpani, a grand piano, and a flock of shakers, maracas, Chinese and symphonic gongs, Native American drums, congas, timbales, bongos, batás, wood blocks, djembes, ibos, darbukas, octobans, cajóns, and cymbals.

Sisters Natalie, Allison, and Meegan from Joseph talk about their individual and collective songwriting processes in this episode.  And in that discussion, they each learn something about the others that they didn't know! Joseph's new album The Sun is out April 28 on ATO Records.

"I'm a wrong hallway person. I like to make wrong turns."Eric D. Johnson of Fruit Bats and Bonny Light Horseman makes a lot of mistakes. And that's a good thing, he says, because that's when the good stuff happens. "The excitement is in the mistakes," he says. "The song is a house, and sometimes you walk into the wrong room."Johnson's talking in metaphors, of course, but his literal rooms need to be a place of chaos too. The room where he writes starts off clean, but by the end there's stuff everywhere: cables, papers, notebooks, assorted musical accessories strewn all about. "The room has to be neat to start, but the good stuff happens when the room is a disaster."The Fruit Bats' new album A River Running to Your Heart is out April 14 on Merge Records. Listen now to my latest episode with Eric D. Johnson!

"I've written whole songs on dog walks," says Amy Ray of The Indigo Girls.  "I write a lot when I'm on the lawnmower, says H.C. McEntire. What a great time this was listening to these two friends and fantastic songwriters go deep into their songwriting processes. For Ray, it involves writing five times a week for no more than two hours a day. For McEntire, it involves cork boards. We also discuss our shared love for Anne Lamott and Sharon Olds.  Catch them on on tour together this May. 

(NOTE: This interview is from December 2020. I've converted the video to podcast form. You can watch the interview here.)It's like opening a time capsule now when I listen to songwriters talk in 2020 about how they were navigating the pandemic as artists. For some, it was a bane: the isolation paralyzed their creativity. For Alex Skolnick of Testament, it was a boon. Quite simply, he says, "Not having to travel has opened me up to different ways to be creative that I didn’t have before."  But on those rare occasions when he's in a rut (and they are very rare), Skolnick knows what to do: "If I’m stuck, I know what to do to get inspired. I know which films to watch, which books to read, which tv shows to watch."