New Books in the History of Science

In Warriors of the Cloisters: The Central Asian Origins of Science in the Medieval World (Princeton University Press, 2012), Christopher I. Beckwith gives us a rare window into the global movements of medieval science. Science can be characterized not by its content, but instead by its methodology. Starting from this premise, Beckwith focuses on a crucial part of this methodology, the recursive argument method. Developed among Central Asian Buddhist scholars, the recursive method was transmitted along with other core elements of medieval science (including the institution of the college) to Muslims in Central Asia, and from there to medieval Western Europe. Beckwith’s analysis of this transformation is based on a deep knowledge of disputational texts in many languages, and integrates archaeological evidence in a compelling account of the spatial and institutional relationships of the college, the European cloister, the Islamic madrasa, and the Central Asian vihara. The story of Warriors of the Cloisters ranges widely across India, Tibet, China, and Greco-Roman antiquity, while focusing on a Central Asian context that has largely been absent from global histories of science. It is an important contribution to what will hopefully become an emerging new field of scholarship on Central Asian science, medicine, and technology. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

You were amused to find you too could fear“The eternal silence of the infinite spaces.”The astronomy love poems of William Empson, from which the preceding quote was taken, were just some of the many media through which people explored the ramifications of Einstein’s ideas about the cosmos in Britain in the 1920s and 1930s. Masterfully incorporating a contextual sensibility of the historian of science with a sensitivity to textual texture of the literary scholar, Katy Price guides us through the ways that readers and writers of newspapers, popular fiction, poems, magazines, and essays translated and incorporated Einsteinian relativity. Loving Faster Than Light: Romance and Readers in Einstein’s Universe (University of Chicago Press, 2012) situates this popular engagement with the physical sciences within the political transformations of early twentieth-century Britain, looking at how the scientific and publishing communities attempted (with different levels of success) to use media coverage of relativity to rally the support of a wider reading public. It is a rich study that has much to offer to those interested in the history of science, of literature, and of popular culture, while helpfully complicating all of those categories.“Fly with me then to all’s and the world’s endAnd plumb for safety down the gaps of starsLet the last gulf or topless cliff befriend,What tyrant there our variance debars?”*Both quotes above are from William Empson’s poems, and can be found on pages 167 and 162 of Price’s book. Learn more about your ad choices. Visit megaphone.fm/adchoices

When I agreed to host New Books and Science Fiction and Fantasy there were a number of authors I hoped to interview, including Michael Gordin. This might come as a surprise to listeners, because Michael is neither a science-fiction nor a fantasy author. He is, rather, a prominent historian of science at Princeton University. But his work intersects with the subject-matter of this podcast in a number of ways. Five Days in August: How World War II Became a Nuclear War asked us to consider what might have been had Tokyo refused to surrender and the US had continued to drop atomic bombs on Japan. Mike will soon start co-teaching a class on invented languages which includes a unit on Klingon. And the main subject of this interview, The Pseudoscience Wars: Immanuel Velikovsky and the Birth of the Modern Fringe (University of Chicago Press, 2012), touches on both the history of science fiction, key themes within the genre, and where much of its source material comes from. Indeed, while this channel will continue to focus on new books within the SF and Fantasy genres, it will also interview scholars and practitioners whose expertise illuminates and enhances our understanding of those genres. I hope this interview does so for its listeners.For those of you interested in a different take on The Pseudoscience Wars, you should check out Michael’s forthcoming interview on the New Books in Science, Technology, and Society channel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Before the sixteenth century, bugs and other creepy-crawlies could be found in the margins of manuscripts. Over the course of the sixteenth and seventeenth centuries, insects crawled their way to the center of books, paintings, and other media of natural history illustration. Janice Neri‘s wonderful book charts this transformation in the practices of depicting insects through the early modern period. Inspired by the archaeology of Foucault but using an approach that spans the history of science, art history, and visual studies, The Insect and the Image: Visualizing Nature in Early Modern Europe, 1500-1700 (University of Minnesota Press, 2011) identifies a “specimen logic” through which images of insects were removed from their habitats, decontextualized, and mobilized into networks of regional and global exchange and circulation. Part I of the book traces the emergence of insects as subject matter for artistic representation, looking in turn at the work of Joris Hoefnagel, Ulisse Aldrovandi, Thomas Moffet, and still-life painters from 1580-1620. The choices made by these artists contributed to the transformation of ideas about nature as controllable and commodifiable. Part II shifts our attention to the later seventeenth century, and considers how the work of artists such as Robert Hooke and Maria Sibylla Merian helped visualize insects (as well as their own professional identities) anew across several media. Neri’s work urges us to reconsider some common binaries that tend to characterize thinking and writing about images in history: art/science, professional/amateur, image/object.To see some of the images that we talked about in the interview, check out the following links:Hoefnagel images can be found here, and the stag beetle is here.Digitized images from Aldrovandi’s work can be navigated to from here [site is in Italian].The Van Der Ast image can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Genentech: The Beginnings of Biotech (University of Chicago Press, 2011) tells many stories of many things. It is the story of a handful of people who figured out how to make recombinant DNA technology into a thriving business. It is the story of the emergence of a new hybrid organism, the entrepreneurial biologist, who lived with one leg in academia and one in corporate research. It is the story of a series of compounds that became big business in the American corporate world: human insulin, human growth hormone, and interferon among them. Drawing on a series of fascinating oral histories, Sally Smith Hughes recounts all of these tales as they unfolded in a volatile environment sparking with questions over the political and ethical implications of recombinant DNA technology: Could living organisms be patented? Did scientists own their research materials? When a team of scientists discovered something that was worth millions or billions of dollars, who should get credit and reap the rewards? Hughes’ story manages to address these major issues without sacrificing the human stories and colorful characters behind the rise of Genentech.For the Bancroft Library Program in Bioscience and Biotechnology Studies Regional Oral History Office, see this website. Learn more about your ad choices. Visit megaphone.fm/adchoices

Daniela Bleichmar‘s new book is a story about 12,000 images.In Visible Empire: Botanical Expeditions and Visual Culture in the Hispanic Enlightenment (University of Chicago Press, 2012), Bleichmar uses this vast (and gorgeous) archive of botanical images assembled by Spanish natural history expeditions to explore the connections between natural history, visual culture, and empire in the eighteenth century Hispanic world. In beautifully argued chapters, Bleichmar explores that ways that eighteenth century natural history expeditions were grounded in a visual epistemology where observation and representation were powerful tools for negotiating both scientific and imperial spheres. The “botanical reconquista” spanned fields, shops, gardens, and cabinets across the New World and the Old. Botanists, artists, and others employed images for collaboration and competition, developing distinct styles and practices for observing and representing the natural world. The expeditions’ taxonomic botanizing was ultimately more successful than their efforts to exploit the cinnamon, cinchona, and other products that comprised the “green gold” of the colonial herbarium. Nonetheless, they made imperial nature visible…even as they made much of the empire invisible. Enjoy the book! And be sure to check out the fifth chapter, which juxtaposes Casta paintings from Mexico with some fascinating and little-known paintings from Quito and Peru to deepen and extend our understanding of the visuality of Spanish empire in the eighteenth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

I have long been an admirer of Dan Healey‘s work. His research has opened the world of homosexual desire and the establishment of the gay community in revolutionary Russia and has made an important contribution our understanding of the history of homosexuality; Healey’s new book follows logically from his previous one. In Bolshevik Sexual Forensics: Diagnosing Disorder in the Clinic and Courtroom, 1917-1939 (Northern Illinois University Press, 2009), he takes us from the establishment of a gay identity and community to the new Russian state as it seeks to define its position vis a vis sexuality. With the Bolshevik revolution, revolutionaries decided to modernize Russian sexual science and beliefs. Russian sexual scientists were already in conversation with their Western European colleagues and sought to modernize and rationalize sexual relations between women and men. Policy makers introduced a number of reforms to aid in the process of modernization. They abolished the age of consent, for instance, and replaced it with an age of maturity. Bolsheviks also envisioned a modern role for science in the new Russian state – one that brought the psychiatrists into the justice system. These new sexual experts began to link sex crimes to mental disease, described and diagnosed sexual psychopathy, and they began a systematic investigation of the bodies of hermaphrodites. Bolshevik Sexual Forensics discusses these developments and their impact on sexual beliefs and the regulation of sexuality. Given the archival record, Healey does not attempt to predict how these changes influenced sexual experience. Court records, he notes, are largely silence on the impact that “modern visions” of sexuality had on young rape victims, for instance. Instead, Healey does what the records allow him to do: trace the changing role of sexual experts and sexual science of people of the young Russian nation tried to distance themselves from the old tsarist beliefs – yet lapsed over and over again into traditional notions of sexuality. Listen as Dan Healey tells us about his new book, Bolshevik Sexual Forensics. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Rereading the Fossil Record: The Growth of Paleobiology as an Evolutionary Discipline (University of Chicago Press, 1012), David Sepkoski tells a story that explains the many ways that paleontologists have interpreted the meaning and importance of fossils in the light of evolutionary theory. Starting with Darwin and his dilemma concerning the fossil record, Sepkoski tracks the relationships between paleontology and evolutionary theory over the course of the twentieth century. As it was formulated at mid-century the evolutionary synthesis did not really allow paleontology to contribute to evolutionary theory and it fell to a self-consciously revolutionary generation of paleontologists in the 1970s to argue that reading the fossil record could change the theory of evolution. Drawing on increasingly sophisticated ways of modeling and simulating evolutionary processes, as well as on increasingly available computational power, paleobiologists built institutions and articulated ideas, such as punctuated equilibrium, mass extinction, and macroevolution, that demonstrated how the history of life revealed by reading the fossil record can amend evolutionary theory. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pamela O. Long‘s clear, accessible, and elegantly written recent book explores the ways that artisan/practitioners influenced the development of the new sciences in the years between 1400 and 1600. Artisan/Practitioners and the Rise of the New Sciences, 1400-1600 (Oregon State University Press, 2011) introduces the notion of a “trading zone,” building on the articulation of the concept in anthropology and in the work of Peter Galison, to explain the gradual breaking-down of the distinction between learned scholars and artist/practitioners as distinct and coherent entities in early modern Europe. Several kinds of trading zones, from the Vitruvian tradition to the physical spaces of arsenals and the city of Rome, provided common ground on which both practitioners and university-educated men came together to share ideas about substantive issues. As a result of this interchange, Long argues, empirical values that had been intrinsic to artisanal work came to be embedded more broadly in European culture, and categories that had initially been bifurcated (like art and nature) became more interchangeable. Long guides readers from a historiographical account of the idea of artisanal influence on the new sciences as it has emerged and developed since the 1920s, and through a series of engaging chapters that introduce works and figures that are crucial to the development of these ideas, including a wonderful account of the architecture of Rome from the pages of Vitruvius through the streets of a city dotted with obelisks and occasionally overcome with waters. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

Challenging conventional modes of understanding China and the circulation of knowledge within the history of science, Catherine Jami‘s new book looks closely at the imperial science of the reign of the Kangxi Emperor (r. 1662-1722). It focuses on the history of mathematics in this context, but situates the story of mathematics and Kangxi within a larger framework that extends from the late Ming through the years after Kangxi’s reign, and treating much more than mathematics in the course of the analysis.The Emperor’s New Mathematics: Western Learning and Imperial Authority During the Kangxi Reign (1662-1722) (Oxford University Press, 2012) takes us from the beginning of Western learning in China in the late Ming dynasty through the commissioning by Kangxi of a massive compendium that was the largest mathematical work ever printed in imperial China. Along the way, Jami’s work surveys the changing pedagogy of imperial mathematics in late imperial China, the crucial role that materiality and instruments played in the mathematics of this period, the many languages of sciences at the court, and the ways that Kangxi alternately used Jesuit mathematics to undergird his authority over Chinese scholar-officials, and sidelined them in the service of championing the mathematical knowledge of Chinese scholars and Bannermen. It is a rich and powerful account that rewards a wide range of readers. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices