New Books in the History of Science

Should we really believe what our best scientific theories tell us about the world, especially about parts of the world that we can’t see?This question informs a long history of debates over scientific realism and the extent to which we trust what contemporary and future scientific theories tell us about unobservable phenomena. Using the history of science as an evidentiary archive, Kyle Stanford explores this set of problems in Exceeding Our Grasp: Science, History, and the Problem of Unconceived Alternatives (Oxford University Press, 2006; paperback, 2010). He suggests that we reframe the problem as one of “unconceived alternatives.” Put briefly, if we look at the history of scientific inquiry we’ll see that scientists have repeatedly occupied an epistemic position from which they could conceive of only a fraction of the theories that would have been amply supported by existing evidence. Stanford develops this idea and demonstrates its significance via a series of case studies from the early history of theorizing about generation and inheritance, moving from Darwin’s “mad dream” to Galton’s rabbit transfusion experiments and Weismann’s theory of germ-plasm. Over the course of our conversation we talked, among other things, about the ways that a project like this can contribute to efforts to create a broader trans-disciplinary dialogue across the vast terrain of STS. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

First things first: this was probably the most fun I’ve had working through an STS monograph. (Really: Who doesn’t like reading about Jurassic Park and King Kong?) In addition to being full of wonderful anecdotes about the film and television industries, David Kirby‘s Lab Coats in Hollywood: Science, Scientists, and Cinema (MIT Press, 2011) is also a very enlightening exploration of the role of science consultants on television and in film, and the negotiations of expertise involved in relationships between scientists and the cinema. Scholars of STS will recognize some of the major themes that Kirby raises in the course of a fascinating look behind the scenes of the cinematic production of “science”: negotiated definitions of accuracy and plausibility, technologies of virtual witnessing, the social construction of knowledge. Many of the chapters will change the way you see representations of scientists and their work in the movies and on TV, and Kirby’s description of the filmic use of “diegetic prototypes,” or cinematic depictions of future technologies, is a stand-alone contribution in itself. This is a must-read for anyone interested in popular representations of science. Kirby describes the ways that visual media interpret, naturalize, and engage with scientific theories (be they well-accepted, controversial, or fantastical), and how some scientists in turn manipulate cinematic depictions for their own ends. Plus, have I mentioned how much fun it is?Check out David’s recent discussion of the film Prometheus!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Jessica Teisch‘s new book Engineering Nature: Water Development and the Global Spread of American Environmental Expertise (University of North Carolina Press, 2011) examines the ways that Californian engineers attempted to reshape their world in the late 19th century. Engineered irrigation appealed to both private individuals and the state as a way of mediating California’s competing interests, creating prosperity and fulfilling an American agrarian ideal. Ideas about irrigation, settlement and development circulated the world and Teisch shows how California’s experts circulated to Australia, South Africa and Palestine, frequently returning with new knowledge then applied to California. Despite their aspirations, few of California’s engineers were as successful as they wished but they had a lot to contend with. Teisch’s engineers inserted themselves into the tumultuous social transformations of the turn of the twentieth century, attempting to shape capitalism, all levels of government and even the developing nation state. Learn more about your ad choices. Visit megaphone.fm/adchoices

John Cheng‘s new book Astounding Wonder: Imagining Science and Science Fiction in Interwar America (University of Pennsylvania Press, 2012) uncovers the material and social circumstances that created the social phenomenon of American science fiction. To a population already enamored with the products of scientific research (aviation, automobiles and movies, for example), science fiction magazines offered opportunities for exploring science’s transformative potential, for re-imagining the boundaries of the social and the natural, and, importantly, for building communities. Cheng shows how science fiction readers consumed, produced, argued over and tried to integrate science fiction into their lives: some inspired to devote their lives to science, some inspired to write the Science Fiction Internationale. Historiographically sensitive, Cheng argues for detaching popular culture, and fan culture in particular, from a strong identification with consumption and for the importance of reading texts in their material contexts, while at the same time providing a sophisticated reading of the content of science fiction pulps. Cheng shows how stories about robots, aliens and time travel all reveal Americans’ concerns as science became integrated into American society demonstrating the need for the history of American science to be integrated with American history. Learn more about your ad choices. Visit megaphone.fm/adchoices

I love reading, I love reading history, and I especially love reading history books written by authors who understand how to tell a good story. In addition to being beautifully written, Imperial Nature: Joseph Hooker and the Practices of Victorian Science (University of Chicago Press, 2008) does a wonderful job of keeping readers engaged with the story of Joseph Hooker – his travels, his personal and professional battles, his friendships – while offering a thoughtful account of the practices of Victorian science that sustained his life and work. You will not just find texts in this story. It is also full of paper and lenses, leather and wood, paint and pencils, arguing for the importance of a material history of science, and of botany in particular. Jim Endersby ranges with the characters in his book from the Antarctic to Kew Gardens, and helps us understand how the consequences of empire shaped the emergence of a scientific profession in Hooker’s lifetime. This will be required reading for scholars of Victorian science, of natural history, and of the history of imperial science, but it will also reward any reader interested in a compelling story written by a writer’s writer. It was a pleasure to read, and equally a pleasure to talk with Jim about it. Learn more about your ad choices. Visit megaphone.fm/adchoices

Graham Burnett’s The Sounding of the Whale: Science and Cetaceans in the Twentieth Century (University of Chicago Press, 2012) s an astounding book. It is an inspiring work, both in the depth of research brought to bear in Burnett’s account of the emergence of twentieth-century whale science, and the sensitivity with which he renders the characters in his story. Burnett’s writing is characteristically thoughtful, elegant, and compelling. Readers will be moved, as I was, by his sensitive rendering of the amazing cast of musicians, scientists, politicians, and dreamers, humans and other creatures trying to make a world for themselves and each other. Some fail heartbreakingly, others enjoy successes small or enormous – all of this in an academic book about the history of science. (Also, there are scientists in formaldehyde, and LSD, and concerts for whales, and ladies with lipstick who make nice-nice with dolphins.) It is a must-read for historians of science, and for anyone interested in the history of whale science.The interview opens with a laughing interviewer and closes with a shout-out by the author, both occasioned by this review of The Sounding of the Whale by Nick Black, which Burnett did a reading of before we started recording (scroll down to “Community Reviews” for the text). You’ll note a brief cut-out in the middle of the interview, at which point the iPhone technology got the better of us. Learn more about your ad choices. Visit megaphone.fm/adchoices

We’ve all heard about scientific revolutions, such as the change from the Ptolemaic geocentric universe to the Copernican heliocentric one. Such drastic changes are the meat-and-potatoes of historians of science and philosophers of science. But another perspective on them is from the point of view of cognition. For example, how do scientists come up with breakthroughs? What happens when a scientist confronts a new theory that conflicts with an established one? In what ways does her belief system change, and what factors can impede her acceptance of the new theory?In his latest book, The Cognitive Science of Science (MIT Press, 2012), Paul Thagard considers the nature of science from this cognitive scientific perspective. Thagard, who is a professor of philosophy at the University of Waterloo, presents a comprehensive view of such aspects of scientific thinking as the process of discovery and creativity, the nature of change in scientific beliefs, and the role of emotions and values in these processes. He defends an explanatory coherence model of belief revision, proposes a model for explaining resistance to new scientific ideas, and even suggests why so much creative thinking goes on in the shower. Learn more about your ad choices. Visit megaphone.fm/adchoices

Though Einstein, Planck, and Pauli have become household names in the history of science, the work of Arnold Sommerfeld has yet to reach the same level of wide recognition outside the field of theoretical physics and its history. In Crafting the Quantum: Arnold Sommerfeld and the Practice of Theory, 1890-1926 (MIT Press, 2010), Suman Seth not only makes a compelling case for the centrality of Sommerfeld as a theoretician and teacher of physics in the late nineteenth and early twentieth centuries, but also uses the Sommerfeld School to speak to broad issues that are central to the way we understand science and its history. With humor, sensitivity, and a wide-ranging fluency in the conceptual and methodological studies of science, Seth translates the history and fabric of theoretical physics into a rich account of the practice and pedagogy of physical science, revising what we think we know about the roles of discipline, revolution, and ski trips in the history of physics. It is both an archaeology of the relationship between theory and experiment in modern history, and a beautifully wrought tale of the transformation of one of modern science’s most influential teachers and practitioners of the “physics of problems.” Learn more about your ad choices. Visit megaphone.fm/adchoices

First things first: this is an outstanding book.In the course of The Paper Road: Archive and Experience in the Botanical Exploration of West China and Tibet (University of California Press, 2011), Erik Mueggler weaves together the stories of two botanists traveling through western China and Tibet in a lyrically-written story that treats the nature of writing, bodies, beauty, images, violence, and history in creating experiences of the earth. The characters are compelling, the story is important, and the work speaks to readers well beyond the field of East Asian Studies. Listen to Mueggler’s comments, and then read the book. You will learn much, as I certainly did. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marta Hanson‘s book is a rich study of conceptions of space in medical thought and practice. Ranging from a deep history of the geographic imagination in China to an account of the SARS outbreak of the 21st century, Hanson’s book maps the transformations of medicine and healing in late imperial... Learn more about your ad choices. Visit megaphone.fm/adchoices