New Books in the History of Science

New Books Network
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Sep 27, 2013 • 1h 13min

Adam R. Shapiro, “Trying Biology: The Scopes Trial, Textbooks, and the Anti-Evolution Movement in American Schools” (University of Chicago Press, 2013)

During the 1924-25 school year, John Scopes was filling in for the regular biology teacher at Rhea County Central High School in Dayton, Tennessee. The final exam was coming up, and he assigned reading from George W. Hunter’s 1914 textbook A Civic Biology to prepare students for the test. What followed has become one of the most well-known accounts in the history of science and one of the most famous trials of twentieth-century America.In Trying Biology: The Scopes Trial, Textbooks, and the Anti-Evolution Movement in American Schools (University of Chicago Press, 2013), Adam R. Shapiro urges us to look beyond the rubrics of “science” and “religion” to understand how the Scopes trial became such an important event in the histories of both. The story begins with a pair of Pinkerton detectives spying on a pair of textbook salesmen in the Edwards Hotel in Jackson, Mississippi. Shapiro brings us from that hotel room into a series of classrooms, boardrooms, and courtrooms while exploring the battle over textbook reform in the twentieth-century US. Based on a close reading of high school curricular materials around the discipline of botany, with special attention to the emergence of “civic botany” as a pedagogical field, Shapiro’s book uses the debates over pedagogy, evolution, and the textbook industry to explore a number of issues that are of central importance to the history of science: the construction of authorship, the histories of reading practices, the co-emergence of economies and technologies, and the ways that urban and rural localities shape the nature of sciences and their publics. It is a gripping, moving, and enlightening story. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices
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Sep 17, 2013 • 57min

Tim Maudlin, “Philosophy of Physics: Space and Time” (Princeton UP, 2012)

Tim Maudlin‘s Philosophy of Physics: Space and Time (Princeton University Press, 2012) is a clear, approachable, and engaging introduction to the philosophy of physics that focuses on fundamental notions of space and time. The book expertly interweaves the history and philosophy of science in the course of its narrative; readers will explore the historical development of ideas about space and time in the course of learning the outlines and intricacies of some of the most powerful physical concepts in the history of science. Maudlin is an expert teacher in these pages, using material examples to explain and explore aspects of the philosophy of physics from the geometrical structure of space to the topology of time. Over the course of our conversation, we talked about the place of the volume within the larger trajectory of Maudlin’s work, the ways that his experience as a student and a teacher of the philosophy of physics has shaped the volume, and some of the ways that the work significantly departs from similar introductions to the field. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices
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Jul 29, 2013 • 1h 7min

T. J. Hinrichs and Linda L. Barnes, eds., “Chinese Medicine and Healing: An Illustrated History” (Harvard UP, 2012)

T. J. Hinrichs and Linda L. Barnes have produced a volume that will change the way we learn about and teach the history of health and healing in China and beyond. Chinese Medicine and Healing: An Illustrated History (Harvard University Press, 2012) collects ten chronologically-organized chapters that each explore practices of health and healing in... Learn more about your ad choices. Visit megaphone.fm/adchoices
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Jul 18, 2013 • 1h 5min

Alisha Rankin, “Panaceia’s Daughters: Noblewomen as Healers in Early Modern Germany” (U. Chicago Press, 2013)

Dorothea was a widow who treated Martin Luther, the Duke of Saxony, and throngs of poor peasants with her medicinal waters. Anna was the powerful wife of the Elector of Saxony who favored testing medical remedies on others before using them on her friends and family. Elisabeth was an invalid patient whose preferred treatments included topical remedies and ministrations from the “almighty physician,” but never “the smear.” We meet these three lively women in the pages of Alisha Rankin‘s wonderful new book on the medical practices of noblewomen from the last decades of the sixteenth century. Panaceia’s Daughters: Noblewomen as Healers in Early Modern Germany (University of Chicago Press, 2013) considers the intellectual and social contexts of healing practices in early modern Germany, focusing on elite women who spent much of their adult lives devising and administering medicinal remedies. The book argues that noblewomen were celebrated as healers not despite their gender, but because of it, offering a useful corrective to the historiography of gender and the sciences in early modernity. Rankin situates three in-depth case studies within a careful exploration of some of the main factors that enabled the kind of success that noblewomen-healers like Dorothea of Mansfield and Anna of Saxony enjoyed in sixteenth-century Germany: more opportunities for information exchange through local communities and wider epistolary networks; an increasing focus on empirical knowledge in its many forms; and the foundation role of written medicinal recipes as a form of kunst. It is a thoughtfully written and very clearly argued work that informs many aspects of the history of gender, of science and medicine, and of practical epistemologies. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices
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Jul 5, 2013 • 1h 8min

Nathaniel Comfort, “The Science of Human Perfection: How Genes Became the Heart of American Medicine” (Yale UP, 2012)

“This is a history of promises.”So begins Nathaniel Comfort‘s gripping and beautifully written new book on the relationships between and entanglements of medical genetic and eugenics in the history of the twentieth century. Based on a rich documentary and oral history archive, The Science of Human Perfection: How Genes Became the Heart of American Medicine (Yale University Press, 2012) reframes the histories of early and contemporary human genetics. Rather than treating eugenics as “a contaminant of good, honest biomedicine,” the book shows that early human genetics had many of the same basic goals – human improvement and the relief of suffering – as genetic medicine today. At the same time, contemporary genetic medicine emerges as much less benign than it has often been depicted.All of this is accomplished through a sensitive historical tracing of two major approaches to understanding human heredity through the twentieth century: a Galtonian approach characterized by a concern with quantification, public health, and populations; and a Garrodian approach characterized by an interest in conceptualizing the human as individual, and in synthesizing heredity with other forms of knowledge. As we follow these threads along with Comfort, he introduces us to a bookful of colorful, vibrant characters from the history of medical genetics: the idealistic inventor of a “Gumption Reviver,” the sanitarium-operator who was fond of prescribing yogurt-enemas, and the medical geneticist with a talent for boogie-woogie piano, among others. These figures are embedded in an exceptionally carefully-wrought narrative of the spaces, practices, and events by which medicine became genetic, genetics became molecular, and molecules made the engineering of humanity possible in a new way.In the course of our discussion, we talked about the importance, for Comfort, of paying careful attention to elements of the writer’s craft when composing a historical work. The John McPhee essay on narrative structure that was mentioned in that part of the interview can be found here (A subscription to the New Yorker is required to read the full piece.)The Oral History of Human Genetics Project can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Jun 22, 2013 • 1h 8min

Maki Fukuoka, “The Premise of Fidelity: Science, Visuality, and Representing the Real in 19th-Century Japan” (Stanford UP, 2012)

Zograscope. Say it with me: zograscope. ZooooOOOOOoooograscope. There are many optical wonders in Maki Fukuoka’s new book The Premise of Fidelity: Science, Visuality, and Representing the Real in 19th-Century Japan  (Stanford University Press, 2012), the zograscope not least among them. The book opens with Fukuoka’s account of stumbling upon a manuscript of... Learn more about your ad choices. Visit megaphone.fm/adchoices
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Apr 30, 2013 • 1h 14min

Alexandra Hui, “The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840-1910” (MIT Press, 2013)

In The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840-1910 (MIT Press, 2013), Alexandra Hui explores a fascinating chapter of that history in a period when musical aesthetics and natural science came together in the psychophysical study of sound in nineteenth century Germany. Though we tend to consider the performing arts and sciences as occupying different epistemic and disciplinary realms, Hui argues that the scientific study of sound sensation not only was framed in terms of musical aesthetics, but became increasingly so over time. The book traces a series of arguments by practitioners of the study of sound sensation as they sought to uncover universal rules for understanding the sonic world: How much epistemic weight ought to be placed on the experiences of an individual listener? What sorts of expertise were relevant or necessary for a sound scientist’s experimental practice? Did musical training matter? Was there a proper way to listen to music? The Psychophysical Ear follows sound scientists as they grappled with these and other questions, struggling with the consequences of understanding the act of listening as a practice that was fundamentally grounded in particular historical contexts as phonographic technology and the increasing number of performances of non-Western music in Europe were transforming the sonic world of Europe. Hui’s story often involves the reader’s own sensorium in the story, urging us to imagine or play sequences of musical notes that prove crucial to some of the arguments of the actors in the story. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices
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Apr 1, 2013 • 1h 11min

Nicholas Popper, Walter Ralegh’s History of the World and the Historical Culture of the Late Renaissance (University of Chicago Press, 2012)

Nicholas Popper‘s new book is a thoughtfully crafted and rich contribution to early modern studies, to the history of history, and to the history of science. Walter Ralegh’s History of the World and the Historical Culture of the Late Renaissance (University of Chicago Press, 2012) takes readers into the texture of Walter Ralegh’s masterwork and the textual and epistemic practices through which he used the past to understand and offer counsel on the events of the present. Ralegh passed seven of his many years of incarceration in the Tower of London excerpting, rearranging, editing, and recopying passages from his 500+ volume library to produce a book that has been read and interpreted in many different (and sometimes conflicting) ways in the hundreds of years since its initial printing.Popper’s book uses a very focused account of the texture of this single book as a basis from which to offer a wonderfully expansive account of the practices of history in the Renaissance, and the ways that Ralegh’s work and associated practices of historical analysis ultimately transformed European politics, religion, and scholarship. Along the way, there are fascinating accounts of the origins of the modern archival mode of historiography, the differences between causal and narrative accounts of the past, and the many ways that early modern historical practices were inextricable from scriptural exegesis. Popper’s study is both inspired by the methods and insights of the historiography of science, and offers a way to think about the practices of knowledge-production that help identify what we’re talking about when we talk about early modern “science.” Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices
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Mar 28, 2013 • 1h 10min

Sean Cocco, “Watching Vesuvius: A History of Science and Culture in Early Modern Italy” (University of Chicago Press, 2013)

The story starts on a high-speed train and ends with six men in a crater, with hundreds of years and a number of explosions in between. Sean Cocco‘s rich new book uses Vesuvius as a focal point for exploring the histories of natural history, travel, observation, imaging, astronomy, and many other aspects of the places and identities of early modern history. Watching Vesuvius: A History of Science and Culture in Early Modern Italy (University of Chicago Press, 2013) pays special attention to the many resonances of emplacement and locality, and to the agency of the Vesuvian landscape, as it explores the continuities and transformations in the seventeenth and eighteenth century volcanic landscape. Volcanology emerged along with Neapolitan identity while volcanoes became emblematic of the south in the writings of European travelers: rumbling, unpredictable, given to heated eruptions. Cocco’s account shows us the beauty of these transformations as they were embodied in paintings, poems, letters, and other media. Scholars and enthusiasts of the urban and political history of Europe will find much of interest here, as will readers interested in the history of vernacular understandings of nature. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices
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Mar 18, 2013 • 1h 5min

Lawrence M. Principe, “The Secrets of Alchemy” (University of Chicago Press, 2012)

What is alchemy? Who were the alchemists, what did they believe and do and dream, and what did they accomplish?Lawrence M. Principe‘s new book explores these questions and some possible answers to them in a wonderfully written and argued introduction to the history of western alchemy. The Secrets of Alchemy (University of Chicago Press, 2012) traces the genealogy of alchemical practices from their early Greco-Egyptian foundations through early modern chymistry, pausing along the way to reflect on the reinterpretation and refashioning of alchemy from the eighteenth century to the present. Principe’s pages reveal histories of alchemy that are wonderfully rich and diverse, and we meet them in laboratories, recipes, images, dramatic plays, and poems. In the course of our conversation, we talked about aspects of the craft of the alchemist as well as that of the historian, including Principe’s fascinating attempts to recreate alchemical recipes and practices in his own laboratory. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

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