Start the Week

In front of an audience at the Hay Festival Tom Sutcliffe asks what Dickens would say about the world today. The prize-winning Barbara Kingsolver discusses her retelling of David Copperfield, in which her eponymous hero, Demon Copperfield, must struggle to survive amid rural poverty and America’s opioid crisis. Michael Rosen has imagined his own modern Oliver Twist (An Unexpected Twist) and A Christmas Carol (Bah! Humbug!) and reflects on the unspoken grief and trauma of recent years, retold in his memoir, Getting Better.And while Natalie Haynes’s favourite Dickens adaptation is The Muppet Christmas Carol, she explores how the telling and retelling of stories and ancient myths shines a light on our contemporary world. Her latest work, Stone Blind, looks again at the tragedy of Medusa.Producer: Katy Hickman

The exhibition Animals: Art, Science and Sound at the British Library (until 28 August 2023) reveals how animals have been documented across the world through history. Cheryl Tipp, Curator of Wildlife and Environmental Sound, explores how people have tried to capture bird song – from using musical notation in the 17th century to the first commercial recording three centuries later, and the recording of the last Kauaʻi ʻōʻō songbird in Haiwaii.Swifts are summer migrants, flying thousands of miles, only pausing to breed in Europe. Their screeching cries and darting flight might be the sight and sound of summer evenings, and yet we know relatively little about their lives. In One Midsummer’s Day the naturalist Mark Cocker goes in search of the elusive swift, and finds a whole natural world of connections.The ecologist Tim Blackburn also discovers the hidden rules and interconnectedness of nature in his study of moths. His book, The Jewel Box, celebrates the diversity he finds within the moth trap on the roof of his flat. But also exposes a glimpse of a larger landscape, beyond the world of lepidoptera.Producer: Katy Hickman

Anne Murphy, economic historian and former trader, discusses the Bank of England's role in Britain's power. The podcast explores the history of interest rates, the challenges faced by small businesses in accessing credit, and the need for a return to community banking. It also delves into the concept of interest as the time value of money and explores ancient Babylonian debt contracts. The debate on interest rates, the role of central banks, and the importance of capitalizing banks are also discussed.

What to do with the art of monstrous men? That’s the question Claire Dederer grapples with in Monsters: A Fan’s Dilemma. She wonders whether she can or should continue to love the work of Roman Polanski and Michael Jackson, Hemingway and Picasso? And if it’s possible to divorce the art from the artist.How do we now view the glorious, technicolour paintings of Paul Gauguin’s works from Tahiti? The writer Devika Ponnambalam has imagined the life of one of his muses Teha’amana in her latest novel, I Am Not Your Eve. Gauguin was 43 when he first arrived on the island in 1891 and made numerous teenage girls his ‘unofficial wives’.The science writer Michael Bond is interested in the psychology behind fandom. In his book Fans he looks at the pleasure of tribalism and sense of belonging, but also what happens when one’s hero falls short, and the cognitive dissonance needed to continue to stay true to a monstrous genius.Producer: Katy Hickman

Adam Rutherford asks what ordinary life was like in the Soviet Union and how far its collapse helps to explain Russia today. Karl Schlögel is one of the world’s leading historians of the Soviet Union. In his latest book, The Soviet Century: Archaeology of a Lost World (translated by Rodney Livingstone), he recreates an encyclopaedic and richly detailed history of daily life, both big and small. He examines the planned economy, the railway system and the steel city of Magnitogorsk as well as cookbooks, parades and the ubiquitous perfume Red Moscow.The historian Katja Hoyer presents a more nuanced picture of life in East Germany, far from the caricature often painted in the West. In Beyond the Wall: East Germany, 1949-1990 she acknowledges the oppression and hardship often faced by ordinary people, but argues that this now-vanished society was also home to its own distinctive and rich social and cultural landscape.But what did it feel like to live through the fall of communism and then democracy? These are the questions Adam Curtis looked to reveal in his 7-part television series, Russia 1985-1999 TraumaZone (available on BBC iPlayer). The archive footage from thousands of hours of tapes filmed by BBC crews across the country records the lives of Russians at every level of society as their world collapsed around them.Producer: Katy Hickman

This podcast explores the significance of ancient trees and their ability to pass knowledge down generations. It discusses sustainable forestry management, the preservation of Britain's oldest trees, and the healing powers of ancient trees in history. The podcast also delves into the cultural and regenerative importance of ancient trees, their adaptations to drought, and their role in mitigating climate change. It highlights the challenges of timber sourcing and the negative impacts of current forestry practices.

Why is it so difficult to find a place to call home? By the age of twenty five the journalist Kieran Yates had lived in twenty different houses, from council estates in London to a car showroom in rural Wales. In All The Houses I’ve Ever Lived In she reveals the reality of Britain’s housing crisis, the state’s neglect, and the toll it takes on those forced to move from place to place.In her memoir Undercurrent the writer and poet Natasha Carthew compares the picture-postcard view of her native Cornwall with the reality of growing up there. She explores the impact of rural poverty, political neglect, and the dominance of second-home owners, but also the sheer beauty of the landscape she calls home.Christine Whitehead OBE is a specialist in housing economics and evaluates government policies on home ownership and housing supply. She looks at the unintended consequences of implementing policies, like rent caps and controls on buying housing stock in rural areas, and the impact of Covid on the rental market. The architect Alice Brownfield, Director at Peter Barber Architects, advocates for high density, mixed-use residential schemes for local councils and housing associations. Her practice has been recognised for its work in developing social housing, often on small plots of land, that centres on fostering a sense of community.Producer: Katy HickmanImage: Kiln Place, by Peter Barber Architects just after completion. Image credit: Morley von Sternberg

The artist Ai Weiwei has always enjoyed ignoring the boundaries between disciplines, fusing art, architecture, design, collecting and social activism. He’s now taken over the Design Museum in London (from 7th April – 30th July 2023), filling it with his work and collections - from millions of handcrafted porcelain sunflower seeds to Lego pieces and broken teapot spouts dating back to the Song Dynasty. The exhibition, Making Sense, explores what we value - from what we perceive to be precious or worthless, to the tensions between the past and present, as well as work made by hand and machine. The engineer Roma Agrawal invites readers to marvel at the design of many of the small but perfectly formed inventions that have changed the world. In Nuts & Bolts she deconstructs complex feats of engineering to focus on the nail, spring, wheel, lens, magnet, string and pump.The economist Bent Flyvbjerg is also interested in deconstructing things, but he's focused on ambitious multi-million pound projects to find out why the vast majority are significantly over-budget and past their deadline. In How Big Things Get Done he extolls the virtue of 'thinking slow, acting fast', and how megaprojects that are designed with Lego-building in mind are more likely to succeed.Producer: Katy HickmanImage credit: close up of Monet's Water Lilies in Lego, constructed by Ai Wei Wei - photo copyright by Ela Bialkowska OKNO Studio

How do people learn new skills and become real experts? These were the questions the author Adam Gopnik wanted to answer in his new book, The Real Work – a term magicians use for their accumulated craft. He apprenticed himself to an artist, a dancer, a boxer, and even a driving instructor to see if could get to the bottom of the mystery of mastery, and better himself.Rebecca Struthers is a true master of her profession – horology. In Hands of Time, A Watchmaker's History of Time she reveals the inner cogs and workings of clocks, and explores the ways in which they have helped shape human history. But she also regrets the endangered art of traditional watchmaking and the loss of heritage skills.The neuroscientist Hannah Critchlow explains what’s happening in our brains when we learn new things, especially later in life. And she argues that two heads may be better than one. In her latest book, Joined Up Thinking, she extols the virtues of working and learning together.Producer: Katy HickmanImage Credit: Rebecca Struthers for Hands of Time

The world is now warming faster than at any point in recorded history. Kirsty Wark talks to an historian, scientist and novelist about how to convey the story and impact of climate change.Floods, droughts, volcanic eruptions, hurricanes and solar activity have all shaped the natural history of our world from its formation. In The Earth Transformed the historian Peter Frankopan looks back at how the climate has constantly changed our world, but also at the impact of extreme climatic events on ancient human civilisations – often violent and epic in scale, from regime change to demographic decline. However, since the Industrial Revolution the balance has shifted and anthropogenic impacts on the climate can be seen more clearly. Peter Frankopan tells Kirsty Wark that learning lessons from the past has never been more important in tackling a precarious future.Professor Dame Jane Francis is Director of the British Antarctic Survey. As a geologist by training, she studies fossils to understand the change from greenhouse to icehouse climates in the polar regions over the past 100 million years. Her research enables others to map the huge changes now happening in the Antarctic and the range of possible scenarios for the future. “As I grew up, crisis slid from distant threat to imminent probability, and we tuned it out like static, we adjusted to each emergent normality, and did what we had always done. . . .” One of the narrators of Jessie Greengrass’s novel The High House realises too late the disastrous impact of climate change. In what has become known as the literary genre clifi – climate fiction – Greengrass reveals the physical and emotional challenges the survivors face.Producer: Katy HickmanImage: An iceberg in Antarctica