New Books in Biography

Today I talked to Megan Buskey about her book Ukraine Is Not Dead Yet: A Family Story of Exile and Return (Ibidem-Verlag, 2023).When Megan Buskey’s grandmother Anna dies in Cleveland in 2013, Megan is compelled in her grief to document her grandmother’s life as a native of Ukraine. A Ukrainian American, Buskey returns to her family’s homeland and enlists her relatives there to help her in her quest—and discovers much more than she expected. The result of this extraordinary journey that traces one woman’s story across Ukraine’s difficult twentieth century, from a Galician village emerging from serfdom, to the “bloodlands” of Eastern Europe during World War II, to the Siberian hinterlands where Anna spent almost two decades in exile before receiving the rare opportunity to emigrate from the Soviet Union in the 1960s. Yet Megan’s wide-ranging inquiries keep leading her back to universal questions: What does family mean? How can you forge connections between generations that span different cultures, times, and places? And, perhaps most hauntingly, how can you best remember a complicated past that is at once foreign and personal?John Vsetecka is a PhD Candidate in the Department of History at Michigan State University where he is finishing a dissertation that examines the aftermath of the 1932-33 famine in Soviet Ukraine (Holodomor). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

How can we—jazz fans, musicians, writers, and historians—understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights-era America.Dave Brubeck and the Performance of Whiteness (Oxford UP, 2023) uses Brubeck's performances of whiteness across his professional, private, and political lives as a starting point to understand the ways in which whiteness, privilege, and white supremacy more fully manifested in mid-century America. How is whiteness performed and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener's mind, filter the sounds a listener hears? To what extent was Brubeck's whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, Dave Brubeck and the Performance of Whiteness listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck's critics, audiences, and Brubeck himself. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries. Nathan Smith is a PhD Student in Music Theory at Yale University (nathan.smith@yale.edu). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Have faith and science always been enemies? The story of Robert Hooke, a revolutionary working in the Scientific Revolution, exemplifies the ways in which Christianity has actually provoked scientific inquiry. Robert George, McCormick Professor of Jurisprudence and Director of the James Madison Program in American Ideals and Institutions at Princeton University.Patricia Fara, director of studies and affiliated lecturer at the University of Cambridge’s Department of the History and Philosophy of Science.Jim Bennett, Keeper Emeritus at the Science Museum, London and professor emeritus of the history of science, University of Oxford.Brother Guy Consolmagno, director of the Vatican Observatory and president of the Vatican Observatory Foundation.Stephen Barr, professor emeritus at the University of Delaware’s department of physics and astronomy.This episode was produced by Rosalind Rei and Maria Devlin McNair.Illuminations is supported by the John Templeton Foundation. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

John W. Bubbles was an actor, singer, comedian, and most importantly, a dancer. Born in 1902, Bubbles was an innovator in the jazz tap style and half of the great vaudeville act, "Buck and Bubbles," with his partner pianist Buck Washington. Brian Harker tells Bubbles' story in Sportin’ Life: John W. Bubbles, An American Classic (Oxford University Press, 2022). Bubbles’ long career, which largely ended after a stroke in 1967, spanned several significant shifts in American popular entertainment. He started entertaining audiences in vaudeville just as films began to dominate the landscape followed by television. Harker tells the story of Bubbles’ tumultuous life and situates his career as a Black dancer within segregated America and an entertainment industry that perpetuated racist stereotypes and exploited its workers—especially those from minoritized communities. Although Bubbles originated the role of Sportin’ Life in George Gershwin’s Porgy and Bess, he has largely slipped out of American memory. Harker restores Bubbles to his rightful place as an innovative dancer and an important figure in twentieth-century American popular entertainment.Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

US Congresswoman Barbara Jordan is well-known as an interpreter and defender of the Constitution, particularly through her landmark speech during Richard Nixon's 1974 impeachment hearings. However, before she developed faith in the Constitution, Jordan had faith in Christianity. In "My Faith in the Constitution is Whole" Barbara Jordan and the Politics of Scripture (Georgetown UP, 2022), Robin L. Owens shows how Jordan turned her religious faith and her faith in the Constitution into a powerful civil religious expression of her social activism.Owens begins by examining the lives and work of the nineteenth-century Black female orator-activists Maria W. Stewart and Anna Julia Cooper. Stewart and Cooper fought for emancipation and women's rights by "scripturalizing," or using religious scriptures to engage in political debate. Owens then demonstrates how Jordan built upon this tradition by treating the Constitution as an American "scripture" to advocate for racial justice and gender equality. Case studies of key speeches throughout Jordan's career show how she quoted the Constitution and other founding documents as sacred texts, used them as sociolinguistic resources, and employed a discursive rhetorical strategy of indirection known as "signifying on scriptures."Jordan's particular use of the Constitution--deeply connected with her background and religious, racial, and gender identity--represents the agency and power reflected in her speeches. Jordan's strategies also illustrate a broader phenomenon of scripturalization outside of institutional religion and its rhetorical and interpretive possibilities. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Beginning in the 1920s, Barbadians and other British West Indians began organizing politically in an international environment that was marked by a severe capitalist economic and financial crisis that intensified in the 1930s. The response in the British Caribbean during the 1930s was in the form of rebellions that demanded colonial reform. The ensuing struggles resulted in constitutional and political changes that led to decolonization and independence. In Errol Walton Barrow and the Postwar Transformation of Barbados: The Late Colonial Period (U The West Indies Press, 2019), Hilbourne Watson examines the contradictory process through the lens of political economy and class analysis, informed by an internationalist historical perspective that centres the concerns and interests of the working class.Britain freed the colonies in ways that reflected its own subordination to US hegemony under the rubric of the Cold War, which served as the geopolitical strategy for liberal internationalism. Watson's analysis concentrates on the roles played by the labour movement, political parties, capitalist interests, and working-class and other popular organizations in Barbados and the British Caribbean, with support from Caribbean-American groups in New York that forged alliances with those black American organizations which saw their freedom struggles in an international context. Practically all the decolonizing (nationalist) elites in Barbados and other British Caribbean territories endorsed a British and American prescription for decolonization and self-government based on territorial primacy and at the expense of a strong West Indian federation that prioritized the working class. This move sidelined the working class and its interests also set back the struggle for self-determination, liberty and sovereignty.Watson situates the role Errol Barrow played in the transformation of Barbados in the wider Caribbean and international context. His study draws on archival records from Britain and Barbados, interviews and other sources, and he pays close attention to how the racialization of social life around nature, culture, history, the state, class, gender, politics, poverty and other factors conditioned the colonial experience. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Lilly: The First Latina Rockette (Lilly Enterprises, 2021) is the improbable story of a Puerto Rican toddler, confined by her father for 15 years to a Bronx orphanage—the former Kennedy estate--and her emergence as a successful jazz and Broadway dancer on the way to becoming the first Latina Rockette. Equally important: a thoughtful exploration of Roman Catholic charitable institutions, the New York City’s fabled High School of Performing Arts, the uncertainties and brutality of Puerto Rican family life and the joy of discovering a Latina identity during a troubled time.James Wunsch is Emeritus Professor of Historical and Education Studies at SUNY Empire State. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Hilbourne A. Watson's Errol Walton Barrow and the Postwar Transformation of Barbados: The Independence Period, 1966-1976 (U West Indies Press, 2020) is the companion volume to Errol Walton Barrow and the Postwar Transformation of Barbados: The Late Colonial Period, which covered the social and political forces between the 1920s and 1966 that shaped the trajectory of working-class struggles in Barbados and led to its decolonization, addresses mainly the first two decades of Barbados's independence as a sovereign monarchy under Errol Barrow and the Democratic Labour Party. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Francine Lazarus survived WWII in Belgium hidden with strangers, isolated from her family, and moved from place to place. She witnessed murder and was often injured herself. With her father murdered in Auschwitz, her story continues post-war with the young Francine, neglected and abused by her family, being sent into foster care. At 13 she was sent to work and forced to abandon education. Like most child Survivors, she was told to forget about her war experiences. After an involuntary migration to Australia, her life began to improve. She created a loving family and, in middle age, earned a bachelor's and master's degrees. However, this testimony is much more than a chronicle of Francine's life. Plagued by secrecy, guilt, and shame, she explains how silence affected her life, and the events that prompted her to share her story. A Hidden Jewish Child from Belgium: Survival, Scars and Healing (Vallentine Mitchell, 2017) is particularly valuable because Francine relates her memories, emotions and introspection to the existing literature on Hidden Children. The research on her life, family and their history (including books, papers, archives, and museum documents) is interspersed throughout the book, offering a detailed portrayal of her situation. This description by a Survivor of her reconstruction and self-healing process is rare in existing literature. Furthermore, her immigration, part of the recovery process, is a fascinating and under-researched topic, which allows for a unique insight into post-war expatriation. The issue of reconstruction is what makes this book a considerable addition to current literature. It fills the gap between the intimacy of individual memoirs and the past ten years' academic research conducted on elderly hidden Jewish children by historians, psychologists, and other professionals.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Growing up on the Upper West Side of New York City in the 1970s, in an apartment filled with dazzling literary and artistic characters, Priscilla Gilman worshiped her brilliant, adoring, and mercurial father, the writer, theater critic, and Yale School of Drama professor Richard Gilman. But when Priscilla was ten years old, her mother, renowned literary agent Lynn Nesbit, abruptly announced that she was ending the marriage. The resulting cascade of disturbing revelations--about her parents' hollow marriage, her father's double life and tortured sexual identity--fundamentally changed Priscilla's perception of her father, as she attempted to protect him from the depression that had long shadowed him.A wrenching story about what it means to be the daughter of a demanding parent, a revelatory window into the impact of divorce, and a searching reflection on the nature of art and criticism, The Critic's Daughter is an unflinching account of loss and grief--and a radiant testament of forgiveness and love.Priscilla Gilman is the author of the previous memoir The Anti-Romantic Child and a former professor at Yale and Vassar. Her other writings have appeared in the New York Times, O, The Oprah Magazine, and elsewhere. She lives in New York City.-Guest Hosted with Professor Corey McEleney, Fordham UniversityRecommended Books: Rebecca Makkai, I Have Some Questions for You Paul Harding, This Other Eden Anne Beattie, Onlookers De’Shawn Charles Winslow, Decent People Claire Dederer, Monsters Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography