New Books in Western European Studies

Today, fighting with dagger versus dagger, or with knife versus knife, is not a common scenario that people might expect to face. However, it was more common in the Middle Ages and in the Renaissance, when it was normal for people to wear a dagger on their belt. Arguments or fights with daggers could break out; and while duels were more often fought with swords, combatants could also agree to do so with daggers.Carlo Parisi's Dagger Fencing: The Italian School (Fallen Rook, 2016)is not a book on modern knife fighting; rather, it is a book dealing with the historical knife fighting of Renaissance Italy. The modern blade aficionado will also find material of interest. The book offers several views of short bladed weapons that were developed and tested when cold steel was the king of weaponcraft and when duels were more common than today.Carlo Parisi was born in Northern Italy in 1974. He has always been interested in weapons and martial arts, and the two met in Historical Fencing, which he began practising in roughly 1998. A few years later, he started doing his own research, and became a member of HEMAC in 2003. Since then, he's been teaching classes at various events in Europe, and set up his own club in 2011. His main interests are sabres and daggers, but he studies a variety of weapons and methods. This is his first book on fencing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Tai Shani (Turner Prize winning artist, educator and author of Our Fatal Magic) and Amy Hale (anthropologist, folklorist, and writer) discuss the work of artist, occultist and writer Ithell Colquhoun to celebrate the publication of Amy’s book Ithell Colquhoun: Genius of The Fern Loved Gully.This book offers the first in-depth biographical study of the British surrealist and occultist Ithell Colquhoun, situating her art within the magical contexts that shaped her imaginative life and work. After decades of neglect, Colquhoun's unique vision and hermetic life have become an object of great renewed interest, both for artists and for historians of magic.Although her paintings are represented in such major collections as Tate Britain and the National Portrait Gallery, Colquhoun's rejection of both avant-garde and occult orthodoxies resulted in a life of relative obscurity. Her visual and written works have only recently received adequate recognition as a precursor to contemporary experiments in magical autobiography and esoteric feminism.After rejecting the hectic social expectations and magical orthodoxies of London's art and occult scenes, Colquhoun pursued a life of dedicated spiritual and artistic enquiry embodied in her retreat to Cornwall. Genius of the Fern Loved Gully balances engaging biography with art historical erudition and critical insight into the magical systems that underscored her art and writing.Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

When students gathered in a London coffeehouse and smoked tobacco; when Yorkshire women sipped sugar-infused tea; or when a Glasgow family ate a bowl of Indian curry, were they aware of the mechanisms of imperial rule and trade that made such goods readily available? In Eating the Empire: Food and Society in Eighteenth-Century Britain (Reaktion Books, 2020), Troy Bickham unfolds the extraordinary role that food played in shaping Britain during the long eighteenth century (circa 1660–1837), when such foreign goods as coffee, tea, and sugar went from rare luxuries to some of the most ubiquitous commodities in Britain—reaching even the poorest and remotest of households. Bickham reveals how trade in the empire’s edibles underpinned the emerging consumer economy, fomenting the rise of modern retailing, visual advertising, and consumer credit, and, via taxes, financed the military and civil bureaucracy that secured, governed, and spread the British Empire.Troy Bickham is professor of history at Texas A & M University. He is the author of The Weight of Vengeance: The United States, the British Empire, and the War of 1812; Making Headlines: The American Revolution as Seen through the British Press; and Savages within the Empire.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Matt Dawson's The Political Durkheim: Sociology, Socialism, Legacies (Routledge, 2023) presents Durkheim as an important political sociologist, inspired by and advocating socialism. Through a series of studies, it argues that Durkheim’s normative vision, which can be called libertarian socialism, shaped his sociological critique and search for alternatives. With attention to the value of this political sociology as a means of understanding our contemporary world, the author asks us to look again at Durkheim. While Durkheim’s legacy has often emphasised the supposed conservative elements and stability advocated in his thought, we can point to a different legacy, one of a radical sociology. In dialogue with the decolonial critique, this volume also asks ‘was Durkheim white?’ and in doing so shows how, as a Jew, he experienced significant racialisation in his lifetime. A new reading and a vital image of a ‘political Durkheim’, The Political Durkheim will appeal to scholars and students with interests in Durkheim, social theory and political sociology.Rituparna Patgiri is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Annabel Kim's second book*, Cacaphonies: The Excremental Canon of French Literature (University of Minnesota Press, 2022) digs into fecal matter as a preoccupation of modern French literature. Inspired by the author's observations of a certain "fecal blindness" among student and other readers of French literature, Cacaphonies examines a series of canonical authors and texts through the twentieth and twenty-first centuries in which shit plays a powerful role as the work and waste of bodies and a figure of radical equality.Throughout its five chapters, the book examines the writing of Louis-Ferdinand Céline, Samuel Beckett, Jean-Paul Sartre, Jean Genet, Marguerite Duras, Romain Gary, Anne Garréta, and Daniel Pennac. Reading the role that fecal matter plays in the works of these authors, Cacaphonies considers the materiality of shit in relationship to French identity, democracy, and universalism. It also explores the excrementalities of writing, literature, and literary studies more broadly. Provocative in the aesthetic and political projects it presents and interrogates, Cacaphonies is smart and engrossing, a wonderful and also really, really shitty book.*I last spoke with Annabel Kim in 2019 about her book Unbecoming Language: Anti-Identitarian French Feminsit Fictions (The Ohio State University Press, 2018). You can listen to that interview here.Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

On the centenary of the fascist party's ascent to power in Italy, Curating Fascism: Exhibitions and Memory from the Fall of Mussolini to Today (Bloomsbury, 2022) examines the ways in which exhibitions organised after the fall of Mussolini's regime to the present day have shaped collective memory, historical narratives, and political discourse around the Italian ventennio. It charts how shows on fascism have evolved since the postwar period in Italy, explores representations of Italian fascism in exhibitions across the world, and highlights blindspots in art and cultural history, as well as in exhibition practices. Curating Fascism treats fascism as both a historical moment and a major paradigm through which critics, curators, and the public at large have defined the present moment. It interweaves historical perspectives, critical theory, and direct accounts of exhibitions from the people who conceived them or responded to them most significantly in order to examine the main curatorial strategies, cultural relevance, and political responsibility of art exhibitions focusing on the Fascist period. Sharon Hecker and Raffaele Bedarida speak to Pierre d'Alancaisez about the role which post-war exhibitions played in shaping our understandings of Italian Modernist art's relationship with Fascism, their contested curatorial and art historical strategies, and the continuing difficulty of reading political signs in aesthetics.  Post Zang Tumb Tuuum at Fondazione Prada Maaza Mengiste's Project 3541 On 'fascism' in contemporary art: Larne Abse Gogarty. ‘The Art Right’. Art Monthly, April 2017. Read and weep.Sharon Hecker is an art historian and curator specializing in modern and contemporary Italian art. She is the author of A Moment’s Monument: Medardo Rosso and the International Origins of Modern Sculpture, and co-editor of Postwar Italian Art History: Untying the Knot and Lead in Modern and Contemporary Art . For her work on Italian art, Hecker has received fellowships from the Getty, Fulbright, and Mellon Foundations.Raffaele Bedarida is Associate Professor of Art History at Cooper Union, USA. An art historian specializing in transnational modernism and politics, Bedarida focuses on cultural diplomacy, migration, and cultural exchange between Italy and the United States. He is the author of Corrado Cagli: La pittura, l’esilio, L’America and Exhibiting Italian Art in the United States from Futurism to Arte Povera. Bedarida has received fellowships from the Center for Italian Modern Art and the Terra Foundation for American Art.Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In 1578, a fourteen-foot linen sheet bearing the faint bloodstained imprint of a human corpse was presented to tens of thousands of worshippers in Turin, Italy, as one of the original shrouds used to prepare Jesus Christ’s body for entombment. From that year into the next century, the Shroud of Turin emerged as Christianity’s preeminent religious artifact. In an unprecedented new look, Andrew R. Casper sheds new light on one of the world’s most famous and controversial religious objects.Since the early twentieth century, scores of scientists and forensic investigators have attributed the Shroud’s mysterious images to painterly, natural, or even supernatural forces. Casper, however, shows that this modern opposition of artifice and authenticity does not align with the cloth’s historical conception as an object of religious devotion. Examining the period of the Shroud’s most enthusiastic following, from the late 1500s through the 1600s, he reveals how it came to be considered an artful relic―a divine painting attributed to God’s artistry that contains traces of Christ’s body. Through probing analyses of materials created to perpetuate the Shroud’s cult following―including devotional, historical, and theological treatises as well as printed and painted reproductions―Casper uncovers historicized connections to late Renaissance and Baroque artistic cultures that frame an understanding of the Shroud’s bloodied corporeal impressions as an alloy of material authenticity and divine artifice.Andrew R. Casper's book An Artful Relic: The Shroud of Turin in Baroque Italy (Pennsylvania State UP, 2021) introduces rich, new material about the Shroud’s emergence as a sacred artifact. It will appeal to art historians specializing in religious and material studies, historians of religion, and to general readers interested in the Shroud of Turin.Andrew Casper is a professor of art history in the Department of Arts at Miami UniversityMorteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In this innovative analytical account of the place of emotion and embodiment in nineteenth-century British surgery, Michael Brown examines the changing emotional dynamics of surgical culture for both surgeons and patients from the pre-anaesthetic era through the introduction of anaesthesia and antisepsis techniques. Drawing on diverse archival and published sources, Brown explores how an emotional regime of Romantic sensibility, in which emotions played a central role in the practice and experience of surgery, was superseded by one of scientific modernity, in which the emotions of both patient and practitioner were increasingly marginalised. Demonstrating that the cultures of contemporary surgery and the emotional identities of its practitioners have their origins in the cultural and conceptual upheavals of the later nineteenth century, this book challenges us to question our perception of the pre-anaesthetic period as an era of bloody brutality and casual cruelty. Emotions and Surgery in Britain, 1793-1912 (Cambridge UP, 2022) is available as open access.Dr Michael Brown is a lecturer in Modern British History at Lancaster University.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

What did medieval authors know about their world? Were they parochial and focused on just their monastery, town, or kingdom? Or were they aware of the broader, medieval Europe that modern historians write about? Christian Raffensperger's edited volume Authorship, Worldview, and Identity in Medieval Europe (Routledge, 2022) brings the focus back to medieval authors to see how they describe their world. While we see in these essays that each author certainly had their own biases, the vast majority of them did not view the world as constrained to their small piece of it. Instead, they talked about the wider world, and often they had informants or textual sources that informed them about the world, even if they did not visit those distant places themselves. This volume shows that they also used similar ideas to create space and identity – whether talking about the desert, the holy land, or food practices in their texts. By examining medieval authors and their own perceptions of their world, this collection offers a framework for discussions of medieval Europe in the 21st century. In this conversation we talk about how this volume goes about broadening both the geographical scope and methodological approaches to reading medieval sources.Erika Monahan is the author of The Merchants of Siberia: Trade in Early Modern Eurasia (Cornell UP, 2016) and a 2023-2024 Alexander von Humboldt Fellow Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In this new history of the Reformation in the Netherlands, Christine Kooi synthesizes fifty years of scholarship provide a broad general history of the Low Countries in the sixteenth century. Kooi's writing focuses on the political context of the era and explores how religious change took place against the integration and disintegration of the Habsburg composite state in the Netherlands. Special attention is given to the Reformation's role in both fomenting and fueling the Revolt in the Netherlands against the Habsburg regime of Phillip II and demonstrating how it contributed to the formation of the region's two successor states, the Dutch Republic and the Southern Netherlands. Reformation in the Low Countries, 1500-1620 (Cambridge UP, 2022) provides a broad understanding of the religions and political debates of the era in the Low Countries by synthesizing years of scholarship and knowledge into one accessible volume. Douglas Bell is a writer, teacher, and historian who lives in the Netherlands. His research interests center on American military history, American foreign policy, German history, and European Studies. Tweet him @douglasibell. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies