New Books in Western European Studies

In this episode, I was joined by Nicholas Scott Baker to discuss his book, In Fortune’s Theater: Financial Risk and the Future in Renaissance Italy (Cambridge University Press, 2021). Professor Baker is an Associate Professor of history at Macquarie University in Sydney Australia interested in the political and economic cultures of early modern Europe and the Mediterranean, with a particular focus on Renaissance Italy.In this fascinating new book, Professor Baker reveals how Renaissance Italians developed a new concept of the future as unknown time-yet-to-come. As In Fortune’s Theater makes clear, nearly everyone in Renaissance Italy seemingly had the future on their minds. Authorities in important commercial hubs such as Genoa, Venice, Rome, and Florence legislated against overzealous betting on the future. Merchants filled their commercial correspondence with a lexicon of futurity. Famed painters such as Caravaggio, Giorgio Vasari, and Paolo Veronese manipulated the existing iconography of the figure of Fortuna into a moral allegory about unseized opportunity. And seemingly every important Renaissance Italian intellectual including Petrarch, Dante, Christine de Pizan, Poggio Bracciolini, Leon Battista Alberti, Laura Cereta, Giovanni Pontano, Niccolò Machiavelli, Francesco Guicciardini, and Baldassare Castiglione cared deeply about time-yet-to-come.Baker’s book is a rich, multilayered examination of the problems of risk, fortune, and the future in the Renaissance, and it should have broad appeal to anyone interested in the economic and political culture of early modern Europeans.Michael Paul Martoccio is an Assistant Professor of History at the University of Wisconsin-Madison specializing in the economic and military historian of the early modern Mediterranean. I am especially interested in how early modern economic practices – consumerism, market culture, and the commercialization of war – shaped notions of sovereignty, territoriality, and political geography. If you have a title to suggest for this podcast, please contact him at martoccio@wisc.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Welcome to the fourth NIAS-Korea episode. We invite Dr. Benjamin Katzeff Silberstein to discuss Sweden-North Korea relations. It may seem odd that among the Western countries, Sweden is the one that has maintained friendlier relations with North Korea. For example, Sweden was the first Western country that opened an embassy in Pyongyang, and the embassy still operates. This is notable given that only a few Western countries currently have an embassy in North Korea. How could we make sense of this relationship? What makes Sweden maintain relatively friendlier relations with North Korea? What was Sweden’s role in the Trump-Kim Jong-un negotiations? What would happen if Sweden joined NATO? Dr. Silberstein shares his expertise and answers these questions.About the speakerBenjamin Katzeff Silberstein received his PhD in History from the University of Pennsylvania, with a dissertation examining the historical evolution of surveillance and social control in post-1948 North Korea. His research agenda focuses broadly on North Korean society in the past and present. At the Safra Center, he is conducting a research project on ties between North Korean market actors and local government officials, exploring tensions and ties between the state and society in the North Korean market economy. He is also preparing a monograph proposal on surveillance in North Korea. Dr Katzeff Silberstein also works with think-tanks in both the United States and Europe on Korean affairs. He is a non-resident fellow at the Stimson Center and a fellow at the Swedish Institute for International Affairs, where he directs a research project on Sweden's relationship with North Korea. He is currently working on a fascinating research project on the past and present of Sweden-North Korea relations at the Swedish Institute for Foreign Affairs, with four researchers using both printed material sources from archives and oral history interviews.The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo.We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.About NIAS: www.nias.ku.dkTranscripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Clive Nwonka and Anamik Saha discuss their forthcoming book Black Film, British Cinema II (publishing in March with Goldsmiths Press), a book which brings together scholars, thinkers and practitioners to consider the politics of blackness in contemporary British cinema and visual practice.Black Film British Cinema II considers the politics of blackness in contemporary British cinema and visual practice. This second iteration of Black Film British Cinema, marking over 30 years since the ground-breaking ICA Documents 7 publication in 1988, continues this investigation by offering a crucial contemporary consideration of the textual, institutional, cultural and political shifts that have occurred from this period. It focuses on the practices, values and networks of collaborations that have shaped the development of black film culture and representation. But what is black British film? How do such films, however defined, produce meaning through visual culture, and what are the political, social and aesthetic motivations and effects? How are the new forms of black British film facilitating new modes of representation, authorship and exhibition? Explored in the context of film aesthetics, curatorship, exhibition and arts practice, and the politics of diversity policy, Black Film British Cinema II provides the platform for new scholars, thinkers and practitioners to coalesce on these central questions. It is explicitly interdisciplinary, operating at the intersections of film studies, media and communications, sociology, politics and cultural studies. Through a diverse range of perspectives and theoretical interventions that offer a combination of traditional chapters, long-form essays, shorter think pieces, and critical dialogues, Black Film British Cinema II is a comprehensive, sustained, wide ranging collection that offers new framework for understanding contemporary black film practices and the cultural and creative dimensions that shape the making of blackness and race.Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In The Rise of the Military Entrepreneur: War, Diplomacy, and Knowledge in Habsburg Europe (Cornell UP, 2022), Suzanne Sutherland explores the role of the military entrepreneur and explains how these international military figures emerged from, and exploited, the seventeenth century's momentous political, military, commercial, and scientific changes. During the Thirty Years' War, these figures traveled rapidly and frequently across Europe using private wealth, credit, and connections to raise and command the armies that rulers desperately needed. Using the individual of Raimondo Montecuccoli (1609–80), a middling nobleman from the Duchy of Modena, who became one of the most powerful men in the Austrian Habsburg monarchy, Sutherland uncovers the influence of military entrepreneurs not only commanders but also diplomats, natural philosophers, information brokers, clients, and subjects on the battlefield. The Rise of the Military Entrepreneur explains how Montecuccoli addressed battlefield, court, and family responsibilities while contributing to the world of scholarship on an often violent, fragmented political-military landscape. As a result, Sutherland shifts the perspective on war away from the ruler and his court to instead examine the figures supplying force, along with their methods, networks, and reflections on those experiences.Douglas Bell is a writer, teacher, and historian who lives in the Netherlands. His research interests center on American military history, American foreign policy, German history, and European Studies. Tweet him @douglasibell. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Nick Aikens and Elizabeth Robles discuss The Place Is Here (Sternberg Press, 2019) and the range of perspectives on black art in Thatcherite Britain offered by the collection of artworks, essays, and conversations found in the book.The Place Is Here begins to write a missing chapter in British art history: work by black artists in the Thatcherite 1980s. Richly illustrated, with more than two hundred color images, it brings together artworks, essays, archives, and conversations that map the varying perspectives and approaches of a group of artists who challenged the dominance of white heterosexual men in the canon of contemporary art. The many artists discussed and displayed here do not make up a “movement” or a school or a chronological progression, but represent the diverse interests and activities of artists across a decade and beyond. They grapple with black nationalism, anti-colonialism and postcolonialism, anti-Thatcherism, black feminism, black queer subjectivity, psychoanalysis, forms of narrative and documentary image-making, in different ways and through different modes of representation across a range of media.The book, which grows out of a series of exhibitions that began in 2014, offers essays, close readings of selected works, panel discussions, and archival presentations, bringing together different voices and generational perspectives. Contributions come from the artists themselves, established scholars, and younger practitioners, critics, and art historians. They discuss the exhibitions, call for a reappraisal of dominant art historical approaches, and consider the use and role of the archive in artworks; look at works by Mona Hatoum, Martina Atille, Said Adrus, Chila Kumari Burman, and Pratibha Parmar; and present key documents and other material.Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Alan Marshall's book Intelligence and Espionage in the English Republic C. 1600-60 (Manchester UP, 2023) is a richly detailed account of the ideas and activities in the early-modern 'secret state' and its agencies, spies, informers and intelligencers, under the English Republic and the Cromwellian protectorate.The book investigates the meanings this early-modern Republican state acquired to express itself, by exploring its espionage actions, the moral conundrums, and the philosophical background of secret government in the era. It considers in detail the culture and language of plots, conspiracies, and intrigues and it also exposes how the intelligence activities of the Three Kingdoms began to be situated within early-modern government from the Civil Wars to the rule of Oliver Cromwell. It introduces the reader to some of the personalities who were caught up in this world of espionage, from intelligencers like Thomas Scot and John Thurloe to the men and women who became its secret agents and spies. The book includes stories of activities not just in England, but also in Ireland and Scotland, and it especially investigates intelligence and espionage during the critical periods of the British Civil Wars and the important developments which took place under the English Republic and Oliver Cromwell in the 1650s.Crawford Gribben is a professor of history at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

After the turbulent years of the Napoleonic Wars and the Congress of Vienna’s attempt to guarantee peace and stability across Europe, a new revolutionary movement emerged in the southern peripheries of the continent. In Southern Europe in the Age of Revolutions (Princeton University Press, 2023) Dr. Maurizio Isabella examines the historical moment in the 1820s when a series of simultaneous uprisings took the quest for constitutional government to Portugal, Spain, the Italian peninsula, Sicily and Greece. Dr. Isabella places these events in a broader global revolutionary context and, decentering conventional narratives of the origins of political modernity, reveals the existence of an original popular constitutional culture in southern Europe.Dr. Isabella looks at the role played by secret societies, elections, petitions, protests and the experience of war as well as the circulation of information and individuals across seas and borders in politicising new sectors of society. By studying the mobilisation of the army, the clergy, artisans, rural communities and urban populations in favour of or against the revolutions, he shows that the uprisings in the South—although their ultimate fate was determined by the intervention of more powerful foreign countries—enjoyed considerable popular support in ideologically divided societies and led to the introduction of constitutions. Isabella argues that these movements informed the political life of Portugal and Spain for many decades and helped to forge a long-lasting revolutionary tradition in the Italian peninsula. The liberalism that emerged as a popular political force across southern Europe, he contends, was distinct from French and British varieties.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In the space of a few months in 1975, more than 500,000 Portuguese settlers fled their homes in Angola, Mozambique, Guinea-Bissau, Sao Tomé and Principe, and East Timor and “returned” to Portugal. These so-called retornados led to a 5-9% population surge during the tumult of the Carnation Revolution. How did Portugal, with its weak economy, handle this influx as its transitioned out of decades of dictatorship under the Estado Novo? Christoph Kalter’s Postcolonial People: The Return from Africa and the Remaking of Portugal (Cambridge University Press, 2022) analyzes this previously neglected chapter in the history of decolonization. Postcolonial People explores how European nations were remade by the end of empire, through the history of 'returning' settlers from Portuguese Africa.Christoph Kalter is a historian of modern Western Europe in its global contexts. Currently Professor of Modern History at the University of Agder, Norway. He holds a PhD (2010) and a venia legendi (2019) in Modern History from the Freie Universität Berlin where he taught and conducted research from 2011 to 2020. His first book is The Discovery of the Third World: Decolonization and the Rise of the New Left in France, c. 1950-1976 (CUP 2016), originally published in German in 2011. Postcolonial People: The Return from Africa and the Remaking of Portugal is his second book. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The remarkable, and permanently influential, papal history known as the Liber pontificalis shaped perceptions and the memory of Rome, the popes, and the many-layered past of both city and papacy within western Europe. In Rome and the Invention of the Papacy: The Liber Pontificalis (Cambridge University Press, 2020), Dr. Rosamond McKitterick offers a new analysis of this extraordinary combination of historical reconstruction, deliberate selection and political use of fiction, to illuminate the history of the early popes and their relationship with Rome. She examines the content, context, and transmission of the text, and the complex relationships between the reality, representation, and reception of authority that it reflects.The Liber pontificalis presented Rome as a holy city of Christian saints and martyrs, as the bishops of Rome established their visible power in buildings, and it articulated the popes' spiritual and ministerial role, accommodated within their Roman imperial inheritance. Drawing on wide-ranging and interdisciplinary international research, Rome and the Invention of the Papacy offers pioneering insights into the evolution of this extraordinary source, and its significance for the history of early medieval Europe.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

On Theology: Herman Bavinck's Academic Orations (Brill, 2020) presents four previously untranslated works by Herman Bavinck (1854-1921), here introduced and translated by Bruce Pass. These four speeches offer important insights into Bavinck's conceptualization of the discipline of theology, its place in the modern university, and the relation in which theology stands to religion. In the introductory essay, Bruce R. Pass draws attention to the way these speeches shed light on the development of Bavinck's thought across his tenure at the Kampen Theological School and the Free University of Amsterdam as well as the complex relationship in which Bavinck's thought stands to that of Friedrich Schleiermacher. It is an important and unique contribution to the burgeoning scholarship on and translation work of the late 19th and early 20th Dutch NeoCalvinist movement.Bruce Pass is a senior honorary research fellow at the University of Queensland, Australia. He has published numerous articles on Bavinck and modern theology. For the interested listener, Bruce Pass has been on the podcast before to talk about his book The Heart of Dogmatics: Christology and Christocentrism in Herman Bavinck (Vandenhoeck & Ruprecht 2020).Justin McGeary is Director of Christian Studies at John Witherspoon College and a graduate student at Union School of Theology, Wales. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies