New Books in Japanese Studies

Kyoto Revisited: Heritage Tourism in Contemporary Japan (U Hawaii Press, 2022) looks at the uses and effects of heritage in tourism in Kyoto today seen through city policy and advertising, hotel infrastructure and tour guiding, season-based events, tourism to sites connected to the Bakumatsu-period hero Sakamoto Ryoma, and the phenomenon of walking in rental kimono. Emphasizing the ways experience-based tourism has been transforming Kyoto’s tourist landscape, Prough examines how heritage has been understood, marketed, and experienced by both the tourist “industry” and domestic and international tourists. Heritage, Prough argues have multiple meanings. These meanings are created as “interested parties—state and local, public, and private—tell different stories about the past,” which are marketed in response to tourists’ desire for face-to-face engagement in an experience economy. Through interviewing long-term tour guides and revealing the traces of past tourism forms in hotels and other tourist infrastructure, among other methodologies, Kyoto Revisited explores the local impact of global and national shifts in tourism on Kyoto’s domestic and international tourism industry from the 1970s to the COVID era. Prough’s period of fieldwork neatly overlapped with a rapid escalation in foreign tourist numbers to the city, with growing calls to address overtourism, and the current crisis in tourism with Japan closed to tourists. The book thus provides important insight into Kyoto during a decade of the biggest transitions in international tourism to the city in the last half century. Kyoto Revisited, thus, demonstrates not only how the past has been used to construct the city’s identity and shape understandings of Japan for travelers, but also how these speak to broader trends in our contemporary moment.Ran Zwigenberg is an associate professor at Pennsylvania State University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Gender and Sexuality in Modern Japan (Cambridge University Press 2022) is a new addition to a list of publications by Sabine Fruhstuck, one of the leading scholars in the world on the topic. Written for both academics and the general public alike, this book introduces and discusses debates about sex, gender, and sexuality in modern and contemporary Japan, spanning from the 1860s to the 2020s. In Fruhstuck’s own words, this book aims to “balance descriptions of individual experience; institutional mechanisms based in law, pedagogy, and statecraft; and the socioculturally inflected politics within which those mechanisms have been embedded and which they have in turn shaped over an extended period that began with the nation- and empire-building of the late nineteenth century.”The book is divided into seven chapters, each tracing the movements of individuals, ideas, and things between and beyond the nation, empire, and cyberspace. At the end of each chapter, readers can find a handful of recommendations for pairing the text with literary works, documentaries, and other films.As Fruhstuck explains, the chapters share three analytical sensibilities. First, deriving from research in several nations’ archives and bodies of knowledge in Japanese, German, and English, the book is a transnational historical study in which “’Japan’ is configured as a malleable entity, as both a subject and object of global modernity, and a mediator between a global and a regional East Asian modernity.” Second, this book draws from History, Anthropology, Sociology, and Visual Studies, via a wide variety of sources ranging from print media and government documents to biographical accounts, from political pamphlets to pulp comics and contemporary art. Third, this book adopts a sensibility of “flexible intersectionality,” which aims to “invite readers to think at the varying levels of structures, dynamics, and subjectivities.”Sabine Frühstück is Professor and the Koichi Takashima Chair in Japanese Cultural Studies in the Department of East Asian Languages & Cultural Studies at the University of California, Santa Barbara.Daigengna Duoer is a Ph.D. candidate in the Religious Studies Department at the University of California, Santa Barbara. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Shinjuku Ni-chome is a nightlife district in central Tokyo filled with bars and clubs targeting the city's gay male community. Typically understood as a "safe space" where same-sex attracted men and women from across Japan's largest city can gather to find support from a relentlessly heteronormative society, Thomas Baudinette's Regimes of Desire: Young Gay Men, Media, and Masculinity in Tokyo (U Michigan Press, 2021) reveals that the neighborhood may not be as welcoming as previously depicted in prior literature. Through fieldwork observation and interviews with young men who regularly frequent the neighborhood's many bars, the book reveals that the district is instead a space where only certain performances of gay identity are considered desirable. In fact, the district is highly stratified, with Shinjuku Ni-chome's bar culture privileging "hard" masculine identities as the only legitimate expression of gay desire and thus excluding all those men who supposedly "fail" to live up to these hegemonic gendered ideals. Through careful analysis of media such as pornographic videos, manga comics, lifestyle magazines and online dating services, this book argues that the commercial imperatives of the Japanese gay media landscape and the bar culture of Shinjuku Ni-chome act together to limit the agency of young gay men so as to better exploit them economically. Exploring the direct impacts of media consumption on the lives of four key informants who frequent the district's gay bars in search of community, fun and romance, Regimes of Desire reveals the complexity of Tokyo's most popular "gay town" and intervenes in debates over the changing nature of masculinity in contemporary Japan.Alexandra Hambleton is an assistant professor at Tsuda University in Tokyo, Japan. I write on media, gender, and sexuality in contemporary Japan with a particular interest in pornography and sex-positive feminism. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

In August of 1945, the United States dropped an atomic bomb on two Japanese cities, Hiroshima and Nagasaki. Less than a year later, American journalist John Hersey traveled to Hiroshima and interviewed survivors of the bombing. The subsequent article was published by The New Yorker in 1946. Hiroshima was published as a book two months later. MIT Professor Christopher Capozzola discusses why he thinks every American should read Hiroshima. Christopher Capozzola is a professor of History at MIT. He is the author of Uncle Sam Wants You: World War I and the Making of the Modern American Citizen and Bound by War: How the United States and the Philippines Build America’s First Pacific Century. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Join the conversation on the Lyceum app. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

We don’t even know the real name of the 11th century author Murasaki Shikibu. But we do know that her book, The Tale of Genji, is arguably one of the most influential Japanese texts to date. Genji quickly captured its readers’ imaginations with political intrigue and court drama, but it can also be read as an astute critique of Japanese elite society. Reginald Jackson is an associate professor of Pre-modern Japanese Literature and Performance at the University of Michigan. He is the author of Textures of Mourning. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Paul Roquet is an MIT associate professor in media studies and Japan studies; his earlier work includes Ambient Media. It was his recent mind-bending The Immersive Enclosure that prompted John and Elizabeth to invite him to discuss the history of "head-mounted media" and the perceptual implications of virtual reality.Paul Elizabeth and John discuss the appeal of leaving actuality aside and how the desire to shut off immediate surroundings shapes VR's rollout in Japan. The discussion covers perceptual scale-change as part of VR's appeal--is that true of earlier artwork as well? They explore moral panic in Japan and America, recap the history of early VR headset adapters on trains and compare various Japanese words for "virtual" and their antonyms. Paul wonders if the ephemerality of the views glimpsed in a rock garden served as guiding paradigm for how VR is experienced.Mentioned in the episode Yoshikazu Nango, "A new form of 'solitary space'...." (2021) Haruki Murakami's detailed fictional worlds of the 1980's onwards: real-feeling yet not actual history. Walter Scott's Waverley novels: can we also understand the novel as an immersive machine that leaves readers half in their actual world? Lewis Carrol's Alice's Adventures in Wonderland (1865), with its interplay between enclosure and expansion, and its shrinking/expanding motif) Ian Bogost on e-readers C S Lewis's wardrobe as portal in The Lion the Witch and the Wardrobe (1950) Lukacs focuses on the dizzying and transformative scale in Naturalism in "Narrate or Describe?" (1936) Wearable heart monitors as feedback machines for watching scary movies. The pre-history of Pokemon Go is various games played by early users of VR headsets on trains. Sword Art Online is a breakout popular example of Japanese stories of players trapped inside a game-world Thomas Boellstroff, Coming of Age in Second Life We Met in Virtual Reality Neil Stephenson's Snow Crash (1992) coined the concept of the metaverse. Recallable Books Madeline L'Engle The Wind in the Door (1973). Cervantes, Don Quixote (1606/1615) Futari Okajima Klein Bottle (1989) Collections such as Immersed in Technology, Future Visions, Virtual Realities and their Discontents; also, other early VR criticism of the 1990s including early feminist critique, scattered across journals in the early to mid 1990s . Paul feels someone should put together those germane articles into a new collection. Read the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

The phenomenon of “war brides” from Japan moving to the West has been quite widely discussed, but this book tells the stories of women whose lives followed a rather different path after they married foreign occupiers. During Okinawa’s Occupation by the Allies from 1945 to 1972, many Okinawan women met and had relationships with non-Western men who were stationed in Okinawa as soldiers and base employees. Most of these men were from the Philippines.In Okinawan Women's Stories of Migration: From War Brides to Issei (Routledge, 2022), Zulueta explores the journeys of these women to their husbands’ homeland, their acculturation to their adopted land, and their return to their native Okinawa in their late adult years. Utilizing a life-course approach, she examines how these women crafted their own identities as first-generation migrants or “Issei” in both the country of migration and their natal homeland, their re-integration to Okinawan society, and the role of religion in this regard, as well as their thoughts on end-of-life as returnees.This book will be of interest to scholars looking at gender and migration, cross-cultural marriages, aging and migration, as well as those interested in East Asia, particularly Japan/Okinawa. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Manga historian Ryan Holmberg introduces the influential alternative manga artist Murasaki Yamada (1948-2009) to English readers through a scholarly translation of Talk to My Back (1981-1984), Yamada’s feminist examination of the fraying of Japan's suburban middle-class dreams. The manga is paired with an extensive essay by Dr. Holmberg, in which he positions Yamada’s oeuvre within the history of alternative manga and Yamada’s manga within her life. Alternative manga is primarily associated with male artists in the United States, but Holmberg illuminates why that came to be and how that image varies from reality through his examination of Yamada’s oeuvre.Talk to My Back (Drawn & Quarterly, 2022) portrays a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family.Ryan Holmberg is a comics historian and translator. He is the author of The Translator Without Talent (2020) and Garo Manga: The First Decade, 1964-1973 (2010). He has edited and translated over two dozen manga, including the 2014 Eisner Award-winning edition of Tezuka Osamu’s The Mysterious Underground Men. His many essays and reviews can be found in such venues as The Comics Journal, Artforum International, and The New York Review. He has advised on exhibitions at the British Museum and the Honolulu Museum of Art, and is currently Senior Lecturer at the School of the Art Institute of Chicago. He can be found on social media @mangaberg.Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in 2023 from the University of Hawai’i Press. She consulted on the British Museum’s exhibition on manga, and her work has appeared in the Journal of Adaptation in Film & Performance, the Journal of Popular Culture, Film Criticism, and the Washington Post, among other publications. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Today I will be talking to Lasse Lehtonen about his book The 14th Moon, which came out with Bloomsbury this year (2022). With me today is Dr. Brooke McCorkle, who wrote her own book on Japanese musicians Shonen Knife, a band who also feature in my own work on punk in Kyoto. The 14th Moon is the title of an album by the Japanese singer-song writer Yuming, who although not punk at all, shares much with and impacted in one form or another the musicians Brooke and I look at, especially, the female musicians among them. This should not come as a surprise, as Yuming (Matsutoya Yumi) is one of the most influential figures in Japanese popular music history. A singer-songwriter recognized globally for her songs used in Miyazaki Hayao's beloved animations, Yuming has captured the hearts of listeners of different generations since her debut in the early 1970s. Her fourth album, The 14th Moon, released in November 1976, was a milestone in establishing her signature style: the posh, “city” sound that later paved the way to the 1980s City Pop and 1990s J-pop, and even what Brooke calls Josei or women rock. In addition to examining the album's astonishing stylistic versatility and its complex background, Lasse explores how Yuming revolutionized the position of women in Japanese popular music. The 14th  Moon teaches us much about the turbulent and transformative time of its recording and help us understanding the social changes in Japan of the 1970s, a usually under researched era in cultural history, after the stormy and radical era of the 1960s and just before the heyday of the consumerist bubble era of the 1980s.Ran Zwigenberg is an associate professor at Pennsylvania State University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

From the fourteenth through the nineteenth centuries Japanese monks created hundreds of maps to construct and locate their place in a Buddhist world. Expansively illustrated with multiple maps and illustrations, The Japanese Buddhist World Map: Religious Vision and the Cartographic Imagination (University of Hawai’i Press, 2021) by D. Max Moerman is the first monograph of its kind to explore the largely unknown archive of Japanese Buddhist world maps and analyze their production, reproduction, and reception. In examining these fascinating sources of visual and material culture, Moerman argues for an alternative history of Japanese Buddhism—one that compels us to recognize the role of the Buddhist geographic imaginary in a culture that encompassed multiple cartographic and cosmological world views.The contents and contexts of Japanese Buddhist world maps reveal the ambivalent and shifting position of Japan in the Buddhist world, its encounter and negotiation with foreign ideas and technologies, and the possibilities for a global history of Buddhism and science. Moerman’s visual and intellectual history traces the multiple trajectories of Japanese Buddhist world maps, beginning with the earliest extant Japanese map of the world: a painting by a fourteenth-century Japanese monk charting the cosmology and geography of India and Central Asia based on an account written by a seventh-century Chinese pilgrim-monk. He goes on to discuss the cartographic inclusion and marginal position of Japan, the culture of the copy and the power of replication in Japanese Buddhism, and the transcultural processes of engagement and response to new visions of the world produced by Iberian Christians, Chinese Buddhists, and the Japanese maritime trade. Later chapters explore the transformations in the media and messages of Buddhist cartography in the age of print culture and in intellectual debates during the eighteenth and nineteenth centuries over cosmology and epistemology and the polemics of Buddhist science.The Japanese Buddhist World Map offers a wholly innovative picture of Japanese Buddhism that acknowledges the possibility of multiple and heterogeneous modernities and alternative visions of Japan and the world.D. Max Moerman is a Professor in the Department of Asian and Middle Eastern Cultures at Barnard College of Columbia University. His research interests lie in the visual and material culture of Japanese religions.Shatrunjay Mall is a PhD candidate in the Department of History at the University of Wisconsin-Madison. He works on transnational Asian history, and his dissertation explores intellectual, political, and cultural intersections and affinities that emerged between Indian anti-colonialism and imperial Japan in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies