Writing Excuses

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd The title of this episode comes to us from the first paragraph of The Name of the Wind, by Patrick Rothfuss—a novel which delights us with turns of phrase and evocative prose from beginning to end. We're continuing our exploration of "promises as a structure" by looking at the promises made by the prose of your first line, first paragraph, and first page. What does your first line say about the rest of your book? Did you mean for it to say that? Is your first line writing checks that your later chapters can actually cash? Liner Notes: We did an eight-episode master class on first lines, pages, and paragraphs with DongWon Song. It begins with 16.27. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out Aeropress and use my code WX for a great deal: https://aeropress.com* Check out Gusto: https://gusto.com/WX* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd The genre of your story is making promises to the reader, and the medium upon which your story is told makes promises too. In this episode we talk about the expectations set by various mediums and genres, and how we can leverage those to ensure that we deliver a satisfying story. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Liner Notes: The entirety of Season 11, The Elemental Genres, is a deep-dive on this stuff.Our Sponsors:* Check out Aeropress and use my code WX for a great deal: https://aeropress.com* Check out Gusto: https://gusto.com/WX* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd The structure you're using for your story isn't just helping you organize your plotting. It's telling the audience what's going to happen. Story structures make promises to audiences, and these audience expectations are, in large measure, outside of our control. In this episode we talk about the expectations set by various story structures, and how we can make sure we use our structures to satisfy our audiences. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Liner Notes: We've done episodes on the M.I.C.E. Quotient, Seven Point Story Structure, The Hollywood Formula, and many, many more of the structures mentioned in this episode. We haven't done any on Kishōtenketsu, but we probably should!Our Sponsors:* Check out Aeropress and use my code WX for a great deal: https://aeropress.com* Check out Gusto: https://gusto.com/WX* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd Our next 8-episode intensive is all about promises and expectations. Our guest hosts are Kaela Rivera, Sandra Tayler, and Megan Lloyd. They're joining us to talk about how the promises we make to our audiences, and the expectations they bring with them, are a structural format. In this episode we introduce the topic, and talk about some apex examples of success and failure in this area. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Liner Notes: Here's the story of The Tropicana Packaging Redesign FailureOur Sponsors:* Check out Aeropress and use my code WX for a great deal: https://aeropress.com* Check out Gusto: https://gusto.com/WX* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler Here at the end of our 8-episode intensive series on Worldbuilding we discuss stepping away from the defaults, the clichés, and the tropes, and choosing every element deliberately. There's nothing inherently wrong with the tropes. We're just suggesting that they be included only after deciding we actually want them. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out Aeropress and use my code WX for a great deal: https://aeropress.com* Check out Gusto: https://gusto.com/WX* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler Magic and technology are tools that we, as writers, use to tell interesting stories, and they're very, very similar tools. In this episode we'll examine some ways in which both magical and technological elements can be used in our stories. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out Aeropress and use my code WX for a great deal: https://aeropress.com* Check out Gusto: https://gusto.com/WX* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler As we do our worldbuilding with similarity, specificity, and selective depth (per the previous episode), we should take care to apply these things throughout our stories. In this episode we discuss how these elements we've world-built can become "textures." Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out Aeropress and use my code WX for a great deal: https://aeropress.com* Check out Gusto: https://gusto.com/WX* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler Writers are illusionists, and worldbuilding requires no small mastery of that particular magic. In this episode we'll explore the creation of believable illusions through the techniques of similarity, specificity, and selective depth. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out Aeropress and use my code WX for a great deal: https://aeropress.com* Check out Gusto: https://gusto.com/WX* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler In our world, the ostensibly "real" one (simulation theory notwithstanding), stuff is changing all the time. Why, then, do we see so many fantasy worlds whose once-upon-a-times seem timeless? A more important question: how might we, as writers cognizant of the ubiquity of change, work that understanding into our writing? Can we make our fictional worlds more believable while retaining the elements of those worlds which first attracted us to them? Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Liner Notes: The book series Howard couldn't remember the name of? The HELLICONIA trilogy, by Brian W. Aldiss. Mary Robinette mentioned WX 14.30: Eating Your Way to Better Worldbuilding, which may make you hungry.Our Sponsors:* Check out Aeropress and use my code WX for a great deal: https://aeropress.com* Check out Gusto: https://gusto.com/WX* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler Let's follow up on character biases with an exploration of moral frame. When we say someone is "morally gray" or "morally ambiguous," what we're really talking about is the way they fit into the moral frame defined by society. In this episode we talk about that frame, and how we can apply it, through our characters, to our worldbuilding. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out Aeropress and use my code WX for a great deal: https://aeropress.com* Check out Gusto: https://gusto.com/WX* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy