Writing Excuses

Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler One common structure—both macro and micro—is the "story within a story," or "framing story" structure, and yet somehow we've never really explored it on Writing Excuses. Guest host Peng Shepherd is here to help us set things right. Liner Notes: Here are some examples of story-within-a-story structure... Canterbury Tales, by Geoffrey Chaucer Cloud Atlas, by David Mitchell Hyperion Cantos, by Dan Simmons Neverending Story, by Michael Ende One Thousand and One Nights Sun the Moon and the Stars, by Stephen Brust Ten Thousand Doors of January, by Alix E. Harrow Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out Aeropress and use my code WX for a great deal: https://aeropress.com* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler Guest host Peng Shepherd continues to lead our exploration of sub- and micro-structures by taking us into the scaffolding of in media res, flashbacks, and other tools for structuring a story by telling it out of chronological order. We also cover how to do this without breaking the flow of the story. Liner Notes: The "trousers of time" book Howard referenced was Jingo, by Terry Pratchett. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out Aeropress and use my code WX for a great deal: https://aeropress.com* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler In our second micro-structure episode, Peng Shepherd leads us into an exploration of the ways in which the use of multiple point-of-view characters can create a framework within the larger framework of the story. Liner Notes: In one example we contrasted the single POV Killing Floor, by Lee Childs with its multiple-POV TV adaptation in season 1 of Reacher. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out Aeropress and use my code WX for a great deal: https://aeropress.com* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler We're beginning another eight-episode deep-dive series, and this time it's a fresh approach to story structure, led by our guest host Peng Shepherd. Join us as we zoom right through the overarching frameworks defined via things like the Hero's Journey, Freytag’s Triangle, Save The Cat, and Seven Point Story Structure to look at the microstructures which both define and obscure these general narrative shapes. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out Aeropress and use my code WX for a great deal: https://aeropress.com* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd How do you translate things from the spark of inspiration into a work that someone else can consume? Like, instead of turning a movie into a book, you're trying to create a book out of the movie in your head. And what if your "spark" isn't a movie in your head, but instead a suite of emotions? In this episode we discuss how we do it. That might not answer the question for you, but hopefully it's a good start. Alchemy is pretty magical, after all. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out Aeropress and use my code WX for a great deal: https://aeropress.com* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd What are your influences? What pieces of art, music, literature, or other media have inspired you? In this episode we'll talk about making that inspiration deliberate, and consciously learning from our influences. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out Aeropress and use my code WX for a great deal: https://aeropress.com* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd Oh no! You're in the middle of a thing (a novel, a series, a career) and you suddenly realize that the expectations you set early on are not the expectations you'll be meeting. What do you do now? , We're talking about how go about resetting audience expectations, whether mid-story, mid-series, or mid-career, including some strategies for communicating “everything is changing now, forget what you know” without making the audience feel like they've been betrayed. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out Aeropress and use my code WX for a great deal: https://aeropress.com* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd Your brand—your name, the cover art for your book, and even the typeface for the title—set expectations for the book's contents. That advice about not judging a book by its cover? It's lovely in theory, but in practice, that's just not how it works. In this episode we'll talk about how your brand gets defined, and how you can work with those elements to correctly set expectations regarding your work. Liner Notes: We've done several episodes about branding. 14.34 is particularly good. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out Aeropress and use my code WX for a great deal: https://aeropress.com* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd In the previous episode we discussed how to ensure that your surprise feels inevitable. In this episode we're covering how to make inevitability feel surprising. The title is a nod to the concept of the "red herring," which is arguably the most useful tool for setting up a good surprise. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out Aeropress and use my code WX for a great deal: https://aeropress.com* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd This week we're talking about giving inevitability to our intended surprise, and we open with a discussion of Chekov's Gun, which, as a writing rule, is mostly used in inversion. Next week we'll focus on making inevitable things surprising. Liner Notes: Art and Editing of Suicide Squad (YouTube) Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex JacksonOur Sponsors:* Check out Aeropress and use my code WX for a great deal: https://aeropress.com* Check out Uncommon Goods: https://uncommongoods.com/WXSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy