Close Readings

In the final episode of The Long and Short, we turn to Elizabeth Bowen, widely considered one of the finest writers of the short story. Mark and Seamus unpack ‘the Bowen effect’ and her singularly haunting style: subtle social commentary cut through with humour, and occasionally outright romanticism. A culmination of the short fiction explored in this series, Bowen’s work proves that life ‘with the lid on’ can be just as exhilarating, moving and funny as any sensationalist story.This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:Directly in Apple Podcasts here: https://apple.co/3pJoFPqIn other podcast apps here: lrb.me/closereadingsThe 2024 series of Close Readings Plus are now on sale: lrb.me/plusMark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford. Hosted on Acast. See acast.com/privacy for more information.

For the final episode in Among the Ancients, Emily and Tom look at Seneca, whose life is relatively well known to us. A child of the established Roman Empire, born around the same time as Jesus, Seneca had turbulent relationships with the emperors of his time: exiled by Caligula, he returned to tutor the young Nero, but was eventually forced to commit suicide after being accused of a treasonous plot. For a long time, Seneca the Philosopher was often assumed to be a different person from Seneca the Tragedian, as they seemed such different writers. As a philosopher, he is the main source of what we know about Roman Stoicism, which prioritises virtue and the dispelling of false beliefs. Seneca's dramas, however, are full of extreme emotions and violence. Emily and Tom focus on two of these tragedies, Thyestes and Trojan Women, and consider how the two sides of Seneca fit together.This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsFind out about Close Readings Plus: lrb.me/plusEmily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books. Hosted on Acast. See acast.com/privacy for more information.

For the final episode of Medieval Beginnings, Mary and Irina look at by far the most popular text (in its time) of all that have featured in the series: The Travels of Sir John Mandeville. The fictional traveller’s fantastical descriptions of different places, peoples and animals across the Holy Land and Asia are almost certainly drawn mainly from other textual sources, rather than direct experience by the unknown author, and yet the work was often used as a source of reference as well as entertainment or prurient interest. Many of the writer’s observations of different political and religious practices could be taken as radical critiques of his homeland. Yet while it often urges appreciation of other cultures, the book is undoubtedly xenophobic and racist in places, foreshadowing the European quest for colonisation: indeed, Christopher Columbus had a copy with him when the Santa Cruz sighted land on 12th October 1492.Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up here:Directly in Apple Podcasts at the top of this feed, or here: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsIrina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers. Hosted on Acast. See acast.com/privacy for more information.

The eleventh episode of the Long and Short brings us to the present day and the distant past, as we turn to two multivocal, monumental poems by Alice Oswald. The dazzlingly polyphonic Dart (2002) celebrates the voices of the river Dart, and the people, animals and supernatural forces entwined with it. Memorial (2011) translates and transfigures the Iliad, stripping back the narrative to reveal the epic’s ‘bright unbearable reality’. Mark and Seamus explore the thematic throughlines in Oswald’s work, unpicking allusions and influences at play in these poems.This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:Directly in Apple Podcasts here: https://apple.co/3pJoFPqIn other podcast apps here: lrb.me/closereadingsThe 2024 series of Close Readings Plus are now on sale: lrb.me/plusMark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford. Hosted on Acast. See acast.com/privacy for more information.

Ovid was perhaps the most prolific poet of Ancient Rome, certainly in the amount of his poetry which has survived (around 30,000 lines). This episode focuses on his 15-book epic, the Metamorphoses, a patchwork of hundreds of stories of transformation, including numerous retellings of famous myths from Apollo and Daphne to the Trojan War.In this episode from Among the Ancients, Emily and Tom consider the poem’s depictions of trauma, redemption and the transformation of gender roles, and the formal practices which shape the poetry, such as declamatio and suasoria. They also ask how Ovid’s writing in the time of Emperor Augustus affected his work, and the circumstances around his later exile from Rome.This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsEmily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books. Hosted on Acast. See acast.com/privacy for more information.

For sheer scale and spectacle, surely few plays of any period can match The Digby Play of Mary Magdalene. Boasting at least fifty speaking parts, with multiple locations, scaffolds and pyrotechnics, including an ascent into heaven, this wildly ambitious piece of late Medieval theatre mixes traditional hagiographic drama with magical adventure, romance and broad comedy. For audiences of the time this was not just entertainment, but a profound social and religious experience which, despite its fantastical elements and radical departure from the gospel stories, reflected important moments in their daily lives. Irina and Mary try to make sense of the outlandish plot, how it might have been staged, and the complex, composite figure of Mary Magdalene.Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up here:Directly in Apple Podcasts at the top of this feed, or here: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsIrina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers. Hosted on Acast. See acast.com/privacy for more information.

In the tenth episode of the series, Seamus and Mark turn to two figures of the Harlem Renaissance. Nella Larsen’s ‘Passing’ is taut, tense and tartly stylish take on the Jamesian short story, redolent with ironies and ambiguities, and feels just as relevant today. Widely considered his masterwork, Langston Hughes’s ‘Montage of a Dream Deferred’ draws on the modernist tradition, a documentarian sensibility and the freedoms of bebop to capture the multiplicity of Harlem voices.This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:Directly in Apple Podcasts here: https://apple.co/3pJoFPqIn other podcast apps here: lrb.me/closereadingsSeamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London. Hosted on Acast. See acast.com/privacy for more information.

Emily and Tom follow Virgil with one of his contemporaries, Horace, whose poetry played an important political role in the early years of Augustan Rome and has had an enormous influence on subsequent European lyric verse. They consider the original meanings of some of Horace’s famous phrases – carpe diem, in medias res, nunc est bibendum – and look at the ways his often complex poetics interrogate the art and value of poetry itself.Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsFurther reading in the LRB:Nicholas Horsfall:https://www.lrb.co.uk/the-paper/v27/n12/nicholas-horsfall/ach-so-herr-majorEmily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books. Hosted on Acast. See acast.com/privacy for more information.

From the first recorded instance of the word ‘fart’ in English, to nuanced vignettes of sexual power dynamics, the numerous Middle English lyrics that have survived down the centuries, often scribbled in the margins of more ‘serious’ texts, offer a vivid snapshot of everyday medieval life. In the tenth episode of Medieval Beginings, Irina and Mary analyse several of these short, fleeting verses, probably set to music, and consider their possible origins and purpose, their delicious ambiguity, and their equivocal relationship to the sacred manuscripts in which they've been found.Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up here:Directly in Apple Podcasts at the top of this feed, or here: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsFurther reading in the LRB: https://www.lrb.co.uk/the-paper/v28/n10/barbara-newman/i-was-such-a-lovely-girlListen to 'Sumer is icumen in' sung by The Hilliard Ensemble: https://www.youtube.com/watch?v=sMCA9nYnLWoSome of the lyrics discussed in this episode can be found online:Sumer is icumen in:https://www.luminarium.org/medlit/medlyric/cuckou.phpI Have a Yong Susterhttps://www.luminarium.org/medlit/medlyric/suster.phpMaiden in the morhttps://www.luminarium.org/medlit/medlyric/maideninthemoor.phphttps://en.wikipedia.org/wiki/Maiden_in_the_mor_layI have a gentil cockhttps://rpo.library.utoronto.ca/content/i-have-gentil-cookIrina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers. Hosted on Acast. See acast.com/privacy for more information.

Originally conceived as a film script, 'Gaudete' is Ted Hughes’s apocalyptic vision of an English village in the throes of pagan forces. While it may be ‘the weirdest poem by a very weird poet’, as Mark puts it in this episode, 'Gaudete' shines a light on many Hughesian preoccupations and paved the way for his best-selling collection, Birthday Letters. A strange fusion of Twin Peaks and Midsomer Murders, 'Gaudete' is the former Poet Laureate at his most uninhibited and brilliant.This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:Directly in Apple Podcasts here: https://apple.co/3pJoFPqIn other podcast apps here: lrb.me/closereadings Hosted on Acast. See acast.com/privacy for more information.