The String

Episode 334: Shawn Camp arrived in Nashville almost 40 years ago as a 20-year-old guitar picker and fiddle player hoping to find a niche. As he graduated from touring sideman to songwriter to respected recording artist, he found himself working with his heroes. He quietly became an avatar of traditional country music and bluegrass done right. His work with Guy Clark was especially potent, and at long last, their song cycle about a fascinating character from Camp’s youth, has been released on the new concept album The Ghost Of Sis Draper.

Episode 333: Rodney Crowell let it slip in the middle of this interview that it was the eve of his 75th birthday. One of America’s greatest (and most commercially successful) songwriters is now three quarters of a century old, a steady patriarch. He continues to do excellent work, evidenced by two fine albums in a row, 2023’s The Chicago Sessions and the brand new Airline Highway. In both cases he collaborated with younger producers and musicians, spreading his wisdom around and drawing on their ideas and spirit. In his second appearance on The String, Crowell talks about maintaining his writing discipline, working with Jeff Tweedy and Tyler Bryant, and waking up to Louisiana R&B music as a teenager. 

Episode 332: It’s been 30 years since three music business renegades created a radio chart for an emerging alt-country, roots music wave they called Americana. Now that it’s a mature format and movement, we’re seeing books emerge on the history of this idea. Poets And Dreamers: My Life In Americana Music is Tamara Saviano’s contribution, a warm and affectionate, people-driven story about a community and a big bold commitment to art over commerce. As publicist/tour manager for Kris Kristofferson and biographer of Guy Clark, she’s had an insider’s view, and it comes out in this fun romp of a read. She’s also my old friend, so this is a cozy and fascinating talk. 

Episode 331: Hayes Carll is such an admired veteran of the Texas songwriting tradition that his visage is painted on a sign along with Townes Van Zandt at the Old Quarter Cafe in Galveston. Over ten albums, he’s matched cleverness with insight and tenderness with roadhouse rock and roll. In this self-effacing interview, Carll talks about his apprentice years at that storied bar, his adjustments after being signed to a Music Row label, and his vulnerable new album We’re Only Human. 

Episode 330: After a three-year tutelage with Old Crow Medicine Show, multi-faceted Appalachian artist Mason Via has set out on his own road. He was raised in bluegrass festival campgrounds and at picking parties hosted by his dad, songwriter and musician David Via. Bluegrass royalty hung out at his home near the North Carolina/Virginia border, and it rubbed off. After trying a few musical directions, Via’s self-titled album of this year shows range, depth, and a command of bluegrass and country moods. Meet a 28-year-old you’ll be hearing a lot more about if you follow acoustic roots.   

Episode 329: Few fully independent artists in any genre have been able to grow to the scale and influence that Cody Jinks has pulled off in the outlaw country space. He sells out iconic venues like Red Rocks in Colorado with a sound that layers his boyhood influence from Lefty Frizzell with the edge of the thrash metal rocker he once was. The Fort Worth native “put in the reps” for countless years in bars and honky tonks, nearly going broke, before albums like I’m Not The Devil and Lifers vaulted him to the big time in the years before the pandemic. He’s now out with In My Blood, an album that basks in his newfound sobriety and a new focus on himself and his family, making this a very candid and fascinating interview with a self-made country star whom mainstream radio virtually overlooks.   

Episode 328: While it’s one of the great music cities in the world, the story of Memphis, TN is generally told as one about Elvis, BB King, Isaac Hayes, and possibly Justin Timberlake - artists from the history books or well on in their careers. Roots music fans might know more contemporary talents like songwriters Amy LaVere and John Paul Keith. Many others simmer along in that city’s bars and clubs, but one has to go there to get up to speed on the talent pool. Southern Avenue is different - a breakout band from Bluff City with national acclaim, a renowned record label, and a musical voice grounded in native soil and native soul. It’s the band today’s Memphis has needed. Craig speaks with the married couple out front in the band, guitarist Ori Naftaly and singer Tierinii Jackson. 

Episode 327: To hear Mike Farris sing - an experience a bit like being pinned to the seat of an accelerating Porsche Taycan - is to believe that he was born to the stage, motivated from childhood, and destined for soul/gospel glory. Yet in Episode 327 of The String, we learn that A) Mike is lucky to be here at all and B) that a singing career was not remotely on his own radar until he was approaching his 20th birthday. And the two are related. In his teens, Farris almost died from drug abuse. Music was part of his rescue. And I’ve never heard him go as deep on these subjects as he does in this hour. His newest album is a powerful, secular record recorded at FAME Studios called The Sound Of Muscle Shoals.   

Episode 326: Andrea Zonn has been on my list of possible Music City star musicians to be a guest on the show for some time, but her new project the HercuLeons and their debut album of the same name sealed the deal. She’s been a leading studio and road musician since the 1990s, when she sweet talked her way into a touring spot with burgeoning country star Vince Gill. Her background is in classical violin, so she’s respected in town for her versatility and her gorgeous voice. She’s also a songwriter and recording artist with two fine albums to her credit. Now, working with her old friend John Cowan (my guest last week in Episode 325), she’s part of a nimble top-flight band that draws from soul, jazz, the blues, and Nashville roots music for one of the year’s best albums. We cover her whole journey, up to her breathtaking vocals on songs like “Face Of Appalachia.” 

Episode 325: In 1972, a 19-year-old bass player and natural born singer from Kentucky and Indiana auditioned for an emerging band called New Grass Revival. Over almost 20 years, John Cowan would be the voice of that ensemble, through mega tours supporting Leon Russell, improbable country radio success, and the emergence of a whole new genre of roots music they gave a name to. NGR got Cowan into the Bluegrass Hall of Fame, but there’s so much more - a mighty solo career, abundant collaborations, and a steady gig in the Doobie Brothers. Now his latest project is the new band The HercuLeons, a Nashville supergroup with fiddler/singer Andrea Zonn. Here, John covers his life in music. Next week, Andrea Zonn gets her turn.