The String

Episode 318: Over a 15-year career that began in Boston’s jazz and old-time scene, Nashville-based Miss Tess has distinguished herself with a hybrid blend of contemporary songwriting and vintage, swinging Americana. On her newest, the widely traveled artist taps a long love affair with Cajun country in Louisiana, yet it’s her own blend rather than a traditional homage. Our conversation spans her upbringing in Maryland, her passion for early blues and jazz, her fascinating musical relationships and her annual immersion in the Blackpot festival in Lafayette, where she made the new Cher Rêve.

Episode 317: As the new year dawned, the first emerging artist that started buzzing on our radar was a California native living in Nashville with an emotional country-noir debut album called Silver Rounds. She was Olivia Wolf, and now months later, her album has proven its staying power, with critical acclaim and a long run on the Americana chart. She’s no youngster, so our conversation dives into her background and her long, patient journey to fully committing herself as a songwriter/artist. That story includes coming of age at the Hardly Strictly Bluegrass festival and a tragic event in her life that inspired many of her best songs.   

Episode 316: Sean McConnell was born to do this. His parents were working songwriters who helped him get started as a teen in Atlanta. He landed a long-term song publishing deal while still in school at MTSU and earned cuts by Tim McGraw, Martina McBride, Brett Young, and the TV show Nashville. Over 15 recordings - his latest is the lovely and agonizingly honest Skin - McConnell has become a beloved troubadour on the indie folk circuit and an honorary red dirt Texas poet through extensive touring there. Now he’s grown as a producer working out of his unique studio in Nolensville. I made a trip down there to interview Sean in his cozy working habitat.   

Episode 315: Adam Wright is one of the most thoughtful wordsmiths in the Nashville songwriting community, one who’s seen all sides of the Music Row machine. Working for a dozen years with Carnival Music, he’s carved a niche for himself, scoring a couple of Grammy Award nominations and landing cuts by Lee Ann Womack, Alan Jackson, Garth Brooks, Brandy Clark and Bruce Robison, among others. When he sets aside time to write songs purely for himself as an artist, remarkable things happen, and now he’s releasing an epic 18-song collection called Nature Of Necessity, a masterwork that could only have been realized in Music City.

Episode 314: The Devil Makes Three has been one of roots music’s outstanding if quiet success stories of the past twenty years. Formed in Santa Cruz, CA in 2001, they got out ahead of the O Brother phenomenon and built a unique, crowd-pleasing sound through a renegade admixture of early blues, hard country, gospel and punk rock. In this hour, founding singer and songwriter Pete Bernhard reflects on a career that’s surprised him and, after a season of personal loss, the cathartic process behind the rather dark and candid album Spirits, their tenth as a band. 

Episoded 313: Sierra Hull brings a measure of small-town delight and innocence to roots and bluegrass that perfectly compliments her innate gifts and her formal schooling in high level music-making. The mandolinist, songwriter, singer, and band leader has emerged, since her youthful debut in 2008, as a star of her field and an inspiring figure in Americana. Her four IBMA Mandolin Player of the Year awards are part of the story. But so is her composing, her collaborating and her records. The first in five years - and her first independent release - is A Tip Toe High Wire, coming March 7. This episode complements a bio-oriented show in 2018, emphasizing Hull’s recent work with Béla Fleck, Cory Wong and others, and of course the thought behind and production of her newest release.  See Craig's show notes at WMOT.org.   

Episode 312: In one of the big surprise stories in roots music of the past six months, bluegrass star and IIIrd Tyme Out founder Russell Moore was named the newest member of Alison Krauss and Union Station, taking over the male vocal and guitar role held by Dan Tyminski for years. Moore is on the upcoming album Arcadia and set to go on extensive tours in 2025 and ‘26. It’s a big move for this fan favorite.  Moore got his start with Doyle Lawson and Quicksilver in the 80s and then started his own band - IIIrd Tyme Out - in 1991. Since then he’s been perhaps the most awarded male voice in bluegrass. This is the story of how he launched and managed his impressive and influential career.   

Epidode 311: When I met lifelong musician Red Young on board Delbert McClinton’s Sandy Beaches Cruise, I knew I had to interview him. He’s had one of those journeyman’s careers that ties together all the threads of American music, from pop to R&B to jazz. He’s a pianist, Hammond organ specialist, singer, arranger and producer, and at 76 years old, he’s seen it all. He’s worked with Kinky Friedman, Joan Armatrading, Dolly Parton, Sonny & Cher, Linda Ronstadt, Eric Burdon of the Animals, Marcia Ball, Janiva Magness, and of course Delbert McClinton himself, whom he met in his home town of Fort Worth, TX some sixty years ago. Sit back and enjoy the stories.   

Episode 310: It would be hard to name any songwriter in Nashville’s long history whose work has been recorded by more stars across more genres of music than Gary Nicholson. The Texas native came to Nashville in 1980 after stints in Ft. Worth and Los Angeles, and not only did he amass an impressive string of country music hits with Vince Gill, Patty Loveless, and more, he became Music City’s go-to soul and R&B man, conjuring songs for Bonnie Raitt, Etta James, BB King, The Fabulous Thunderbirds and even Ringo Starr. Now at 74 the Nashville Songwriters Hall of Famer has turned his own performing/recording life to songs of conscience and social protest, as on his new album Common Sense.

Episode 309: Sam Grisman, the 35-year-old son of mandolin icon David “Dawg” Grisman, grew up in a unique and supercharged musical environment, to put it mildly. Jerry Garcia was coming over all the time to the family home to pick and record old-time folk music with the elder Grisman. Bluegrass legends came and went, rehearsing and recording, and giving Sam something to aspire to when he picked up the bass as a little kid. After a decade working and touring as sideman, he’s now based in Nashville leading his own collective, the Sam Grisman Project, which is nurturing the repertoire of the Grisman/Garcia partnership, with selected tunes from the Grateful Dead repertoire as well. With a remarkable concert at the Ryman Auditorium in January 2025, Sam stepped into a new phase of his musical life.