New Books in Journalism

The acclaimed Canadian author Silver Donald Cameron writes that the idea for his newly reissued book, The Living Beach: Life, Death and Politics where the Land Meets the Sea (Red Deer Press, 2014), occurred to him when he was interviewing a “lean, laconic, geologist,” named Bob Taylor who works at the Bedford Institute of Oceanography in Halifax, Nova Scotia. “A beach stores sand in dunes behind it,” Taylor said. “When it’s attacked, it draws material from the dunes for itself and for building a protective shoal or bar offshore. When it’s less stressed, it takes sand and gravel from offshore and stores it back on the beach and in the dunes.” “You talk as though the damn thing were alive,” Cameron said. “I think of it that way,” said Taylor. At the time, Silver Donald Cameron thought of it as a vivid metaphor. But, in his newly revised version of The Living Beach, he argues that it’s true: the beach is alive with the right to be protected. His book explores all aspects of beaches including the plants and animals that live there, the sciences of biology, oceanography and geology that help us understand them, the politics of flood control, and beaches in stories, poetry and song. In 2009, The Living Beach was voted one of Atlantic Canada’s 100 best books. In 2014, Red Deer Press published a new revised edition. In this interview for the New Books Network, Silver Donald Cameron visits a beach at Parrsboro, Nova Scotia on the shores of the Minas Basin, home of the world’s highest tides. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

The city of Iowa City’s website promotes its “small-town hospitality” and its focus on “culture.” But a closer look at Iowa City, home to 70,000 and the University of Iowa, reveals a community trying to redefine itself as urban African-Americans relocate to the area. This is the focus of Robert E. “Ted” Gutsche‘s book, A Transplanted Chicago: Race, Place and the Press in Iowa City (McFarland, 2014). In it, he takes on the “Southeast Side” and all its meanings. “Southeast Side” has become a coded term by local press to describe an area of Iowa City it associates with crime and unruliness, sometimes even using the term when the actual crime does not occur on the Southeast Side. “Home to a mixture of white townies and new, black arrivals from Chicago, St. Louis, and other metro regions in the Upper Midwest,” Gutsche writes, “the Southeast Side is known–mythically–as a bastion of affordable housing, black families, and stories of devious behavior.” Through original interviews and research, Gutsche, a former reporter, shows just how wrong the press has it about Iowa City’s Southeast Side. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Last weekend was the NFL Draft, the annual event when teams select college players who have shown the talent to advance to the professional ranks. Staged at New York’s Radio City Music Hall, broadcast live on two cable networks, and surrounded by ceaseless media attention and analysis, the Draft is the spring anchor-point of the NFL as a year-round attraction. Decades ago, the Draft was nothing more than a business meeting. Yet even then the NFL was taking steps to establish itself as a year-round sports league. This came not on cable television, but in church basements and community meeting halls. The menfolk would gather after banquets or father-son dinners and watch films of football–real films, supplied in metal cans and spooled into projectors. They might watch highlights of the last Super Bowl or their local team’s season, a documentary about the great players of the recent past, or a compilation of on-field blunders by players, coaches, and referees. Even though it was the dead of winter, the audience would come away from the screening eager for football. These were the productions of NFL Films. Captured by motion picture cameras, set to orchestral scores, and narrated by the dulcet baritone of John Facenda, these films presented football as high art: a contest of mythic heroes and the embodiment of American virtue.Travis Vogan gained full access to the NFL Archives for his study of the filmmaking arm of the National Football League: Keepers of the Flame: NFL Films and the Rise of Sports Media (University of Illinois Press, 2014). Starting as a father-and-son operation, NFL Films became an integral part of the rise of professional football in the US. Even more than that, Travis argues, its productions have shaped the way that all sports are broadcast and promoted. As a side note: Travis will be one of the writers for the new online journalThe Allrounder, along with several scholars and journalists you’ve heard on past episodes of the podcast.The Allrounderhas the same aim as New Books in Sports, to get people thinking in new ways about the sports they follow by making available in-depth research and thoughtful writing.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Erika G. King learned a lot during research for her book, Obama, the Media, and Framing the U.S. Exit from Iraq and Afghanistan (Ashgate, 2014), but one item surprised her a bit more than most. “One might have thought, but one would be wrong. . . that media organizations might just come together and say, ‘Yes, Iraq was a difficult war, but we accomplished something, and now it’s over and things can be seen in a slightly positive light,’ ” King said. “But I found it very interesting that journalists for these national media organizations used Obama’s moment in the sun to present some very negative outlooks about what Iraq had represented to talk about–how many of them felt culpable in their early interpretations and support of the Iraq war.” Obama, the Media, and Framing the U.S. Exit from Iraq and Afghanistan is a qualitative look at narratives and shifting rhetoric. King’s research reveals the interplay between the Obama administration and the media during this crucial and recent period of American history. Scholars and consumers of journalism and political science research will find this book to be an invaluable addition to their collection. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Matthew Cecil brought many questions into his latest historical work, Hoover’s FBI and the Fourth Estate: The Campaign to Control the Press and the Bureau’s Image (University Press of Kansas, 2014). Questions included, “Why were some members of the press so willing to serve as J. Edgar Hoover’s pawns, even when it was clear they were being used?” And, “How did Hoover’s interactions with the press resemble his leadership at the FBI?” Cecil, director of Wichita State’s Elliott School of Communication, said he has long had research interests into Hoover’s FBI. This is a book that will draw interest far beyond the Academy. Those interested in politics, media, criminal justice and one of America’s most storied and divisive figures, Hoover, would do well to pick up this book. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

“When we criticize the news, who are we really criticizing?” This is the final question asked by Professor Joseph Uscinski in his book, The People’s News: Media, Politics, and the Demands of Capitalism(NYU Press, 2014). The answer, Uscinski says in his interview, is us–the consumer. News producers, he writes, are merely responding to the demands of consumers, adjusting news content based on ratings, polls and audience demographics. The People’s News views news through the lens of news as a commodity beholden to market forces, not as a type of media. Combining the academic disciplines of media effects and political economy, The People’s News is a well-researched and well-reported look at what happens when the concepts of free press and democracy collide. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Everybody knows the author of The Jungle was Upton Sinclair (or, if they’re a little confused, they might say Sinclair Lewis). As Lauren Coodley shows in her new biography Upton Sinclair: California Socialist, Celebrity Intellectual (University of Nebraska Press, 2013), there was a lot more to Upton Sinclair. For one thing, he was the author of nearly eighty books that were not entitled The Jungle. One of those, Dragon’s Teeth (part of the World’s End series), won him the Pulitzer Prize for fiction. Sinclair was also a socialist, feminist, anti-communist, dietary reformer, and prohibitionist. And, as Coodley reminds us, he was a prominent celebrity, a born contrarian who took almost as much pleasure at defying his fellow socialists as he did infuriating the rich, powerful, and complacent. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

What if there was an instruction manual for television? Not just for the casual consumer, but for college students interested in learning about the culture of television, written by some of the field’s top scholars? In How to Watch Television (New York University Press, 2013), editors Ethan Thompson and Jason Mittell have put together a collection of 40 original essays from some of today’s top scholars on television culture. Each essay focuses on a single television show, and each is an example of how to practice media criticism on an academic level. Thompson, Associate Professor at Texas A&M University-Corpus Christi, and Mittell, professor at Middlebury College, also contributed essays to the collection. As the authors explain: “This book, the essays inside it, and the critical methods the authors employ, all seek to expand the ways you think about television.” Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

It’s getting harder and harder to trailblaze in the field of American Studies. More and more, writers have to follow paths created by others, imposing new interpretations on old ones in never-ending cycles of revision. But Jonathan Daniel Wells did find something new: Women Writers and Journalists in the Nineteenth-Century South (Cambridge UP, 2011; paperback, 2013) is the first to focus in on women journalists, both black and white, in the nineteenth-century American South. The South had a vital periodical marketplace where curious women could engage with politics, belles lettres, science, diplomacy, and other allegedly unfeminine subjects. Examining evidence from both writers and readers, Wells’s book asks questions about literary culture, celebrity, the limits of dissent, and North-South differences that readers will find refreshing and engaging. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Is truth in journalism the same as balance? Is fairness really fair to news consumers, or is fairness merely a code word used by journalists looking to get out of the line of fire? In his latest book, Informing the News: The Need for Knowledge-Based Journalism (Vintage, 2013), Thomas E. Patterson gets at the heart of a journalism epidemic threatening the democratic process. Patterson is Bradlee Professor of Government and the Press and a faculty member at the Joan Shorenstein Center on the Press, Politics and Public Policy at Harvard University’s John F. Kennedy School of Government. Patterson calls for journalists to become experts in a subject, whether it’s foreign policy, economics, or other matters. Knowledge-based journalism will give journalists tools they need to go beyond the he-said/she-said reporting model and will allow for a level of analysis that better serves the American people. Invoking the observations and wisdom of Walter Lippmann, Informing the News is an important work intended for journalism scholars, journalists, journalism educators, and anyone with a vested interest in a democratic society. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism