New Books in Journalism

The BBC is often thought to be a great, impartial, defender of British values and society. In The BBC: Myth of a Public Service (Verso, 2016), Tom Mills, a lecturer in Sociology at Aston University, re-reads the history of the BBC to offer a more problematic status for the corporation, as an adjunct of British state power. The book uses examples from the General Strike in Britain, through war and economics reporting, to the vetting of left wing political attitudes within the Corporation, to tell the story of an institution that has been misunderstood by both left and right wing critics. Moreover, the book provides a critique of the management and organisation reforms to the BBC, coupled with a class analysis, demonstrating the need for transformation to this important part of British society. At a time when the media is under intense scrutiny for its perceived failures in reporting and representing politics and economics, Mills’ analysis and prescriptions for reform make for essential reading. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

With messages limited to 140 characters, Twitter once drew skepticism, even scorn, from journalists who saw little role for the social-media platform in their work. But as Alecia Swasy demonstrates in her new book, How Journalists Use Twitter: The Changing Landscape of U.S. Newsrooms (Lexington Books, 2016), many reporters now embrace Twitter as a means of cultivating sources, promoting stories and building their own “brands”as information providers. Swasy, a veteran business reporter who now teaches at Washington and Lee University, studied Twitter use at four metropolitan newspapers. She discovered that the humble “tweet”has become an integral component of a 24/7 news cycle in which reporters and readers engage in an ongoing conversation. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

The millennial generation (those born from 1980 through the beginning of the 21st century) now comprises the largest voting bloc in the American electorate. In Media, Millennials, and Politics: The Coming of Age of the Next Political Generation (Lexington Books, 2016), Alison N. Novak argues that these 50 million young citizens are misunderstood, marginalized and sometimes overtly insulted by the news media. Writers, newscasters and pundits label them “apathetic, uninvolved and entitled,” while ignoring clear evidence that many millennials are deeply concerned about the course of the nation. Novak examines coverage of millennials in cable television and online news, finding that journalists often substitute stereotypes and rhetorical shortcuts for rigorous examination of how members of this generation think and act. She concludes by calling the media to task and demanding that it present a fuller, more nuanced picture of a group that will soon inherit the reins of power in the United States. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In his new book The Defender: How The Legendary Black Newspaper Changed America (Houghton Mifflin Harcourt, 2016), Ethan Michaeli charts the riveting history of the Chicago Defender, one of the nation’s longest running and most significant black periodicals. Founded in 1905 by publisher Robert S. Abbott, the Defender came to play a central role in regional and national black politics; drawing African Americans north to Chicago as part of the Great Migration out of the South, condemning Jim Crow and bolstering the electoral power of black America, and helping to secure the election of presidents such as Harry Truman, John F. Kennedy and Barack Obama. Relying on exhaustive research, including dozens of interviews and extensive archival material, Ethan has constructed the most in-depth and illuminating history of the Defender ever published – highlighting not only the impact of publisher Abbott and iconic columnists such as Ida B. Wells and Langston Hughes, but also the hundreds of other journalists and editors who contributed to the legendary newspaper’s development. Alex Kotlowitz has described The Defender as “a majestic, sweeping history, both of a newspaper and of a people,” and Carol Anderson has applauded the text as a landmark study which will “become an essential resource in African American cultural and political studies.” Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Savage Portrayals: Race, Media, and the Central Park Jogger Story (Temple University Press, 2014) offers a timely reminder of how racial bias and prejudice continue to shape political perspectives and dominant media narratives. Drawing on her unique experience as a journalist covering the case, Natalie Byfield explores the media response to and framing of the Central Park Jogger case which gained national attention during the late 1980s. Byfield is a cultural sociologist, who has taught in the fields of sociology and media studies. She is an associate professor at St. John’s University in Queens, New York where her research centers on the sociology of knowledge. She examines language, media systems, and methodologies exploring their roles in the production and construction of race/class/gender inequalities. In 1989 she was a member of a reporting team nominated by the Daily News for a Pulitzer Prize relating to the papers coverage of the Central Park Jogger case. Dr. Byfield is also the recipient of a Charles H. Revson Fellowship at Columbia University and a National Science Foundation Fellowship. Her current book project is titled Minority Report: Place, Race, and Surveillance in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In a fragmented media world where anyone can speak, professional journalists are no longer the “gatekeepers” who decide what the public will see and hear. Instead, citizens are barraged with claims, assertions and innuendo that have not been subjected to the journalistic discipline of verification. Fact-checking, pioneered by bloggers and developed by professional news organizations, attempts to get at the elusive truth by subjecting political figures’ words to careful scrutiny. In Deciding What’s True: The Rise of Political Fact-Checking in American Journalism (Columbia University Press, 2016) Lucas Graves examines the fact-checkers’ work and plumbs its potential, its limits and its hazards. He concludes that fact-checking, while imperfect, is a genuine reform movement that is reshaping American journalism and the long-cherished ideal of objectivity. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Eric Gardner’s new study Black Print Unbound: the Christian Recorder, African American Literature, and Periodical Culture (Oxford University Press, 2015) explores the development and voice of the Christian Recorder during the years leading up to and immediately after the American Civil War. As the house organ of the African Methodist Episcopal Church, the Recorder held a national reach among free African Americans and became an integral part of broader nineteenth-century black print networks. Through recovering the paper’s history, Black Print Unbound offers an important intervention into the study of African American literary history and American print culture. Eric’s teaching and research interests center on African American literature and culture and American literary history, and he is currently a professor of English at Saginaw Valley State University. His first monograph, Unexpected Places: Relocating Nineteenth-Century African American Literature was published in 2009 by the University Press of Mississippi and was awarded the Research Society for American Periodicals annual book prize. His work can be found in edited collections and journals such as American Literary History and Legacy: a Journal of American Women Writers. To find out more about Eric’s research visit his personal website: http://www.blackprintculture.com/ Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Carol McCabe Booker is a Washington, D.C. attorney and former journalist. In the 1960s and 70s, she covered civil rights for the Voice of America, freelanced articles for The Washington Post, Readers Digest, Ebony, Jet, and Black Stars, and reported from Africa, including the Nigerian warfront, for Westinghouse Broadcasting stations. After retiring in 2008, she helped her husband, journalist Simeon Booker, write Shocking the Conscience: A Reporter’s Account of the Civil Rights Movement, which received widespread critical acclaim following its publication by the University Press of Mississippi. After Simeon and trailblazing reporter Alice Dunnigan were inducted into the black journalists Hall of Fame in 2013, Carol tracked down Dunnigan’s out-of-print autobiography to recover her fascinating story for a modern audience. The daughter of a sharecropper born in rural Kentucky, Dunnigan went on to become the first African American female reporter accredited by the White House, the Supreme Court, and the Senate, and fashioned an illustrious career in journalism and politics in the nation’s capital. Alone Atop The Hill: The Autobiography of Alice Dunnigan, Pioneer of the National Black Press (University of Georgia Press, 2015) is an updated, annotated edition of a classic yet forgotten memoir which illustrates how Dunnigan overcame race and gender barriers to break into the highest echelons of the national press. James West is a historian of the twentieth-century United States. His research focuses on African American business enterprise and print culture, with a particular interest in Chicago. His current book project examines the role of EBONY magazine as an outlet for popular black history. He tweets @chitownanddown. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

The Resolution of the Suspect by Israeli photographer Miki Kratsman, with text by Ariella Azoulay, is co-published by the Peabody Museum Press at Harvard and Radius Books of Santa Fe, NM (2016). Mr. Kratsman was the 2011 recipient of the Robert Gardner Fellowship in Photography, an internationally recognized award given annually by the Peabody Museum of Archaeology and Ethnology to a photographer who has demonstrated great originality working in the documentary vein. Through images created in the context of daily news, his tens of thousands of photographs have, in retrospect, taken on fascinating new meanings, as bystanders become protagonists and peripheral details move to the center. Isolated from the original frame, cropped, enlarged, and redisplayed, the reimagined images ask us to explore the limits of the observers gaze under conditions of occupation. These photographs look at both “wanted men”—individuals sought by the Israeli state– and the everyman and everywoman on the street who, by virtue of being Palestinian in a particular time and place, can be seen as a “suspect.” The work is both transgressive and banal, crossing boundaries between Israel and Palestine, wanted and innocent, street photography and surveillance imagery. Kratsman has also provoked vital, long-term interaction around the images on social media, creating a Facebook page on which viewers are invited to identify the individuals portrayed and comment on their “fate.” His complex project is chronicled in this book in more than 300 images that powerfully implicate the viewer as we follow the gaze of both occupier and occupied within a complex web of power relations around issues of life and death. Supported with thought-provoking text by Ariella Azoulay, she looks at various models of historical and civil construction of the gaze and explores the ways in which the shadow of death is an actual threat that hovers over Kratsman’s photographed persons and frames both individuals and the borrowed time within which they exist. Miki Kratsman was born in Argentina and emigrated to Israel in 1971. He worked as a photojournalist for Hadashot and Ha’aretz until 2012. A photo educator for a number of years, Mr. Kratsman has taught at the Camera Obscura College of Photography and the School for Geographic Photography of Tel Aviv as well as in the Department of Art in Haifa University, he was also the head of the photography department at Bezalel Academy of Arts and Design until 2014, when he retired. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In the decades leading up to the Civil War, antebellum African Americans elites turned to the newspaper as a means of translating their belief in black “chosenness” into programs for black liberation. Benjamin Fagan’s The Black Newspaper and the Chosen Nation (University of Georgia Press, 2016) demonstrates how the belief that God had marked black Americans as his chosen people on earth became a central article of faith in many northern African American communities throughout the nineteenth century. Directed by varying understandings of black “chosenness,” black periodicals helped to frame public debate, shape the black public sphere and to define forms of respectability and strategies for racial uplift. Fagan joins podcast host James West to discuss many of the key protagonists and periodicals of his work in more detail, shedding new light on prominent editors such as Frederick Douglass, Samuel Cornish and Mary Ann Shadd, and important early black periodicals such as Freedoms Journal, the North Star and the Provincial Freeman. As Fagan ably demonstrates, the idea of black “chosenness” played a major role in the early development of the black press, and helped to shape broader understandings of freedom, equality and nationhood on both a translocal and transnational scale. James West is a historian of the twentieth century United States. His research focuses on African American business enterprise and print culture, with a particular interest in Chicago. His current book project examines the role of EBONY magazine as an outlet for popular black history. He tweets @chitownanddown. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism