New Books in Art

In What Does it Mean to be Post-Soviet? Decolonial Art from the Ruins of the Soviet Empire (Duke University Press, 2018), Madina Tlostanova traces how contemporary post-Soviet art mediates this human condition. Observing how the concept of the happy future—which was at the core of the project of Soviet modernity—has lapsed from the post-Soviet imagination, Tlostanova shows how the possible way out of such a sense of futurelessness lies in the engagement with activist art. She interviews artists, art collectives, and writers such as Estonian artist Liina Siib, Uzbek artist Vyacheslav Akhunov, and Azerbaijani writer Afanassy Mamedov who frame the post-Soviet condition through the experience and expression of community, space, temporality, gender, and negotiating the demands of the state and the market. In foregrounding the unfolding aesthesis and activism in the post-Soviet space, Tlostanova emphasizes the important role that decolonial art plays in providing the foundation upon which to build new modes of thought and a decolonial future.Madina Tlostanova is professor of postcolonial feminisms at Linköping University (Sweden).Steven Seegel is professor of history at University of Northern Colorado. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The prolific artistic production of Vesna Kittelson always maintains autobiographical connections: her installations of deconstructed books and her luminous drawings of fountains recall her childhood in Split, Croatia; her early color field paintings represent people and places she remembers; her war paintings portray the tragedy and emotion experienced in Bosnia and Herzegovina, as well as her reactions to the 9/11 attack in the United States; the brilliant botanical watercolors in her artist’s books result from her research on Charles and Emma Darwin; and her dynamic cutout portraits of her students reveal bonds with fellow artists and immigrants of a later generation. A vital participant in the Minneapolis arts community for decades, Kittelson demonstrates her strong passion for creativity through her ever-evolving practice and extensive international career.Today I talked to Vesna about Synthesis: Lost and Found in America: The Art of Vesna Kittelson (Afton Historical Society Press-University of Minnesota Press, 2020)Contributors to the book include: Heather Carroll, Minnesota History Museum; Wendy Fernstrum; Joanna Inglot, Macalester College; Lyndel King, Weisman Art Museum; Camille LeFevre; John Lyon, Walker Art Center; Kerry A. Morgan, Minnesota College of Art and Design; Marcia Reed, Getty Research Institute; Susannah Schouweiler, Weisman Art Museum.Kirstin L. Ellsworth is an Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

How has social media changed inequality in the cultural industries? In The Politics of Expertise in Cultural Labour: Arts, Work and Inequalities (Rowman and Littlefield, 2020), Karen Patel, AHRC Leadership Fellow based at Birmingham Centre for Media and Cultural Research, Birmingham City University, considers the idea of expertise in cultural labour, examining how it is understood and displayed by cultural workers.The book draws on an extensive and deep engagement with key theories of work, expertise, and culture, as well as offering detailed empirical case studies of the everyday working lives of creative practitioners. Moreover, by analyzing the impact and importance of social media, the book offers an important insight into how inequality functions even where technology seems to offer an end to cultural hierarchy. The book is essential reading across the humanities and social sciences, as well as for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Nozomi Naoi’s Yumeji Modern: Designing the Everyday in Twentieth-Century Japan (University of Washington Press, 2020) is the first book-length English-language study of one of Japan’s iconic twentieth-century artists, Takehisa Yumeji (1884–1934).While he is most famous for portraits of beautiful women and stylish graphic design―which remain enormously popular and ubiquitous in today’s Japan―Yumeji’s output was not only prolific but also diverse. He began as an illustrator for socialist magazines, was a key figure in the revival and reinvention of the woodblock print as a modern medium, and produced astute and evocative portrayals of the 1923 Great Kanto Earthquake that devastated the Tokyo area. He was also a mentor to young artists and writers, and as Naoi shows, Yumeji created not just a recognizable style and brand, but also an alternative space of artistic production in the early twentieth century. Naoi situates Yumeji’s career within the evolving social, artistic, and technological contexts of his time, drawing our attention to his involvement with new reprographic technologies and commercial design. Additionally, by the inclusion of a substantial body of primary sources―including his 21-part earthquake reportage―in both the original and English translation, Naoi’s book is both an outstanding and accessible art history book, but a resource for future research.And because podcasts are not the ideal visual medium, check out the links below to see some of Yumeji’s artwork and learn more.Nozomi Naoi on “Yumeji Modern” and finding the “moon-viewing” momentEnvisioning East Asian Art History, Highlights of Yumeji Modern (2 videos)  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In Savage Tales: The Writings of Paul Gauguin (Yale University Press, 2019), Linda Goddard investigates the role that Paul Gauguin’s writings played in his artistic practice and in his negotiation of his colonial identity.As a French artist who lived in Polynesia, Gauguin occupies a crucial position in histories of European primitivism, but this is the first book to be devoted to his wide-ranging literary output, including his journalism, travel writing, art criticism, and essays on aesthetics, religion, and politics.In the book, Dr. Goddard analyzes what are often richly illustrated manuscripts and she counters the tendency to interpret these writings merely as a source of information about his life. Instead, she reveals how the seemingly haphazard structure of Gauguin’s manuscripts were an important part of an artistic practice that ranged across media, one that enabled him to evoke the “primitive” culture that he so celebrated.This critical analysis of his writings significantly enriches our understanding of the complexities of artistic encounters in the French colonial context.Linda Goddard is senior lecturer in art history at the University of St. Andrews.Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In American Daredevil: Comics, Communism, and The Battles of Lev Gleason (Chapterhouse Publishing, 2020), Brett Dakin, Gleason’s great-nephew delves into the life of his famous relative.Gleason rose to the top of the comic publishing world during its Golden Age, publishing Daredevil and Crime Does Not Pay among other titles. Dakin explores the family archives and FBI files to give readers a comprehensive look into the life of Gleason and his Progressive activism.Gleason’s experiences with the House Un-American Activities Committee and Dr. Frederic Wertham and other Anti-Comic activists give a glimpse into important political and social activism of the 1940s and 50s in American history. Dakin not only presents the story of Great-Uncle Lev, but he also gives readers insight into his research into Gleason’s life, career, and disappearance from public.Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Junior Tomlin: Flyer & Cover Art (Velocity Press, 2020) showcases the artwork of Junior Tomlin. Featuring flyers and record covers Tomlin has created for the rave scene starting in the late 1980s, this is the first book which comprehensively and cohesively documents his work in this important UK subculture. Raised in Ladbroke Grove, west London, Tomlin’s Afrofuturism work is influenced by surrealism, science fiction, futurism, and comics. Tomlin has been dubbed “The Salvador Dali of Rave” and this magnificent collection of his work speaks to why.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In this this interview, Carrie Tippen talks with Emily Wallace, author and illustrator of the new book Road Sides: An Illustrated Companion to Dining and Driving in the American South (University of Texas Press, 2019).Road Sides pays homage to popular travel guides with its short chapters, one for each letter of the alphabet containing a brief contextualizing essay followed by a feature of a specific location, business, or product. “A” is for Architecture, a tribute to buildings in the shape of foods one might find on the highway; “B” is for Billboards, their ubiquity and creativity and sometimes, as in the case of the “South of the Border” billboards, racial insensitivity.Road Sides is clearly aimed at a general audience of readers with its journalistic style of participant observation and whimsical illustrations, but Wallace makes use of her folklore training and scholarly connections in both the historical contextualizing of automobile culture and the critical lens with which she points out the good, the bad, and the ugly of Southern history and practice.While Road Sides is certainly a celebration of Southern foodways, it is not without criticism. A thread runs throughout the book that there is not a single story of Southern road travel. Wallace is careful to remind readers that before the civil rights era, there are two very distinct experiences for black and white Southerners, and after the ostensible end of racial segregation in public spaces, a third story emerges that changes the experience for all travelers.Wallace addresses these disparate narratives most directly in “D” for Directions, focusing on the Negro Motorist Green-Book that ran counter to the Official Automobile Blue Book for white travelers, and in V for Vacancy, about the black-owned hotels that catered to black travelers.Similarly, in a chapter about the crossroads general store, Wallace reminds readers that Emmett Till was murdered after an encounter with white people in such a store. What emerges from this wide-ranging investigation is an story of innovation, both technological and entrepreneurial, about the creative minds who came up with a new product or process or marketing strategy to adapt to a world that is changed irrevocably by car travel.Emily Wallace is a writer and illustrator with a masters in folklore who serves as art director & deputy editor of Southern Cultures Quarterly at UNC-Chapel Hill, and has written and illustrated work for other publications including The Washington Post, Southern Living, The Oxford American, and GOOD. In 2015, Wallace was nominated for a James Beard Award in humor writing.Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Today I talked to Laurie Olin about his book Be Seated (ORO Editions, 2017). Olin’s interest in public outdoor seating in parks and civic spaces revolves around two poles: the first is a concern for aspects of the ordinary in our settings and actions, the apparatus and effects of the quotidian in our individual lives and experience; the other is the utility of public seating in the conduct and potential of our role as citizens and the establishment of place and community. A not inconsiderable aspect of both is the engendering of pleasure. In a democracy we are expected to fulfill two potentials – those of private citizen and contributing member of a community. When sitting on a bench or chair in a park or plaza we inevitably participate in the life of a particular space, city, and society while simultaneously pursuing our own life with its demands and aspirations. Chairs and benches in their many varieties and situations are the setting (pun intended) for profoundly simple, albeit important, and largely unnoticed aspects of our lives.Laurie Olin is a distinguished teacher, author, and one of the most renowned landscape architects practicing today. From vision to realization, he has guided many of OLIN’s signature projects, which span the history of the studio from the Washington Monument Grounds in Washington, DC to Bryant Park in New York City. His recent projects include the AIA award-winning Barnes Foundation in Philadelphia, Pennsylvania Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

For centuries, wherever Thai Buddhists have made their homes, statues of the Buddha have provided striking testament to the role of Buddhism in the lives of the people. The Buddha in Lanna: Art, Lineage, Power, and Place in Northern Thailand (University of Hawaii Press, 2017) offers the first in-depth historical study of the Thai tradition of donation of Buddha statues.Drawing on palm-leaf manuscripts and inscriptions, many never previously translated into English, the book reveals the key roles that Thai Buddha images have played in the social and economic worlds of their makers and devotees from the fifteenth to twentieth centuries.Author Angela S. Chiu introduces stories from chronicles, histories, and legends written by monks in Lanna, a region centered in today’s northern Thailand. By examining the stories’ themes, structures, and motifs, she illuminates the complex conceptual and material aspects of Buddha images that influenced their functions in Lanna society.Buddha images were depicted as social agents and mediators, the focal points of pan-regional political-religious lineages and rivalries, indeed, as the very generators of history itself. In the chronicles, Buddha images also unified the Buddha with the northern Thai landscape, thereby integrating Buddhist and local conceptions of place.By comparing Thai Buddha statues with other representations of the Buddha, the author underscores the contribution of the Thai evidence to a broader understanding of how different types of Buddha representations were understood to mediate the “presence” of the Buddha.The Buddha in Lanna focuses on the Thai Buddha image as a part of the wider society and history of its creators and worshippers beyond monastery walls, shedding much needed light on the Buddha image in history. With its impressive range of primary sources, this book will appeal to students and scholars of Buddhism and Buddhist art history, Thai studies, and Southeast Asian religious studies.Olivia Porter is a PhD candidate at Kings College London. Her research focuses on Tai Theravada Buddhism in Myanmar and its borders. She can be contacted at: olivia.c.porter@kcl.ac.uk Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art