New Books in Art

Now in its fifth edition, Analyzing Architecture has become internationally established as the best introduction to architecture. Aimed primarily at those wishing to become professional architects, it also offers those in disciplines related to architecture (from archaeology to stage design, garden design to installation art), a clear and accessible insight into the workings of this rich and fascinating subject. With copious illustrations from his own notebooks, the author dissects examples from around the world and all periods of history to explain underlying strategies in architectural design and show how drawing may be used as a medium for analysis.This new edition of Analyzing Architecture is revised and expanded. Notably, the chapter on ‘Basic Elements of Architecture’ has been enlarged to discuss the ‘powers’ various architectural elements offer the architect. Three new chapters have been added to the section on ‘Themes in Spatial Organization’, covering ‘Occupying the In-between’, ‘Inhabited Wall’ and ‘Refuge and Prospect’. Two new examples – a Mud House from Kerala, India and the Mongyo-tei (a tea house) from Kyoto, Japan – have been added to the ‘Case Studies’ at the end of the book. The ‘Select Bibliography’ has been expanded and the ‘Index’ revised.Works of architecture are instruments for managing, orchestrating, modifying our relationship with the world around us. They frame just about everything we do. Architecture is complex, subtle, frustrating… but ultimately extremely rewarding. It can be a difficult discipline to get to grips with; nothing in school quite prepares anyone for the particular demands of an architecture course. But this book will help.Analyzing Architecture is the foundation volume of a series of books by Simon Unwin exploring the workings of architecture. Other books in the series include Twenty Buildings Every Architect Should Understand and Exercises in Architecture.Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Adjunct Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The Korean War is now America's seminal war. It was the first war conducted with the new United Nations, the first war fought against the Chinese Communists, and the first modern war the US didn't win. Louis Nelson designed the mural wall at the Korean Veterans Memorial on the Mall in Washington DC. His just published memoir, Mosaic: War Monument Mystery, An Historical Memoir (239 Productions, 2021), is his story about the Korean War today and its Memorial. It is a story of death, rescue and growth. MOSAIC examines how this war affected him and its veterans--then and now--leading to the design of the memorial. It situates the memorial in its context featuring the Washington Monument, and the Lincoln and Vietnam Memorials. It is also the story of one of the late 20th century's great designers. Daniel Peris is Senior Vice President at Federated Hermes in Pittsburgh. He can be reached at DanielxPeris@gmail.com or via Twitter @HistoryInvestor. His History and Investing blog and Keep Calm & Carry On Investing podcast are at https://strategicdividendinves... Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books.A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Like the transdiscipline of cybernetics, the philosophical movement known as Existentialism rose to prominence in the decade following World War II, was communicated to the general public by a handful of charismatic evangelizers who, for a time, became bona fide celebrities in popular culture, generated much excitement and innovation on university campuses across Europe, the Americas and beyond, and, in subsequent decades, seemed to fade to the periphery of intellectual discourse with some declaring both movements dead and others keeping the faith in small circles of committed artists, scholars, and practitioners. Along the way, both movements have found some of their strongest expressions through works of art; from the plays and novels of some of existentialisms key players, to the 1968 Cybernetic Serendipity exhibition that toured America after its original incarnation at the Institute for Contemporary Arts in London.In the early decades of the 21st century, well into the so-called Information and at a historical moment fraught with new and amplified ethical challenges, both fields seem, to many, to be poised for a comeback. One such observer is Steve Dixon, whose monograph, Cybernetic-Existentialism: Freedom, Systems, and Being-for-Others in Contemporary Arts and Performance (Routledge, 2020), not only explores the often surprising conceptual overlaps between the two fields but manages to offer nothing less than an original aesthetic theory fusing perspectives from the philosophy of Existentialism with insights from the ‘universal science’ of cybernetics to provide a new analytical lens and deconstructive methodology to critique art.In this study, Steve Dixon examines how a range of cutting edge contemporary artists’ works embody core ideas from such Existentialist philosophers as Søren Kierkegaard, Albert Camus, Simone de Beauvoir, and Jean-Paul Sartre on freedom, being and nothingness, eternal recurrence, the absurd, and being-for-others while, simultaneously, engaging in complex explorations of concepts proposed by such cyberneticians as Norbert Wiener, Claude Shannon, and Gregory Bateson on information theory and ‘noise’, feedback loops, circularity, adaptive ecosystems, autopoiesis, and emergence.Dixon’s ground-breaking book demonstrates how fusing insights and knowledge from these two fields can throw new light on pressing issues within contemporary arts and culture, including authenticity, angst and alienation, homeostasis, radical politics, and the human as system. Join me now as Dixon, in his own words, “talks for England” in an energetic romp across these complex, overlapping intellectual and aesthetic landscapes.Tom Scholte is a Professor of Directing and Acting in the Department of Theatre and Film at the University of British Columbia located on the unceded, ancestral, and traditional territory of the Musqueam people. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Everything you use, from your home to your smartphone, from highways to supermarkets, was designed by someone. What did they get right? Where did they go wrong? And what can we learn from how these experts think that can help us improve our own lives?In How Design Makes The World, bestselling author and designer Scott Berkun reveals how designers, from software engineers to city planners, have succeeded and failed us. From the airplane armrest to the Facebook “like” button, and everything in between, Berkun shows how design helps or hinders everyone, and offers a new way to think about the world around you.Whether you spend time in a studio or a boardroom, an office or the outdoors, How Design Makes the World empowers you to ask better questions—and to understand the designs in everything that matters.Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at r.garfinkel@yahoo.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Chemistry is not just about microscopic atoms doing inscrutable things; it is the process that makes flowers and galaxies. We rely on it for bread-baking, vegetable-growing, and producing the materials of daily life. In stunning images and illuminating text, this book captures chemistry as it unfolds. Using such techniques as microphotography, time-lapse photography, and infrared thermal imaging, The Beauty of Chemistry: Art, Wonder, and Science (MIT Press, 2021) shows us how chemistry underpins the formation of snowflakes, the science of champagne, the colors of flowers, and other wonders of nature and technology. We see the marvelous configurations of chemical gardens; the amazing transformations of evaporation, distillation, and precipitation; heat made visible; and more.Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

How should we understand creative work? In Creative Control: The Ambivalence of Work in the Culture Industries (Columbia UP, 2021), Michael Siciliano, an assistant professor of sociology at Queen's University, Canada, explores this question through a comparison of a recording studio and a digital content creation company. The book considers the meaning and practice of ‘creative’ labour, considering its ambivalences, the passions and commitments, as well as the compromises and alienations associated with this area of economy and society. It represents a crucial intervention to the literature on cultural production, as well as offering an important understanding of the impact of digital modes of distribution and production on creative industries. A rich and fascinating comparative ethnography, the book is essential reading across humanities and social sciences, as well as for anyone interested in understanding contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Often referred to as “the Russian Leonardo”, religious philosopher and Orthodox parish priest Pavel Florensky was a pivotal figure in the Russian religious renaissance at the turn of the 20th century. In Visual Thought in Russian Religious Philosophy: Pavel Florensky's Theory of the Icon (Routledge 2019), art historian Clemena Antonova (Research Director at Eurasia in Global Dialogue, Institute for Human Sciences in Vienna) challenges prevailing readings of Florensky’s oeuvre, presents an analysis of the thinker’s theory of pictorial space in the icon, and argues for the relevance of his thought to contemporary debates on religion and secularism. In this interview we discuss the religious and pictorial turn in contemporary modernity, the clash between Russian Orthodox clergy and theologians and religious philosophers in the early 20th century, the influence of St. Gregory Palamas on Florensky and his contemporaries, the Slavophile roots and fin-de-siecle manifestations of the theory of full unity, the limits of Florensky’s work in art history, and the challenges that contemporary scholars of Russian religious thought encounter when confronting its problematic aspects. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

What does it mean to tie your cloth to that of another person, as in the Ghanaian tradition, or to be in full dress? How is fashion photography in a colonial and decolonial context more than just a "look" but in fact a looking and a looking at?Join author Catherine McKinley (she/her) and host Lee M. Pierce (they) for a discussion of these provocative questions in the context of fashion photography by and about pan-African women from the 1870s to the 1970s.Most of us grew up with images of African women that were purely anthropological—bright displays of exotica where the deeper personhood seemed tucked away. Or they were chronicles of war and poverty—“poverty porn.” But now, curator Catherine E. McKinley draws on her extensive collection of historical and contemporary photos, spanning the 150-year arc of photography on the continent, to tell a different story of African women: how deeply cosmopolitan and modern they are in their style; how they were able to reclaim the tools of the colonial oppression that threatened their selfhood and livelihoods. Featuring works by celebrated African masters, African studios of local legend, and anonymous artists, The African Lookbook: A Visual History of 100 Years of African Womanhood (Bloomsbury, 2021) captures the dignity, playfulness, austerity, grandeur, and fantasy-making of African women across centuries. McKinley also features photos by Europeans—most starkly, striking nudes—revealing the relationships between white men and the black female sitters where, at best, a grave power imbalance lies. It’s a bittersweet truth that when there is exploitation there can also be profound resistance expressed in unexpected ways—even if it’s only in gazing back. These photos tell the story of how the sewing machine and the camera became powerful tools for women’s self-expression, revealing a truly glorious display of everyday beauty.Discussion welcome! Connect with author Catherine McKinley on Instagram @the_african_lookbook and the_mckinley_collection and host Lee M. Pierce on Gmail, Instagram and Twitter @rhetoriclee.Special thanks to Oslo-based Norwegian-Nigerian artist Frida Orupado (nemieppeba) for contributing a series of collages to the work to deepen the way in which we engage the original photos and their histories. If you enjoyed this interview you may also enjoy New Books Network interviews with Anne Cheng about Second Skin: Josephine Baker and the Modern Surface and Zakiyyah Iman Jackson about Becoming Human: Matter and Meaning in an Antiblack World. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Working Aesthetics: Labour, Art and Capitalism (Bloomsbury Academic, 2019) is the story of art and work under contemporary capitalism. Whilst labour used to be regarded as an unattractive subject for art, the proximity of work to everyday life has subsequently narrowed the gap between work and art. The artist is no longer considered apart from the economic but is heralded as an example of how to work in neoliberal management textbooks.With the narrowing of work and art visible in galleries and art discourse today, Working Aesthetics takes a step back to ask why labour has become a valid subject for contemporary art and explores what this means for aesthetic culture today.Danielle Child speaks with Pierre d'Alancaisez about the rise of the art fabricator embodied by the stories of Lippincott, Inc. and Mike Smith Studio, dematerialised labour of Rimini Protokoll, and the digital afterlives of etoy and the brave new world of NFTs.The opening street scene by Eyre Crowe is here.Dannielle Child is a senior lecturer at Manchester School of Art.Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art