New Books in Art

In this episode of the Vault, we hear Harry Berger’s talk about Leonardo da Vinci and Vassari’s "Lives of the Painters." Harry Berger was a scholar of Renaissance English literature who wrote books about art history, anthropology, and philosophy. He taught at UC Santa Cruz, where he was an emeritus professor until he died in 2021, at age 96.Since 1977, the New York Institute for the Humanities has brought together distinguished scholars, writers, artists, and publishing professionals to foster crucial discussions around the public humanities. For more information and to support the NYIH, visit nyihumanities.org. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Reframing Disability in Manga (University of Hawaii Press, 2020) analyzes popular Japanese manga published from the 1990s to the present that portray the everyday lives of adults and children with disabilities in an ableist society. It focuses on five representative conditions currently classified as shōgai (disabilities) in Japan―deafness, blindness, paraplegia, autism, and gender identity disorder―and explores the complexities and sociocultural issues surrounding each. Author Yoshiko Okuyama begins by looking at preindustrial understandings of difference in Japanese myths and legends before moving on to an overview of contemporary representations of disability in popular culture, uncovering socio-historical attitudes toward the physically, neurologically, or intellectually marked Other. She critiques how characters with disabilities have been represented in mass media, which has reinforced ableism in society and negatively influenced our understanding of human diversity in the past.Okuyama then presents fifteen case studies, each centered on a manga or manga series, that showcase how careful depictions of such characters as differently abled, rather than disabled or impaired, can influence cultural constructions of shōgai and promote social change. Informed by numerous interviews with manga authors and disability activists, Okuyama reveals positive messages of diversity embedded in manga and argues that greater awareness of disability in Japan in the last two decades is due in part to the popularity of these works, the accessibility of the medium, and the authentic stories they tell.Scholars and students in disability studies will find this book an invaluable resource as well as those with interests in Japanese cultural and media studies in general and manga and queer narrative and anti-normative discourse in Japan in particular.Yoshiko Okuyama is Professor of Japanese studies at the University of Hawai’i at Hilo, USA. Her recent publications include Japanese Mythology in Film: A Semiotic Approach to Reading Japanese Film and Anime (2015) and Reframing Disability in Manga (2020).Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In the tradition of The Lady in Gold and The Hare with Amber Eyes, the remarkable history behind one of the world's most beloved paintings, Leonardo da Vinci's Lady with an Ermine More than half a millennium ago, a young woman sat before a Grecian-nosed artist known as Leonardo da Vinci. Her name was Cecilia Gallerani, and she was the fourteen-year-old mistress of Ludovico Sforza, Duke of Milan. Her lover, a ruthless man, was aware that da Vinci's brilliance as a painter would not only capture his mistress's beauty but reflect his own political prowess. Indeed, with this beguiling painting--in which Gallerani holds a strange white ermine close to her breast--da Vinci revolutionized the genre, changing not just what a portrait looked like, but also its purpose. But despite the work's importance in its own time, no records of it from the three hundred years following Gallerini's death exist.In What the Ermine Saw: The Extraordinary Journey of Leonardo Da Vinci's Most Mysterious Portrait (Doubleday Books, 2022), Eden Collinsworth illuminates the eventual history of this exquisite oil painting, as it journeyed from one owner to the next--from the brutal Milanese Duke to a Polish noblewoman to the Nazis, who added it to Hitler's private collection, to the Czartoryski Museum in Krakow where it is currently displayed. Along the way, Collinsworth reveals a bewildering maze of social alliances and cultural upheavals, polarizing political divisions and territorial fragmentation. Expertly researched and deftly told, What the Ermine Saw is an enthralling account of Renaissance Italy and its actors, a comprehensive study of artistry and innovation, and a reminder that genius, power, and beauty always have a price. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

There has been no greater surge in global fashion trends and expressions of personal style than in the contemporary era of social media fashion influencers. But what constitutes “being in fashion” amongst this multiplicity of interpretations?In this episode of Humanities Matter, Dr. Laura Petican, Professor of Sociology at the National University, San Diego, and Dr. Jacque Lynn Foltyn, Associate Professor and Director of University Galleries at Texas A&M University-Corpus Christi, explore various disciplinary, professional, and creative perspectives to expand their proposition that fashion is about self-presentation. In Fashion: Culture, Commerce, Craft, and Identity, published by Brill and edited by Drs. Petican and Foltyn, is a deep exploration of fashion representations; being fashionable, shopping, luxury, and vintage; fashion materials, craft, industry, and innovation; museum-worthy fashion; and fashioning cultural identities.Summary: A conversation on the cultural, commercial, and creative perspectives of what it means to be ‘in fashion’ in the modern world. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Formless, mutable, transparent: the element of water posed major challenges for the visual artists of the Renaissance. To the engineers of the era, water represented a force that could be harnessed for human industry but was equally possessed of formidable destructive power. For Leonardo da Vinci, water was an enduring fascination, appearing in myriad forms throughout his work. In Watermarks, Leslie Geddes explores the extraordinary range of Leonardo’s interest in water and shows how artworks by him and his peers contributed to hydraulic engineering and the construction of large river and canal systems.In this interview, Allison Leigh talks to Leslie Geddes about transforming your dissertation into a book, how one tackles a body of scholarly literature as immense as that on Leonardo, and whether or not the famous Salvator Mundi was indeed painted by Leonardo. Their conversation ranges from what it is like to examine the artist’s Renaissance drawings in person to the power of comparisons within art historical writing and research.Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The Asmat are an indigenous people of Indonesian Papua and are renowned for their artistic carving flair and complex life-cycle rituals. They also have big ambitions that reach as far as the Vatican. Over the past five decades, pressures from the state, religious authorities, and the global art market, have led to profound cultural changes and a widespread sense of predicament, dysphoria and disempowerment among the Asmat.In this episode of SSEAC Stories, Dr Natali Pearson is joined by Dr Roberto Costa to discuss the social changes experienced by the Asmat people, and the material and ethical alternatives they are developing in response to a wide range of socio-cultural, religious, and ecological predicaments.About Roberto Costa:Roberto Costa (PhD in Anthropology, 2021) currently works as a sessional academic at the Department of Anthropology at the University of Sydney and the School of Social Sciences at Macquarie University. He has published in the areas of politics, religion, ethics, materiality and human-non-human relations, mainly on his research in Indonesia and Papua/Melanesia. His research interests also include digital activism, phenomenology, and visual and sensory anthropology, the latter stemming from his prior educational formation as a musician. His present project focuses on rewriting his doctoral thesis into a book. In his doctoral research, he looked at the efforts of the Asmat, a people group in the south of Indonesian Papua, to actualise material and ethical alternatives to socio-cultural, religious and ecological predicaments.For more information or to browse additional resources, visit the Sydney Southeast Asia Centre’s website: www.sydney.edu.au/sseac. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Camera Palaestina: Photography and Displaced Histories of Palestine (U California Press, 2022) is a critical exploration of Jerusalemite chronicler Wasif Jawhariyyeh (1904–1972) and his seven photography albums entitled The Illustrated History of Palestine. Jawhariyyeh’s nine hundred images narrate the rich cultural and political milieu of Ottoman and Mandate Palestine. Nassar, Sheehi, and Tamari locate this archive at the juncture between the history of photography in the Arab world and the social history of Palestine. Shedding new light on this foundational period, the authors explore not just major historical events and the development of an urban bourgeois lifestyle but a social field of vision of Palestinian life as exemplified in the Jerusalem community. Tracking the interplay between photographic images, the authors offer evidence of the unbroken field of material, historical, and collective experience from the living past to the living present of Arab Palestine.In this podcast we discussed the origins of the book, its methodological approach and what the work of Wasif Jawhariyyeh can tell us about Palestine. The three ways conversation does not just discuss the book, but it serves as a companion and provides a great introduction to the life and work of Wasif Jawhariyyeh.Roberto Mazza is currently an independent scholar. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

What is criticism for? Over the past few decades, violent disagreements over that question in the academy have burst into the news media. These conflicts have renewed the Culture Wars over the legacy of the 1960s, becoming entangled in national politics and leading to a new set of questions. Does a concern with race, gender, and sexuality, with unacknowledged power and privilege, with identity, give present critics the right to criticize the great works of the past? If we have learned to see those works in terms of historical differences rather than universal truths, how is it that they speak to us at all? In the study of the world's cultures, there is more than one way to avoid being Eurocentric; which way should we choose? Re-examining key thinkers since 1970, including Walter Benjamin, Michel Foucault, Judith Butler, Edward Said, Hortense Spillers, Fredric Jameson, and Stuart Hall, Bruce Robbins' book Criticism and Politics: A Polemical Introduction (Stanford UP, 2022) offers both a non-specialist introduction to recent cultural theory and a strong new interpretation of how this theory applies to the everyday issue of what cultural critics do and how they should feel about what they do. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Comics and Nation: Power, Pop Culture, and Political Transformation in Poland (Ohio State UP, 2022) offers a fresh perspective on the role of popular culture in the one-hundred-year history of the Polish state, from its foundation in 1918 to the present. Drawing on dozens of press articles, interviews, and readers' letters, Ewa Stańczyk discusses how journalists, artists, and audiences used comics to probe the boundaries of national culture and scrutinize the established notions of Polishness. Critical moments of Poland's political transformation --the establishment of the interwar Polish Republic, the Cold War, the liberalization of the 1970s, the 1989 democratic transition, the turn to memory politics in the 2000s--have all been reflected in the history of Polish comics. Stańczyk offers new insights into how the production of homegrown comics and the influx of foreign works enabled commentators to express their fears, hopes, and disillusionment with political, economic, and cultural changes in Poland and beyond. At its core, Comics and Nation rethinks the impact of popular culture and transnational exchange on Polish nation building, citizenship formation, and the legitimation of power.Roland Clark is a Reader in Modern European History at the University of Liverpool, a Senior Fellow with the Centre for Analysis of the Radical Right, and the Principal Investigator of an AHRC-funded project on European Fascist Movements. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

How does the state support writers? In State Sponsored Literature: Britain and Cultural Diversity after 1945 (Oxford UP, 2020), Asha Rogers, Senior Lecturer in Contemporary Postcolonial Literature at the University of Birmingham, explores the history of authors, institutions, and governments approach to literature in a changing, imperial and post-imperial, Britain. The book uses a wealth of examples, from key organisations such as the British Council and the Arts Council of Great Britain, through case studies of key authors such as Salman Rushdie, to concepts such as multiculturalism and cultural diversity. Making a significant contribution to English literature and cultural policy, the book will be essential reading across the arts and humanities and social sciences, as well as for anyone interested in the relationship between governments and literature.Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art