New Books in Art

Artist Valerie Hegarty like to rip things up, twist them, distort them, and then leave audiences to ponder the results of her violence against imagery. Join us for a conversation about making objects, tearing them up, origin stories, and what can happen to if you grow up in a revival historic home filled with fake artifacts.Learn more about the Seeing Truth exhibition at here.Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Laureline Latour founded Women In Art Magazine in July 2022 from a desire to bring together artists from different countries. She studied German and Russian ab initio at Oxford University. Women In Art Magazine's teams are based between Oxford, London, Paris and beyond.Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In Aquaman and the War against Oceans (University of Nebraska Press, 2022), Ryan Poll explores ways the New 52 reimagining of Aquaman--a massive overhaul and rebranding of all DC Comics--transformed the character from a joke to an important figure of ecological justice. In this series, Aquaman becomes an accessible figure for charting environmental violences endemic to global capitalism and for developing a progressive and popular ecological imagination. Poll argues that The New 52 Aquaman should be read as an allegory that responds to the crises of the Anthropocene, in which the oceans have become a site of warfare and mass death. Poll contends that the series, which works to bridge the terrestrial and watery worlds, can be understood as a form of comics activism by visualizing and verbalizing how the oceans are both beyond the projects of the "human" and "humanism," and simultaneously, all-too-human geographies that are inextricable from the violent structures of capitalism, white supremacy, and patriarchy. The New 52 Aquaman, Poll demonstrates, proves an important form of ocean literacy in particular and ecological literacy more generally.Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Object-oriented ontology has become increasingly popular among architectural theorists and practitioners in recent years. Architecture and Objects (U Minnesota Press, 2022), the first book on architecture by the founder of object-oriented ontology (OOO), deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function.Graham Harman opens with a critique of Heidegger, Derrida, and Deleuze, the three philosophers whose ideas have left the deepest imprint on the field, highlighting the limits of their thinking for architecture. Instead, Harman contends, architecture can employ OOO to reconsider traditional notions of form and function that emphasize their relational characteristics—form with a building’s visual style, function with its stated purpose—and constrain architecture’s possibilities through literalism. Harman challenges these understandings by proposing de-relationalized versions of both (zero-form and zero-function) that together provide a convincing rejoinder to Immanuel Kant’s dismissal of architecture as “impure.”Through critical engagement with the writings of Peter Eisenman and fresh assessments of buildings by Rem Koolhaas, Frank Gehry, and Zaha Hadid, Architecture and Objects forwards a bold vision of architecture. Overcoming the difficult task of “zeroing” function, Harman concludes, would place architecture at the forefront of a necessary revitalization of exhausted aesthetic paradigms.Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

It’s easy to forget that the cultural archetypes that pass for queerness today have historical roots. Some of these roots are mere years away from today’s reality but they are nonetheless distinct and come with their own artefacts and subcultures.Peter Rehberg’s book Hipster Porn: Queer Masculinities and Affective Sexualities in the Fanzine 'Butt' (Routledge, 2022) looks at one such source artefact and its fandom, using as its matter the pink-papered magazine Butt which gained a cult following among European gay men in the first decade of the 2000s. The book reconstructs an important chapter of recent gay and queer history in order to make sense of the cultural shifts of the last 20 years in the contemporary gay world.Peter Rehberg speaks to Pierre d’Alancaisez about pornography after porn, Butt‘s outsized influence and the ultimate failures of its politics, as well as queer theory’s urgent need to refocus on the realities of sex and sexuality.Peter Rehberg is a writer, critic, and curator. He holds a PhD in German Literature from New York University and has taught and researched at universities and institutes including Cornell, Northwestern, Brown, University of Bonn, The University of Texas at Austin, and The University of Illinois, Chicago. He has published two novels and a collection of short stories. He also writes regularly for German media. In his academic work, he focusses on queer theory, queer visual culture, and popular culture. He is also the head of collections and archives at Schwules Museum, Berlin.Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Design in Motion: Film Experiments at the Bauhaus (MIT Press, 2022) provides the first comprehensive history of film experiments at the Bauhaus, the famous art school that operated between 1919 and 1933 and was located in Weimar, before moving to Dessau and later to Berlin. While the Bauhaus is commonly associated with the development of modern architecture and industrial design, Design in Motion focuses on film, and demonstrates how the cinematic medium became a proving ground for some of the school’s most innovative work.Laura Frahm is John L. Loeb Associate Professor of the Humanities at the Department of Art, Film, and Visual Studies at Harvard University. Frahm's work explores film and media through the lens of architecture, design, spatial theory, ecological thought, and process philosophy. In addition to her latest book Design in Motion: Film Experiments at the Bauhaus (2022), she is the author of Beyond Space: Cinematic Topologies of the Urban (2010), Moving Spaces: Spatial Configurations in Music Videos by Jonathan Glazer, Chris Cunningham, Mark Romanek, and Michel Gondry (2007) and Introduction to Media Cultural Studies (co-edited, 2005).Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Frederik Ruysch (1638-1731) was a celebrated Dutch anatomist, master embalmer, and museologist. He is best remembered today for strange tableaux, crafted from fetal skeletons and other human remains, that flicker provocatively at the edges of science, art, and memento mori. Ruysch exhibited these pieces, along with hundreds of other artful specimens, in his home museum and catalogued them in his lavishly illustrated Frederik Ruysch and His Thesaurus Anatomicus (MIT Press, 2022). This book offers the first English translation of Ruysch's guide to his collection, along with all the illustrations from the original volume, photographs of some his most imaginative extant specimens, and more.Ruysch was at once a brilliant scientist, a preternaturally gifted technician, an esteemed physician, a religious moralizer, and an artist whose prime form of expression was the medium of human remains. His works were sometimes described as Rembrandts of anatomical preparation; today they seem so strange that we can hardly believe that they even existed, much less that they were so popular in their time. His combination of the religious and the scientific, the painstakingly accurate and the extravagantly fantastical, offers vivid testimony of an era in which science overlapped seamlessly with religion and art. Essays accompanying Ruysch's text and images consider such topics as the historical context of Ruysch's work, the paradox of an artist of death whose work engenders the illusion of life, the conservation of Ruysch's specimens, and the shifting ascendancies of romanticism and rationality in the natural sciences.Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Common views of religion typically focus on the beliefs and meanings derived from revealed scriptures, ideas, and doctrines. David Morgan has broadened that framework radically to encompass the understanding that religions are fundamentally embodied, material forms of practice. The Thing about Religion: An Introduction to the Material Study of Religions (UNC Press, 2021) shows readers how to study what has come to be termed material religion—the ways religious meaning is enacted in the material world.Material religion includes the things people wear, eat, sing, touch, look at, create, and avoid. It also encompasses the places where religion and the social realities of everyday life, including gender, class, and race, intersect in physical ways. This interdisciplinary approach brings religious studies into conversation with art history, anthropology, and other fields. In the book, Morgan lays out a range of theories, terms, and concepts and shows how they work together to center materiality in the study of religion. After integrating carefully curated visual evidence, Morgan then applies these ideas and methods to case studies across various religious traditions, modeling step-by-step analysis and emphasizing the importance of historical context. The Thing about Religion will be an essential tool for experts and students alike.Tiatemsu Longkumer is a Ph.D. scholar working on ‘Anthropology of Religion’ at North-Eastern Hill University, Shillong: India. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

What can we know about ourselves and the world through the sense of touch and what are the epistemic limits of touch? Scepticism claims that there is always something that slips through the epistemologist's grasp. A Touch of Doubt: On Haptic Scepticism (de Gruyter, 2021) explores the significance of touch for the history of philosophical scepticism as well as for scepticism as an embodied form of subversive political, religious, and artistic practice. Drawing on the tradition of scepticism within nineteenth- and twentieth-century continental philosophy and psychoanalysis, this volume discusses how the sense of touch uncovers contradictions within our knowledge of ourselves and the world. It questions 1) what we can know through touch, 2) what we can know about touch itself, and 3) how our experience of touching the other and ourselves throws us into a state of doubt. This volume is intended for students and scholars who wish to reconsider the experience of touching in intersections of philosophy, religion, art, and social and political practice. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In Queer China: Lesbian and Gay Literature and Visual Culture Under Postsocialism (Routledge, 2020), associate professor of media and cultural studies at the University of Nottingham Hongwei Bao returns with a theory-driven, methodologically-diverse, empathetic, and insightful analysis of LGBTQ literature and visual culture in postsocialist China. A thorough introduction positions Bao as a participant observer and explores key concepts including “postsocialist metamorphosis,” defined as “the transformation of subjectivity, desire and sense of belonging in the postsocialist era” (4). After exploring the history of homosexuality’s (re-)emergence in China’s reform era by tracing public, intellectual discourse, Bao counters the misperception that Chinese gay and lesbian identities are the result of the influence of global (Western) gay culture. Instead, he identifies a variety of gender and sexual subjectivities unique to China’s postsocialist conditions and historical context. Each chapter then explores rich case studies from queer China, touching upon a wide variety of cultural production types. From poetry to papercutting art, from comrade (tongzhi)/gay literature to girls’ love fan fiction, from lesbian films to activist documentaries, and from a drag show in Shanghai to a public performance of a same-sex wedding in Beijing, Queer China provides unique analysis and insights and also acts as an archive of queer cultural production in postsocialist China.Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art