Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry

Diana Khoi Nguyen, a poet and multimedia artist shaped by her brother's absence, shares profound insights into grief and memory. Their discussion unpacks how her books, including Root Fractures, navigate the silence around loss and the haunting presence of absence. Diana reflects on her innovative process of radical eulogy, the interplay of photography and poetry, and the emotional weight of family dynamics. She explores the themes of identity through language, cultural heritage, and the profound connections between trauma and creativity.

Álvaro Enrigue discusses his latest novel, You Dreamed of Empires, set during the encounter between Moctezuma and Hernan Cortés. Topics include writing into the gaps of history, fiction's influence on the 'official' record, and erased or distorted histories. They also explore themes like ritual cannibalism, psychedelic tomatoes, and the influence of indigenous cultures on our lives today.

Is Mathias Énard’s latest book formally influenced by the Buddhist Wheel of Time, by Jewish undertaker guilds, by François Rabelais’s scatological and philosophical prose and linguistic wordplay, by Catholic altarpiece polyptych panel paintings, and by the scandalous diaries of a Polish anthropologist?  The Annual Banquet of the Gravediggers’ Guild is dedicated to les pensées sauvages, to the wild thinkers, and today’s conversation is an exploration of Énard’s latest wild book, and of wild thinking itself. If you enjoy today’s conversation consider joining the Between the Covers community as a listener-supporter. There are many potential benefits and rewards of doing so. You can find out about them all at the show’s Patreon page. In the spirit of Énard’s latest book and our conversation about it, today’s Bookshop is just as wide-ranging—with classics of anthropology, Buddhism, modern Arabic and French literature, and of course, Énard’s own books as well. The post Mathias Énard : The Annual Banquet of the Gravediggers’ Guild appeared first on Tin House.

We are kicking off the new year with a serious blast from the past. A recording from the very first Tin House writers workshop in the summer of 2003 with novelist, short story writer, poet, playwright, and screenwriter Denis Johnson. This three-part episode includes a remarkable reading from Johnson’s novella Train Dreams, an interview of Johnson by writer Chris Offutt that is an unforgettable exploration of a writer’s process and philosophy, and finally, after Denis takes a cigarette break, Johnson, Offutt and Charles D’Ambrosio perform the first act of Johnson’s play Psychos Never Dream. Books by all three of today’s writers can be found in this episode’s Bookshop. And you can find out more about all the potential benefits and rewards of joining the Between the Covers community as a listener-supporter at the show’s Patreon page.   The post Tin House Live : Denis Johnson : 2003 appeared first on Tin House.

Perhaps it is fitting that today’s episode, with writer and founding editor of Witch Craft Magazine, Elle Nash, is launched on the shortest day of the year, the longest night of darkness. Nash’s new novel Deliver Me explores the ways society tries to keep the light and the dark separate, to hide our unasked questions and forbidden desires in the shadows. Nash’s writing insists on bringing them uncomfortably together and we explore what it means to transgress in one’s writing, to risk oneself on the page, to write dangerously and with a burnt tongue. Whether engaging with motherhood under capitalism, industrial animal slaughter, or cross-species kink, Deliver Me leads us into the darkness, crosses the borders of the acceptable, and then looks back at the well-lit world to see it anew. For the bonus audio archive Elle reads the opening of Elizabeth V. Aldrich’s Ruthless Little Things. To find out how to subscribe to the bonus audio, and about the countless other potential benefits and rewards of joining the Between the Covers community as a listener-supporter, head over to the show’s Patreon page. Finally, here is today’s Bookshop.   The post Elle Nash : Deliver Me appeared first on Tin House.

Today’s part two of the conversation with Naomi Klein about Doppelganger highlights the Jewish elements in the book, and looks at them through the lens of Palestine and Israel. We discuss Zionism, Marxism, and the Jewish Labor Bund’s notion of “hereness.” We look at the battles over the definition of antisemitism and the ways accusations of antisemitism have been weaponized to silence legitimate political speech. And together, as two people who’ve both been involved in Jewish activism in relation to Palestinian solidarity, we take stock of the current upsurge in organizing, direct action, and civil disobedience on the Jewish Left in relation to Palestine. For the bonus audio archive Naomi reads for us from Philip Roth’s Operation Shylock, a book that features prominently in her book. She reads a letter that fake Philip Roth (his doppelganger) writes to the real Philip Roth. It is not to miss. To find out how to subscribe to the bonus audio archive and explore the other potential benefits and rewards of joining the Between the Covers community as a listener-supporter head over to the show’s Patreon page. Finally here is the Bookshop for today’s conversation, full of the books we reference but also additional books by Palestinian authors on the topics we discuss today. The post Naomi Klein : Doppelganger : Part Two appeared first on Tin House.

In Kate Zambreno & Sofia Samatar’s Tone they construct a shared voice, that of the “Committee to Investigate the Atmosphere.” Yes, they do this to investigate tone, in the writings of everyone from Nella Larsen to Clarice Lispector, W. G. Sebald to Franz Kafka, Renee Gladman to Bhanu Kapil. But in chasing the ever-elusive notion of tone, discovering its relational and atmospheric qualities, Zambreno & Samatar end up troubling the notion of selfhood and the individual, and in doing so, they trouble the notion of literary form as well. Tone becomes an investigation not just of tone, but of the collective, of the communal, of the collaborative, and reveals the ways all writing is collaboration. In the spirit of their collaboration they have created a wonderfully robust 40-minute call & response contribution for the bonus audio archive. One where Kate discusses and reads from works important to their project (everything from Bhanu Kapil’s How to Wash a Heart to Renee Gladman’s Calamities) and after each reading/meditation by Kate, Sofia responds with a reading of her own, speaking to Kate’s reading through her choices (from Nella Larsen’s Quicksand to writing by H. Bustos Domecq, the pseudonym of the collaborative writing of Borges and Casares). The bonus audio archive is only one possible benefit of joining the Between the Covers community as a listener-supporter. Every supporter gets the resource email with each episode and can join our collective brainstorm of who to invite on the show going forward. And then there are many other things to choose from as well, from the bonus audio to the Tin House Early Reader subscription. You can check it all out at the show’s Patreon page. Lastly, because Tone is engaging with and indebted to so many books, this is the largest Bookshop ever! The post Kate Zambreno & Sofia Samatar : Tone appeared first on Tin House.

Mattilda Bernstein Sycamore discusses her book 'Touching the Art', exploring topics such as women in abstract expressionism, queer identity, structural racism, Jewish assimilation, and family gaslighting. She also delves into her relationship with her grandmother, an abstract artist, and the emotional connection to her art.

Bhanu Kapil’s postcolonial feminist road novel Incubation: A Space for Monsters has long been out of print. The book of hers that most engages with the mythos and reality of America, Incubation follows Laloo, a British woman of Indian descent, who arrives in the US to give birth to a monster. This fictional story parallels Bhanu’s own arrival in the United States, a move that was meant to be a permanent one, a leaving behind of England forever. And yet, now, as Incubation has a second renewed life in the US and arrives for the first time in the UK, Bhanu herself is, decades later, living again in England. We talk about questions of migration, immigration, home, hospitality, performance, ritual, memory, family, and gendered, racialized, and institutional violence, in light of Bhanu’s own return to the place she thought she never would. “What is a monster?” is a question that animates this book and animates our conversation today. How do monsters relate to writing and form, to identity and belonging, and to Bhanu’s own writing and teaching? We talk about all this and more. For the bonus audio archive Bhanu contributes an extended reading for us: of Annie Ernaux, Eunsong Kim, Kate Zambreno, Sofia Samatar, and recent writings from Bhanu’s own notebook. To find out how to subscribe to the bonus audio and the other potential benefits of joining the Between the Covers community as a listener-supporter head over to the show’s Patreon page. Finally here is today’s Bookshop. The post Bhanu Kapil : Incubation : A Space for Monsters appeared first on Tin House.

Colleen Burner’s novella Sister Golden Calf is the story of two sisters on the road set in a world without men. Inspired, in part, by Vanessa Veselka’s essay “Green Screen: The Lack of Female Road Narratives and Why it Matters,” Sister Golden Calf by its very existence interrogates the road novel tradition it now becomes a part of. As Leni Zumas says: “In shiveringly beautiful prose, Colleen Burner maps a wild voyage into grief, love, and radical forms of kinship. Their novel unstitches the fixed seams of self and stranger, inviting us to touch the peculiar, precise commotions that link one creature to another. A truly extraordinary book.” If you enjoy today’s conversation, consider joining the Between the Covers community as a listener-supporter. Find out all the potential rewards and benefits of doing so at the show’s Patreon page. Finally here is today’s Bookshop. The post Colleen Burner : Sister Golden Calf appeared first on Tin House.