Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry

Jericho Brown gave these two talks, on suicide, and on joy, at the 2016 Tin House Summer Workshop in Portland, Oregon.  His latest poetry collection The Tradition (Copper Canyon Press) was a finalist for the 2019 National Book Award.

“In The Magical Language of Others, E. J. Koh writes of the boundary between anonymity and naming, between absence and abandonment, between cruelty and safety for four generations of mothers and daughters, each speaking with an occupied heart and crossing narrative borders between Korea, Japan, and America. As a reader, you give yourself over to her narrative territory and the resetting of the borders of lineage, language, and lives lost.” —Shawn Wong

“In this retelling of the Mahabharata from the point of view of its hitherto minor female characters, Karthika Naïr uncovers a seminal feminist text. Until the Lions makes dazzling use of concrete verse and surreptitious rhyme to tell a story you think you know. By poem’s end you understand, with gratitude, that you know nothing and the old world has been made new. This is nervy and accomplished poetry. Listen.” —Jeet Thayil

“CAConrad always argues (from the inside of their poems) for a poetry of radical inclusivity while keeping a very queer shoulder to the wheel. Their kind of queerness strikes me as nonpolarizing, not intentionally but because of the fullness of their exposition, a kind of gigantism that seems to me to be most deeply informed by love, and a tenderness for the ravages and tumult of existence.” —Eileen Myles

“Older’s spellbinding novel is a fever dream full of magic and loss, wickedness and grace, faith and love, spirit and power.” —Marlon James;  “A lyrical, beautiful, devastating, literally haunting journey of assimilation, resistance, and family. Older just gets better and better.” —N.K. Jemisin

“Jake Skeets takes us to ‘The Indian Capital of the World,’ a landscape of erosion and erasure, where ‘boys only hold boys / like bottles’ and eros is a dangerous thing. In the brush and horseweed, ghosts and trains and abandoned trailers, a young Diné attempts to answer all the question marks of adolescence and early adulthood, desire and death commingling around him. These are poems born of unspokenness, testing the limits of language, love, and silence.”―D. A. Powell

Recorded on the final day of the 2019 Tin House Summer Writers Workshop, the panel “On Writing Towards Joy” ended the week on a high note. Moderated by Tin House Assistant Books Editor Elizabeth DeMeo, panelists Kelly Link, Garth Greenwell, and Justin Torres unpack a rarely discussed topic. How does one create joy on the page, in the reader? What are the craft questions and existential ones regarding joy? And what exactly is joy and to what ends should it be pursued?  

“This book is beyond special. Richard Powers manages to turn trees into vivid and engaging characters, something that indigenous people have done for eons but that modern literature has rarely if ever even attempted. It’s not just a completely absorbing, even overwhelming book; it’s a kind of breakthrough in the ways we think about and understand the world around us, at a moment when that is desperately needed.”—Bill McKibben  

“Grand Union is an unusual creature, combining all the experimental exuberance of a writer discovering a form with the technical prowess of one at the height of her abilities. The result is exhilarating. Between the covers of one book, readers will find such disparate forms as allegory, parable, speculative thriller and satire, as well as shorter incarnations of Smith’s characteristic social comedy . . . Smith’s voracious intellect is on full display.” —San Francisco Chronicle

Recorded at the 2019 Tin House Summer Writers Workshop at Reed College in Portland, Oregon, today’s episode is a medley of readings from three different nights. Garth Greenwell reads from his upcoming novel Cleanness (FSG January 2020), Michelle Tea from her novel-in-progress, Little Faggot, and Kaveh Akbar the short and long poems “Vines” and “The Palace” respectively.