Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry

Rebecca Solnit says Lacy M. Johnson’s The Reckonings gives us something essential: “a vision of who and where we are that’s both scathing and generous.” Kiese Laymon says “I don’t know that I’ve ever been happier to be alive after reading any book. In this weird way that probably says way too much about the smallness of my life, I felt like everything would be okay — like we will make and sustain justice — because a book I needed but never imagined reading was in the world.” Lacy joins David on Between the Covers to talk about justice and art, justice as art, about #metoo accountability, about what it means to be against whiteness and accountable to one’s complicity in white supremacy, about making art in a time of global climate apocalypse, and how joy is an essential part of the equation. The post Lacy M. Johnson : The Reckonings appeared first on Tin House.

In eleven captivating tales, Pure Hollywood brings us into private worlds of corrupt familial love, intimacy, longing, and danger. From an alcoholic widowed actress living in desert seclusion to a young mother whose rejection of her child has terrible consequences, a newlywed couple who ignore the violent warnings of a painter burned by love to an eerie portrait of erotic obsession, each story in Pure Hollywood is an imagistic snapshot of what it means to live and learn, love and hurt. The post Christine Schutt : Pure Hollywood appeared first on Tin House.

“Sycamore paints an unsparing and unsentimental portrait of survival in a homophobic era, and her writing is beyond beautiful. Sketchtasy is a powerful firecracker of a novel; it’s not just one of the best books of the year, it’s an instant classic of queer literature.”—Michael Schaub, NPR BooksThe post Mattilda Bernstein Sycamore : Sketchtasy appeared first on Tin House.

“How does a body do what it does: make love, mistakes, create life, exist after life; how does a body evolve, celebrate, regret, reconsider its big and small moments: these are the passionate concerns of Alicia Rabins’ Fruit Geode, a book that I could not stop reading once I started, a book that drew me in with intimacy and force and then grabbed my heart hard, which is to say, if you have a body, this book is a must read.”—Lynn Melnick   The post Alicia Jo Rabins : Fruit Geode appeared first on Tin House.

“A terrific collection of stories. There are echoes here of Flannery O’Connor, Barry Hannah, and Denis Johnson, but Genevieve Hudson is her own writer—impressively and gloriously so. Her eye for the clinching detail is unnerving and her sympathies are fascinatingly conflicted. I hope, and suspect, this book will be the start of a long and inspiring career.” —Tom Bissell “Full of blood and dust and stars and light, Hudson captures the beauty and horror of the everyday and makes it all seem like magic.” —Leah DieterichThe post Genevieve Hudson : Pretend We Live Here appeared first on Tin House.

“Yang rebuilds for the reader a town that is notable for its many stark contrasts: restored & ruined buildings, wealth & poverty, international art & border enforcement. Hey, Marfa makes a remarkable poetic accounting of the ways imagination is currently working with & against the histories & myths of the US/Mexico borderlands & the American West.”―Tim Johnson “Hey, Marfa a commonplace book, memoir, & hybrid obituary for things: following a trail of ‘last words’ & communal losses, here is a History learning to listen with eyes & Mourning recovering the dead travelers on the road. Hey, Marfa transmits voltage or vitalized matter as words reach to words.”―Susan Howe The post Jeffrey Yang : Hey Marfa appeared first on Tin House.

“Bhuvaneswar is unflinching about the lives of those for whom identity is a constant battle & the act of being is an unavoidable challenge, but she doesn’t ignore the beauty in their strength . . . White Dancing Elephants is a necessary book — & one that introduces a gifted voice to contemporary literature.”―NPR “White Dancing Elephants is a searing & complex collection, wholly realized, each piece curled around its own beating heart. Tender & incisive, Chaya Bhuvaneswar is a surgeon on the page, unflinching in her aim, unwavering in her gaze, & absolutely devastating in her prose. This is an astonishing debut.”―Amelia Gray The post Chaya Bhuvaneswar : White Dancing Elephants appeared first on Tin House.

“Long Soldier reminds readers of their physical and linguistic bodies as they are returned to language through their mouths and eyes and tongues across the fields of her poems.”—Natalie Diaz for The New York Times Book Review “Layli Long Soldier’s movement between collective and personal makes this book intimate and urgent. She has charted new ways to write in what’s left out—and not merely in the margins either. WHEREAS offers a powerful reckoning.”—National Book Critics Circle Award judges’ citation The post Layli Long Soldier : Whereas appeared first on Tin House.

“Williams’s short precise, & emphatic sentences build a strange society whose denizens are not quite familiar to us & not quite comfortable with their own quietly disturbing evolutions. Not a single moment of the prose here is what you expect, & even the ordinary is, in the context created by Diane Williams, no longer ordinary. It is fresh, happy & peculiar — or is it we who are refreshed, happy, & more peculiar than before after reading her?”—Lydia Davis “Let’s hear it for the magnificent Diane Williams, one of the wittiest & most exacting writers of our time. Her fictions are fervid endorsements of terrible, joyous life. But that’s not quite right, because like all great literature, they are life.”—Sam Lipsyte The post Diane Williams: The Collected Stories of Diane Williams appeared first on Tin House.

“Every explosive requires a fuse. That’s R. O. Kwon’s novel, a straight, slow-burning fuse. To read her novel is to follow an inexorable flame coming closer & closer to the object it will detonate—the characters, the crime, the story, &, ultimately, the reader.”—Viet Thanh Nguyen “Kwon’s multi-faceted narrative portrays America’s dark, radical strain, exploring the lure of fundamentalism, our ability to be manipulated, and what can happen when we’re willing to do anything for a cause.” —Atlantic.com “A God-haunted, willful, strange book written with a kind of savage elegance. I’ve said it before, but now I’ll shout it from the rooftops: R. O. Kwon is the real deal.”—Lauren Groff The post R.O. Kwon : The Incendiaries appeared first on Tin House.