The cycle is complete! Would it surprise you to find out that Beethoven’s 9th Symphony wasn’t his last piece? Would it surprise you that he was actually considering an all instrumental movement for the last movement? Or how about that the second performance of the piece was given to a half full hall and it took decades for the piece to become popular? Or how about the famous words “All men will become brothers?” What did that phrase mean to Beethoven? We'll talk about all this and more in Part 2!

More has been written about the meaning of Beethoven’s 9th than any other symphony. There are more recordings of it, more performances of it, and more uses of its most famous theme, the Ode to Joy, than any other piece. But what is often talked about less than the political and social ramifications of the piece, is the music itself - this shocking, roiling, and inspired music that seems to inject itself right into our bloodstream. This week we talk about the first two movements of this massive symphony.

In 1812, Beethoven's life was in ruins. He was embroiled in court battles, pining away for his "Immortal Beloved," and profoundly depressed. His musical response is one of his funniest, most charming, and most "classical" symphonies - the 8th. This is an underappreciated work that confused audiences of the time because it sounded almost experimental. So in the same vein, I'm going to reprise my live commentary experiment from my Marriage of Figaro episode and talk you through the entire symphony! Enjoy!

The composer Carl Maria Von Weber called it the work of a madman. Clara Schumann’s father, Friedrich Wieck, called it the work of a drunk. Beethoven’s 7th has been popular ever since its premiere, but as you can see, not everyone loved it. It is a piece that has defied explanations about its meaning ever since its premiere. Today, we’ll discuss this overwhelmingly joyous, raucous, even wild piece, its obsessive rhythms, its repetitiveness, and of course, that very nearly indescribable second movement.

Beethoven once said: “No one can love the country as much as I do. For surely woods, trees, and rocks produce the echo which man desires to hear.” There's no better example of Beethoven's love of nature than in his 6th symphony, where he takes simplicity to new heights, transforming the motivic cells that relentlessly drove his 5th symphony into motifs of bucolic joy. It still astounds me that the 5th and 6th symphonies were written simultaneously. Join us to learn about this most beautiful symphony..

The podcast explores the iconic opening notes and structure of Beethoven's Fifth Symphony. It delves into the debate of his classification as a classicist or romantic and examines the rhythmic and thematic elements of the symphony. The emotional journey and cultural/political influence of Symphony No. 5 are also discussed.

Beethoven often gets the reputation of being a composer of extreme seriousness, shaking his fist at the heavens while dealing with a litany of medical ailments and heartbreak, and there is some truth to that as well. But the 4th symphony, a very strange and mysterious introduction aside, is a piece of almost unadulterated joy. It is another side of Beethoven: bouncy, funny, silly, and quite simply, happy. How and why did he write such a happy symphony? How does music become “happy?” Join us to find out..

Explore the revolutionary and wild nature of Beethoven's Symphony No. 3, known as the Eroica, and its departure from previous symphonies. Learn about the shock and controversy surrounding its first performance, the unique style and unconventional rhythms employed by Beethoven, and the significance of its themes. Delve into Beethoven's contemplation of suicide, the metronome marking controversy, the competitive and tense incorporation of multiple themes, and the development and significance of the main theme. Discover how this symphony changed the musical world forever.

We continue the Beethoven cycle this week with his underrated 2nd symphony. Written at the height of Beethoven's despair over his increasing deafness, you might think that the symphony would be a dark and stormy one, but instead Beethoven writes one of his most relentlessly cheerful pieces. He even invented a whole new type of movement called a scherzo (joke) to heighten the mood. How do we account for this incongruity between life and art? We'll talk about all this and more as the journey continues..

Today begins a pretty massive project for Sticky Notes - a complete Beethoven cycle over the next few weeks! We start of course with Beethoven's 1st symphony. Some people tend to think of Beethoven’s 1st as a cautious foray into the symphonic world, but I couldn’t disagree more. It is a bold, confident leap into the genre, a genre that Beethoven would end up changing for good. All of the elements that make Beethoven's symphonies so fantastic are already present in this symphony, so let's begin the journey!