Tan Twan Eng was the first Malay writer to win a number of key literary prizes including the Man Asia Prize and the Walter Scott Prize for historical fiction. David Oakes and Twan Eng first met whilst in Malaysia shooting the film adaptation of his Booker prize nominated “The Garden of Evening Mists”, and on the eve of publication for Twan Eng’s new novel, “The House of Doors”, David seeks to find the secret behind the novelist’s skill at crafting pitch-perfect nature metaphors - despite the truth of Twan wanting “…nature to be ordered”. Here we hear how Twan Eng met the Emperor of Japan’s Gardener, how one should be weary of jungle spirits and tigers should one be 'caught short' in the Malay Rainforest, and how Twan Eng’s heart, despite being born in Malaysia, is actually imbedded into the tow-paths of Richmond upon Thames; “I Dream in English” he says, as he shakes his gin martini... Why not become a "Subscription Squirrel" on our Patreon, and help support the production of this podcast? Hosted on Acast. See acast.com/privacy for more information.

Dr Brian Briggs is a man of two halves; by day he is the Nature Reserve Manager at the Wildfowl and Wetland Trust’s Llanelli reserve, but by night he is the lead singer and songwriter for the Glastonbury-playing, Later-with-Jools-Holland-appearing, Silver-record-selling, “Rural existentialist orni-folk-band”, Stornoway. Reforming after a 10 year hiatus for a new tour and a new album, on a walk around the Llanelli reserve, Brian details how being immersed in nature during the pandemic is what has brought the band (like the Lapwing) back from the brink.In this interview of two halves, Brian discusses the dynamism of Wetlands; the return of Grebes, Lapwings and Water Voles; the battles of invasive Mink vs. Kingfisher, and of industrious winter-causeway-crossing hungry Hedgehog vs. beautiful rare lapwing egg. But also, Brian opens up about an awakening, through birdsong, to an appreciation of our Sonic world; about a creative excitement of using Nature both as metaphor and instrument; and, why Stornoway’s music ultimately works best outdoors. He also explains, that somehow, despite being a writer of a song about Ash dieback, he isn’t even the biggest geek in the band…! Why not become a "Subscription Squirrel" on our Patreon, and help support the production of this podcast? Hosted on Acast. See acast.com/privacy for more information.

Emma Marsh sits on the Executive Board at The RSPB, and was until recently the Director of RSPB England. But, despite working for the nation’s largest bird charity (the RSPB is actually Europe’s largest conservation charity!), she says that she is not a twitcher, rather that “…being in nature just feels right. Everything is right in the world when nature’s right.” Raised on a farm, yet having studied International Relations at University, it is no surprise that Emma is well placed to discuss the manner in which enviro-NGOs interact with the current government; she also shares her hopes for who the RSPB will be dealing with in the future, and how the People’s Plan for Nature should keep Governments accountable to the people they profess to serve. In this walk around the Sandy nature reserve - the headquarters of the RSPB - Emma explains how the RSPB's roots lie with the Victorian women of the ‘Fur, Fin and Feather Folk’, and how it is still managed as an inclusive movement. We hear how Emma hopes to make the RSPB a home both for nature and for as diverse a group of mammalian bipeds as possible. All this, and the animals closest to the RSPB’s heart: Wrens, Avocets and Kazakh Saiga Antelopes?! Why not become a "Subscription Squirrel" on our Patreon, and help support the production of this podcast? Hosted on Acast. See acast.com/privacy for more information.

In the second half of David's interview with Chris Packham, we hear how Chris originally wished to pursue a career as a wildlife cameraman, but a twist of fate thrust him into the arms of the Really Wild Show (or perhaps it was Chris who twisted their arms to let him in!) And from there, his TV career exploded! Chris clarifies exactly how his co-star, Terry Nutkins, lost his fingers, and how Chris himself was partially eaten by a vulture – you know, all the important stuff – and you’ll learn how modern BBC natural history programming truly owes a massive debt of gratitude to the Aston Martin DB6!Nowadays, Chris is regarded as much for his environmental campaigning as for his TV presenting. As well as co-founding Wild Justice (an organisation campaigning for better and stronger laws and policies for nature), he has taken the Government to court over HS2, and is currently mounting plans for a march through London, a second “Walk for Widlife”, on behalf of our nation’s depleting biodiversity.But he is also now taking some time out for himself. Chris explains his love of art, his true creative drive, how he has spent a life walking through sand and snow accompanied by Rothko and Rimbaud, and how he has plans now to spend the next few months making Brutalist sculpture. Far from art being at odds to the natural sciences, Chris sees science as “…the art of understanding truth and beauty.” Why not become a "Subscription Squirrel" on our Patreon, and help support the production of this podcast? Hosted on Acast. See acast.com/privacy for more information.

Chris Packham is undoubtedly one of the most recognisable faces on British Television. He’s been a mainstay of the BBC’s Natural History programming for nearly 40 years. Alongside this commitment he also currently serves as President for the Bat Conservation Trust and Vice President for the Royal Society for the Protection of Birds, The Wildfowl and Wetland Trust, Butterfly Conservation, and the RSPCA. In this two-part discussion, David and Chris walk through the New Forest (the site of both their childhoods), and discuss how Chris came to prominence on Television, and then balanced his role there alongside his creative passions and his environmental concerns and campaigns.In search of Chris’ favourite Beech, David and Chris set out into the fabric of their lives – the New Forest. In the shade of “…a giant green cathedral, bathed in green light” they discuss the pressures facing one of Britain’s favourite national parks, the fact that even Belgium has a wolf-pack, and how over-grazing in the New Forest needs to be resolved for a healthy ecosystem.Closer to home, the big questions are asked: Should Chris’ father have helped him boil the head of a Pilot Whale? Should Chris’ own parenting skills have involved putting wasps on his step-daughter Megan McCubbin’s nose and then making her dissect Roadkill? And should Chris, at 61, climb the 30 foot into a Scots Pine tree to examine an abandoned Osprey nest whilst recording a podcast?!The driving force behind Chris is an obvious one: “I’ve got to do something, I’m running out of time; I don’t want to leave this world in a worse place than I inherited it.” But where does Chris stand on the effectiveness of modern non-violent protest? Is it too little too late? Or is something more dramatic required? Why not become a "Subscription Squirrel" on our Patreon, and help support the production of this podcast? Hosted on Acast. See acast.com/privacy for more information.

To celebrate one of the scarily rare “Good Environmental News Stories” of this and last year, David heads out to Kent Wildlife Trust and the Wildwood Trust’s “Wilder Blean” project just outside of Canterbury. He is there to mark the return of the European Bison to Britain, and the birth of the first bison born in the UK in a free roaming herd since the species went extinct in the wild. In the safe hands of Britain’s first “Bison Rangers”, Donovan Wright and Tom Gibbs, David hears about the knowns and unknowns of this landmark conservation project. How was the species rescued from extinction when its population reached a mere 12 individuals? How did no-one know one of the three initial Kent bisons was pregnant? How much biodiversity is actually supported by their ‘bison pats’? And where can David go to take his ‘bison competency’ training? All the big questions! David also hears how Don began his professional life as a vegetable wholesaler, before eventually becoming a “Big 5” Wildlife Ranger in South Africa, and then landing the top conservation job in the “Big 1” City of Kent (Canterbury is Kent's only city…) In short – are bisons just big cows, or is there something truly amazing happening in an old forestry plantation behind a Kentish industrial estate? David also talks to Kora Kunzmann, the Ecological Evidence and Academic Partnerships Lead at the Kent Wildlife Trust, to hear about the mass of man hours that will go into probing the science behind the bison. Why not become a "Subscription Squirrel" on our Patreon, and help support the production of this podcast? Hosted on Acast. See acast.com/privacy for more information.

In this, the second part of David Oakes’ interview with botanist Dr Trevor Dines, Trevor goes into detail about the sheer power of community science when documenting our nation’s flowers. Our understanding of British Flora - and indeed that of the BSBI (Botanical Society of Britain and Ireland) - would be nowhere without keen amateur volunteers. Spotlights are shone upon plants like the “Meadow Maker”, Yellow Rattle; upon different “wild” habitats like Knepp and the New Forest; and also upon lichens and how Trevor regrets “…not looking at mosses…” when younger. Similarly David and Trevor discuss the challenges of re-wilding - how habitat management is far more complicated that simply doing nothing - how, for rare species, it can often be better to carry on doing what you’re doing: “If the plants are there, they’re there because of what you’re doing” Also, they discuss #NoMowMay, the “Trevor Dines Effect” and the multiple reasons the Welsh might have started growing hemp 8000 years ago… Why not become a "Subscription Squirrel" on our Patreon, and help support the production of this podcast? Hosted on Acast. See acast.com/privacy for more information.

Despite being raised in the fields of England and having slept upon the Rainforest Canopies of Cameroon, Dr Trevor Dines’ heart is intertwined with the flora of Wales. Recorded in his own personal Wildflower Meadow in North Wales’ Conwy Valley, this interview charts Trevor’s journey from the youngest member of the Wessex Orchid Society (when still only aged in single digits) to one of the inspirational forces behind the UK’s largest botanical charity, Plantlife. Trevor has written books, presented a television programme for Channel 4, appeared on the likes of BBC’s Countryfile and Springwatch, and prior to that, he spent 6 years manifesting the ground-breaking "New Atlas of the British and Irish Flora" - collating nine million records to map over 4,000 species of plants in the wild. Listening to his passion, you’ll find it hard not to agree with Trevor, that: “I think you’re born a botanist.” In this first of two episodes, we explore the importance of cattle and other creatures as vectors to help plants survive climate change, discuss what exactly a “Wildflower” is, and hear how when Trevor enters the countryside, it’s “…like going to a party, meeting friends, family, and sometimes exciting unexpected strangers…!” Why not become a "Subscription Squirrel" on our Patreon, and help support the production of this podcast? Hosted on Acast. See acast.com/privacy for more information.

Working from her Devonshire studio and the surrounding natural habitats, artist and printmaker Sarah Gillespie, in looking carefully at our wild world, can’t help but sense the sentience of nature looking right back at her. Raised by two artist parents, and having been blessed with at least one truly inspirational teacher, it’s perhaps not surprising that Sarah is now an acclaimed Royal West of England Academician, and most recently was asked to collaborate with Cambridge University’s Conservation Initiative. But, like a moth emerging from its chrysalis, her journey to this point was not a straight forward one. In this episode, Sarah joins David to discuss the value of Art, and the value of Moths. Whether an oil-painting or a modern NFT, she explains how Art struggles for a place across racial and class divides, and also has to accept that it too has a carbon footprint. Increasingly confronted with these concerns, Sarah turned her artistic output on its head. Currently working upon a collection of mezzotint prints of “…the deeply unloved” - Moths - Sarah sees her art as: “…one of erosion; working with what is not there…” depicting creatures that are worryingly increasingly absent from our lives. But, whilst we have a Red List for birds and mammals, Sarah explains how no such warning call exists for invertebrates - it's estimated that we have lost around a third of our moths since the First World War. For nature, it is the common things that really matter when it comes to the long term survival of our planet’s biodiversity, and in creating their portraits, Sarah says that she has “…never been happier in [her] work, and sure of [her] footing.”For further information on this and other episodes, visit: https://www.treesacrowd.fm/sarah-gillespie/ Why not become a "Subscription Squirrel" on our Patreon, and help support the production of this podcast? Hosted on Acast. See acast.com/privacy for more information.

In 1996, having spent 7 days living underground, Dan Hooper was forcibly evicted from a protest tunnel and thrust into the spotlight of the waiting media. From that day forward, Dan Hooper was known by most of the British population simply as “Swampy”. 26 years on from that high-profile eviction, Dan remains a committed environmental activist. In this month’s episode, David Oakes travels to South Wales to meet Dan to hear how his environmental protests have changed over 30 years, and to garner how much power truly lies in protest. David and Dan discuss the relationship that eco-activists have with Politicians and the Press, whether Dan views himself as a tutor for the newer generations joining the activist-community, and how Dan juggles the life of a parent with that of a protester. Is it scary being buried underground as the water table turns with your only breathable air being pumped down to you from the surface? What is the human cost of increasing the pressure placed upon modern Bailiffs by those hoping to expedite the conclusion of the HS2 rail link? And, most importantly, how does one dispose of you and your friend’s poo when several hundred feet underground?For further information on this and other episodes, visit: https://www.treesacrowd.fm/dan-hooper/ Why not become a "Subscription Squirrel" on our Patreon, and help support the production of this podcast? Hosted on Acast. See acast.com/privacy for more information.