Working from her Devonshire studio and the surrounding natural habitats, artist and printmaker Sarah Gillespie, in looking carefully at our wild world, can’t help but sense the sentience of nature looking right back at her. Raised by two artist parents, and having been blessed with at least one truly inspirational teacher, it’s perhaps not surprising that Sarah is now an acclaimed Royal West of England Academician, and most recently was asked to collaborate with Cambridge University’s Conservation Initiative. But, like a moth emerging from its chrysalis, her journey to this point was not a straight forward one. In this episode, Sarah joins David to discuss the value of Art, and the value of Moths. Whether an oil-painting or a modern NFT, she explains how Art struggles for a place across racial and class divides, and also has to accept that it too has a carbon footprint. Increasingly confronted with these concerns, Sarah turned her artistic output on its head. Currently working upon a collection of mezzotint prints of “…the deeply unloved” - Moths - Sarah sees her art as: “…one of erosion; working with what is not there…” depicting creatures that are worryingly increasingly absent from our lives. But, whilst we have a Red List for birds and mammals, Sarah explains how no such warning call exists for invertebrates - it's estimated that we have lost around a third of our moths since the First World War. For nature, it is the common things that really matter when it comes to the long term survival of our planet’s biodiversity, and in creating their portraits, Sarah says that she has “…never been happier in [her] work, and sure of [her] footing.”

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Sarah Gillespie: Of Moths and Mezzotints - an Artist’s Metamorphosis