Indie Film Hustle® - A Filmmaking Podcast

I'm very excited to bring this episode to the IFH Tribe. Today on the show we have filmmaker, Filmtrepreneur, and self-distribution expert Steven Lewis Simpson. Steven has been able to generate hundreds of thousands in revenue for his film Neither Wolf Nor Dog without ever releasing it online. He made all his money self-distributing theatrically. Not only in the US but worldwide.In conversation we discuss how we, as filmmakers, can create our own creative reality, even in an industry as inaccessible as the film business. No-one has ever attempted the pan-European distribution he doing or released the way I have in the US. That amazes me as it seems so obvious. The key thing is that, people don't want to try what has never been done.Neither Wolf Nor Dog is one of the most culturally important American films in years and stars a 95-year-old Lakota elder who takes the audience into a contemporary landscape and reveals the echoes of the massive American Genocide that they still feel today. Not exactly a blockbuster-style film.At eighteen, Steven Lewis Simpson was Britain’s youngest stockbroker and trader. Four years later he moved to Hollywood to work at legendary Hollywood producer, Roger Corman’s studio. At twenty-three, he directed his award-winning first feature film, Ties.He recently theatrically self-distributed his sixth feature film, Neither Wolf Nor Dog, as he saw the few independent films that actually found distributors in the US were being poorly released. As a result of his re-imagining the theatrical distribution model, his film became the most successful self-distributed film in some time.The film achieved the longest theatrical run of any 2017 release in the USA – a wider release than the last two Palme d'Or winners and often out-grossing blockbusters when head to head, even though he had no distribution experience. He even has a new masterclass that can help you on your path.This episode might just change the way you look at making money with your film. Steven is a true Filmtrepreneur. Please enjoy my eye-opening conversation with Steven Lewis Simpson.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Every day I wake up and feel like I'm living in the "Upside Down" from Stranger Things. We are living in a once in a generation event and the world will never be the same. The film industry, like so many others, is taking it on the chin, and COVID-19 is the fist that is doing the punching.Our entire industry can't wait for a vaccine and effect treatment to re-open. The economic toll is too great for the millions of film industry workers, not to mention the thousands of support companies that make a living off the industry. Everyone in Hollywood has been scrambling to put together safety guidelines to put people back to work in a safe way."We can’t sit around for 18 months waiting for a vaccine. We have to find a way out without pharmaceuticals, and that’s repeat testing, taking people out of circulation, and then contact tracing, so it’s an interesting analogy."- Elizabeth “Betz” Halloran, Center for Inference and Dynamics of Infectious DiseasesAs indie filmmakers, we too need to figure out how to keep that film engine going but in a safe and responsible way. I was riding around my neighborhood in Los Angeles yesterday and I saw a group on young filmmakers shooting an indie film. They were NOT social distancing. They DID NOT have masks on, not even the crew. They were shooting like the world hadn't changed at all.I do understand the want and need to keep shooting. Trust I do, but it is irresponsible for you to endanger yourself, your talent, your crew, or anyone because of a lack of basic precautionary measures.This is why I decide to address this issue because I know indie filmmakers are going to shoot regardless of the risks. I don't want our artist passion to hurt anyone so I've gathered a collection of multiple film production safety guidelines from around Hollywood and the world as a potential blueprint for indie film productions.There is no perfect way to protect everyone that is part of film production from COVID-19. The balance of staying home to protect yourself and not making money to pay your bills is a very delicate one.If you absolutely need to put a film production together to shoot any kind of content please be safe and responsible about it. I hope the ideas I laid out here and in the podcast can help you come back in a safe way. No one should feel unsafe on a film set.Please share this article and podcast episode with your filmmaking colleagues. Be well and stay safe out there.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Today I welcome back returning champion award-winning cinematographer Suki Medencevic A.S.C. I brought Suki back on the show to discuss Covid-19 and what Hollywood will look like after it passes, how to approach low-budget filmmaking from the cinematography side, and his game-changing cinematography course Light and Face - The Art of Cinematography from IFH Academy.This workshop will walk you through how to light the most important and emotional subject you could put in front of your lens, the enigmatic face on a low budget. This workshop is unique in that it will literally guide you through the entire process of making your film. Suki attended the renowned National Film School (FAMU), Prague, Czech Republic, where he earned a Master’s Degree with Honors in cinematography. Shortly thereafter, he went to the USA looking for his big break. Since his first feature film shoot in 1994, he has been working steadily in the film industry, making numerous features and made-for-TV films, television shows, commercials, and documentaries including American Horror Story for FX.He was involved in several high profile documentaries for Pixar, ILM, The Hearst Corporation, and he recently completed The History of Imagineering for Disney+.In 2010, he became a member of the American Cinematographers Society (ASC), the world’s most prestigious cinematographers’ organization.I can't tell you how excited I am to bring this interview to you.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Well, I've been busy during this quarantine. I was racking my brain on how I could provide more value to the Tribe so I create the IFH Academy. The IFH Academy is the home of exclusive online courses on filmmaking, screenwriting, film distribution, cinematography, and more.I wanted to bring you the best film education I could so I partnered with industry powerhouses like award-winning film producer Suzanne Lyons, master cinematographer Suki Medencevic, A.S.C, and screenwriting guru and best-selling author Geoffrey D. Calhoun.Check out Suki's game-changing cinematography course Light and Face - The Art of Cinematography.This workshop will walk you through how to light the most important and emotional subject you could put in front of your lens, the enigmatic face on a low budget. This workshop is unique in that it will literally guide you through the entire process of making your film. Taught by award-winning cinematographer Suki Medencevic A.S.C.Along with these great instructors I'll be creating exclusive courses as well. After getting bombarded with requests to create this course I finally took action to bring it to you, the Tribe. My first course out of the gate with be: Film Distribution [Confidentail] - The Insiders Look at How to Get Your Film Distributed. This course will be the course I wish I had when I was trying to sell my first film. It will cover how to protect yourself from predatory film distributors and aggregators, what to look for in a distribution agreement, VOD Myths, film deliverables, working with sales agents and producers reps, film markets, and much more.If you are a budding filmmaker/producer and want to learn how to produce a low-budget film then Suzanne's Lyons course The Complete Indie Film Producing Workshop is for you.Award-winning film producer Suzanne Lyons is about to take you from script to screen and beyond in this Mastermind workshop. After producing a number of bigger budget features Suzanne thought producing the SAG ultra-low and modified budget films would be a piece of cake. Boy, was she wrong.Wearing 100 different hats was a challenge and she learned so much. And now she will be sharing all that great info with you. This workshop is unique in that it will literally guide you through the entire process of making your film. If you are a screenwriter we have you covered as well. Screenwriting guru and best-selling author Geoffrey D. Calhoun and I teamed up to create The Screenwriter's Guide to Formatting.Don't let formatting derail your screenplay. Learn how to format your screenplay in the Hollywood Standard. The course walks you through how to properly format your screenplay in the Hollywood standard. We breakdown formatting for the feature film, 30min multi-cam/single-cam television show, documentary, split-screen, scriptments, and the one-hour television drama.Geoffery and I are working on more screenwriting courses cover structure, development, dialog, characters, and more.As you can see I've been busy. I plan to create a Filmtrepreneur Masterclass as well as many more exclusive courses for IFH Academy. So if you are quarantined at home right now, and let's face it you probably are, there is no better time to start adding tools to your toolbox.I truly hope these courses can help you on your filmmaking or screenwriting path. I have big plans for IFH Academy. New courses, world-class instructors, and much more. Take a look around the site and let me know what you think.Be well and stay safe out there. As always keep that hustle going and keep that dream alive. I'll talk to you soon.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Today on the show we have Simon Swart. Swart has diverse experience in all areas of film production and distribution by virtue of his 30+ years as a leading studio executive at Warner Brothers, The Walt Disney Studios, and most recently 20th Century Fox.  Swart left Fox to focus on producing with his film credits including 6 Below and the most profitable Indie release of 2018 I Can Only Imagine ($83 million box-offices) among others.  He brings with him a variety of global strategic partnerships in multi-window distribution.In addition to launching worldwide franchises, he championed and created new distribution markets as the market shifted to new formats (DVD, digital) and seized the opportunity to create a service organization offering distribution services to competitive smaller studios. This third-party distribution model started with Artisan/Lionsgate and grew to include MGM, Relativity, DreamWorks, and Miramax, generating substantial fees and greater efficiency.Enjoy my conversation with Simon Swart.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

He's back! The all-time returning champion and my brother from another mother RB Botto from Stage 32 returns to the show to discuss the raw truth about what is happening and will happen to our industry post COVID-19.The world is obviously upside down and the film industry is being affected in ways that many do not even see yet. From changing customer habits to giant companies folding under the pressure of change. Both RB and I have been keeping our ear to the grindstone and what we are hearing is a bit disturbing but yet hopeful, especially for the indie filmmaker/producer.When there is uncertainty and chaos in an industry, there is opportunity. Doors that were slammed shut before not are wide open. You just need to be ready for the shot when it comes. Like every other time, RB is on the show this to is an EPIC over 2-hour conversation but trust me it is worth listening to all of it.We cover the future of film festivals, film markets, Quibi, what film production will look like moving forward, film distribution, predators to look out for, and yes Tiger King as well. Things do look bleak but there is a ton of hope for the indie filmmaker in the new film industry that will be forming in the next six months.Get ready for my conversation with RB Botto.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

I can't tell you how excited I am for today's episode. I had the pleasure to speak to the legendary director Barry Sonnenfeld. We discuss his idiosyncratic upbringing in New York City, his breaking into film as a cinematographer with the Coen brothers, and his unexpected career as the director behind such huge film franchises as The Addams Family and Men in Black, and beloved work like Get Shorty, Pushing Daises, and A Series of Unfortunate Events. We also chat about the time he shot nine porno films in nine days. That story alone is worth the price of admission.This EPIC conversation is almost two hours and had me on the floor laughing one minute and in absolute shock the next. This is by far one of my favorite interviews I have ever done on the show.So sit back, grab a drink and enjoy my conversation with Barry Sonnenfeld.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Today is a sad day guys. My dear friend and fellow filmmaking podcaster Scott McMahon is closing up shop. Scott runs Filmtrooper.com and has been a beacon of hope for indie filmmakers for over 6 years. Scott wrote the best-selling book How to Make and Sell Your Film Online and Survive the Hollywood Implosion While Doing It. Scott decided to have me on his last episode of the Filmtrooper Podcast. We had an EPIC conversation about what both of us had learned all the years we were running our websites and podcasts. The information was so great I wanted to share it with the IFH Tribe.We also discuss the current and future state of the film industry, how indie filmmakers should prepare for the coming changes and we discuss the three paths you can take as a filmmaker. Scott explains what he'll be doing after Film Trooper and in the future.Get ready for a great interview with my friend and ever-lasting Film Tropper Scott McMahon. Stay safe out there.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Many filmmakers thinking is based on two months ago. They believe that the world will go back to exactly how it was before on this pandemic blows over. That might be true and I truly hope it does but hope alone will not pay the rent. Our industry is going through an unprecedented shift. We as filmmakers need to start thinking about how we can pivot your business, skills, knowledge into the new reality that we are living in and very well might be in for some time to come. You have to think about what your customer needs are right now and address them. The companies that are sitting on the sidelines fearful of making any moves will be left behind. You as filmmakers need to change your mindsets. Prepare for the worst and hope for the best. Entire new industries will rise from this turmoil and if you are smart you will be ready to be a part of the new world.In this episode, I breakdown some side hustles that will help filmmakers and screenwriters not only survive the pandemic but thrive in the new world we will be walking into.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

What if you were given permission to shoot most of your film in one of the busiest and iconic streets in the world, Times Square. Well, today's guest did just that. He shot most of his new film Rapid Eye Movement.Peter Bishai wrote and directed the epic true-life saga Colors of Heaven (aka A Million Colours). It is the winner of two South African Academy Awards, Best Foreign Film at the WorldFest Houston Film Festival and was the Opening Night Gala film at the Hollywood Black Film Festival. He also directed the comedy-adventure The Dueling Accountant, which won Best Comedy Film at the Philadelphia Independent Film Festival and Best First Feature at the Long Island International Film Expo.It is profiled in the book Fervid Filmmaking: 66 Cult Pictures of Vision, Verve and No Self-Restraint. His newest film is the psychological thriller Rapid Eye Movement. He lives in New York City.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.