Indie Film Hustle® - A Filmmaking Podcast

Welcome to the Filmmaking Motivation Podcast with Alex Ferrari is a podcast dedicated to helping you get off your butt and make it happen for yourself. We all need a push on our filmmaking journey from time to time and this show does just that. Filmmaker and host Alex Ferrari (who also hosts The Indie Film Hustle, Filmtrepreneur, and Bulletproof Screenwriting Podcasts) drops weekly episodes that are part inspirational, part motivational, part raw truth bomb and part kick in the butt. These short motivational episodes will help you kick start your day. Never stop chasing that filmmaking or screenwriting dream. The world needs to hear your voice. It is your responsibility to put it out into the world. Keep on hustling!Proud Member of the IFH Podcast Network (www.ifhpodcastnetwork.com)Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Today on the show we have low-budget visual effects master Kevin Good. Kevin is a freelance cinematographer, VFX artist, and director. He has worked on diverse projects from creating television pilots for Fox Television Studios to shooting interactive feature-length films for the U.S. Army.His work has been featured in the Independent TV Festival in Los Angeles, the New York Television Festival, the Cannes Film Festival, the Edinburgh International TV Festival, the Festival Internacional de Televisão in Rio de Janeiro, the Boston International Film Festival, and others. Kevin now balances his time between teaching at Boston University’s Center for Digital Imaging Arts, freelance production work, and developing his own crazy projects, many of which are featured on his site.Kevin Good’s debut feature, Dinner with the Alchemist premieres at the Chinese Theatre in Hollywood as part of the Dances With Films festival. Dinner with the Alchemist is a masterclass in low-budget filmmaking and using visual effects to create scale and production value.Enjoy my eye-opening conversation with Kevin Good. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

It was brought to my attention that there are predatory film aggregators and distributors out there selling promises that they don't intend to keep.Yes, I know shocking.Specifically, I came across a few film aggregators, and use the term "aggregator" extremely loosely, that were promising filmmakers that if they use their service they could guarantee their film would be placed on Netflix, Hulu, Tubi, etc."THIS IS 100% BS!"In this episode, I'll breakdown the predatory tactics they use and will follow the money so you can see how the sausage is made using this scam.Some of these "aggregators" have no experience in film aggregation AT ALL. No history working with filmmakers. I mean they just buy a URL, open shop, use a fancy website and promise indie filmmakers the world. You need to do your homework. You need to ask around to see if you can find anyone who has done business with them. You can reach out to the amazing community of indie filmmakers over at the Private Facebook Group: Protect Yourself from Predatory Film Distributors/Aggregators and see if they have any insight.It's just not predatory aggregators, we can't forget the predatory film distributors.  These companies promise you this and that but never deliver. If it's not in the agreement it doesn't matter what they tell you. DO YOUR HOMEWORK. Speak to a qualified entertainment attorney with an expertise in film distribution.As I stated last year when the economic situation in the world changes predatory film aggregators and distributors will become more and more desperate.Stay vigilante out there tribe. Sharks are around every corner.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

I'm so excited to bring this episode to the IFH Tribe I can barely contain myself. Today on the show we have ex-distributor turned filmmaker Jeff Deverett. Jeff reached out to me after reading my book Rise of the Filmtrepreneur: How to Turn Your Indie Film into a Moneymaking Business. He wanted to tell me that the book hit the nail on the head and that my film distribution chapter was right on.I came to find out that he was an ex-distributor and had was on that side of the business for 20 years.  We got to talking and I asked if he would come on the show and spill the beans on:How a bad distribution deal is structuredWhy the entire film distribution business is systemically designed to screw the filmmakerHow a distributor negotiates a deal from his point of viewHow to follow the moneyWhat a filmmaker needs to do NOT to get taken advantage ofAfter this episode, you will know "where the bodies are buried."  As Jeff said on the show"It's not the film distributors want to screw over filmmakers is it just happens organically."We also go into his Filmtrepreneurial business model. He has directed seven feature films, three of which are currently playing on Netflix. He self-distributes all his films. Jeff is a producer, director, writer, and actor known for Full Out 2: You Got This! (2020), ism (2019), The Samuel Project (2018), Kiss & Cry (2017), Full Out (2015), King of the Camp (2008), and My Brother's Keeper (2004). Jeff's successful film and TV career began with distribution with New World Entertainment, Astral Communications, Anchor Bay Entertainment, and his own company, Deverett Media Group.This episode is going to be EPIC. Sit back and get ready to have your mind blown. Enjoy my conversation with Jeff Deverett.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

DVD is dead! Not so fast. Today's guest is filmmaker Jeff Santo who has been making major money selling DVDs of his indie films for years.Jeff has been an indie filmmaker for over 20 years. After been ripped off by a predatory film distributor on his first film he came back with a vengeance with his second film This Old Cub. He turned that film into a big success selling over 40,000 DVDs on my own website, marketing my film directly to his niche audience where he sold a total of 85,000 DVDs.He repeated the process with his next film, Dead In 5 Heartbeats, which is a fictional feature based on the successful novel by Sonny Barger. The film was successfully released in a 14 city theatre tour, independently, in April 2013. Quickly followed by the 2 disc DVD release, selling in over 70 countries worldwide, and now released digitally on iTunes, Vudu, Google Play, and Sony Playstation platforms worldwide; swiftly becoming a cult classic amongst the motorcycle culture. He also sold over 30,000 DVDs world-wide, even when DVDs were supposedly a dead format.If you do not have a niche film you got no shot today! This is the Filmtrepreneur way.Jeff and I get into it in this episode, discussing his methods and techniques. Enjoy my conversation with Jeff Santo.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

I've been preaching from the top of the Filmtrepreneur mountain for a while now that filmmakers need to build multiple revenue streams from their projects besides just the traditional renting and sales of the film. In my book Rise of the Filmtrepreneur, I discuss the revenue stream of online courses and classes.You can either sell courses on your own site and drive traffic to them or you can place your courses on existing market places like Udemy and Skillshare that have huge audiences that you can sell to.I join Skillshare a few years ago and started putting up courses on the platform. My profile grew and grew where I became a leader in the filmmaking education space on the platform with over 5800+ students, close to 1400 followers and over 100,000+ minutes watched. I was doing so well on the platform that Skillshare actually reached out to me on multiple occasions to discuss my company creating exclusive education for its platform. Things were going great until they weren't.Well back in Dec 2019, when the world wasn't the insane bizarro version of itself that it is today, all of my courses were abruptly ripped off the platform without warning. I was floored. I contacted Skillshare multiple times and never heard back. When I finally heard back they said I had violated their terms of service.They never gave me a warning nor did they give me an opportunity to fix any "issues" they had with my courses. It's crazy. One side of the company is asking me to produce more content for Skillshare while the other side shuts down all of my courses.I later found out that I was not alone and that Skillshare purged hundreds of instructors without warning violating their own terms of service. You can read about that here.I wanted to share the entire story of what happened in this podcast as a warning to all Filmtrepreneurs that depend solely on other platforms for their income. If you play in someones else's sandbox you need to play by their rules. I explain everything in the episode. Enjoy.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Today on the show we have filmmaker and author Jon Fitzgerald. Jon has twenty-five years of experience in the independent film, internet, and film festival communities, a rare leader with a unique combination of skills.  As a filmmaker, he has produced a number of award-winning documentaries; and as a consultant, he has guided many independent film projects through the maze of festivals and hybrid distribution models.As a co-founder of the Slamdance Film Festival (1995), he led the event the next two seasons before being named the Festival Director for the prestigious AFI Film Festival in 1997.  After running AFI Fest for three years (1997-1999), he created a consulting business, guiding the launch of numerous film festivals (Bahamas, Lone Star, Orlando), directing several others (Santa Barbara, Topanga, and Abu Dhabi), and consulting to dozens more.Jon authored his first book, entitled Filmmaking for Change: Make Films That Transform the World, which was ground-breaking in the space.Again, based on the premise that powerful stories can create change, Jon founded Cause Cinema, connecting social impact films to related causes. The Company acts as a filter to the best of social impact cinema, integrating numerous film programs, social action campaigns, and unique exhibition models, giving audiences the tools to take action.Enjoy my conversation with Jon Fitzgerald.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Today on the show returning 2-time champion, writer and filmmaker Joshua Caldwell. Joshua has been on the show twice before and both his episodes went viral.Well, he's back to talk about his new film INFAMOUS starring Bella Thorne, Jake Manley, Amber Riley, and former guest on the show Todd Jenkins.Arielle, a young woman who lives in a small Florida town, is stuck. Arielle has always wanted more: fame, popularity, and admiration. But when she falls for a recently paroled young criminal named Dean, she drags him back into a life of danger, learning that posting their criminal exploits on social media is an easy way to viral fame. They embark on a dangerous adventure together that leads to robbery, cop chases, and murder.Joshua and I speak about how he used his micro-budget skillset on a much larger budget. We also touch uponReleasing his film during COVID-19Working with movie stars on an indie budgetThe development processWorking with a studioShooting the entire film in 22 daysCOVID-19 and the future of our businessWorking with tighter creative restraintsSince INFAMOUS is coming out to theaters right in the middle of COVID-19, his distributor decided to pump the film out to drive-in theaters. Let's see what happens.Prepare for some knowledge bombs. Enjoy my conversation with Joshua Caldwell.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Today on the show we have host, filmmaker, entrepreneur, and president of Aputure Ted Sim. Ted is the host of the Indy Mogul Podcast and Youtube Channel. He took over the reins of the legendary Indy Mogul Youtube channel last year and has really created some amazing content.Ted Sim is a Los Angeles filmmaker, originally from Baltimore, MD. Though he has been living in California since 2009, he has traveled to over 45 different countries for work and to meet with local filmmakers from all around the world. He is an alumnus of UCLA's Film Program and is passionate about education.In 2014, Ted started working as President of Aputure USA. Aputure is a cinema technology company that designs and manufactures high-end lighting solutions and filmmaking equipment for digital creators. Ted and I talk shop, lighting, and making it in the film business. I love Aputure lights so much that I exclusively used them in the making on my last feature film On the Corner of Ego and Desire.I had a ball talking shop with Ted. This episode is going to be fun. Enjoy!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

A good friend and returning champion Stephen Follows wrote an amazing article discussing the future of Hollywood distribution. I asked him to jump back on the show to discuss. Here's a bit of the article.Change in the film industry is often an extremely gradual process. The views of those involved tend to be entrenched and hard to shift. Therefore, how the film industry will operate one year can reasonably be expected to be very close to that of the year before.Not so in 2020. The current COVID-19 pandemic has forced a number of huge changes upon the sector over a matter of days. Cinemas are shut, productions are on hiatus and almost everyone is at home watching TV and VOD content.In order to take the industry’s temperature at these uncertain times, I teamed up with Screendollars to interview 363 film professionals. We focused on the domestic market (i.e. the USA and Canada) and asked a range of questions about their views on the current changes and what they think a post-lockdown future may bring.We have a very eye-opening discussion about the future of Hollywood distribution, movie theaters, VOD, Trolls 2, and more. Enjoy!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.