The Feminist Present

Inkoo Kang, recently announced as the Washington Post’s newest TV critic, was also named the best critic of 2021 by the National Arts & Entertainment Journalism Awards for her work at The Hollywood Reporter. Inkoo co-hosts the All About Almodovar podcast, and has previously written about film, TV, and culture for Slate, MTV News, Los Angeles Times, Atlantic, and many other places. Laura and Adrian had a blast watching and discussing the 2013 Swedish teen film WE ARE THE BEST! with Inkoo, veering into productive detours about benign neglect in parenting, canonical hairstyle changes, what we binge-watched as nerdy teens, and much more.

Susan Stryker is an author, professor, filmmaker, and heroine of the trans and queer rights movement. Her extensive bibliography includes two editions of The Transgender Studies Reader and Gay by the Bay: A History of Queer Culture in the San Francisco Bay Area; her documentary films include Christine in the Cutting Room, an experimental short film about Christine Jorgensen, and most recently, The Lady and the Dale, released in early 2021 by HBO. Adrian and Laura talked to Susan about performances of gender in the triumph of cinema that is MISS CONGENIALITY (2000), focusing on its constructions of drag, queer fictive kinship, the metrosexual of the 90s-00s, and the beauty-industrial complex. Also, Laura makes a shocking confession about a secret from her past.

Laura and Adrian joyfully reunite in part 2 of this guestless double-wide kickoff to The Feminist Present’s third season. And we have a new, cinematic theme! In addition to the book nerd chatter you’ve come to count on from us in the present, for this season we’re also reflecting on the past: we’ve invited a bunch of brilliant feminists to talk about ‘90s-’00s “chick flicks” with us, allowing them to define that term however they wish. We begin here with a crucial two-part deep dive into the era’s complex representations of gender: a retrospective of Leonardo DiCaprio’s iconic and iconoclastic career from 1993-1997. We journey through the eight films DiCaprio made during this groundshifting period: in part 1 we discuss This Boy’s Life, What’s Eating Gilbert Grape, The Basketball Diaries, The Quick and The Dead, and in part 2 we cover Total Eclipse, Baz Luhrmann’s Romeo + Juliet, and finally, of course, Titanic.

Laura and Adrian joyfully reunite in this guestless double-wide kickoff to The Feminist Present’s third season. And we have a new, cinematic theme! In addition to the book nerd chatter you’ve come to count on from us in the present, for this season we’re also reflecting on the past: we’ve invited a bunch of brilliant feminists to talk about ‘90s-’00s “chick flicks” with us, allowing them to define that term however they wish. We begin here with a crucial two-part deep dive into the era’s complex representations of gender: a retrospective of Leonardo DiCaprio’s iconic and iconoclastic career from 1993-1997. We journey through the eight films DiCaprio made during this groundshifting period: in part 1 we discuss This Boy’s Life, What’s Eating Gilbert Grape, The Basketball Diaries, The Quick and The Dead, and in part 2 we cover Total Eclipse, Baz Luhrmann’s Romeo + Juliet, and finally, of course, Titanic.

Cheryl Strayed is the author of the #1 New York Times bestselling memoir Wild, the New York Times bestsellers Tiny Beautiful Things and Brave Enough, and the novel Torch. She’s also Laura’s favorite living author. Laura barely kept her shit together talking with Cheryl about unconditional positive regard as a feminist value, the writer as teacher, and how breadwinners can’t afford to have writers’ block.

Lyz Lenz is the author of two books, the latter of which, Belabored: A Vindication on the Rights of Pregnant Women, was released while she was fleeing an Iowa derecho mid-pandemic with her two young children. She was, until very recently, a columnist for the Cedar Rapids Gazette; her work has also appeared in the New York Times, the Washington Post, the Columbia Journalism Review, and in her popular newsletter, “Men Yell at Me.” Lyz talked to Adrian and Laura about releasing Belabored amidst multiple disasters, the hardcore survival instincts of Midwestern women, and becoming a writer on the internet.

Sister Roma, the “most photographed nun in the world,” has been an influential member of the Sisters of Perpetual Indulgence since 1987. The Sisters are an Order of queer and trans nuns that debuted in San Francisco on Easter Sunday 1979; originally formed to draw money and attention to the AIDS crisis, the Sisters have spent over four decades in radically compassionate service to, in their words, “those on the edges.” Laura and Adrian got super emotional talking to Roma about the political value of drag, how the COVID-19 pandemic recalls that of HIV/AIDS, the Sisters’ tireless support for feminist causes, and real-life Sister encounters in San Francisco.

Nick Mitchell is Associate Professor of Feminist Studies and Critical Race and Ethnic Studies at the University of California, Santa Cruz. He received, and returned, UCSC’s Chancellor’s Award for Diversity in early 2020, and has been a vocal proponent of the Cops Off Campus movement throughout and beyond the University of California system. Adrian and Laura talked to Nick about his essay “Summertime Selves” and about the intersectional layers of Nick and Laura’s shared, gossip-rich history as students working in the service industry.

Farai Chideya has covered every American presidential election since 1996. She’s the author of six books, as well as a journalist and commentator whose work has been featured on NPR, CNN, ABC News, Newsweek, FiveThirtyEight, Oxygen, and many other outlets. After the 2016 election, she became a fellow at Harvard’s Shorenstein Center on Media, Politics and Public Policy, blending quantitative and qualitative research on race and gender diversity in the media. Laura and Adrian talked to Farai about America’s nail-biter of a presidential election during the profound uncertainty of November 5, 2020.

Imran Siddiquee is a filmmaker, writer and activist, whose articles have appeared in The Atlantic, Buzzfeed, Bitch and Salon. They are also an active filmmaker and organize the BlackStar Film Festival. Laura and Adrian talk with Imran about masculinity, pop culture, and race, about being from a place called Springfield and about the complexities of white feminism.