Sarah Marshall and Alex Steed are the hosts of the podcast YOU ARE GOOD (formerly WHY ARE DADS), the film podcast unafraid of feelings. With Laura and Adrian, they dive into the odd complexity of REVERSAL OF FORTUNE, the 1990 film adapted from law professor Alan Dershowitz’s 1985 book.

Meera Menon is the director of two feature films: EQUITY (2016), starring Anna Gunn as a high-powered Wall Street broker, and FARAH GOES BANG (2013), which premiered at the Tribeca Film Festival and won the inaugural Nora Ephron Prize from Tribeca and Vogue (and which Meera co-wrote with one of your loyal hosts). She’s also a sought-after director in episodic television, with directing credits on Dirty John, You, The Walking Dead, The Man in High Castle, Queen of the South, Halt and Catch Fire, Snowfall, and the upcoming Ms. Marvel. Adrian and Laura made a trip down memory lane to revisit the iconic NOW AND THEN (1995) with Meera, which helped to inspire FARAH GOES BANG.

Merve Emre is associate professor of English at the University of Oxford. She is the author of Paraliterary: The Making of Bad Readers in Postwar America 2017), The Ferrante Letters (2019), and The Personality Brokers (2018). She is the editor of Once and Future Feminist (2018), The Annotated Mrs. Dalloway (2021), and The Norton Modern Library Mrs. Dalloway (2021). Merve chatted with Adrian and Laura about the troubled masterwork that is BRAM STOKER’S DRACULA (1992).

The wildly talented Terry Castle, Walter A. Hass Professor in the Humanities, has taught literature at Stanford for almost 40 years. She was once described by Susan Sontag as “the most expressive, most enlightening literary critic at large today”, and detailed her friendship with Sontag in the classic essay “Desperately Seeking Susan.” Her many books include The Literature of Lesbianism: A Historical Anthology From Ariosto to Stonewall and The Professor and Other Writings. Laura and Adrian splashed around in Terry’s deep well of Patricia Highsmith knowledge for this rousing discussion of class, race, and the queer gaze in THE TALENTED MR. RIPLEY (1999).

Annalee Newitz is pretty much nerd royalty. They are the author of the novels The Future of Another Timeline and Autonomous, which won the Lambda Literary Award. As a science journalist, their work appears regularly in the New York Times and New Scientist, as well as in The Washington Post, Slate, Popular Science, Ars Technica, The New Yorker, and The Atlantic. They co-host the Hugo Award-winning podcast Our Opinions Are Correct, founded io9, and served as the editor-in-chief of Gizmodo. Annalee joined Adrian and Laura to dish about their most recent book, Four Lost Cities: A Secret History of the Urban Age: how its archaeological interpretations hearken back to their Ph.D work in literature, what lessons present cities might learn from ancient ones, and their “polyamorous” approach to working on multiple projects simultaneously.

Inkoo Kang, recently announced as the Washington Post’s newest TV critic, was also named the best critic of 2021 by the National Arts & Entertainment Journalism Awards for her work at The Hollywood Reporter. Inkoo co-hosts the All About Almodovar podcast, and has previously written about film, TV, and culture for Slate, MTV News, Los Angeles Times, Atlantic, and many other places. Laura and Adrian had a blast watching and discussing the 2013 Swedish teen film WE ARE THE BEST! with Inkoo, veering into productive detours about benign neglect in parenting, canonical hairstyle changes, what we binge-watched as nerdy teens, and much more.

Susan Stryker is an author, professor, filmmaker, and heroine of the trans and queer rights movement. Her extensive bibliography includes two editions of The Transgender Studies Reader and Gay by the Bay: A History of Queer Culture in the San Francisco Bay Area; her documentary films include Christine in the Cutting Room, an experimental short film about Christine Jorgensen, and most recently, The Lady and the Dale, released in early 2021 by HBO. Adrian and Laura talked to Susan about performances of gender in the triumph of cinema that is MISS CONGENIALITY (2000), focusing on its constructions of drag, queer fictive kinship, the metrosexual of the 90s-00s, and the beauty-industrial complex. Also, Laura makes a shocking confession about a secret from her past.

Laura and Adrian joyfully reunite in part 2 of this guestless double-wide kickoff to The Feminist Present’s third season. And we have a new, cinematic theme! In addition to the book nerd chatter you’ve come to count on from us in the present, for this season we’re also reflecting on the past: we’ve invited a bunch of brilliant feminists to talk about ‘90s-’00s “chick flicks” with us, allowing them to define that term however they wish. We begin here with a crucial two-part deep dive into the era’s complex representations of gender: a retrospective of Leonardo DiCaprio’s iconic and iconoclastic career from 1993-1997. We journey through the eight films DiCaprio made during this groundshifting period: in part 1 we discuss This Boy’s Life, What’s Eating Gilbert Grape, The Basketball Diaries, The Quick and The Dead, and in part 2 we cover Total Eclipse, Baz Luhrmann’s Romeo + Juliet, and finally, of course, Titanic.

Laura and Adrian joyfully reunite in this guestless double-wide kickoff to The Feminist Present’s third season. And we have a new, cinematic theme! In addition to the book nerd chatter you’ve come to count on from us in the present, for this season we’re also reflecting on the past: we’ve invited a bunch of brilliant feminists to talk about ‘90s-’00s “chick flicks” with us, allowing them to define that term however they wish. We begin here with a crucial two-part deep dive into the era’s complex representations of gender: a retrospective of Leonardo DiCaprio’s iconic and iconoclastic career from 1993-1997. We journey through the eight films DiCaprio made during this groundshifting period: in part 1 we discuss This Boy’s Life, What’s Eating Gilbert Grape, The Basketball Diaries, The Quick and The Dead, and in part 2 we cover Total Eclipse, Baz Luhrmann’s Romeo + Juliet, and finally, of course, Titanic.

Cheryl Strayed is the author of the #1 New York Times bestselling memoir Wild, the New York Times bestsellers Tiny Beautiful Things and Brave Enough, and the novel Torch. She’s also Laura’s favorite living author. Laura barely kept her shit together talking with Cheryl about unconditional positive regard as a feminist value, the writer as teacher, and how breadwinners can’t afford to have writers’ block.