It's part two of our And Just Like That recap, and we're talking about Charlotte's horrible dinner party, the terrible music choices, our blind adoration of Seema, That Jackie and the emotional burden of the mealy mouthed teacher. The three AJLT eps will be spread across April, and then the normal Sentimental Garbage season will resume in May. Like you, we’ve been so distressed and heartbroken to see what has been happening in Ukraine, and so we’ve have both decided to donate all the proceeds from April to British Ukrainian aid. If you would like to donate yourself, the link is: https://www.justgiving.com/campaign/ukraine-aid-help-now Hosted on Acast. See acast.com/privacy for more information.

Dolly Alderton is back, and we're finally getting balls deep into And Just Like That. This is the first of THREE Sentimental in the City episodes covering the reboot, and while the show was famously uneven and a bit cringe in places, we still had a great time. In this episode we cover the first three episodes, discussing Big's death, Susan Sharon and Carrie's feud, the wasted potential of Gloria and Charlotte's inexplicable robot voice. The three AJLT eps will be spread across April, and then the normal Sentimental Garbage season will resume in May. Like you, we’ve been so distressed and heartbroken to see what has been happening in Ukraine, and so we’ve have both decided to donate all the proceeds from April to British Ukrainian aid. If you would like to donate yourself, the link is: https://www.justgiving.com/campaign/ukraine-aid-help-now Hosted on Acast. See acast.com/privacy for more information.

Nora Ephron is a writer and filmmaker whose fame was huge in her lifetime and has only snow-balled since her death in 2012. Now that her name is on t-shirts, her novel is an established classic, and she's even the subject of fictional renderings ('sup, Good Girls Revolt), is there more to the Ephron legacy than meets the eye? Caroline and Ella pick through her personal life, victories, failings, and many many famous friendships to get to the bottom of the following question: we LOVE Nora Ephron, but do we like her? Works referencedHeartburn - Nora EphronSister Mother Husband Dog etc - Delia EphronAdventures in the Screen Trade - William GoldmanI Remember Nothing - Nora EphronOn the Celibate Love Affair of Nora Ephron and Mike Nichols - Richard Cohen Hanging Up - Delia Ephron I Feel Bad About My Neck - Nora EphronElla Risbridger is the author of Midnight Chicken, Set Me On Fire and The Secret Detectives Caroline O'Donoghue is the author of Promising Young Women, Scenes of a Graphic Nature, and All Our Hidden GiftsThis is the last episode of the season! Merry Christmas everyone! Hosted on Acast. See acast.com/privacy for more information.

How did a Bukowski-style piece published in 1997 by Elizabeth Gilbert in GQ magazine turn into the quintessential sleepover movie of the early noughties? Author Hannah Woods brings the 2000 movie Coyote Ugly to the garbage truck, and we discuss this baffling film that is nonetheless still stylistically perfect and so much fun to watch. What happened to Piper Perabo? Why does John Goodman get hit by a car, after we're teased his heart attack for SO LONG? And just how deep does all our noughties trauma go? Hosted on Acast. See acast.com/privacy for more information.

Whether it's a baked potato in a M&S cafe, a Jane Norman shopping bag, or a limited-range of celebrity dresses at Topshop, there's nothing that gets our hearts racing or our wallets twitching like the high street. Fashion writer Lauren Bravo joins Caroline to talk about the nostalgia of the high street, the evolution of Christmas gift giving, the unique personalities of each shop (Warehouse is for cool girls who have long weekends in Berlin, end of) and the ever-changing world of retail. Lauren Bravo is the author of How To Break Up With Fast Fashion, What Would The Spice Girls Do? and has a novel coming in 2023. Hosted on Acast. See acast.com/privacy for more information.

There is a very clear narrative on Julie & Julia, Nora Ephron's final feature film, and it's this: the Julia Child portions of the movie are heavenly, and the Julie Powell side of the movie is both infuriating and a drag. American Girl In Paris correspondent Fiona Zublin returns to the podcast to defend Amy Adams' performance but ends up bashing it just like everyone else. Still, for a movie that is so uneven, so confusing, and so curiously lacking in stakes... why is it so much fun to watch, and why do we cry by the end? Hosted on Acast. See acast.com/privacy for more information.

Young women's use of the word 'like' has been parodied for decades, but where did it come from, why do we use it, and why is it, like, so goddamn useful? Linguist and host of Sounds Like A Cult podcast Amanda Montell discusses the versatility of one of the most despised words in the English language, primarily because it's associated with teenage girls. We talked about female voices, how we perceive public speech, and the mystery of Elizabeth Holmes. Amanda Montell is the author of WordSlut and Cultish. Hosted on Acast. See acast.com/privacy for more information.

Author Janina Matthewson joins Caroline to discuss the legacy of Titanic, Rose as a protagonist, the camp factor of Billy Zane, the value of historical fiction, the feminist parable of Rose and the ship, the love story in Titanic, and the iconic scene symbolizing rejection of privilege. They also touch on photography dynamics and mention Janina's book and another podcast.

The Guardian once compared Maroon 5 to 'rats scavenging through pizza boxes', but to a generation of millennial women, they were as close to sex-positive as indie music was willing to get. Caroline and Cosmopolitan editor Catriona Innes talk about the rise and fall of Adam Levine, the mystery and allure of 'Jane', the fan fiction this album has inspired, how the way we thought and felt about sex was influenced by its existence, and of course, the insane beauty of Levine that almost seemed to be the architect of his downfall. Hosted on Acast. See acast.com/privacy for more information.

According to best-selling author Séamas O'Reilly's family, this is not just the superior Grease film, but a classic movie on a par with Jaws and Scarface. We discuss Michelle Pfeiffer's breathtaking star turn as Stephanie Zinone, the idea of Grease as a genre of film, our hatred of squares, and a lot else. Séamas O'Reilly is the author of Did Ye Hear Mammy Died? and the features editor of The Fence. Hosted on Acast. See acast.com/privacy for more information.