Sentimental Garbage

Janina Matthewson returns to discuss Alanis Morissettes 1995 smash hit album, Jagged Little Pill. We discuss Alanis as a survivor and a songwriter, her enormous good brain, and whether she's the Barack Obama of 90s music. Janina Matthewson is the co-host of History is Sexy as well as the writer/producer of Within The Wires. Hosted on Acast. See acast.com/privacy for more information.

Costume dramas are the most dominant way that ordinary people engage with history, so why are we so frequently snobby about them? Dr Emma Southon gives a historian's perspective about the usefulness of costume drama, as well as the pure pleasure of just looking at nice fabrics. We talk Shakespeare in Love, Marie Antoinette, The Lion in Winter, I Claudius, Vanity Fair and even make a pretty good case for A Knight's Tale over Gladiator. Dr Emma Southon is the co-host of History is Sexy and the author of A Fatal Thing Happened on The Way to the Forum, and Agrippina: Empress, Exile, Hustler, Whore. Hosted on Acast. See acast.com/privacy for more information.

Jen Cownie is back on to celebrate our 100th episode with a boozy tarot round up of all the things that need Sentimental Garbage tarot readings: when will men embrace pyjamas? Why does it feel so good to cry in public? And when will prosecco liberate herself from its Basic Bitch prison? Jen Cownie is the co-author of Wild Card: Let The Tarot Tell Your Story, and it's available from all good book shops. Hosted on Acast. See acast.com/privacy for more information.

Punk rock prom queens assemble, today we're talking about the criminally over-looked and under-loved Josie & The Pussycats. Why was this movies so misunderstood, and why do so many critics refuse to believe that women can do sarcasm? We talk about the amazing soundtrack (RIP Adam Schlesinger), the even more amazing fashion (RIP transfer tattoos) and Alan Cumming (RIP my boner)Andrea Cleary is a music journalist and the host of the My Favourite Album podcast.Our Josie & The Pussycats guitar pop playlist can be found here! https://open.spotify.com/playlist/1oRXAgaLAtSASt8UpzS3Q2?si=37491a0b065044df Hosted on Acast. See acast.com/privacy for more information.

Do influencers make fame feel less special? Influencers distort our ideas of where wealth and fame should come from, and often provoke our hate-follows in the process. We discuss the power of influence and its humble beginnings in the blogging world, the metamorphosis into big business and a curated lifestyle, the exhaustion of the influencer life, and why influencers are so often destroyed by the followers who created them. What happens to them when their influence dies down? Is it better to bow out early, or hang on until the bitter end? And most confusingly of all: are we influencers? Louise O'Neill is the best-selling author of Idol, Asking for It and After the Silence. Hosted on Acast. See acast.com/privacy for more information.

Journalist Grace Medford joins us to talk about the endlessly entertaining dress-up box that was the noughties Charlie's Angels reboot. We discuss the giddy fun of this movie, the power of the Diaz/Barrymore/Liu trio, why a "woke" version was never required and a surprise TED talk on the Pussycat Dolls. Grace Medford is a journalist and the author of the substack oneofthosefaces.substack.com. Hosted on Acast. See acast.com/privacy for more information.

Before Self Esteem was selling out venues as a solo artist, she was Rebecca Taylor of Slow Club, a band who helped bring British twee to its apex in the 2010s. We talk about glockenspiels made out of Shloer, making cakes for the audience, the backlash against twee, the obsession with babytalk and the way bad men could use tweeness to hide in plain sight. Hosted on Acast. See acast.com/privacy for more information.

Usually on the podcast I speak to people about the culture they love that has been unfairly dismissed, but I’m also interested in talking to the artists who created that work. This week we're starting an "indie twee" investigation. This is the movement that brought us tote bags, and ukuleles, and arguably, adult colouring books; it brought us the Juno soundtrack, and Zooey Deschanel, and dressing like a 1950s secretary, but despite how massive indie twee was, there’s actually not that much about it from the people who were actually there.  So for the next two episodes I’m going to be investigating tweeness in all its forms, talking to two creators: the first is Jof Owen, from The Boy Least Likely To, and the second is Rebecca Taylor aka Self Esteem. This episode with Jof is just as lovely as his three-legged Sindy horsePlaylist for this week's episode: https://open.spotify.com/playlist/7IyixEh4KNRZgMm2ylfmWy?si=98553ba847b949b0 Hosted on Acast. See acast.com/privacy for more information.

Sarah Griffin is back to worship at the altar of Maeve Binchy and to deliver a new taxonomy about men and the wind. Evacuated from Blitz-battered London, shy and genteel Elizabeth White is sent to stay with the boisterous O'Connors in Kilgarret, Ireland. It is the beginning of an unshakeable bond between Elizabeth and Aisling O'Connor, a friendship which will endure through twenty turbulent years of change and chaos, joy and sorrow, soaring dreams and searing betrayals. We discuss motherhood, Ireland, judgment, how Binchy has changed the way we write and men on the wind. Hosted on Acast. See acast.com/privacy for more information.

We're joined by journalist and long-time Swiftie Marisa Bate to talk about why the most decorated artist of her generation is also one of the most polarising. We cover All Too Well, the Squad era, Taylor's obscene productivity, her endless fascination with love and her talent for imagery and storytelling that continue to captivate us. Marisa's list of Taylor songs here: https://open.spotify.com/playlist/2gzz992oNTEMFxichq4Ktb?si=7a7c3bca60d14082 Hosted on Acast. See acast.com/privacy for more information.