Tonebenders Podcast

René, Teresa and Tim all chat with Gary Bourgeois as he takes us through his personal Protools template. Hear what he uses as a starting point when mixing films like Captain America: The First Avenger, Team America: World Police and literally hundreds of other films and TV shows. Really interesting talk with a super interesting guy!

René and Tim talk with Enos Desjardins about his work on the new Netflix film Close, making the jump from indies to a larger budget project and how he approaches sound to influence the audience.

In this episode we sit down with Paul Davies and talk about his long collaboration creating sound for director Lynne Ramsay’s films. In particular we focus on the amazing sound design on their latest work You Were Never Really Here. We also get a preview of his upcoming talk at the School of Sound International Symposium in London April 24 – 27, 2019.

We sit down with co-supervising sound editors Nina Hartstone and John Warhurst to talk about their Oscar nominated work on Bohemian Rhapsody. We cover the exhaustive work they did to re-create the concert crowds, music and the world Freddie Mercury and Queen lived in.

In this episode René talks about his methodology and philosophy for budgeting for personal gear, and then does some shootout tests with an MXL 440 microphone he modded with a capacitor upgrade.

In this episode Timothy checks in with Erik Aadahl and Ethan Van der Ryn to congratulate them on their Oscar Nomination in Sound Editing for "A Quiet Place".  They also talk about their amazing a year of work in 2018.  In addition to "A Quiet Place", they Sound Supervised "Christopher Robin", "Bumblebee" and "The Meg", four completely different films in every way.

In this episode we talk with Andrew Stirk about the sound work he did as the Sound Supervisor and re-recording engineer,  on the recent film "A Private War".  We discuss the films gritty, almost documentary-like approach to sound and the times when they threw the realism out the window to create impactful moments in the story.

In this episode we have 3 different interviews with members of the sound team for Mary Poppins Returns. First up is the film's dialog and music re-recording mixer Mike Prestwood Smith,  followed by the Supervising-Sound Editor Reneé Tondelli and then effects and foley  re-recording mixer Michael Keller.  They all have fascinating stories on how the film's sound evolved into the impressive final mix.

Mildred Iatrou Morgan & Ai-Ling Lee sit in with us for this episode. They were the co-supervising sound editors on Damien Chazelle's recent film First Man.   They talk about the epic challenge of bringing this film to life, knowing so much of the plot uniquely depends on sound to tell the story of the first moon landing.

Host Timothy goes for a frozen, snowy walk in the woods while recalling some of DesigningSound.org's best content, why the site was/is so important to the audio community and how much it will be missed. Go to http://tonebenderspodcast.com/088-thoughts-on-designingsoundorg/ to find links to a bunch of Timothy's favourite articles from DS over the years. Huge Thanks to Miguel, Jack and Shaun (& everyone else) for all the hard work they have done on DS!