New Books in African Studies

Bala Saho (Associate Professor, University of Oklahoma) speaks with Naminata Diabate (Associate Professor, Cornell University) about her book, Naked Agency: Genital Cursing and Biopolitics in Africa, published by Duke University Press, in 2020.What provocations are posed by a naked woman’s body? What does it mean to those who see her? And what does it signify for the woman herself, in the moment and in memory? In this book, Naminata Diabate recovers the deep historical roots for women’s embodied agency in political action across the African continent. She examines instances of women’s insurgent disrobing in 23 African countries from 1920-2018 and considers the multivalence of ‘genital cursing’ as a means of protest. Diabate’s intervention incorporates visual arts, narrative films and documentaries, alongside newspaper coverage and literary fiction in many languages, to reconstruct the significance of women’s embodied agency and the threat that nakedness posed to established authorities. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Um retrato original da Bahia no século XIX, num livro cheio de movimento e vozes, sobretudo da gente negra. Em Ganhadores: A Greve Negra de 1857 na Bahia (Companhia das Letras, 2019), o historiador João José Reis reconstitui a história dos negros de ganho, ou ganhadores, protagonistas de uma insólita greve que paralisou o transporte na capital baiana durante vários dias em 1857. Esses trabalhadores escravizados, libertos ou livres, todos africanos ou seus descendentes, se organizavam em grupos de trabalho e percorriam a cidade de cima a baixo fazendo todo tipo de serviço, sobretudo o carrego de pessoas e objetos ou a venda de alimentos e outras mercadorias. Em 1857, porém, a Câmara Municipal baixou uma postura impondo-lhes medidas que combinavam arrocho fiscal e controle policial. Mas os ganhadores, que já viviam dia e noite sob a vigilância e a violência de autoridades, senhores e "cidadãos de bem", não se deixariam abater. O resultado foi a primeira mobilização grevista no Brasil a paralisar todo um setor vital da economia urbana. Baseado em ampla investigação em documentos escritos, impressos e iconográficos, Ganhadores é um livro revelador e essencial para se compreender a intrincada rede de relações sociais, econômicas e culturais que estruturava a sociedade baiana do século XIX, ancorada na instituição da escravidão e caracterizada por um sistema de controle baseado numa economia de favores e domínio paternalista. Se o episódio de resistência aqui narrado trata mais especificamente da Bahia do século XIX, ele tem muito a dizer sobre as relações e opressões sociais e raciais no Brasil de hoje. O livro foi um dos finalistas para o prêmio Jabuti de 2020 na categoria Ciências Humanas.Referência nos estudos Afro-Atlânticos, e um dos mais importantes historiadores brasileiros, João José Reis é professor do Programa de Pós-graduação em História da Universidade Federal da Bahia e foi em diversas ocasiões membro do Comitê Assessor de História do CNPq, do qual é Pesquisador 1A. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In Becoming Rwandan: Education, Reconciliation and the Making of a Post-Genocide Citizen (Rutgers UP, 2020), S. Garnett Russell argues that although the Rwandan government makes use of global discourses in national policy documents, the way in which teachers and students engage with these global models distorts the curricular intentions of the government, resulting in unintended consequences and an undermining of sustainable peace. She is assistant professor of international and comparative education and the director of the George Clement Bond Center for African Education at Teacher’s College, Columbia University.Susan Thomson is an Associate Professor of Peace and Conflict Studies at Colgate University. I like to interview pretenure scholars about their research. I am particularly keen on their method and methodology, as well as the process of producing academic knowledge about African places and people. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

What does it mean to tie your cloth to that of another person, as in the Ghanaian tradition, or to be in full dress? How is fashion photography in a colonial and decolonial context more than just a "look" but in fact a looking and a looking at?Join author Catherine McKinley (she/her) and host Lee M. Pierce (they) for a discussion of these provocative questions in the context of fashion photography by and about pan-African women from the 1870s to the 1970s.Most of us grew up with images of African women that were purely anthropological—bright displays of exotica where the deeper personhood seemed tucked away. Or they were chronicles of war and poverty—“poverty porn.” But now, curator Catherine E. McKinley draws on her extensive collection of historical and contemporary photos, spanning the 150-year arc of photography on the continent, to tell a different story of African women: how deeply cosmopolitan and modern they are in their style; how they were able to reclaim the tools of the colonial oppression that threatened their selfhood and livelihoods. Featuring works by celebrated African masters, African studios of local legend, and anonymous artists, The African Lookbook: A Visual History of 100 Years of African Womanhood (Bloomsbury, 2021) captures the dignity, playfulness, austerity, grandeur, and fantasy-making of African women across centuries. McKinley also features photos by Europeans—most starkly, striking nudes—revealing the relationships between white men and the black female sitters where, at best, a grave power imbalance lies. It’s a bittersweet truth that when there is exploitation there can also be profound resistance expressed in unexpected ways—even if it’s only in gazing back. These photos tell the story of how the sewing machine and the camera became powerful tools for women’s self-expression, revealing a truly glorious display of everyday beauty.Discussion welcome! Connect with author Catherine McKinley on Instagram @the_african_lookbook and the_mckinley_collection and host Lee M. Pierce on Gmail, Instagram and Twitter @rhetoriclee.Special thanks to Oslo-based Norwegian-Nigerian artist Frida Orupado (nemieppeba) for contributing a series of collages to the work to deepen the way in which we engage the original photos and their histories. If you enjoyed this interview you may also enjoy New Books Network interviews with Anne Cheng about Second Skin: Josephine Baker and the Modern Surface and Zakiyyah Iman Jackson about Becoming Human: Matter and Meaning in an Antiblack World. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Adom Getachew, the Neubauer Family Assistant Professor of Political Science at the University of Chicago, is the author of Worldmaking after Empire: The Rise and Fall of Self-Determination (Princeton University Press, 2019). The work has received immense praise from academics and non-specialists alike, winning a plethora of awards, including the Frantz Fanon Prize, the W.E.B. Du Bois Distinguished Book Award, and the J. David Greenstone Book Prize. Getachew renarrates the twentieth-century history of decolonization and shows that African, African American, and Caribbean anticolonial nationalists were not solely nation-builders. Responding to the experience of racialized sovereign inequality, dramatized in the book by interwar Ethiopia and Liberia, Black Atlantic thinkers and politicians challenged international racial hierarchies and articulated alternative visions of worldmaking. Seeking to create an egalitarian postimperial world, they attempted to secure a right to self-determination within the newly founded United Nations, constitute regional federations in Africa and the Caribbean, and structure a New International Economic Order. Worldmaking after Empire traces the richness and ambition of postwar efforts to reimagine the international order, uncovering a multiplicity of political projects that decolonization entailed. Vladislav Lilic is a doctoral candidate in Modern European History at Vanderbilt University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In National Liberation in Postcolonial Southern Africa: A Historical Ethnography of SWAPO’s Exile Camps (Cambridge University Press, 2015), Christian Williams tells the stories of the many exiles that lived in camps established by the South West Africa People’s Organization (SWAPO) during Namibia’s three-decade liberation struggle. Through extensive use of oral testimonies as well as photographic and documentary materials, Williams describes the wide range of experiences that exiles encountered at many of the camps managed by SWAPO throughout Southern Africa. He concludes that the commonly used ways of describing these camps, as either housing refugees or for military purposes, are insufficient to capture their complexity, and to understand their long- lasting impact on the formation of an independent Namibia. Liberation movement camps, as Williams describes them, were sites where, among other things, conflict and violence set the stage for the development of social and political hierarchies which continue to shape Namibia’s postcolonial life. Yet, official histories of the liberation struggle exclude the stories and experiences that many exiles underwent during their time at the camps complicating their ability to see themselves as part of the new nation. This book makes a compelling case for the study liberation movement camps as a means to rewrite the history that underpins Namibia’s postcolonial future. Esperanza Brizuela-Garcia is an associate professor of history at Montclair State University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Michela Wrong’s Do Not Disturb: The Story of a Political Murder and an African Regime Gone Bad (PublicAffairs, 2021) is a glorious piece of journalism. It tells the story of Rwanda’s former head of external intelligence turned government critic, Patrick Karegeya, and his falling out with the Rwandan leadership, including current President Paul Kagame. For Wrong, the murder of Patrick Karegeya provides a passage-way into broader conversations about how Rwanda has been ruled since the 1994 genocide. Why are members of the elite like Karegeya leaving Rwanda? And what do these elite flights tell us about political stability in contemporary Rwanda? Wrong’s storytelling choices draw the reader into Rwanda’s complex post-colonial political culture while reminding us that the story of Karegeya’s murder is emblematic of how the revolution eats its own.Susan Thomson is an Associate Professor of Peace and Conflict Studies at Colgate University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Transpacific Correspondences: Dispatches from Japan’s Black Studies, an essay collection edited by Dr. Yuichiro Onishi and Dr Fumiko Sakashita, introduces a little-known, but critical history of Black Studies in Japan. Taking the Black Studies Association (Kokujin Kenkyu no Kai) as its focus, the collection charts the history of members of the Black Studies Association, and the ways in which Japanese scholars and writers studied, translated and disseminated the works of black radical thinkers, and were politically transformed by their engagement with this work. The collection is interdisciplinary in nature, covering important topics that would be of great interest to political theorists, black feminist theorists, historians, and scholars of music and literature. Transpacific Correspondence is an important contribution to the history of Afro-Asian encounters and the globalized field of Black Studies.Felicity Stone-Richards is a PhD student in Political Science at the University of California, Santa Barbara. She is a comparative political theorist of Afro-diasporic and Japanese theory, and scholar of contemporary transnational political activism. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

How can Sociology be nudged away from its traditional parochialism to embrace empirical work that focuses on the global south? Marco Garrido (assistant professor of sociology at the University of Chicago) and Victoria Reyes (assistant professor of sociology at the University of California, Riverside) are the editors of a recent special issue of Contexts magazine, New Ethnographies of the Global South, that brings together scholars doing fieldwork outside of the US and Europe. Marco and Victoria tell us about how they came to do ethnographic research on the Philippines and describe how the special issue emerged as part of a broader shift towards studying the Global South. We also talk with them about why and how there are pressures against overseas scholarship from within graduate programs and academic journals, how Global South ethnographers must translate their work for US audiences, and how younger scholars can pursue their interests while also positioning themselves for success.Victoria Reyes is an Assistant Professor of Sociology at the University of California, Riverside. Reyes studies culture, borders, and empire. Her work is driven by the question of how to understand territoriality in the 21stcentury. Her work has been published in Social Forces, Ethnography, Theory and Society, City & Community, Poetics, and International Journal of Comparative Sociology and she is the author of Global Borderlands: Fantasy, Violence, and Empire.Marco Garrido is Associate Professor of Sociology at the University of Chicago. Garrido's work has focused on the relationship between the urban poor and middle class in Manila as located in slums and upper- and middle-class enclaves. His work has appeared in the American Journal of Sociology, Social Forces, Qualitative Sociology, and the International Journal of Urban and Regional Research and he is the author of The Patchwork City: Class, Space, and Politics in Metro Manila.Alex Diamond is a Ph.D. candidate in sociology at the University of Texas, Austin. Sneha Annavarapu is a postdoctoral researcher at the University of Chicago. Dr. Sneha Annavarapu is a postdoctoral researcher at the University of Chicago. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Emily Callaci's book Street Archives and City Life. Popular Intellectuals in Postcolonial Tanzania (Duke University Press, 2017) tells the histories of the young migrants who shaped the city of Dar es Salaam between 1967 and 1985. During this period, the ruling party, TANU, pursued the policy of Ujamaa or African socialism which sought the future of African independence in traditional villages and rural areas rather than cities. Despite the increasingly anti-urban policies of the Tanzanian state, and the stringent economic and social conditions that prevailed in Dar es Salaam, young migrants continued to move to the city. Armed with the ability to read and write acquired through the extensive literacy campaigns organized by the Tanzanian state, young migrants reflected upon and negotiated the many challenges that awaited them in the new urban environment. They created new communities and new ways of belonging by producing a rich body of cultural artifacts that constituted an unofficial archive where urban dwellers left testimony of their circumstances and experiences. Callaci explores the music performed at dance halls, advise literature for young girls, pulp fiction novellas and the very lexicon that urban dwellers used to both describe and re-shape a new urban landscape, all forged under the pressures of economic decline and African socialism but focused on the promises of prosperity and liberation.Esperanza Brizuela-Garcia is an associate professor of history at Montclair State University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies