Tech, Innovation & Society - The Creative Process: Technology, AI, Software, Future, Economy, Science, Engineering & Robotics Interviews

Today's complex problems demand a radically new way of thinking — one in which art, technology, and science converge to expand our creativity and augment our insight. Creativity must be combined with the ability to execute; the leaders and innovators of the future will have to understand this balance and manage such complexities as climate change and pandemics. The place of this convergence is THE NEXUS. In this provocative and visually striking book, Julio Mario Ottino and Bruce Mau offer a guide for navigating the intersections of art, technology, and science.Julio Ottino is an artist, researcher, author, and educator at Northwestern University. He is the author, with Bruce Mau, of The Nexus: Augmented Thinking for a Complex World - The New Convergence of Art, Technology, and Science. He was the founding co-director of the Northwestern Institute on Complex Systems. In 2008, he was listed in the “One Hundred Engineers of the Modern Era”. In 2017, he was awarded the Bernard M. Gordon Prize for Innovation in Engineering and Technology Education from the National Academy of Engineering.www.juliomarioottino.comwww.thenexusbook.comwww.mccormick.northwestern.edu/about/leadership/profiles/ottino-julio.html

Julio Ottino is an artist, researcher, author, and educator at Northwestern University. He is the author, with Bruce Mau, of The Nexus: Augmented Thinking for a Complex World - The New Convergence of Art, Technology, and Science. He was the founding co-director of the Northwestern Institute on Complex Systems. In 2008, he was listed in the “One Hundred Engineers of the Modern Era”. In 2017, he was awarded the Bernard M. Gordon Prize for Innovation in Engineering and Technology Education from the National Academy of Engineering.Today's complex problems demand a radically new way of thinking — one in which art, technology, and science converge to expand our creativity and augment our insight. Creativity must be combined with the ability to execute; the leaders and innovators of the future will have to understand this balance and manage such complexities as climate change and pandemics. The place of this convergence is THE NEXUS. In this provocative and visually striking book, Julio Mario Ottino and Bruce Mau offer a guide for navigating the intersections of art, technology, and science.www.juliomarioottino.comwww.thenexusbook.comwww.mccormick.northwestern.edu/about/leadership/profiles/ottino-julio.html

"Technology has very much changed the way we read and take in information and shortened it into quick bursts and attention spans. We're living in a new world, for sure. And how do we communicate in this new world? Not just in a way that gets the reach, because there are whole industries aimed at what do I do to get the most likes or the most attention, and all of that, which I don't think is very fulfilling as artists.It's sort of a diminishing of our art form to try and play the game because then we're getting the attention and getting the hits, as opposed to what do I really want to create? How do I really want to create it? How do I want to display this? And can I do it in a way that breaks through so that if I do it my way, it's still going to get the attention, great. But if it doesn't, can I be cool with that? And can I be okay creating what I want to create, knowing that that's what it's about. It's about sharing in an honest, authentic way what I want to express without letting the tentacles of social media drip into my brain and take over why I'm literally doing the things that I'm doing."Max Stossel is an Award-winning poet, filmmaker, and speaker, named by Forbes as one of the best storytellers of the year. His Stand-Up Poetry Special Words That Move takes the audience through a variety of different perspectives, inviting us to see the world through different eyes together. Taking on topics like heartbreak, consciousness, social media, politics, the emotional state of our world, and even how dogs probably (most certainly) talk, Max uses rhyme and rhythm to make these topics digestible and playful. Words That Move articulates the deep-seated kernels of truth that we so often struggle to find words for ourselves. Max has performed on five continents, from Lincoln Center in NY to the Hordern Pavilion in Sydney. He is also the Youth & Education Advisor for the Center for Humane Technology, an organization of former tech insiders dedicated to realigning technology with humanity’s best interests.www.wordsthatmove.com/www.instagram.com/maxstossel/www.humanetech.com https://vimeo.com/690354718/54614a2318www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Max Stossel is an Award-winning poet, filmmaker, and speaker, named by Forbes as one of the best storytellers of the year. His Stand-Up Poetry Special Words That Move takes the audience through a variety of different perspectives, inviting us to see the world through different eyes together. Taking on topics like heartbreak, consciousness, social media, politics, the emotional state of our world, and even how dogs probably (most certainly) talk, Max uses rhyme and rhythm to make these topics digestible and playful. Words That Move articulates the deep-seated kernels of truth that we so often struggle to find words for ourselves. Max has performed on five continents, from Lincoln Center in NY to the Hordern Pavilion in Sydney. He is also the Youth & Education Advisor for the Center for Humane Technology, an organization of former tech insiders dedicated to realigning technology with humanity’s best interests."Technology has very much changed the way we read and take in information and shortened it into quick bursts and attention spans. We're living in a new world, for sure. And how do we communicate in this new world? Not just in a way that gets the reach, because there are whole industries aimed at what do I do to get the most likes or the most attention, and all of that, which I don't think is very fulfilling as artists.It's sort of a diminishing of our art form to try and play the game because then we're getting the attention and getting the hits, as opposed to what do I really want to create? How do I really want to create it? How do I want to display this? And can I do it in a way that breaks through so that if I do it my way, it's still going to get the attention, great. But if it doesn't, can I be cool with that? And can I be okay creating what I want to create, knowing that that's what it's about. It's about sharing in an honest, authentic way what I want to express without letting the tentacles of social media drip into my brain and take over why I'm literally doing the things that I'm doing."www.wordsthatmove.com/www.instagram.com/maxstossel/www.humanetech.com https://vimeo.com/690354718/54614a2318www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"I'm so happy that I did not grow up with a phone. I talk about this all the time. I did not have a cellphone growing up. We did not have the internet. I feel for children going through that. I think it's a really challenging time. Technology. I struggle with it now, people having so much access to us. People expecting, because I have a phone right next to me, that I'm going to respond to them.When you're running a TV show, there's a little bit of an unwritten expectation of your availability during off hours and the weekends, and in a workplace, you really need to have your work-life boundaries. We try to be very cognizant of that within the writer's room and not working too late. We worked like 10-to-5 in season two, like maybe 5:30 with an hour-and-a-half lunch break during the Zoom room and COVID because it's just so important to not be staring at these screens all day. And even with the kids, like if someone needed some time off for a doctor's appointment, we try to really honor that and give that to them."Debra J. Fisher is a writer, producer, and director. She currently serves as the showrunner, writer, and executive producer of the Netflix series Ginny & Georgia.  Season one of the hit series was watched by over 52 million subscribers in its first month on the platform, gathering a devoted fan base. The highly anticipated second season premiered on January 5th. Ginny & Georgia is Debra’s first time in the showrunner’s seat.  Through her long and varied career, she has worked her way up the ladder on numerous beloved TV shows including Alias, The O.C., Charmed, and Criminal Minds, among others. With a wealth of experience from her own professional journey, she works to pay it forward by mentoring the next generation of creatives.www.instagram.com/debrajfisher www.tiktok.com/@debrajfisherwww.netflix.com/tudum/articles/ginny-and-georgia-season-2-release-datewww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Debra J. Fisher is a writer, producer, and director. She currently serves as the showrunner, writer, and executive producer of the Netflix series Ginny & Georgia.  Season one of the hit series was watched by over 52 million subscribers in its first month on the platform, gathering a devoted fan base. The highly anticipated second season premiered on January 5th. Ginny & Georgia is Debra’s first time in the showrunner’s seat.  Through her long and varied career, she has worked her way up the ladder on numerous beloved TV shows including Alias, The O.C., Charmed, and Criminal Minds, among others. With a wealth of experience from her own professional journey, she works to pay it forward by mentoring the next generation of creatives."I'm so happy that I did not grow up with a phone. I talk about this all the time. I did not have a cellphone growing up. We did not have the internet. I feel for children going through that. I think it's a really challenging time. Technology. I struggle with it now, people having so much access to us. People expecting, because I have a phone right next to me, that I'm going to respond to them.When you're running a TV show, there's a little bit of an unwritten expectation of your availability during off hours and the weekends, and in a workplace, you really need to have your work-life boundaries. We try to be very cognizant of that within the writer's room and not working too late. We worked like 10-to-5 in season two, like maybe 5:30 with an hour-and-a-half lunch break during the Zoom room and COVID because it's just so important to not be staring at these screens all day. And even with the kids, like if someone needed some time off for a doctor's appointment, we try to really honor that and give that to them."www.instagram.com/debrajfisher www.tiktok.com/@debrajfisherwww.netflix.com/tudum/articles/ginny-and-georgia-season-2-release-datewww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

 "So there are different parts of the brain responsible for liking and wanting. So wanting is unbelievably robust in the brain. In other words, the neural connections are very robust, and wanting is what drives most addictive behavior. It's when you really want something, like you want a cigarette, you want alcohol, a drug, whatever it is, that's your poison. And actually, screens for some people as well. The liking part. When you say to people, what does it mean to be addicted to something? A lot of people say it's, 'You really like it so much that you just keep going back to it.'It's actually not about liking. What actually happens is that, in the beginning, liking and wanting go together. So let's pick something like a cigarette. If you start smoking in the beginning, you like the experience of smoking, and you also really want the nicotine. You want the cigarette. They go hand in hand, but eventually what happens is the liking is much more fragile, and it decays. And what's left is the wanting. And often in the absence of liking, it's kind of like a bad relationship. Like if you're in a bad romantic relationship, it starts out being about wanting and liking, but then the liking goes away, and you just kind of want to be with a person, even though you know it's undermining your welfare. That's effectively addiction. The real skill today is figuring out how to create space between you and your tech devices."Adam Alter is a Professor of Marketing at NYU’s Stern School of Business and the Robert Stansky Teaching Excellence Faculty Fellow. Adam is the New York Times bestselling author of Irresistible: The Rise of Addictive Technology and the Business of Keeping Us Hooked, and Drunk Tank Pink, which investigates how hidden forces in the world around us shape our thoughts, feelings, and behaviors. He has written for the New York Times, New Yorker, The Atlantic, Washington Post, and a host of TV, radio, and publications. His next book Anatomy of a Breakthrough will be published in 2023.https://adamalterauthor.com www.penguin.co.uk/books/431386/irresistible-by-adam-alter/9781784701659 www.simonandschuster.com/books/Anatomy-of-a-Breakthrough/Adam-Alter/9781982182960www.stern.nyu.edu/faculty/bio/adam-alterwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Adam Alter is a Professor of Marketing at NYU’s Stern School of Business and the Robert Stansky Teaching Excellence Faculty Fellow. Adam is the New York Times bestselling author of Irresistible: The Rise of Addictive Technology and the Business of Keeping Us Hooked, and Drunk Tank Pink, which investigates how hidden forces in the world around us shape our thoughts, feelings, and behaviors. He has written for the New York Times, New Yorker, The Atlantic, Washington Post, and a host of TV, radio, and publications. His next book Anatomy of a Breakthrough will be published in 2023. "So there are different parts of the brain responsible for liking and wanting. So wanting is unbelievably robust in the brain. In other words, the neural connections are very robust, and wanting is what drives most addictive behavior. It's when you really want something, like you want a cigarette, you want alcohol, a drug, whatever it is, that's your poison. And actually, screens for some people as well. The liking part. When you say to people, what does it mean to be addicted to something? A lot of people say it's, 'You really like it so much that you just keep going back to it.'It's actually not about liking. What actually happens is that, in the beginning, liking and wanting go together. So let's pick something like a cigarette. If you start smoking in the beginning, you like the experience of smoking, and you also really want the nicotine. You want the cigarette. They go hand in hand, but eventually what happens is the liking is much more fragile, and it decays. And what's left is the wanting. And often in the absence of liking, it's kind of like a bad relationship. Like if you're in a bad romantic relationship, it starts out being about wanting and liking, but then the liking goes away, and you just kind of want to be with a person, even though you know it's undermining your welfare. That's effectively addiction. The real skill today is figuring out how to create space between you and your tech devices."https://adamalterauthor.com www.penguin.co.uk/books/431386/irresistible-by-adam-alter/9781784701659 www.simonandschuster.com/books/Anatomy-of-a-Breakthrough/Adam-Alter/9781982182960www.stern.nyu.edu/faculty/bio/adam-alterwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"So right now the world is fueled by the burning of oil, gas, and coal, and a lot of people are making a lot of money out of that. Whereas with things like renewable energy, you can put solar panels on your rooftop, and all of a sudden you're not paying anything in terms of an electricity price. If you happen to live in a sunny country like Australia, you end up getting your electricity for free from the sun, which is extraordinary, but actually renewable energy is the cheapest form of electricity over 60% of the Earth's surface, which again is an amazing thing to think about. And yet we haven't tapped the full potential, less than a third of global energy is generated by things like solar and wind, and other renewable energy sources. So there's a really huge potential, but it is that moment where we can transition into a low-impact, sustainable future.So I see that as a really positive thing, but we're in this moment where we're transitioning from an old technology into a new technology. And if you stop and think about history, where we went from people who used to have a horse and cart, and then they went to automobiles. It's the same sort of thing. We're just advancing our technology. So it's inevitable that it's going to happen. It is happening right now."Dr. Joëlle Gergis is an award-winning climate scientist and writer at the Australian National University. She served as a lead author for the IPCC Sixth Assessment Report and is the author of Humanity’s Moment: A Climate Scientist’s Case for Hope and Sunburnt Country: The History and Future of Climate Change in Australia. Joëlle has also contributed chapters to The Climate Book by Greta Thunberg, and Not Too Late: Changing the Climate Story from Despair to Possibility, edited by Rebecca Solnit and Thelma Young Lutunatabua.http://joellegergis.comhttps://climatehistory.com.auwww.blackincbooks.com.au/authors/jo-lle-gergiswww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Dr. Joëlle Gergis is an award-winning climate scientist and writer at the Australian National University. She served as a lead author for the IPCC Sixth Assessment Report and is the author of Humanity’s Moment: A Climate Scientist’s Case for Hope and Sunburnt Country: The History and Future of Climate Change in Australia. Joëlle has also contributed chapters to The Climate Book by Greta Thunberg, and Not Too Late: Changing the Climate Story from Despair to Possibility, edited by Rebecca Solnit and Thelma Young Lutunatabua."So right now the world is fueled by the burning of oil, gas, and coal, and a lot of people are making a lot of money out of that. Whereas with things like renewable energy, you can put solar panels on your rooftop, and all of a sudden you're not paying anything in terms of an electricity price. If you happen to live in a sunny country like Australia, you end up getting your electricity for free from the sun, which is extraordinary, but actually renewable energy is the cheapest form of electricity over 60% of the Earth's surface, which again is an amazing thing to think about. And yet we haven't tapped the full potential, less than a third of global energy is generated by things like solar and wind, and other renewable energy sources. So there's a really huge potential, but it is that moment where we can transition into a low-impact, sustainable future.So I see that as a really positive thing, but we're in this moment where we're transitioning from an old technology into a new technology. And if you stop and think about history, where we went from people who used to have a horse and cart, and then they went to automobiles. It's the same sort of thing. We're just advancing our technology. So it's inevitable that it's going to happen. It is happening right now."http://joellegergis.comhttps://climatehistory.com.auwww.blackincbooks.com.au/authors/jo-lle-gergiswww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast