The Subverse

Arcx is all about literary inspiration. In Season 2, we continue our conversations with South Asian sci-fi, fantasy and speculative fiction writers, tracing their ideas from conception to execution. In the first episode host Anjali Alappat chats with author, editor, lawyer and critic Gautam Bhatia. Gautam's debut novel, The Wall (2020), and its sequel, The Horizon (2021), are filled with fascinating world building, complex characters, and fabulously convoluted plotlines. If you love twists and turns, beautiful prose, and some good old fashioned anti-establishment thinking, these are the books for you. Additionally, Gautam is part of the editorial team at Strange Horizons magazine, and his work with them has resulted in several award nominations. His writing has also featured in publications like Interzone Magazine, Mint, British Science Fiction Association Magazine, Scroll.in, The Caravan, and more. In this episode, we discuss how all fiction is political, unlikable protagonists, urban revolution, the foibles of human nature, betrayal, and origin myths. You can follow Gautam on Twitter @gautambhatia88 Arcx is a series of the Subverse, the podcast of Dark 'n' Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at darknlight.com for episode details and show notes.

In this episode, The Subverse explores the progression in the use of metals and its impact on the trajectory of human evolution,the role of fire and its symbolism in understanding artefacts, art history, culture, and dance. Susan Mathews speaks with Prof. Sharada Srinivasan, a professor at the National Institute of Advanced Studies in Bangalore, India, who studies archaeological artefacts and metallurgy. Through the study of artefacts, we can better understand the history of technology and the progression of metals in civilization. This also helps inform the conservation of artefacts and get better insights into archaeology and art history. In her own work, she has made landmark contributions such as the analysis of bronzes in South India using lead isotopes to identify its metallurgical characterisations and studies on ancient mining and metallurgy in South India. We looked at the fire element in several ways. First, we explored the trajectory of human evolution and its intrinsic links to the increasing ability to master fire. The progressive use of metals and metallurgy was pivotal, and we find that presently no device or pursuit lacks an element of combustion technology. From the hearth to kilns and fiery furnaces, unknown forms and embellishments were forged for the good and for the bad. We spoke about some of these contradictions in the application of heat to metal and some of the gender divides that followed this fiery progression. Prof. Srinivasan brings up interesting illustrations of the ancient art of lost wax casting in India, the making of carnelian beads and the role of women in ceramics, such as Kota women from the Nilgiris. The conversation covered fire symbolism and cultural references in Vedic literature, Buddhist iconography, Tamil Sangam poetry and the Nataraja bronzes. Professor Sharada Srinivasan was elected as an International Honorary Member of the American Academy of Arts and Sciences in Archaeology in 2021. She received the Padmashri, India's fourth highest civilian award, in 2019 and has made pioneering contributions to the study of archaeology and history of art from the perspective of engineering applications.

In this episode, Susan Mathews speaks with Dr. Bharat Jayram Venkat about the unequal distribution of the effects of heat. For this, we travel to 19th and early 20th century colonial India where heat is a persistent problem for the British empire and a burgeoning climate science is sutured to racial difference. These histories inform contemporary crises as knowledges of heat continue to evolve in an unequal world. Dr. Bharat Jayram Venkat is an associate professor at UCLA's Institute for Society and Genetics with joint appointments in the Departments of History and Anthropology. His current work focuses on the experience of thermal inequality in contemporary India and the United States, the history of how heat has been studied and its effects over the long twentieth century. He is also director of the UCLA Heat Lab. With accelerating climate change, one of the fallouts is extreme heat. In this conversation, Dr. Venkat defined thermal inequality, which is not just the differential impact of heat, but the unequal distribution of heat effects. These effects are filtered or mediated by our environments, by our lives and by the social and political infrastructures that determine how vulnerable we are to heat. The UCLA Heat Lab employs interdisciplinary methods to study the experience of thermal inequality. We spoke in some detail about a journal article he wrote in 2022 on race and thermal sensation in late colonial India. We discussed 'tropicality', how central the problems posed by heat were and how various kinds of bodies were understood to be differentially affected by heat, producing both biological variation and pathology. Meteorology and racial ideology intersect in the late 19th and early 20th century and climate science is sutured to racial difference. The Subverse is the podcast of Dark 'n' Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at for episode details and show notes.

In this episode, Susan Mathews is in conversation with Prof. Robert Romanyshyn—an Emeritus Professor of Psychology at Pacifica Graduate Institute, and an author of eight books including Victor Frankenstein, the Monster and the Shadows of Technology: The Frankenstein Prophecies (Frankenstein Prophecies). Romanyshyn's special area of concern is the psychology of technology, especially in terms of the climate crisis and impact of digital media on our social structures. Much of his life's work has been devoted to understanding Mary Shelley's Frankenstein, a gothic horror tale that, as he points out, has been prophetic in many ways. In his book Frankenstein Prophecies, he asks eight questions that uncover how Shelley's classic work haunts our world. Combining Jungian theory, literary criticism, and mythology, he seeks answers to the query at the heart of this book: who is the monster? In keeping with the theme of fire in this podcast season, we spoke of the symbolism of fire—both ambiguous and double-edged. In Greek myth in particular, the symbolism of fire is bound up with the myth of Prometheus, one of many stories which explains how humankind came into possession of fire. We zoomed in on the fire related metaphors in Frankenstein (exemplified in the subtitle 'The Modern Prometheus', alluding to the Greek fire myth), and how many of these speak to our present ecological crises. There's fire as lightning that struck down a tree early in the book; the use of electricity and galvanism; the digging up of the dead in cemeteries and charnel houses as analogous to the mining of fossil fuels; solar light versus moonlight; and the Monster running away to the Arctic north, promising to burn in a pyre after Victor Frankenstein's death. We also discuss a different kind of fire, which is not just a burning down or a melting away or extraction of fossil fuels, but a counter-fire. Counter-fire as in the hope left in Pandora's jar. In speaking of this fire, Romanyshyn also speaks of splendour of the simple, the extraordinary in the ordinary, the miracle in the mundane, fire as living spirit, and Natura Naturans, the Anima Mundi. Robert Romanyshyn has published essays in psychology, philosophy, literary and education journals, written a play about Frankenstein's Monster, done radio and TV discussions as well as online interviews, webinars, podcasts and made a DVD movie of his trip to Antarctica. In addition, he has given keynote addresses at conferences, lectured at universities and professional societies, and conducted workshops in the U.S., Europe, Australia, South Africa, Canada, and New Zealand. Check out his website at https://robertromanyshyn.jigsy.com. For his courses, check out www.jungplatform.com . The Subverse is the podcast of Dark 'n' Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at www.darknlight.com for episode details and show notes.

Prof. Stephen J. Pyne, a fire historian, discusses his book 'The Pyrocene' and the significance of fire in human history. He explores the cultural connections and myths surrounding fire, the ecological consequences of human interaction with fire, the divorce of fire in modern society, and the exploration of fire and aesthetics in a remade world.

In part two of our Water and Caste series within the Stories from the Subverse, anti-caste intersectional feminist researcher-activist Swati Kamble speaks with four remarkable Ambedkarite anti-caste creators on how Dr. Bhimrao Ramji Ambedkar and the Mahad march inspired and shaped their lives, artistic journeys, and creative repertoires. We are introduced to Madhubani artist Malvika Raj, Padma Shri awardee and photojournalist Sudharak Olwe, artist Rajyashri Goody, and folk artist Shahir Nandesh Umap. All four guests discuss using art for resistance, how to archive and retell forgotten and often erased stories of anti-caste resistance, and how to retain these events in collective memory. The Subverse is the podcast of Dark 'n' Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at darknlight.com for episode details and show notes.

Stories from the Subverse, where we uncover hidden and marginalized stories through a more personal storytelling lens, returns with a two part series. Part one of this series has been conceptualised, scripted, and hosted by Swati Kamble, an anti-caste intersectional feminist researcher-activist. In part one, Swati guides us through the history of Mahad Satyagraha, the march for equality, dignity, and access to water, led by anti-caste leader and statesman, Dr. Bhimrao Ramji Ambedkar on 20th March 1927. Swati speaks to advocate Disha Wadekar who provides legal and historical perspectives on how the Mahad Satyagraha influenced the anti-caste movement and played a pivotal role in the making of the Indian Constitution and how the framing of Articles 15 and 17 of the Constitution was grounded in the people's struggle to have equal access to water. Swati also speaks to Hira Kanoje, or Grandma Hira, whose fiery speeches Swati grew up listening to on the birth anniversaries of anti-caste revolutionaries at the labourers' colony in Mumbai where they both lived, as neighbours. In this moving conversation, Hira ajji narrates her experiences as a young child who experienced untouchability but defiantly fought against it. Whether it was by drinking water from a forbidden pot at school or sneakily entering a village temple, she and her cousins were silent revolutionaries, whose stories remain undocumented. By including her narrative, we seek to honour her, and the unsung feminists and anti-caste activists like her. The Subverse is the podcast of Dark 'n' Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at darknlight.com for episode details and show notes.

Susan Mathews speaks with architect and planner Dilip Da Cunha. He is an Adjunct Professor at the Columbia University Graduate School of Architecture, Planning and Preservation (GSAPP) and the recipient of a 2020 Guggenheim Fellowship. In 2017, Anuradha Mathur and Dilip Da Cunha founded a design platform called Ocean of Wetness. The organisation is dedicated to imaging and imagining habitation in ubiquitous wetness rather than on a land-water surface. Our chat was a wide-ranging one, starting with the premise in many of his works: the line which separates land from water, which he terms "as one of the most fundamental and enduring acts in the understanding and design of human habitation." He calls this the first colonialism, which took a wetness that is everywhere and turned it into a land and water binary. This led to the invention of rivers and source, course, and flood, leading us to see a river that flowed between two lines and flooded. Alexander's eye represents the cartographer and surveyor, and Ganga's descent is rain, colonised by river. Rain is no longer seen as feeding wetness but contained in gutters. Da Cunha invites us to acknowledge wetness all around us, not contained in a place, and embrace living between the clouds and aquifers. He writes that "water is the first principle in the nature of moist things." The city reinforces the line which separates water from land on the earth's surface and it has become the quintessential settlement while reducing other modes of habitation to less settled or unsettled, creating hierarchies. He writes, "those educated with the map, inhabit a surface articulated with rivers, and their extension in pipes and drains." All this calls for a new imagination, driven by the celebratory event of rain — a re-heralding — and gradual steps, including learning from indigenous and other communities who have extended and nurtured ways of living with wetness. Dilip da Cunha is based in Philadelphia and Bangalore. He has authored several books, such as Mississippi Floods: Designing a Shifting Landscape (2001), co-authored with Anuradha Mathur. His most recent book (and the subject of our conversation), The Invention of Rivers: Alexander's Eye and Ganga's Descent, was published by University of Pennsylvania Press in 2019. In 2020, he received the ASLA Honour award and the J.B Jackson Book Prize for his work. To learn more about his remarkable work, visit www.mathurandcunha.com. The Subverse is the podcast of Dark 'n' Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at darknlight.com for episode details and show notes.

We continue to explore relationality when it comes to water, and learn more from three women who have made water, and bodies of water, their life's work. The politics of kinship can be complicated, but how would we approach our bodies of water if they were kin? In this episode we go deeper into what fascinates them about water - the flow of tides; properties like its solvency; its creative force; acoustic camouflage that can soothe us; and the thrill of bioluminescence. Not all memories are pleasant, and we hear more about the fears that being in water, or in deep spaces, can invoke, and what it takes to let go. We also hear more about underwater acoustics, and how the sonic signatures of marine creatures are chaning with the the changing climate. Our guests are: Sejal Mehta, an author and editor based in Mumbai, India who has a debut non-fiction book on intertidal wildlife called Superpowers on the Shore, published by Penguin Randomhouse in 2022; Divya Panicker, an oceanographer whose work focuses on cetacean distributions, habitat use and behaviour off the southwest coast of India and Tasneem Khan, a biologist, photographer, adventurer, and educator who has spent the last decade facilitating interdisciplinary initiatives in the fields of ecology, conservation,education, and science communication. The Subverse is the podcast of Dark 'n' Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at darknlight.com for episode details and show notes.

Water has played a central role as a resource and property in our dominant worldviews. It has made and unmade empires. In our nation-building, watercourses, waterways, oceans, rivers and freshwaters have all played leading roles, part of a continued and relentless drive to choreograph and subjugate our waters. But it is the indigenous, the subjugated, and the oppressed who seem to best recognise water's power as both a life force and a catastrophic threat. For them, water is kin, creator, and protector. In this episode, we wanted to explore relationality when it comes to water. The politics of kinship can be complicated, but how would we approach our bodies of water if they were kin? So, we asked three women who have made water, and bodies of water, their life work a range of questions. We wanted to see through their eyes how water has shaped them and how they have shaped their relations with water. In part one of this episode, we will hear descriptions of their work and play as it relates to water, how it has shaped them as people, and why they consider their projects or interventions so important. Our guests are: Sejal Mehta, an author and editor based in Mumbai, India who has a debut non-fiction book on intertidal wildlife called Superpowers on the Shore, published by Penguin Randomhouse in 2022; Divya Panicker an oceanographer whose work focuses on cetacean distributions, habitat use and behaviour off the southwest coast of India and Tasneem Khan, a biologist, photographer, adventurer, and educator who has spent the last decade facilitating interdisciplinary initiatives in the fields of ecology, conservation,education, and science communication. The Subverse is the podcast of Dark 'n' Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at darknlight.com for episode details and show notes.