New Books in Popular Culture

The term “metaverse” was coined in a 1993 science fiction novel. Since then, it’s grown from a dystopian literary concept to a reality that corporations want to sell you. Strap on some VR goggles and escape your tired analog life! Except that the systemic issues we already have seem to be creeping into the metaverse, too.As the lines between virtuality and physicality continue to blur, companies like Mark Zuckerberg’s Meta are setting their sights on virtual worlds. It’s a new frontier, full of potential – and full of our valuable data. Metaverses like Second Life or World of Warcraft can be positive and even game-changing experiences on the individual level, but when it comes to navigating a virtual society with a capitalist backdrop…things get a bit dicey.On this episode, guest host and producer Ren Bangert explores the metaverse. First, we hear a love story from the glory days of Second Life, told to us by Sandrine Han – a scholar of virtual worlds and a long-time Second Lifer. Then, writer and game developer Ian Bogost takes us on a deep dive into the corporatization of the metaverse. We’ll hear how the metaverse has grown from a dystopian warning from science fiction to a sinister data-mining reality – and how even the shiniest of tech utopias are still functioning under the same old capitalism.—————————-SUPPORT THE SHOW—————————-You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.——————-ABOUT THE SHOW——————For a full list of credits, contact information, and more, visit our about page. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Queer Transfigurations: Boys Love Media in Asia (University of Hawai‘i Press, 2022), edited by James Welker, brings together twenty-one scholars exploring BL media, its fans, and its sociocultural impacts in a dozen countries in East, Southeast, and South Asia—and beyond. Contributors draw on their expertise in an array of disciplines and fields, including anthropology, fan studies, gender and sexuality studies, history, literature, media studies, political science, and sociology to shed light on BL media and its fandoms.The boys love (BL) genre was created for girls and women by young female manga (comic) artists in early 1970s Japan to challenge oppressive gender and sexual norms. Over the years, BL has seen almost irrepressible growth in popularity and since the 2000s has become a global media phenomenon, weaving its way into anime, prose fiction, live-action dramas, video games, audio dramas, and fan works. BL’s male–male romantic and sexual relationships have found a particularly receptive home in other parts of Asia, where strong local fan communities and locally produced BL works have garnered a following throughout the region, taking on new meanings and engendering widespread cultural effects.Queer Transfigurations reveals the far-reaching influences of the BL genre, demonstrating that it is truly transnational and transcultural in diverse cultural contexts. It has also helped bring about positive changes in the status of LGBT(Q) people and communities as well as enlighten local understandings of gender and sexuality throughout Asia. Queer Transfigurations shows that, some fifty years after the first BL manga appeared in print, the genre is continuing to reverberate and transform lives.James Welker is a professor in the Department of Cross-Cultural Studies, Kanagawa University, Yokohama, Japan. His research focuses primarily on gender and sexuality in postwar and contemporary Japan, especially fan cultures, feminisms, and the LGBT(Q) community. He is the author of Transfigurations: Redefining Women in Late Twentieth-Century Japan (forthcoming).Linshan Jiang is Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests are modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Today we are joined by Jamie Fahey, a Guardian journalist and production editor with more than twenty years’ experience on several national newspapers and six years in regional journalism. He is also the author of Futsal: The Indoor Game that is Revolutionizing World Soccer (Melville House, 2021). In our conversation, we discussed the origins of futsal, the differences and similarities between futsal and soccer, and the future of the five-a-side game.In Futsal, Fahey blends history, journalism, memoir, coaching guides, and polemic to trace the growth of futsal from its beginnings in 1930s Uruguay and Brazil through to its global present. If futsal first developed in South America, it demonstrated how footballing ideas and practices could migrate back along imperial lines, as Brazilian super stars encouraged the propagation of the game in Europe, Asia and Africa. Brazilians from Pelé to Neymar have played futsal, promoted it in their press clippings, and Brazilians continued to dominate the game. Indeed, many international teams even today are filled with Brazilian players, as evidenced by the tongue in cheek nickname of the Italian national team: the Brazzuri.Throughout the book, Fahey demonstrates the way that futsal has influenced the 11-a-side game: including tactical developments such as the false nine and the attacking goalkeepers. At the same time, Fahey does not think of futsal solely as a laboratory for soccer, but instead makes a strong argument for the uniqueness of futsal as a sport practice and spectacle with its own value. It is a particularly intense and tactical game that appeals in its own right. He notes the recent growth of the game, with almost sixty million practitioners around the world.In his memoir-esque chapters, Fahey remarks on his own history as a coach and a player, emerging from the football filled streets of his home city of Liverpool before becoming a guide to his sons’ teams. The rich and textured urban environment of 1970s and 1980s Liverpool provided a site for him to learn foot skills, sangfroid, and tactical nous. If the English past was as a place where children learned to play in an organic way, he bemoans the relative weakness of contemporary English futsal, which suffers from the inattention of the FA, the continued strength of alternative small-sided codes, and the destruction of smaller local soccer spaces.In the final half of his book, Fahey looks at contemporary futsal practice in a range of countries including: Brazil, Iran, England and the USA. Brazil, Portugal and Spain stand out as places that have well-developed domestic futsal leagues and also are strong competitors internationally. Portuguese and Spanish clubs – in particular Barcelona and Benfica – have benefitted from their use of futsal in their youth programs. France and the United States stand out as places where futsal is developing quickly.Fahey’s very readable and engaging work will have broad appeal, but especially to people interested in futsal and soccer, sports historians, and sports scholars more generally.Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

We’ll save the Moby Dick puns for the episode itself, but suffice it to say that sinister game developers are on a whale hunt. This episode, originally published last fall, is about the sophisticated psychological tactics they use to hunt and capture their prey. Free to play mobile games as glorified slot machines, in-game purchases even for triple-A titles, game design that keep gamers hooked to their rigs. These practices are often exploitative and, for some who fall victim to them, devastating. Some countries, like China, are pushing back. But their restrictions are overbearing and unlikely to work as people skirt the restrictions. There are better ways. On this episode of Darts and Letters, we take a journey to save the whales.—————————-SUPPORT THE SHOW—————————-You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.——————-ABOUT THE SHOW——————For a full list of credits, contact information, and more, visit our about page. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In this episode of High Theory, Olivia Stowell speaks with Saronik about Reality TV.In the episode she talks about the genesis of the genre in Candid Camera, An American Family, COPS and America’s Most Wanted, before the watershed moment of The Real World in the 1990s. She references the work of June Deery, and Pier Dominguez on the commercial realism and affective economies of reality tv, and Susan Douglass’s article “Jersey Shore: Ironic Viewing.” She reminds us that Reality TV dramatizes the life of the neoliberal subject under surveillance, and explicates our “trashy” desires.Olivia Stowell is a Ph.D. student in the Department of Communication at the University of Michigan, where she studies the intersections of race, genre & narrative, food, and temporality in contemporary popular culture. Her scholarship has appeared or is forthcoming in Television & New Media and New Review of Film & Television, and her public writing has appeared in Post45 Contemporaries, Novel Dialogue, Avidly: A Channel of the L.A. Review of Books, and elsewhere.The image for this episode was made by Saronik Bosu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

You can learn much about a media and political culture by examining when it panics, and who it panics about. And we’ve always panicked about video games, from the early arcades until this very day. Whether you are a prudish Christian conservative, or a concerned liberal-minded paternalist, demonizing video games has long been good politics.On this episode: guest host and lead producer Jay Cockburn travels back to the 90s, and looks at the story of Mortal Kombat. The game was violent, gory, glorious. It was a youth rebellion in miniature. Parents rebelled against the rebellion, staging their own petulant counter-revolution, and politicians embraced it. It triggered a moral panic and even congressional hearings into violence in games. But why did it happen, who did it serve, and what does it tell us about our own culture?—————————-SUPPORT THE SHOW—————————-You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.——————-ABOUT THE SHOW——————For a full list of credits, contact information, and more, visit our about page. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Today we are joined by Andrew Guest, Professor of Psychology and Sociology at the University of Portland, where he also serves as Director of the Core Curriculum. He is also the author of Soccer in Mind: A Thinking Fan’s Guide to the Global Game (Rutgers University Press, 2022). In our conversation we discussed the possibilities of thinking fandom, soccer as a glocal phenomenon, and whether sport builds character and provides a social good.In Soccer in Mind, Guest uses thematic chapters to address some of the biggest questions in sports studies: why do sports seem so central to many people’s identities, what is the right way to develop player talent, what is the future of sports psychology, and most importantly how can athletes and fans engage in sport in a more critical and socially conscious way?His careful approach to think about and through soccer mixes different analytical lenses including sociology, psychology, and auto-ethnography. He strives to make the familiar things in soccer strange, and the strange things in soccer more familiar. His work moves comfortably between discussions of fan culture in England, women’s football in Portland, and witchcraft in Malawi to identify the ways that aesthetics, emotion and rationality work together to shape popular engagement with the global game.He also considers the sport from the top-down and the bottom-up. His interlocutors and interview subjects range from elite women’s footballers in the US, Zanzibari soccer players called the “Women Fighters,” and disabled children in Angola. Many of his chapters are cross comparative. For example, in his chapter on player development, he looks at the influence of the technocratic Dutch model of top player development, the Ghanaian romantic model of grassroots soccer, and what he calls the Icelandic humanistic model that prioritizes broad human and social development through sport over elite access.Throughout Soccer in Mind, Guest’s work challenges easy assumptions about soccer and sports more generally. While many works challenge the value of mega-events, Guest argues that soccer might only provide a social good when we use the sport to do so attentively and intentionally. His chapter on global development initiatives shows how even well-meaning soccer NGOs can cause negative feedback loops. Participation in sports might not even encourage fair play and sportsmanship unless athletes, coaches, and fans provide a broader social basis for it.Guest’s very readable work – clearly of interest to people involved in sports studies, sports sociology and sports psychology – also has broad appeal and will prove useful in classrooms and boardrooms.Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In nearly 50 years of filmmaking, British director Mike Leigh has ranged from comic portrayals of ordinary life amid the social breakdowns of Thatcher’s Britain (Life is Sweet, High Hopes) to gritty renditions of working-class constraint and bourgeois hypocrisy (Meantime, Abigail’s Party, Hard Labour) to period films that reveal the “profoundly trivial” elements of artistic life even two centuries in the past (Topsy-Turvy, Mr. Turner).Leigh contains multitudes. What Roland Barthes says about the novels of Marcel Proust is true of Mike Leigh films as well: you notice different things every time you return to them.In this Columbus, Ohio conversation, Mike and John they discovered their shared love for a hometown boy made good: James Thurber. The conversation ranged from recording working-class voices in the 19th century to Method acting to the pointlessness of fetishizing closeups to the movies John had never seen and should have–and that’s only the first twenty minutes. It cries out for footnotes, but maybe the best result of all this talk would be simply your decision to go off and see a couple (or like John seven) of Mike Leigh films you’d never seen before. You won’t be sorry.Discussed in this episode: Peter Jackson (dir.), They Shall Not Grow Old John Osborne, Look Back in Anger Ingmar Bergman (dir.), The Seventh Seal Harold Pinter, The Caretaker Jean-Luc Godard (dir.), A bout de souffle John Cassavetes (dir.), Shadows and The Killing of a Chinese Bookie Sam Mendes (dir.), 1917 Alexander Sukorov (dir.), Russian Ark James Thurber, The 13 Clocks, “The Unicorn in the Garden” and “The Greatest Man in the World“ Norman Z. McLeod (dir.), The Secret Life of Walter Mitty Stanley Davis (dir.), Miles Davis: Birth of the Cool Philip Roth, Portnoy’s Complaint and Exit Ghost Ermanno Olmi (dir.), The Tree of Wooden Clogs George Eliot, Middlemarch Philip Larkin, “This Be the Verse“ H.G. Wells, The Time Machine Transcript Available Here Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The forceful music that rolled out of Muscle Shoals in the 1960s and 1970s shaped hits by everyone from Wilson Pickett and Aretha Franklin to the Rolling Stones and Paul Simon. Christopher M. Reali's in-depth look at the fabled musical hotbed examines the events and factors that gave the Muscle Shoals sound such a potent cultural power. Many artists trekked to FAME Studios and Muscle Shoals Sound in search of the sound of authentic southern Black music—and at times expressed shock at the mostly white studio musicians waiting to play it for them. Others hoped to draw on the hitmaking production process that defined the scene. Reali also chronicles the overlooked history of Muscle Shoals's impact on country music and describes the region's recent transformation into a tourism destination. Multifaceted and informed, Music and Mystique in Muscle Shoals (University of Illinois Press, 2022) reveals the people, places, and events behind one of the most legendary recording scenes in American history.Dr. Christopher Reali is an assistant professor of music at Ramapo College of New Jersey.Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama's carnival. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the "post-network" era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage.In History by HBO: Televising the American Past (UP of Kentucky, 2022), Rebecca Weeks fills the gap in this area of media studies and defends the historiographic power of long-form dramas. Dr. Weeks is a lecturer in the Bachelor of Art and Design Programme at Media Design School in Auckland, New Zealand. By focusing on this change and its effects, History by HBO outlines how history is crafted on television and the diverse forms it can take. Weeks examines the capabilities of the long-form serial for engaging with historical stories, insisting that the shift away from the network model and toward narrowcasting has enabled challenging histories to thrive in home settings. As an examination of HBO's unique structure for producing quality historical dramas, Weeks provides four case studies of HBO series set during different periods of United States history: Band of Brothers (2001), Deadwood (2004–2007), Boardwalk Empire (2012–2014), and Treme (2010–2013). In each case, HBO's lack of advertiser influence, commitment to creative freedom, and generous budgets continue to draw and retain talent who want to tell historical stories.Balancing historical and film theories in her assessment of the roles of mise-en–scène, characterization, narrative complexity, and sound in the production of effective historical dramas, Weeks' evaluation acts as an ode to the most recent Golden Age of TV, as well as a critical look at the relationship between entertainment media and collective memory. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture