New Books in Popular Culture

The tomato gets no respect. Never has. Stored in the dustbin of history for centuries, accused of being vile and poisonous, appropriated as wartime propaganda, subjected to being picked hard-green and gassed, even used as a projectile, the poor tomato is the Rodney Dangerfield of foods. Yet, the tomato is the most popular vegetable in America (and, in fact, the world). It holds a place in America's soul like no other vegetable, and few other foods. Each summer, tomato festivals crop up across the country; John Denver had a hit single titled "homegrown Tomatoes;" and the Heinz tomato ketchup bottle, instantly recognizable, is in the Smithsonian.Author William Alexander is on a mission to get tomatoes the respect they deserve. Supported by meticulous research but told in a lively, accessible voice, Ten Tomatoes that Changed the World (Grand Central Publishing, 2022) seamlessly weaves travel, history, humor, and a little adventure (and misadventure) to follow the tomato's trail through history. A fascinating story complete with heroes, con artists, conquistadors and, no surprise, the Mafia, this book is a mouth-watering, informative, and entertaining guide to the good that has captured our hearts for generations.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The national anthem of the United States is familiar around the world from Olympic medal ceremonies and American patriotic celebrations. Like anything that is over 200 years old, the meaning of The Star-Spangled Banner has changed over time and the song has been the focus of controversy at different times in its history. What many people think they know about the anthem is as much myth and legend as it is fact. Mark Clague explores many aspects of the song in his book, O Say Can you Hear? : A Cultural Biography of The Star-Spangled Banner (Norton, 2022). Francis Scott Key wrote the lyric to what would become the American national anthem around the time of a battle he witnessed during the War of 1812 between the United States and Britain. As was the custom at the time, he intended for the words to be sung to a pre-existent tune that potential performers would have known. By the time Congress officially named the song the US’s anthem in 1931, it was merely ratifying what had already become a cultural tradition. The Star Spangled Banner has its detractors: the melody is difficult to sing, the words are hard to remember and militaristic. Francis Scott Key was a slaveholder and the word “slave” appears in the third verse. Clague takes on this seemingly straightforward history and more recent controversy by busting myths about the anthem, delving deep into the history of the song from its composition until the present, and highlighting some key performances that have helped to shape Americans’ understanding of their country and themselves. The book is just one aspect of a larger public humanities project. The website for the Star Spangled Music Foundation contains even more information on the anthem and its history including content suitable for educators working from Kindergarten to the college level and continues to be updated.Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Margaret Cohen joins John to discuss The Underwater Eye, which explores "How the Movie Camera Opened the Depths and Unleashed New Realms of Fantasy." Margaret's earlier prizewinning books include The Novel and the Sea and The Sentimental Education of the Novel, but this project brings her places even her frequent surfing forays hadn't yet reached. She charts the rise of "wet for wet" filming both in the ocean itself and in various surrogates, exploring the implications of entering a domain that humans can explore and come to know, but never master.She and John discuss the rarity of professional divers in early 19th century (Henri Edwards 1843) and Natasha Adamowsky on the abiding fear of the depths. Conversation also pivots towards such SF classics as Stanislas Lem Solaris (1961), featuring a sentient underwater being which controls the planetary tides, though this wrinkle disappears in the 1971 Tarkovsky film. Margaret wittily labels the unintended consequences of human agency the "dialectic of the anthropocene."Mentioned in the episode 1916 20,000 Leagues was Hollywood’s first great underwater filming project. Underwater scenes of a length and complexity not seen again until modern films like The Deep (1977). Man Ray The Starfish is proof of high art's shared investment (also in Jean Painleve's science and sexlife films) in the same oceanic aspects that thrilled popular filmmakers. Esther William's Jupiter's Darling may be the apotheosis of bathing beauty breath-holding. Undersea World of Jacques Cousteau Sea Hunt with Lloyd Bridges as underwater beefcake. Luc Besson, The Big Blue Recallable Books/FilmsMargaret chose Creature from the Black Lagoon 1954 which inspired Benicio del Toro's The Shape of Water (a "dry for wet" film, shot in studio rather than underwater) and was in its turn inspired by Gabriel Figueora, cinematographer of The Pearl'John favored a SF novel about space aliens who on landing seek out the oceanic depths, John Wyndham The Kraken Wakes (1953)Read a transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Buy Black: How Black Women Transformed US Pop Culture (University of Illinois Press, 2022), Aria Halliday negotiates the line between "sell out" and "for us, by us," exploring how Black women cultural producers' further Black women's historical position as the moral compass and arbiter of Black racial progress in the United States. Black women cultural producers' aesthetic choices communicate that even though capitalist discourses dictate that anything is sellable in our society, there are some symbols of beauty, femininity, and sexuality that sell better than others because of how they occupy the set of already recognizable and, at times, relatable representations of blackness. While they compete in the consumer market for the attention and loyalty of Black consumer dollars, their capitulation to white corporate interests and audiences requires propagating historical tensions regarding Black consumer citizenship and multicultural inclusion. Each chapter contextualizes the role that Black women in the United States play in the global project of Black consumption, questioning which dolls, which princesses, which rags-to-riches narratives, and which characteristics represent the repertoire of Black girlhood. Through themes of self-making and objectification in dolls, princesses, and hip-hop, Buy Black maps the imagined space of "America" and the cultural attitudes that produced a twenty-first-century Black American sensibility based in representation and consumerism. Buy Black teaches all of us the parameters of Black symbolic power by mapping the confluence of intraracial ideals of blackness, womanhood, beauty, play, and sexuality in popular culture."Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Combining archival research with ethnographic fieldwork, Aniket De's book The Boundary of Laughter: Popular Performances Across Borders in South Asia (Oxford UP, 2022) explores how spaces of popular performance have changed with the emergence of national borders in modern South Asia. The author traces the making of the popular theater form called Gambhira by Hindu and Muslim peasants and laborers in colonial Bengal, and explores the fate of the tradition after the Partition of the region in 1947. Drawing on a rich and hitherto unexplored archive of Gambhira songs and plays, this book provides a new approach for studying popular performances as shared spaces-that can accommodate peoples across national and religious boundaries.Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

This is the definitive biography of singer-songwriter Nick Lowe, best known for "Cruel To Be Kind,” “I Love the Sound of Breaking Glass,” and "(What's So Funny ‘Bout) Peace, Love, and Understanding." Biographer Will Birch, who in addition to being a music writer was a drummer and songwriter with The Records, has known Lowe for over forty years and melds Lowe's gift as a witty raconteur with his own authoritative analysis of Lowe's background and the cultural scenes he exemplifies. Lowe's parallel fame as one of the best interviews in the business will contribute to this first look into his life and work--and likely the closest thing fans will get to an autobiography by this notoriously charming cult figure.This is not an authorized biography, but Lowe has given it his spiritual blessing and his management and label are fully on board. Cruel to Be Kind: The Life and Music of Nick Lowe (Da Capo Press, 2019) is the colorful yet serious account of one of the world's most talented and admired musicians. Based on a tremendous amount of legwork, exclusive interviews with Lowe, and contributions from Elvis Costello, Chrissie Hynde, Ry Cooder, Johnny Marr, Curtis Stigers, Huey Lewis, Daryl Hall, and many others, Cruel to Be Kind is a fascinating and fun portrait of one of the coolest figures in popular music.Will Birch is a former drummer, songwriter and record producer for acts such as Dr Feelgood, the Long Ryders, Any Trouble and Billy Bremner of Rockpile. He enjoyed hits with the Kursaal Flyers (“Little Does She Know”) and The Records (“Starry Eyes”). Throughout the 1990s, Will wrote many articles for Mojo and other music magazines and in 2000 published his first book, No Sleep Till Canvey Island: The Great Pub Rock Revolution. In 2010 he published Ian Dury: The Definitive Biography.Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics (Twitter @15MinFilm). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

We are back for a third season! The Russian invasion of Ukraine reminded us all that “everything old is new again” and that includes Cold War tensions, nuclear fears, and paranoia about “unseen enemies.” With our organizing principle of the Cold War and Hollywood representation, we begin with the Red Scare. We discuss Invasion of the Body Snatchers (1956), The Manchurian Candidate (1962), and The Way We Were (1973). Together these films reveal how the Red Scare cast a wide and enduring shadow on our culture. We highlight three themes. First, Cold War paranoia was a bipartisan issue. Second, the Korean War cast doubt on the relative strength of the military and our institutions long before Vietnam did. And finally, we dispute the comforting lie that progress is inevitable, that we are always on a path towards improvement, advancement, an expansion of rights, and a greater equality among people.Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Should you train your kid to become a pro athlete? Why do Koreans dominate women’s golf? Why should ticket scalpers get more respect? Why are pro sports plagued by doping scandals and ruinous strikes? Learn the answers to these questions and more in my conversation with author Paul Oyer and sports economist Daniel Rascher about Paul’s new book An Economist Goes to the Game: How to Throw Away $580 Million and Other Surprising Insights from the Economics of Sports (Yale UP, 2022).Author Paul Oyer is the Mary and Rankine Van Anda Entrepreneurial Professor, professor of economics, and senior associate dean for academic affairs at the Stanford University Graduate School of Business. His academic research studies the economics of organizations and human resource practices, including the use of stock options plans, non-cash benefits, and the development of the gig economy. His previous books include Roadside MBA, which extracts business lessons from the experiences of small businesses across the US, and Everything I Ever Needed to Know about Economics I Learned from Online Dating which recommends that students stop taking economics classes and spend more time on Tinder (at least I think that’s what it’s about, based on the title—I haven’t read that one yet).To supplement my ignorance, I’m joined on this podcast by my colleague Daniel Rascher. Dan is Professor and Director of Academic Programs for the Sport Management program at the University of San Francisco, where he teaches sports economics and business research methods. As President of SportsEconomics, his clients have included organizations involved in the NFL, MLB, NBA, NHL, MLS, PGA, NCAA, AHL, sports media, minor league baseball, Formula One racing, CART, Premier League Football, local sports commissions, and various government agencies. He has authored articles for academic and professional journals, book chapters, and a text book in the sport management and economics fields.Host Peter Lorentzen is Chair of the Department of Economics at the University of San Francisco, where he leads a new Master's program in Applied Economics focused on the digital economy. His research examines the political economy of governance in China. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

On this episode of Darts and Letters, we took a personal journey into virtual sport. Listen in as guest host (and regular lead producer) Jay Cockburn gets ready to enter the world of e-sports, with a lesson in Super Smash Bros from a top player and professional coach. Find out why he won’t make it (spoiler alert: he doesn’t have that reaction time he used to); but also, find out why he might not want to make it. Unfortunately, e-sports have many of the problems that ‘real’ sports do, and some are even worse. E-sports have lower pay, more stringent IP regimes, singular corporate control, and less labour organizing. However, could things be changing? Jay talks to Alexander Lee, esports and games reporter at Digiday. He takes us through the booming world of esports: the good, the bad, the repetitive stress injuries, and what to do about it.—————————-SUPPORT THE SHOW—————————-You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.——————-ABOUT THE SHOW——————For a full list of credits, contact information, and more, visit our about page. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Just about every major film now comes to us with an assist from digital effects. The results are obvious in superhero fantasies, yet dramas like Roma also rely on computer-generated imagery to enhance the verisimilitude of scenes. But the realism of digital effects is not actually true to life. It is a realism invented by Hollywood—by one company specifically: Industrial Light & Magic.The Empire of Effects: Industrial Light & Magic and the Rendering of Realism (University of Texas Press, 2022) shows how the effects company known for the puppets and space battles of the original Star Wars went on to develop the dominant aesthetic of digital realism. Julie A. Turnock finds that ILM borrowed its technique from the New Hollywood of the 1970s, incorporating lens flares, wobbly camerawork, haphazard framing, and other cinematography that called attention to the person behind the camera. In the context of digital imagery, however, these aesthetic strategies had the opposite effect, heightening the sense of realism by calling on tropes suggesting the authenticity to which viewers were accustomed. ILM’s style, on display in the most successful films of the 1980s and beyond, was so convincing that other studios were forced to follow suit, and today, ILM is a victim of its own success, having fostered a cinematic monoculture in which it is but one player among many.Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture